Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
Get Off Me Dog!
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"Yo, 2 Dope, man, check this out, man
You know what the word on the streets is, dawg
The word on the streets is that you a bitch
What's up with that, man?"
[Shaggy 2 Dope]
Golley guy's rhythm, 'cause me on mic, my on meek
Get off me, dog, before I sting your chin
I let my nutsac flap in the wind
'cause I'm 2 Dope, clown loco G,
And it's one chop, two boing, boom chop three
In the melon, in the back of the melon
One black, two black eyeballs swelling
Always back with stickin, taking back what's more to lordy
Sippin on the blunt, puffing on the 40
Or the O-Z, muthafuck me
Fuck Stuart Frankie, they call me
Jelly jello boy 'cause my nutsac jiggles
And when it's cold out, my nutsac shrivles
And crawls at my booty all warm and snug
And gets chased out by the booty ho bug
Goddamn, I ain't who I am
I'm always fucking fat bitches named Pam
Nineteen years of breathing smog
Has got me mental
So get off me, dog!...
[Chorus (14x)]
Get Off Me, Dog!
The song "Get Off Me, Dog!" by Insane Clown Posse is a rap song in which the rapper Shaggy 2 Dope confronts his critics who have been calling him a "bitch" on the streets. The song is a bold statement of his personality, and he tells them to back off because he is a crazy clown with a unique style. The rapper is proud of his identity and is not afraid to use obscene language and gesture to tell them to stay away from him. Shaggy 2 Dope's lyrics are full of references to his genitalia as he tells his critics about his "nutsac flap" that "jiggles" and "shrivels" in different weather conditions.
Throughout the song, Shaggy 2 Dope uses a variety of slang and colloquialisms that reflect an urban lifestyle. He references smoking "blunts" and "40s" and calls out other rappers such as Stuart Frankie. The Chorus repeats the refrain "Get off me, Dog!" which is a clear message to his critics to stop bothering him. The song is a reflection of the rapper's persona and his struggle to find acceptance in a society that is quick to judge and criticize.
Line by Line Meaning
Motherfuckers tweek, gotta tweek while ya tweek
People criticize and gossip unnecessarily, always looking for something to complain about.
Golley guy's rhythm, 'cause me on mic, my on meek
The other person's rhythm is inconsistent, making it hard to perform.
Get off me, dog, before I sting your chin
Leave me alone or face the consequences.
I let my nutsac flap in the wind
I don't care what anyone thinks of me, I'll be myself.
'cause I'm 2 Dope, clown loco G,
I am unique, and not afraid to be myself.
And it's one chop, two boing, boom chop three
I can handle myself in any situation.
In the melon, in the back of the melon
I can hit anyone, anytime, anywhere.
One black, two black eyeballs swelling
I can cause harm with my words and actions.
Always back with stickin, taking back what's more to lordy
I always protect myself and those I care about.
Sippin on the blunt, puffing on the 40
I relax and unwind in my own way.
Or the O-Z, muthafuck me
I don't care what anyone thinks of me or my choices.
Fuck Stuart Frankie, they call me
I don't care about gossip or rumors about me.
Jelly jello boy 'cause my nutsac jiggles
I am comfortable with myself and embrace my quirks.
And when it's cold out, my nutsac shrivles
I am still myself, no matter the situation or circumstance.
And crawls at my booty all warm and snug
I am confident and comfortable with my own body.
And gets chased out by the booty ho bug
My confidence can repel negativity and drama.
Goddamn, I ain't who I am
I am not affected by the opinions of others.
I'm always fucking fat bitches named Pam
I don't care about societal norms or expectations.
Nineteen years of breathing smog
I have lived life on my own terms and experiences.
Has got me mental
I am comfortable with myself, even if it is seen as crazy or weird by others.
So get off me, dog!...
Leave me alone and let me be myself, regardless of your opinion or judgment.
[Chorus (14x)]
Repeating the message: leave me alone and let me be myself.
Lyrics © Universal Music Publishing Group
Written by: JOSEPH BRUCE
Lyrics Licensed & Provided by LyricFind
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