«I just want to make the music I love, without asking myself if it's gonna be too complex or too far from what people like. I want to make the music which has sense to me, with no restrictions, like a big party with metalheads, electronics nerds, classical and baroque-heads and gypsy violinists getting drunk and joining together to bring the best of every genre.»
— Gautier Serre
Initially influenced by the likes of Meshuggah, Chopin, Cannibal Corpse, Bach, Domenico Scarlatti, Taraf de Haidouks and Aphex Twin, traces of these artists can be found littered across Igorrr’s discography, but Serre has never been interested in remaining static or merely recycling ideas, and his work has dramatically evolved accordingly. It deeply explains how Igorrr’s music is such an explosion of creativity while keeping a cohesive universe records after records.
In recent years, Igorrr has also become a collective, rather than the work of one man alone, which has brought a new level of intensity into the group live representations.
He released Nostril (2010) and Hallelujah (2012) on Ad Noiseam. And Savage Sinusoid (2017) on Metal Blade Records.
Excessive Funeral
Igorrr Lyrics
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As this appears to be a series of Russian letters and symbols, it is impossible to provide an interpretation for the given text. Therefore, I will analyze the lyrics to Igorrr's song "Excessive Funeral."
In "Excessive Funeral," the lyrics are entirely spoken in French and describe a chaotic funeral procession. The lyrics paint a picture of a crowded and unruly funeral ceremony filled with mourners who appear to be more interested in causing chaos than paying their respects to the deceased. The singer describes the scene with vivid language, referencing the noise of the mourners' voices, the smell of incense and smoke, and the clanging of bells. The lyrics also discuss the strange objects being carried by the mourners, such as a large cowbell and a bag of onions.
The song's lyrics are intentionally chaotic, reflecting the disorderly and anarchic atmosphere of the funeral procession. The singer's description of the mourners' behaviors and the surreal objects they carry adds to the song's overall absurdity. The song's title, "Excessive Funeral," also reflects the exaggerated and absurd nature of the scene being described.
Contributed by Brooklyn N. Suggest a correction in the comments below.
@HeVsuit
i'm looking at zdzlaw berksinsky work while listening to all igorrr's songs, and it's... beautiful
@johnnyghoul8100
Wait til you discover xoox oxxo ❤
@Cmmf_
2:00 is my favorite melodic razor sounding thing ever. I can't get it out of my head! :D
@ABK1505
You mean the floppy drive sound?
@infiniteobserver8113
Tonal glitch of a snare break, I love it too.
@arnaudguepey5087
@ScumbagOkami totally floppy drive!
@mint3465
You can't spell funeral without fun. :P
@arnaudguepey5087
From 1:45 to 1:55 is probably the most legendary moment in electronic music .. And music on general.
This song is a masterpiece beyond all masterpieces.
@djordjeblaga7815
I'd argue 1:55 to 2:10 is the best part but you do you
@IMN602
DON'T DRIVE TO THIS SONG. it makes you feel invulnerable and unstoppable.....