With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." A number of songs written or popularized by Burnett—such as "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful"—have become blues and blues rock standards.
At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the "classic" 1950s Chicago blues singers. This rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters. Howlin' Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs, and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.'" In 2004, Rolling Stone magazine ranked him #51 on their list of the "100 Greatest Artists of All Time".
Burnett died at Hines VA Hospital in Hines, Illinois on January 10, 1976 and was buried in Oak Ridge Cemetery, Hillside, Cook County, Illinois in a plot in Section 18, on the east side of the road. His large gravestone, allegedly purchased by Eric Clapton, has an image of a guitar and harmonica etched into it.
The Howlin' Wolf Memorial Blues Festival is held each year in West Point, Mississippi. Wolf's Juke Joint Jam is another annual Howlin' Wolf tribute festival held in West Point. Some of the artists who have played 'Wolf Jam' include Wolf's lead guitarist Hubert Sumlin, Muddy Waters' back band of Willie "Big Eyes" Smith, Calvin "Fuzz" Jones and "Steady Rollin" Bob Margolin, Willie King, Blind Mississippi Morris, Kenny Brown, Burnside Exploration, etc. The festival is held at the 500-acre (2.0 km2) festival grounds known as Waverly Waters Resort.
A popular music venue in New Orleans, Louisiana was named The Howlin' Wolf when it opened in 1988.
Burnett was portrayed by Eamonn Walker in the 2008 motion picture Cadillac Records.
Smoke Stack Lightning
Howlin' Wolf Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
UH-UH
UH OH OH OH OH OH OH OH
You-you-you-UH-UH-UH
YEE
yeah
HEY SMOKESTACK LIGHTNIN'
CAN'T YA HEAR ME CALL-CALLIN' YOUR NAME
SOMEBODY CALL YO' MAMA
SOMEBODY CALL YA DAD
SOMEBODY CALL YOUR MAMA
YOU'RE DADDY'S LITTLE BABY
why-why-why-YEAH YOU'RE DADDY'S LITTLE BALL AN' CHAIN
YOU AN' I'S GOIN' OVER THERE
YOU AN' I'S GOIN' OVER THERE
YOU AN' I
Whoa whoa whoa-whoa-whoa-whoa
Cha cha
HUH
Cha cha cha
Hey Kimball turn that down
she ain't really gone
I'm a-callin' her name
WHOO-OO OO OO
WHOO-OO OO OO
WHOO-OO OO OO
Oh yeah
WHOO-OO OO OO
Aaw well well
Well smokestack
Well smokestack
Well well smokestack
Well well smokestack
YEAH YEAH YEAH YEAH YEAH YEAAAH
WELL SMOKESTACK LIGHTNIN'
CAN'T YA HEAR ME CALLIN'
AH CAN'T YA HEAR ME CALL-CALLIN' YOUR NAME
WELL SMOKESTACK LIGHTNIN'
AH CAN'T YA HEAR ME CALLIN'
See-see-CAN'T YA HEAR ME CALL-CALL-CALLIN' YOUR NAME
YEAH AH WHOO-OO YEAH AH WHOO-OO
YEAH AH WHOO-OO
YEAH AH WHOO-OO YEAH AH WHOO-OO
YEAH AH WHOO-OO
YEAH AH WHOO-OO YEAH AH WHOO-OO
YEAH AH WHOO-OO
YEAH AH WHOO-OO YEAH AH WHOO-OO
YEAH AH WHOO-OO
YEAH AH WHOO-OO
Yeah yeah
Ha ha ha ha ha
Did you get that?
Whoo Joanie, I want that for Christmas! Ha-ha
Is that on the tape?
Ready Tom?
Wait
It's on
Oh
Howlin' Wolf's song "Smoke Stack Lightning" is a blues classic that was released in 1956. The song's opening features a distinctive howling that sets an eerie, intense tone for the rest of the song. The lyrics are open to interpretation, but they are generally believed to describe a train that is blasting its whistle as it passes through the night. The train whistle is said to resemble the howling of a wolf, which is the source of the singer's nickname.
The repetition of the phrase "Can't ya hear me callin'" might suggest loneliness and longing. The lyrics also mention someone's mama and daddy, which could be a plea for comfort, support, and connection. The line "You're daddy's little ball and chain" could be a reference to the burdens and responsibilities that come with family and relationships. The call and response between the singer and the background vocals adds texture and urgency to the song.
Overall, "Smoke Stack Lightning" is a haunting, evocative song that captures the primal energy and emotion of the blues.
Line by Line Meaning
UH-UH
The singer is using an interjection to imply a negative response
UH-UH
The singer continues using the same interjection to imply a negative response
UH OH OH OH OH OH OH OH
The singer is using an exclamation to express excitement or surprise
You-you-you-UH-UH-UH
The singer is addressing someone or something and then using the interjection to imply a negative response
YEE
The singer is using an exclamation similar to 'yay!' to express enthusiasm or excitement
HEY SMOKESTACK LIGHTNIN'
The singer is calling out to something called 'smokestack lightnin''
AH CAN'T YA HEAR ME CALLIN'
The singer is asking if 'smokestack lightnin'' can hear them calling out
CAN'T YA HEAR ME CALL-CALLIN' YOUR NAME
The singer is repeating their question, asking 'smokestack lightnin'' if they can hear them calling their name
SOMEBODY CALL YO' MAMA
The singer is asking someone to call 'smokestack lightnin''s mother
SOMEBODY CALL YA DAD
The singer is asking someone to call 'smokestack lightnin''s father
SOMEBODY CALL YOUR MAMA
The singer repeats their request to call 'smokestack lightnin''s mother
YOU'RE DADDY'S LITTLE BABY
The singer is implying that 'smokestack lightnin'' is someone's child
why-why-why-YEAH YOU'RE DADDY'S LITTLE BALL AN' CHAIN
The singer is repeating their implication that 'smokestack lightnin'' is someone's child while adding that they are a burden or nuisance
YOU AN' I'S GOIN' OVER THERE
The singer is indicating that they and someone else are moving to a different location
Whoa whoa whoa-whoa-whoa-whoa
The singer is using an exclamation to express surprise or excitement
Cha cha
The singer is using an interjection to indicate a rhythmic beat or dance
HUH
The singer is using an interjection to express confusion or surprise
Cha cha cha
The singer repeats their earlier interjection indicating a rhythmic beat or dance
Hey Kimball turn that down
The singer is addressing someone named 'Kimball' and asking them to lower the volume of something
she ain't really gone
The singer is indicating that someone or something is still present, despite being thought to have left or disappeared
I'm a-callin' her name
The singer is indicating that they are trying to get someone's attention by calling their name
WHOO-OO OO OO
The singer is using an exclamation to express excitement or enthusiasm
WHOO-OO OO OO
The singer repeats their earlier exclamation
WHOO-OO OO OO
The singer repeats their earlier exclamation
Oh yeah
The singer is using an exclamation to express enthusiasm, agreement, or satisfaction
Aaw well well
The singer is using an interjection to express surprise or disappointment
Well smokestack
The singer is addressing 'smokestack lightnin''' directly
Well smokestack
The singer repeats their earlier address to 'smokestack lightnin'''
Well well smokestack
The singer repeats their earlier address to 'smokestack lightnin''', with added emphasis
Well well smokestack
The singer repeats their earlier address to 'smokestack lightnin''', with added emphasis
YEAH YEAH YEAH YEAH YEAH YEAAAH
The singer is using an exclamation to express enthusiasm or excitement
WELL SMOKESTACK LIGHTNIN'
The singer is addressing 'smokestack lightnin''' directly
AH CAN'T YA HEAR ME CALLIN'
The singer is asking if 'smokestack lightnin'' can hear them calling out
AH CAN'T YA HEAR ME CALL-CALLIN' YOUR NAME
The singer is repeating their question, asking 'smokestack lightnin'' if they can hear them calling their name
See-see-CAN'T YA HEAR ME CALL-CALL-CALLIN' YOUR NAME
The singer is repeating their question, with added emphasis, asking 'smokestack lightnin'' if they can hear them calling their name
YEAH AH WHOO-OO YEAH AH WHOO-OO
The singer is using an exclamation to express excitement
YEAH AH WHOO-OO
The singer repeats their earlier exclamation
YEAH AH WHOO-OO YEAH AH WHOO-OO
The singer repeats their earlier exclamation, with added emphasis
YEAH AH WHOO-OO
The singer repeats their earlier exclamation
YEAH AH WHOO-OO YEAH AH WHOO-OO
The singer repeats their earlier exclamation, with added emphasis
YEAH AH WHOO-OO
The singer repeats their earlier exclamation
YEAH AH WHOO-OO YEAH AH WHOO-OO
The singer repeats their earlier exclamation, with added emphasis
YEAH AH WHOO-OO
The singer repeats their earlier exclamation
YEAH AH WHOO-OO YEAH AH WHOO-OO
The singer repeats their earlier exclamation, with added emphasis
YEAH AH WHOO-OO
The singer repeats their earlier exclamation
Yeah yeah
The singer is using an exclamation to express excitement, agreement, or satisfaction
Ha ha ha ha ha
The singer is using an exclamation to express laughter, amusement, or happiness
Did you get that?
The singer is asking if someone understood something
Whoo Joanie, I want that for Christmas! Ha-ha
The singer is addressing someone named 'Joanie' and expressing their desire for something as a gift
Is that on the tape?
The singer is asking if something is recorded on tape
Ready Tom?
The singer is addressing someone named 'Tom' and asking if they are ready
Wait
The singer is requesting to pause or delay something
It's on
The singer is confirming that something is recorded or ready to be played
Oh
The singer is using an interjection to express surprise, understanding, or agreement
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, Warner/Chappell Music, Inc.
Written by: Chester Burnett
Lyrics Licensed & Provided by LyricFind
@itsjussaariii9131
Ah-oh, smokestack lightnin'
Shinin' just like gold
Why don't ya hear me cryin'?
A-whoo-hooo, oooo
Whooo
Whoa-oh, tell me baby
What's the matter with you?
Why don't ya hear me cryin'?
Whoo-hooo, whoo-hooo
Whooo
Whoa-oh, tell me baby
Where did ya stay last night?
A-why don't ya hear me cryin'?
Whoo-hooo, whoo-hooo
Whooo
Whoa-oh, stop your train
Let her go for a ride
Why don't ya hear me cryin'?
Whoo-hooo, whoo-hooo
Whooo
Whoa-oh, fare ya well
Never see a you no more
A-why don't ya hear me cryin'?
Oooo, whoo-hooo, whoo-hooo
Whooo
Whoa-oh, who been here baby since
I-I been gone, a little, bitty boy?
Girl, be on
A-whoo-hooo, whoo-hooo
Songwriter: Howlin' Wolf
@MelancoliaI
My dad loved this kind of music. I was indifferent to it until life knocked me around a bit. Now I love it.
@j.vinton4039
Usually how it happens bro. My old man is a Texas blues man. Couldn’t stand it as a kid, now in my 30’s the shit sounds like butter and gold.
@dantesderivatives
I'll admit I actually liked music like this growing up.....but WAY more after the great humbling of my 20's...Music with pain always sounds better
@cliffmorrison3568
It's been said many times, you don't understand the blues until you experience some blues.
@jukejoint523jordan6
I got into blues on a road tríp from Florida to South Carolina with my Uncle and his friend, the whole 7 hr trip was full of Blues tracks, that was back in 1994, Unc passed thst ssme year and we burried him on my 17th Birthday. Before he died he gave me his Fender Stratocaster Guitar and I've been playing it ever since. R.i.P Unc
@andyknowles772
@@dantesderivatives
"The flowers of hell"
@billboswaggins1610
Played this for my huskie he is now a grey wolf.
@drislady
Nice. ☺️
@sagvjc2525
Ah hueso lolol
@denniswarren4019
Lol