Brown Sugar
J. Irvin Dally Lyrics

Brown sugar, yeah, yeah, yeah, yeah, yeah, yeah, yeah
The singer refers to his lover as his brown sugar and exclaims his affection for her.

I lick you like brown sugar, make me right
The singer suggests that his lover's sweetness satisfies his desires and makes him feel complete.

Baby, you could be the first
The singer suggests that his lover could be the first love of his life.

I'm a be the first to ease your temper
The artist intends to be the one to calm his lover's temper or emotional distress.

We ain't plan four years
The artist and his lover did not plan their future together for four years.

Girl, we could've had kids when you was chuckin' my timber
The singer suggests that they could have started a family during one of their intimate moments.

Girl, tell me what you want
The singer inquires about his lover's desires and wants.

Her friends don't get along, so we classify members
The artist and his lover classify their relationships based on whether their friends get along or not.

Ooh, nipples hard, girl
The artist is aroused by his lover's body.

I ain't got to start, but we cover like winter
The artist suggests that he does not need to initiate anything but things happen between them naturally.

We done get it too much, we never did wrong
The singer suggests that they have had a lot of sex together but never did anything wrong (such as cheating).

All night long, yeah, yeah, yeah
The artist suggests that they have sex all night long.

Brown sugar, babe
The singer affectionately calls his lover his brown sugar.

I gets high off your love and don't know how to behave
The singer suggests that his lover's love makes him feel ecstatic and he loses control of his actions.

I pour wine in the tub and we could drown in the grapes
The singer suggests that he and his lover indulge in luxury by pouring wine and relaxing in the tub filled with grapes.

Ooh, I'm all over your anus, yeah I'm crowdin' your space
The artist suggests that he is all over his lover and is invading her personal space.

I'm a junkie for your love, girl, your body like base
The artist compares his addiction to his lover's love to being a junkie addicted to a drug. He also compares his lover's body to a musical note in a song that plays a foundational role.

I got some cocaine on the mirror, you could powder your face
The singer suggests that he has cocaine on a mirror and his lover could use it to powder her face.

I told her, 'Take her panties off', she say, 'What are those?'
The singer suggests that his lover does not know what panties are or he is jokingly teasing her about not wearing any.

'Bout to play up in that sugar like the Sugar Bowl
The artist suggests that he is about to have sex with his lover (play in her sugar) like a team playing in a football game, specifically the Sugar Bowl.

Ooh, and you must be used to me spendin'
The artist suggests that his lover must be used to him spending money on her or spoiling her.

And all of that sweet wining and dinin'
The artist refers to spoiling his lover with wine and dining, similar to a romantic date night.

But I'm fuckin' you tonight, open up, I scuba dive
The singer intends to have sex with his lover tonight and uses a metaphor of scuba diving to express his willingness to explore and dive into her body.

You're the wifey, you're the bride
The artist refers to his lover as his wife and bride, suggesting that she is his forever partner.

I fucked the hoes that threw the rice
The singer suggests that he had casual sex with other women who attended his wedding (a reference to traditional wedding customs of throwing rice).

I was Tunechi, you was nice, you was sugar, I was spice
The singer refers to himself as Tunechi (a nickname for Lil Wayne) and compares himself to a spice (which is strong and flavorful) while his lover is sweet like sugar.

Me and you sweet and sour, perfect match, Bonnie, Clyde
The singer compares his relationship with his lover to Bonnie and Clyde, a notorious criminal couple. He also compares their dynamic to sweet and sour, suggesting that they complement each other well.

Sexy drop of caramel, honey, all of this sugar ain't good for me
The artist affectionately describes his lover as a sexy drop of caramel honey, but also suggests that too much of her sweetness is not healthy for him.

Ain't no wave, baby, we can drown
The artist suggests that he and his lover are not afraid of waves (problems/issues) in their relationship, and instead they can drown in their love for each other.

We done give too much, we never get away, baby
The singer suggests that they have given too much of themselves to each other, and they won't give up their relationship easily.

You come 'round and I ain't gon' put it in you
The singer suggests that his lover can come to him and he won't necessarily have sex with her.

You get brown sugar, talk about everything you want
The artist suggests that his lover will receive his affection (brown sugar) and can have open communication about anything she desires.

I'm a give it to you, baby, what you want do?
The artist offers to give his lover whatever she wants and asks what she wants in return.

I'm a live for you, baby, it's true
The artist suggests that he will live for his lover and expresses his love for her.

Little Hennessy, a little coke, a little weed
The singer suggests that he and his lover will indulge in some alcohol, cocaine and weed together.

Girl, I ain't gon' touch it
The artist suggests that he won't get involved in drugs, specifically cocaine.

All I ever, ever want to do is fuck you and love you, I know it
The singer expresses his desire to have sex and love his lover and admits that he is aware of his own intentions.

Brown sugar, yeah, yeah, yeah, yeah, yeah, yeah, yeah
The singer repeats his endearing reference to his lover as his brown sugar.

I lick you like brown sugar, make me right
The singer once again affirms his satisfaction and completion by being with his lover, comparing her to brown sugar.