History
History
2005–2008: Beginnings
Hurts performing in January 2010
Anderson (born 14 May 1985 in Manchester) and Hutchcraft (born 30 August 1986 in Richmond, North Yorkshire) met outside Manchester's 42nd Street nightclub in November 2005, standing by while their friends got involved in a fight. Too drunk to join in, they began discussing music instead; realising they had similar tastes, they decided to start a band. Over the next few months, they exchanged music and lyrics via e-mail, before forming Bureau in March 2006. They performed their first gig as a quintet in May at The Music Box in Manchester, and were shortly afterwards signed to independent record label High Voltage Sounds. They released their first double A-side single "After Midnight"/"Dollhouse" in November, which was made Single of the Week on Xfm. In 2007, Bureau disbanded and Hutchcraft and Anderson formed the band Daggers soon after. They signed to Label Fandango and in October released another double A-side single, "Money"/"Magazine", which, despite failing to chart, was nominated for the Popjustice £20 Music Prize.
Throughout 2008, Daggers continued to build a following and began working with producers Biff Stannard and Richard X, but after a disastrous A&R showcase in London in September, Theo and Adam returned to Manchester to reflect on the band's future. They recorded a mournful ballad called "Unspoken" together and they immediately realised that this was the sound that they wanted to develop as a duo. After informing the rest of the band that it was finished, they went on a short break to Verona in Italy, where they claim they discovered a musical genre called "Disco Lento". Daggers split on 30 January 2009.
2009–2012: Happiness
Now called Hurts, the duo recorded an amateur music video for a song called "Wonderful Life", with a female dancer who had responded to an advert they placed in a post office in Manchester. After they uploaded the video to their YouTube channel on 21 April 2009, it quickly went viral and has since had over 38 million views. In July, the band was signed to Sony subsidiary RCA Records as well as RCA imprint Major Label Records, run by their old friend Biff Stannard.
Although Hutchcraft and Anderson had decided to not do any gigs until they had enough songs, they began uploading demos to their Myspace page, and on 27 July 2009, they were named Band of the Day by The Guardian. On 7 December, they made the longlist of the Sound of 2010, an annual poll of music critics and industry figures conducted by the BBC. Following spot plays on BBC Radio 1 of "Wonderful Life", Hurts were invited to record at London's Maida Vale Studios on 9 December for Huw Stephens' radio show, where they performed "Illuminated" and "Silver Lining".
Hurts performing in October 2010
2010 began with Hurts finishing fourth on the Sound of 2010 poll, behind Ellie Goulding, Marina and the Diamonds, and Delphic. On 7 January, Zane Lowe premiered the song "Blood, Tears & Gold" as his "Hottest Record in the World", and another self-made music video debuted online three days later. Having released a limited edition 12" vinyl picture disc of the Arthur Baker remix of "Wonderful Life" on 18 January, Hurts performed their first ever gig as Hurts on 22 January at the Michalsky Stylenite in Berlin, followed by St Phillips Church in Salford on 22 February. This was quickly followed by gigs at Wiltons Music Hall, London, and in Berlin and Cologne in Germany.
In March, "Wonderful Life" was released to radio in various European territories; as manager Matt Vines explained to Music Week, the aim was to launch the band simultaneously across Europe and Asia. "It's an internationally focused campaign. We're looking at tours across Europe to back up the work we are doing in the UK." The single became a radio hit in countries such as Denmark, Cyprus and Russia throughout the spring. On 10 March, their first UK single "Better Than Love" was premiered on Huw Stephens' show on BBC Radio 1. After a nationwide tour with the NME Radar tour, the song was released on digital download, CD and vinyl formats on 24 May, and debuted at number 50 on the UK Singles Chart.
Following success on Greek radio, Hurts were invited to perform at the MAD Video Music Awards ceremony in Athens in front of 11,000 people on 15 June. Also in June, Kylie Minogue recorded a verse and backing vocals for the song "Devotion", which was to be included on the band's album. Hurts recorded a performance of Kylie's 1994 hit "Confide in Me" for newspaper The Sun's website, and has since been a regular inclusion on their gig setlists. Kylie later returned the compliment by recording a performance of "Wonderful Life" in Radio 1's Live Lounge.
Throughout the summer, Hurts performed at several music festivals including V Festival and T in the Park in the UK, Pukkelpop in Belgium, and SWR3 New Pop Festival in Germany. "Wonderful Life" was released in Germany on 6 August and it debuted at number two on the German Singles Chart. It was released in the UK on 23 August, where it debuted at number 21, becoming their first UK top 40 hit. The album Happiness, which had been recorded at Sunshine Dance Studios in Manchester and Pellerin in Gothenburg with producer Jonas Quant, was released on 6 September. It debuted at number four in the UK Albums Chart, selling 25,000 copies in its first week on sale, which made it the fastest selling debut album by a band in 2010.
In October, Hurts embarked on their first full headline UK tour, performing in Brighton, Leeds, Glasgow, Manchester, Birmingham, Bristol, and London. Their third UK single "Stay" was released in November, reaching number 50 in the chart. Meanwhile, in Germany, "Wonderful Life" was certified platinum for sales in excess of 500,000 copies, and they were awarded the BAMBI award for Best International Newcomer. They were also nominated at the MTV Europe Music Awards in the Best Push Artist category. Hurts ended 2010 by supporting Scissor Sisters on their UK arena tour in December, and released a Christmas single called "All I Want for Christmas Is New Year's Day" for free download on iTunes.
Happiness climbed back into the UK Top 30 albums chart in February 2011 following a second nationwide headline tour, several TV appearances including on The Graham Norton Show, and winning Best New Band at the NME Awards on 23 February, where they also performed "Wonderful Life". A fourth single from the album, "Sunday", was released in the UK on 27 February and it debuted at number 57, whilst the second single in Germany, "Stay", reached number three. In March, Hurts were awarded Best International Newcomer at the ECHO Awards in Germany. A fifth single, "Illuminated", was released in the UK on 9 May, entering the chart at number 159, though it had already reached number 68 in September 2010, following its use on trailers for television channel Sky1.
On 26 June, Theo and Adam performed on the John Peel stage at the Glastonbury Festival, and their full set was broadcast on a loop on the BBC Red Button channel. Readers of music magazine NME voted their performance as the best of the festival, putting them ahead of headliners U2, Coldplay, and Beyoncé. They were later voted "Band of the Summer" by the same magazine. In June 2011 they announced a remix of the track "Lonely Lisa" by French singer Mylène Farmer.
"Blood, Tears & Gold" was released as the third single in Germany on 7 October, peaking at number 39. A deluxe CD/DVD edition of Happiness was released on 31 October. The album eventually sold 400,000 copies in Germany, earning it double platinum status. It sold 150,000 copies in the United Kingdom, and spent a year on the UK Top 200 albums chart.
Hurts embarked on their first full European tour in October 2011, performing in Ukraine, Czech Republic, Poland, Germany, Lithuania, Estonia, Finland, Russia, Belarus, Serbia, Croatia, Italy, Greece, Austria, Switzerland, North Macedonia, and the UK. They said in interviews that they planned to start writing and recording for their second album after they have completed the tour, but that they might find it more difficult than their first. On 4 November 2011, Hurts played their last show of their 'Happiness Tour' at Brixton Academy where Kylie Minogue joined them on stage to perform "Devotion" and "Confide in Me". Hurts have confirmed more festival shows for summer 2012. In 2012, Hurts played the Summerwell Festival, Romania (11 August), Open Air Zofingen, Switzerland (12 August) and the Pildyk Friends Festival, Lithuania (14 August).
2012–2015: Exile
Hurts performing in July 2014
In September 2012, Hurts confirmed that recording of their next album was underway, with producer Jonas Quant. Their second studio album, Exile, was available on 11 March 2013. A video-teaser on iTunes contained a new track from Exile called "The Road", which was released on 14 December 2012 on YouTube. In autumn 2013 the video got a nomination for UK Music Video Awards as the Best Music Ad – TV or Online. An audio-only video of "The Road" was also uploaded.
The lead single from the album, "Miracle", premiered on BBC Radio 1 on 4 January 2013. A music video directed by Chris Turner was uploaded to YouTube on 4 February, but was permanently removed shortly after. A second video was shot and appeared online on 28 February. The single reached number 23 in Germany and number 120 in the UK.
Exile was released on 8 March 2013, achieving a top ten position in ten countries worldwide, debuting at number three in Germany and number nine in the UK. "Blind" was released as the second single on 20 May, and "Somebody to Die For" followed as the third on 21 July. With the release of "Somebody to Die for" they included a cover version of "Ohne Dich" from the German band Selig. The band continued their Exile Tour across Europe in October and November 2013 and March 2014.
2015 – 2017: Surrender
In May 2015, Hurts released a new single titled "Some Kind of Heaven". The release was produced with long-term collaborator Jonas Quant.On 6 October 2015, Hurts released the music video for "Wish", directed by Bryan Adams. Surrender was released on 9 October 2015. At the end of the tour for the album, Hurts released a video for the song "Nothing Will be Bigger Than Us". The video consisted of live concert footage of the Surrender tour in Moscow and London.
2017–2018: Desire
"Beautiful Ones", the first single from Desire, was released on 21 April 2017, the one-year anniversary of the death of American musician Prince, whom Hurts have cited as an inspiration. The song is assumed to be inspired by the Prince song "The Beautiful Ones", from his 1984 breakthrough album Purple Rain. The video for the song was shot in Kiev and was also released on 21 April 2017. In the video, which plays out in reverse, Hutchcraft portrays a drag queen who is chased and beaten by a group of men after one of them mistakes him for a woman in a nightclub and subsequently feels that his masculinity has been insulted. On 1 September, the band released another single, "Ready to Go". The video was filmed in Horwich, Greater Manchester. On 22 September, a single titled "Hold On to Me" was released.
Desire was released on 29 September 2017. During the tour for the album, Hurts liked the welcome they received from fans in Russia so much that they extended the tour to include a return to Russia at the end of it. The second part of the tour also saw the duo perform in Taiwan, South Korea, Japan, and China. The final concert took place in Bucharest on 22 September 2018.
2020–present: Faith
In May 2020, Hurts blacked out their pictures on their social media profiles and posted links to a Telegram profile, on which they released puzzles leading to the release of a lyric video for "Voices", the first single from their upcoming fifth album. With lyrics inspired by "isolation, desperation, and mania", Hutchcraft said that "Voices" had become "oddly prescient" during the COVID-19 pandemic. On 24 June, they revealed that the upcoming album would be titled Faith and released its second single, "Suffer". On 16 July, they released a third single called "Redemption" and announced that the album was released on 4 September.
Suffer
Hurts Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I'll show you how to make your head and body disconnect
My darkest feelings start to coalesce
And I feel the bubbles as my blood it starts to effervesce
Whisper your petty little epithets
And run your fingers down my body like a bayonet
I see you flexing in the silhouette
I feel
I suffer
I lose myself in you
I feel
I suffer
I suffer (I suffer)
Touch me and make me feel your misery
And play me like you play your twisted little symphony
'Cause I'm just addicted to you
I'm just addicted to you
I'm just addicted to the way you get the worst of me
I feel
I suffer
I lose myself in you
I feel
I suffer
I suffer
And in our little world
I disappear into you
Into you
And I feel
I suffer
I suffer
(I suffer, I suffer)
I feel
I suffer
I lose myself in you
And I feel
I suffer
I suffer
I feel
I feel
I feel
Yeah, I feel (I suffer)
I feel (I suffer)
I feel
(I suffer, I suffer)
The lyrics of Hurts's song "Suffer" delve into themes of vulnerability, anguish, and addiction in a tumultuous relationship. The song's provocative language and vivid imagery paint a picture of a toxic and intense connection between two individuals.
In the first verse, the singer suggests a desire for intellectual stimulation and challenges the listener to show their "sexy little intellect." This might represent a yearning for a partner who can mentally engage and captivate them. The lyrics then express a willingness to disconnect from one's own thoughts and emotions by allowing the other person to take control. The mention of "darkest feelings" and the effervescence of blood suggest a mix of emotional turmoil and physical excitement.
The second verse intensifies the dynamics between the two individuals. The singer asks the other person to whisper hurtful words, comparing them to a bayonet that causes pain. The mention of flexing in a silhouette implies a display of power and dominance. By asking the other person to tip their head back to experience the "full effect," the singer suggests a craving for a complete immersion in this destructive relationship.
The chorus of the song highlights the singer's feelings of suffering and losing oneself in the other person. The repetition emphasizes the intensity of these emotions and the bondage they feel towards their partner. The lyrics also imply an addiction to the partner's ability to bring out the worst in them, suggesting a destructive cycle they can't escape.
The bridge of the song introduces an element of coercion and manipulation. The singer describes the desire for the other person to touch them and make them feel their own misery. This implies a twisted desire to experience pain in order to feel connected and understood. The reference to a twisted symphony suggests that the relationship is characterized by chaos and discord, yet they find themselves drawn to it regardless.
In the final repetition of the chorus, the lyrics emphasize the visceral nature of the emotions felt by the singer, emphasizing their suffering and their inability to break free from the addictive cycle. The closing line, "I feel, I feel, I feel," exemplifies the overwhelming intensity of emotions experienced in this volatile relationship, implying that they are caught in a tumultuous emotional storm.
Overall, the lyrics of "Suffer" provide an insight into the complex and destructive dynamics of a relationship where suffering and addiction intertwine, showcasing the inner turmoil and vulnerability experienced by the singer.
Line by Line Meaning
Show me your sexy little intellect
Reveal your enticing intelligence to me
And I'll show you how to make your head and body disconnect
I will demonstrate how to detach your mind and physical self
My darkest feelings start to coalesce
My deepest emotions begin to merge together
And I feel the bubbles as my blood it starts to effervesce
I sense the bubbling sensation as my blood becomes lively
Whisper your petty little epithets
Murmur your insignificant insults
And run your fingers down my body like a bayonet
Glide your fingers over my form with aggression
I see you flexing in the silhouette
I observe you exhibiting strength in the outline
So tip back your head if you want to feel the full effect
Tilt your head backward for the complete impact
Touch me and make me feel your misery
Caress me and let me experience your anguish
And play me like you play your twisted little symphony
Manipulate me as you do your distorted composition
'Cause I'm just addicted to you
Because I am simply obsessed with you
I'm just addicted to you
I am solely reliant on you
I'm just addicted to the way you get the worst of me
I am solely addicted to how you bring out my darkest side
And in our little world
Within our intimate sphere
I disappear into you
I vanish, merging with you
And I feel
And I experience
I suffer
I endure pain
I suffer
I endure pain
I feel
I experience
I suffer
I endure pain
I suffer
I endure pain
Touch me and make me feel your misery
Caress me and let me experience your anguish
And play me like you play your twisted little symphony
Manipulate me as you do your distorted composition
'Cause I'm just addicted to you
Because I am simply obsessed with you
I'm just addicted to you
I am solely reliant on you
I'm just addicted to the way you get the worst of me
I am solely addicted to how you bring out my darkest side
I feel
I experience
I suffer
I endure pain
I lose myself in you
I become lost within you
I feel
I experience
I suffer
I endure pain
I suffer
I endure pain
I feel
I experience
I feel
I experience
I feel
I experience
Yeah, I feel (I suffer)
Yes, I feel (I endure pain)
I feel (I suffer)
I feel (I endure pain)
I feel
I experience
(I suffer, I suffer)
(I endure pain, I endure pain)
Lyrics © Sony/ATV Music Publishing LLC
Written by: Adam Anderson, Martin Forslund, Theo Hutchcraft
Lyrics Licensed & Provided by LyricFind
@martynaiwona7384
Show me your sexy little intellect
And I'll show you how to make your head and body disconnect
My darkest feelings start to coalesce
And I feel the bubbles as my blood it starts to effervesce
[Verse 2]
Whisper your petty little epithets
And run down your fingers down my body like a bayonet
I see you flexing in the silhouette
So tilt back your head if you want the feel the full effect
[Chorus]
I feel, I suffer, I lose myself in you
I feel, I suffer, I suffer (I suffer)
[Verse 3]
Touch me and make me feel your misery
And play me like you play your twisted little symphony
'Cause I'm just addicted to you, I'm just addicted to you, I'm just addicted to the way you get the worst of me
[Chorus]
I feel, I suffer, I lose myself in you
I feel, I suffer, I suffer (I suffer)
[Post-Chorus]
And in the little world I disappear into you, into you
And I feel, I suffer, I suffer
[Chorus]
(I suffer, I suffer)
I feel, I suffer, I lose myself in you
And I feel, I suffer, I suffer
I feel, I feel, I feel
Yeah I feel (I suffer), I feel (I suffer), I feel
(I suffer, I suffer)
@katifimaier880
LYRICS
Show me your sexy little intellect
And I'll show you how to make your head and body disconnect
My darkest feelings start to coalesce
And I feel the bubbles as my blood it starts to effervesce
Whisper your petty little epithets
And run your fingers down my body like a bayonet
I see you flexing in the silhouette
So tilt back your head if you want to feel the full effect
I feel, I suffer, I lose myself in you
I feel, I suffer, I suffer (I suffer)
Touch me and make me feel your misery
And play me like you play your twisted little symphony
'Cause I'm just addicted to you, I'm just addicted to you, I'm just addicted to the way you get the worst of me
I feel, I suffer, I lose myself in you
I feel, I suffer, I suffer (I suffer)
And in the little world I disappear into you, into you
And I feel, I suffer, I suffer
(I suffer, I suffer)
I feel, I suffer, I lose myself in you
And I feel, I suffer, I suffer
I feel, I feel, I feel
Yeah I feel (I suffer), I feel (I suffer), I feel
(I suffer, I suffer)
@user-py7nz6wb9l
Мурашки от звучания. Задевает все струны души. Вспомнила, как раньше испытывала подобные эмоции от Депешей. Думала подобных эмоций мне уже не подарит ни одна группа.
@gamila5473
Да Депеши фанатка их
@callmesierra4762
I honestly feel bad for everyone who hasn't discovered this band yet.
@brycewilson7805
Agreed! I'm in America and they are practically unheard of here. I've been a fan since 2010, and I'm always asked by people who this is when I play their music. I'm actively trying to create more fans here, and have their logo printed huge on the back window of my car. It's a good conversation starter, I'm always asked "What's Hurts?", and then it's my time to shine as I create another fan!
@amandamcandrew263
Agreed. So underrated, I have no idea how.
@matteo7764
I follow them since their first single! Had the pleasure to see them in Italy and Uk. Can't wait to see them again! <3
@joanna3900
Hurts is like a diamond. Wonderful and unique but not everyone can have it.
@tracynelson5423
@@brycewilson7805 Well done! I love it when someone newly discovers Hurts. An American FB friend of mine heard 'Redemption' for the first time and now wants to check out more of their music.
@19902010ism
Шикарно🖤
Молодцы👍
@user-tn7kp6nu8n
Це геніально. Чуттєвий вокал Тео, який проникає у саме серце і дуже якісне, продумане до всіх деталей аранжування - музика в цій пісні - це щось! Пісня дійсно занурює в похмуру й гнітючу атмосферу, передає відчай та готовність змиритись. Дуже навіює духом другого альбому "Exile". Захоплююсь і розчиняюсь у цій пісні; мій уклін надзвичайно талановитому і автентичному дуету, який вкотре підкреслив свою індивідуальність та чарівність.