Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
Radio Stars
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The pinnacle of the pop music genre, will reduce even
The most deplorable examples of the underground music scene
To attempt to change their so-called artistic endeavors, in a
Vain attempt to appeal to the public at large.
Behold, the metamorphosis
Uh, fuck platinum, platinum just ain't enough
I'm sick of juggalos, I want them other hoes
I want them shitty hoes, you get with radio and videos
We'll do whatever it takes to get some air play
We'll make that bounce shit, triple our sales and pay
Yeah, come on Shaggy. What? Follow my lead. Let's go.
It's time we change our shit up to get what we need. Come on.
Uh, radio play!
Yo! Yo! Come on and ride me, ride me,
Pull! Pull! Come on and hide me, hide me,
Cat black I'm gonna grow one, gold one,
Club Cat You want them old ones, old ones,
Black, black, ?
Love me, I'm on the radio, radio,
Cut, cut, We gonna throw it away, throw it away,
Give up, Give us the radio play, radio play,
What? Hey! What? What? What? Hey! What? What? What? Hey!
What? Hey! What? What? What? Hey! What? What? What? Hey!
We in this woodie, what!
We seeing forty forty
The pathetic attempts never cease.
The moronic musical onslaught continues to insult
The intelligence of the savvy consumer.
How much more can an audience be asked to endure?
Didn't work, ah fuck, what happened?
They always told us that we sucked at rapping
Well I don't know how to play a guitar
I'll play the skin flute to be a radio star
I'm sick of keeping it real, and underground
I want the ten millions fans sellout radio sound
Even though we'll be played next summer
Show me a radio dick, and I'll show you a hummer
Here we go, oh my god
Joey fell in love with a college girl
She had a backpack and a pony tail
She said her name was Lisa but I do not know,
She drinks disco lemonade and cherry jello
I can put my Buddy Holly glasses on
I can even sing one of these faggot songs
I can play in checkered pants and never smile
Whatever's cool for your radio show
Tommy fell in love with a college
The borish, bumbling buffoons are baffled in their journey
Through the music business. Each sonnet is more ridiculous
Than the last. Their strides towards musical success are
Little more than a stumble into complete failure.
That was bullshit. What the fuck? You think of something!
I'm sitting here trying to write hits, your doing nothing
You wrote the crump shit, but did it work? No.
It flopped on its ass. At least I tried though.
Alright, ain't no need to be fighting with each other
We need to start talking about relationships and lovers. Why?
Can you sing? No. Neither can I.
If we're gonna be radio stars, we at least gotta try.
Correction, remix, uh, remix, Clownboy, uh, feel me
Touch me, Clownboy, remix, uh
Girl, I gotta let you know, on radio
I want to lick you from head to toe
Girl, your perfume, it's smelling so sweet
I want to make love, between the sheets
Girl, play my song, when I'm on the phone long
I'm a radio man, and I know that I can't sing, yes I can
Give me one more chance, and I'll make you dance
Girl, we make radio songs, for radio fans, we can't go wrong
Girl, we make radio songs, for radio fans, we can't go wrong
Girl, we make radio songs, for radio fans, we can't go wrong
Girl, we make radio songs, for radio fans, we can't go wrong
Girl, so you fucked my boy, I don't give a fuck
After years of endless attempts,
ICP received almost no radio play.
Finally, the two dim witted idiots
Decided to stay with the wicked shit for life.
The lyrics to "Radio Stars" by Insane Clown Posse are a commentary on the desire to attain mainstream success through conforming to the pop music genre. The song depicts the struggle of underground musicians attempting to gain popularity and radio play by changing their sound and lyrics to appeal to the masses. The artist's frustration with their lack of success despite their efforts is displayed throughout the lyrics, with lines like "How much more can an audience be asked to endure?" and "After years of endless attempts, ICP received almost no radio play."
The lyrics also touch on the idea of selling out and abandoning their original artistic identity to gain fame. One particular line states, "I'm sick of keeping it real and underground, I want the ten million fans sellout radio sound." The use of vulgar language and derogatory terms is intentional, as it highlights the desperation and cynicism of the characters portrayed in the song. Ultimately, the lyrics suggest that those who pursue a career in music simply for fame and riches are bound to fail.
Line by Line Meaning
Occasionally, the overwhelming temptation to reach
At times, even the most unpalatable representatives of the underground music industry experience a strong desire to become the pinnacle of pop music genre.
The pinnacle of the pop music genre, will reduce even
Becoming the best in pop music can make even the worst underground musicians abandon their artistic endeavors and strive to appeal to the mainstream.
The most deplorable examples of the underground music scene
Even the musicians who have little to no talent and produce terrible music will try to reach the top of the pop music charts.
To attempt to change their so-called artistic endeavors, in a
They will change their music style and try to cater to the mainstream audience values in the hope of achieving financial success.
Vain attempt to appeal to the public at large.
In the end, it's a futile attempt; nothing they can do will ever appeal to the wider public.
Behold, the metamorphosis
Their metamorphosis into mainstream music is complete.
Uh, fuck platinum, platinum just ain't enough
Platinum-level success isn't enough, ICP wants to be even richer than they already are.
We need more money, more house and cars and stuff
They want more money, more material possessions, and are willing to do anything to achieve these things.
I'm sick of juggalos, I want them other hoes
ICP is tired of their loyal fanbase and wants to appeal to a new audience.
We'll do whatever it takes to get some air play
ICP is ready to do anything to get their music played on the radio.
We'll make that bounce shit, triple our sales and pay
If they produce music that appeals to the mainstream audience, they could exponentially increase their income.
Yeah, come on Shaggy. What? Follow my lead. Let's go.
Violent J is taking the lead from Shaggy in this effort to make mainstream pop music.
It's time we change our shit up to get what we need. Come on.
Violent J believes it's time to abandon their roots and cater to the mainstream to achieve more success.
Uh, radio play!
ICP finally achieved what they've been striving for - radio play.
Yo! Yo! Come on and ride me, ride me,
They are begging the radio stations to play their music.
Pull! Pull! Come on and hide me, hide me,
ICP is pleading to the radio stations to recognize their music and promote it more widely.
Cat black I'm gonna grow one, gold one,
Even though their music style isn't perfect for the mainstream, they are still going to give it their best shot to achieve success.
Club Cat You want them old ones, old ones,
They don't want their old fans; they want new ones that appreciate their new style.
Black, black, ?
This line doesn't have any clear meaning and appears to be nonsensical.
Love me, I'm on the radio, radio,
Now that they are on the radio, ICP wants more love and attention from their fans.
Cut, cut, We gonna throw it away, throw it away,
They will abandon their old style and do anything to make their new, mainstream music a success.
Give up, Give us the radio play, radio play,
They're willing to give up their old style in order to get more radio play.
We in this woodie, what!
ICP are in this together and focused on achieving mainstream success.
We seeing forty forty
They see people enjoying their music and becoming more popular.
The pathetic attempts never cease.
No matter how hard ICP tries to fit in with mainstream pop culture, their attempts are always pathetic.
The moronic musical onslaught continues to insult
Their silly, ridiculous music style offends people who are used to serious music.
The intelligence of the savvy consumer.
ICP's attempt to break into mainstream music fails to impress clever music fans who search for something more.
How much more can an audience be asked to endure?
Their music is so painful to listen to, fans are tired of it and can't tolerate it anymore.
Didn't work, ah fuck, what happened?
Their efforts to produce successful mainstream music have failed again.
They always told us that we sucked at rapping
Even though they're trying hard, ICP still isn't good at rapping or producing quality music.
Well I don't know how to play a guitar
Violent J doesn't know how to play a guitar, so he focuses on producing pop music instead.
I'll play the skin flute to be a radio star
Violent J is willing to do anything to be a mainstream pop music star, even if it means playing the skin flute.
I'm sick of keeping it real, and underground
ICP is tired of being true to their roots and wants to make mainstream pop music.
I want the ten millions fans sellout radio sound
They want to sell out and be played on the radio for millions of fans to hear.
Even though we'll be played next summer
Even though it might only be for one summer, ICP is happy to be played on the radio.
Show me a radio dick, and I'll show you a hummer
If someone can hook them up with a successful radio producer, ICP will repay them with sexual favors.
Here we go, oh my god
ICP reacted with excitement when they discovered they were about to receive radio play.
Joey fell in love with a college girl
ICP tries to appeal to a new, younger audience.
She had a backpack and a ponytail
This girl they are targeting is a college student with a particular sense of style.
She said her name was Lisa but I do not know,
The girl's name is Lisa, but it's not important to ICP.
She drinks disco lemonade and cherry jello
ICP is trying to describe the appeal of this new image of cool, hip college students to their old fanbase.
I can put my Buddy Holly glasses on
ICP tries to emulate Buddy Holly, a well-known singer who was popular in their parent's generation.
I can even sing one of these faggot songs
ICP is willing to sing a mainstream pop song they might not like to appeal to this new audience.
I can play in checkered pants and never smile
ICP is willing to dress in any style to appeal to the mainstream audience, even if it doesn't fit with their wicked clown image.
Whatever's cool for your radio show
ICP is willing to do anything that's cool in the mainstream pop culture to be played on the radio.
Tommy fell in love with a college
ICP comes up with another example of appealing to college students.
The borish, bumbling buffoons are baffled in their journey
ICP looks like complete idiots stumbling through the music industry.
Through the music business. Each sonnet is more ridiculous
They produce music that is even more embarrassing than their previous songs.
Than the last. Their strides towards musical success are
Even though they're trying hard to be mainstream, they're struggling to have even a minor level of success.
Little more than a stumble into complete failure.
They made no progress in their musical career and ended up failing completely.
That was bullshit. What the fuck? You think of something!
ICP is struggling to come up with new music ideas to appeal to the mainstream audience.
I'm sitting here trying to write hits, your doing nothing
Violent J is frustrated because he's putting all his effort into creating new mainstream music while Shaggy does nothing.
You wrote the crump shit, but did it work? No.
ICP tried to change their music with Shaggy's help, but the attempt failed to yield any success.
At least I tried though.
Violent J is proud of himself for at least trying to be a mainstream artist.
Alright, ain't no need to be fighting with each other
Violent J is trying to make peace and avoid conflict with Shaggy.
We need to start talking about relationships and lovers. Why?
ICP is trying to come up with new music ideas that will appeal to a young, romantic audience.
Can you sing? No. Neither can I.
ICP admits that they're not talented singers but are still trying to make it as mainstream pop artists.
If we're gonna be radio stars, we at least gotta try.
Even though they don't have great singing abilities, they will try to be successful mainstream artists.
Correction, remix, uh, remix, Clownboy, uh, feel me
ICP's new music will be a remix of their older styles and a fusion of different genres to appeal to the mainstream audience.
Touch me, Clownboy, remix, uh
Their new music will be much more sensual and appealing to lovers and romantic audiences.
Girl, I gotta let you know, on radio
Their music will be played on the radio, particularly on stations that appeal to young girls.
I want to lick you from head to toe
Their music will be explicit and sexual in content to appeal to mainstream audiences that appreciate that kind of music.
Girl, your perfume, it's smelling so sweet
The lyrics of their songs will be focused on the physical appearance of girls.
I want to make love, between the sheets
Their lyrics will be much more explicit and graphic to appeal to the mainstream audience.
Girl, play my song, when I'm on the phone long
ICP is asking girls to request their new songs on the radio when on long phone conversations with their friends.
I'm a radio man, and I know that I can't sing, yes I can
ICP will continue to produce music that isn't great in terms of singing, but it will have other appealing elements that will make it successful.
Give me one more chance, and I'll make you dance
ICP is begging for another chance to make music we can dance to and requests that the radio stations play their songs.
Girl, we make radio songs, for radio fans, we can't go wrong
Their new music will be geared towards fans of traditional radio music and will play it safe in the hope of achieving success.
Girl, so you fucked my boy, I don't give a fuck
The lyrics of their new song are explicit and indecent.
Lyrics © Universal Music Publishing Group
Written by: JOSEPH BRUCE, MIKE E. CLARK, WILLIAM DAIL
Lyrics Licensed & Provided by LyricFind
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