The band started when frontman Dury (born in Upminster, Essex, United Kingdom on 12 May 1942 and died 27 March 2000), had a chance encounter in a musical instrument hire shop with guitarist Chaz Jankel. Jankel took Dury's lyrics, fashioned a number of songs, and they began recording with drummer Charley Charles, bassist Norman Watt-Roy and the former Kilburns saxophonist Davey Payne. An album was completed, but major record labels passed on the band. However, next door to Dury's manager's office was the newly formed Stiff Records, a perfect home for Dury's maverick style. The classic single "Sex and Drugs and Rock and Roll", marked Dury's Stiff debut and this was swiftly followed by an album. titled 'New Boots and Panties', which was to eventually achieve platinum status.
It wasn't until October 1977 that Dury and his band started to go out as Ian Dury and the Blockheads, when the band signed up for the Stiff "Live Stiffs Tour" alongside Elvis Costello And The Attractions, Nick Lowe, Wreckless Eric and Larry Wallis. The tour was a success and Stiff launched a concerted Ian Dury marketing campaign, resulting in the Top Ten hit What a Waste and the classic UK number one Hit Me With Your Rhythm Stick. The band toured to great acclaim throughout Europe.
The band's second album Do It Yourself was released in June 1979 in a Barney Bubbles-designed sleeve of which there were over a dozen variations, all based on samples from the Crown wallpaper catalogue. Another top ten single, Reasons to be Cheerful, kept Dury in the public eye.
In 1980 Jankel left The Blockheads to concentrate on a solo career and was replaced by former Dr Feelgood guitarist Wilko Johnson, who also contributed to the next album Laughter and its two minor hit singles.
Ian Dury And The Blockheads disbanded in 1981 after Dury secured a new recording deal with Polydor Records through A&R man Frank Neilson, choosing to work with a group of young musicians which he named The Music Students and recorded the album Four Thousand Weeks' Holiday. This album marked a departure from his usual style and was not as well received by fans for its American jazz influence.
The Blockheads reformed several times before Ian Dury's death, most notably to play a series of benefit concerts for Charley Charles.
I Could Lie
Ian Dury and the Blockheads Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
run away before I could walk
I could cheat before I could play
I was gone before I could stay
I could curse before I could cry
I could seeve before I could sigh
I could want before I could need
I could hate before I could feel
I could sell before I could steal
I could creep before I could crawl
I was big before I was small
I could curse before I could cry
I could seeve before I could sigh
I could want before I could need
I was awful in thought, work and deed
la-la-la-la-la, la-la-la-la-la-la-laaa
la-la-la-la-la, la-la-la-la-la-la-laaa
I could lie before I could talk
run away before I could walk
I could cheat before I could play
I was gone before I could stay
I could hate before I could feel
I could sell before I could steal
I could creep before I could crawl
I was big before I was small
I could hurt before I could cry
I could seeve before I could sigh
I could want before I could need
I was awful in thought, word and deed
la-la-la-la-la, la-la-la-la-la-la-laaa
la-la-la-la-la, la-la-la-la-la-la-laaa
la-la-la-la-la, la-la-la-la-la-la-laaa
la-la-la-la-la, la-la-la-la-la-la-laaaaaaaaaaaaaaaaaaaaaaaaaa
The lyrics to Ian Dury and the Blockheads' song "I Could Lie" depict a reflection on the darker aspects of the singer's personality and behavior from a young age. The repetition of the phrase "I could lie before I could talk, run away before I could walk" emphasizes the early emergence of deceptive and evasive tendencies. This can be interpreted as a metaphor for the singer's inclination towards dishonesty and avoidance from the very beginning of their existence.
The subsequent lines describe a progression of negative traits and actions that the singer engaged in before even mastering basic skills. The juxtaposition of abilities such as cheating before playing and hating before feeling suggests a disturbing precocity in negative emotions and behaviors. The repetition of certain lines, like "I could curse before I could cry, I could want before I could need," reinforces the idea of a pattern of maladaptive behaviors and attitudes forming early on.
The refrain of "la-la-la" interspersed throughout the lyrics serves as a contrast to the weighty content of the verses, adding a sense of whimsy or detachment that perhaps underscores the disconnect between the singer's outward persona and their inner struggles. The playful melody juxtaposed with the dark subject matter creates a complex emotional landscape that invites listeners to consider the multifaceted nature of human experience.
Overall, "I Could Lie" can be seen as a meditation on the complexities of human nature and the ways in which early experiences and tendencies can shape our identities and actions. The lyrics paint a picture of a troubled individual grappling with internal conflicts and destructive impulses, offering a poignant exploration of the oftentimes messy journey towards self-awareness and growth.
Line by Line Meaning
I could lie before I could talk
I had the ability to deceive even before I learned to communicate verbally
run away before I could walk
I had the urge to escape long before I had the ability to move on foot
I could cheat before I could play
I resorted to dishonesty before engaging in any innocent activities
I was gone before I could stay
I left situations quickly before giving them a chance to develop or stabilize
I could curse before I could cry
I expressed anger before I could even express sadness
I could seeve before I could sigh
I could envision a negative outcome before I experienced disappointment
I could want before I could need
I desired things before understanding what was truly essential or necessary
I was awful in thought, work and deed
My negativity was present in my thoughts, actions, and behavior
I could hate before I could feel
I harbored animosity before truly connecting with my emotions
I could sell before I could steal
I engaged in transactions before considering dishonest means
I could creep before I could crawl
I moved stealthily before learning to move on hands and knees
I was big before I was small
I assumed a dominant position before understanding humility or modesty
I could hurt before I could cry
I caused pain before expressing my own sorrow
word
I displayed negativity and dishonesty in my communication
la-la-la-la-la, la-la-la-la-la-la-laaa
Musical interlude
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: CHAZ JANKEL, IAN DURY, IAN ROBINS DURY
Lyrics Licensed & Provided by LyricFind