The primary members of the group were all the sons of Katherine and Joseph Jackson: Jackie Jackson, Tito Jackson, Jermaine Jackson, Marlon Jackson, Michael Jackson, and Randy Jackson. Joseph Jackson formed the band in 1964 and served as its manager, with Jackie, Tito, Jermaine, and unrelated youths Reynaud Jones and Milton Hite comprising its original lineup. Within a year, Michael and Marlon joined the band, and Michael became lead singer as the group developed a following in the eastern and midwestern United States during the mid-1960s. Signed to the Motown label from 1969 to 1975, and to CBS Records (as "The Jacksons") from 1975 until their disbanding in 1990, the Jackson 5 were one of the most popular groups of the era and became the first recording act to have their first four major label singles (I Want You Back, ABC, The Love You Save, and I'll Be There) reach the top of the American charts. Several future singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as The Corporation™; later Jackson 5 hits were crafted chiefly by Hal Davis.
While not the first act considered a "boy band", The Jackson 5 is one of the earliest examples of the type as it is defined today: five adolescents specifically packaged and marketed by a record label for crossover pop success. Upon their departure from Motown for CBS in 1975, the Jacksons, were forced to change their name and trade Jermaine (who remained at Motown) for Randy. The group took control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)" and "State of Shock", and a highly successful 1984 Victory tour. The Jacksons officially disbanded in 1990.
History
Early works
The Jacksons were a working-class family from Gary, Indiana. Katherine, being a Jehovah's Witness, raised the children as such, while their father, Joe, was not of that faith. Their father, a steel mill employee who often performed in an R&B band called "The Falcons" with his brother Luther, was a strict disciplinarian. Many of the Jackson children recall being severely beaten by Joe for misbehaving.
The children found an outlet in music, with elder brothers Jackie (born Sigmund Esco Jackson, 1951), Tito (born Toriano Jackson, 1953), and Jermaine (b. 1954) borrowing their father's guitar without his permission and playing along to the radio. Younger brothers Marlon (b. 1957) and Michael (b. 1958) were allowed to watch as long as they did not tell. Joseph eventually discovered that the older three boys were playing his guitar when one of the strings broke[2]. Although he was furious at first, Joseph realized the boys had talent and began making plans to create a musical act for them.
In 1965, Jackie, Tito, and Jermaine began performing around the Gary area with two neighborhood children, Milford Hite (on drums) and Reynaud Jones (on keyboards), in a group called The Jackson Brothers. Joe Jackson served as the manager, at first only part-time, and then eventually quitting his job at the steel mill. Jermaine sang lead and played bass, and Tito played guitar.
In 1966, younger brothers Marlon and Michael, joined the group as its tambourine and bongo players. Already showing talent as a singer and dancer[3], Michael replaced Jermaine as lead vocalist by mid-1967. Shirley Cartman, Tito's junior high orchestra teacher, noticed the group's talents and served as an early mentor to the group, by then calling itself The Jackson Five.
During this period, the boys toured Indiana extensively, and after winning a major local talent show in 1966 with a rendition of The Temptations' "My Girl", led by Michael, they began playing professional gigs in Chicago, Illinois and across the mid-eastern U.S. Many of these gigs were in a string of black clubs and venues collectively known as the "chitlin' circuit", and the young kids sometimes had to open for strip teasers and other adult acts in order to earn money.
Shirley Cartman got the Jackson Five a record deal with Gordon Keith's local Steeltown label, and the group began making their first recordings in 1967. Their first single, "Big Boy", became a regional hit. During this period, Johnny Jackson (no relation) on drums and Ronnie Rancifer on keys replaced Milford Hite and Reynaud Jones.
The Jackson Five had a number of admirers in their early days, including Sam & Dave, who helped the group secure a spot in the famous Amateur Night competition at the Apollo Theater in Harlem. The group won the August 13, 1967 competition during the Amateur Night showdown at the Apollo, impressing Motown Records artist Gladys Knight of The Pips. Knight recommended the group to Motown chief Berry Gordy, but Gordy, who already had teenager Stevie Wonder on his roster, was hesitant to take on another child act because of the child labor laws and other problems involved.
The Jackson Five's sound was influenced by many of the biggest stars of the 1960s, especially including family funk bands Sly & the Family Stone and The Isley Brothers, soul pioneer Marvin Gaye, doo-wop boy band Frankie Lymon & the Teenagers, and soul shouters like Wilson Pickett, Jackie Wilson, Stevie Wonder and James Brown [4]. At the time of their early success, soul and funk stars, especially coming from Motown Records, were among the most popular musicians; Motown had launched the careers of dozens of the decade's biggest stars, most notably Smokey Robinson & the Miracles, Stevie Wonder, Marvin Gaye, The Temptations, and Diana Ross & the Supremes.
Influences
From these sources, The Jackson Five developed many of their vocal arrangement styles and dance movements. The group's multi-lead vocal style was inspired by that of The Family Stone, while young Michael adapted Jackie Wilson and James Brown's impassioned singing and dancing styles into his own.
Joining Motown
By 1968, the Jackson 5 were a headlining act for the All Star Floor Show at Chicago's The Guys' and Gals' Cocktail Lounge and Restaurant. From July 12 - 27, 1968, the Jackson 5 opened for Motown group Bobby Taylor & the Vancouvers at Chicago's Regal Theater. Taylor was also very impressed with the boys, and he decided to make the commitment to bring them to Detroit and Motown. Joseph and the Jackson Five stayed on the floor of Bobby Taylor's Detroit apartment the night of July 22, while Taylor and Motown executive Suzanne de Passe arranged for the Jackson Five to audition for the label.
On July 23, the Jackson Five had their Motown audition, for which they performed James Brown’s then current hit "I Got the Feelin’". Berry Gordy was not in attendance, but the audition was videotaped and sent to him in Los Angeles. Gordy's initial reluctance to sign the group disappeared when he finally saw the boys perform. Gordy decided to sign the Jackson Five to Motown, and hosted a party at his Detroit mansion on November 25, 1968 to introduce them to the Motown staff and stars.
Motown began negotiations to buy out the Jackson Five's Steeltown contract, completing the deal in March 1969. By the summer, Bobby Taylor began producing the group's first recordings at Motown's Hitsville U.S.A. recording studio in Detroit. The early Taylor-produced Jackson Five records were all covers of both contemporary hits and Motown-standards, including Sly & the Family Stone's "Stand!" and their famous rendition of The Miracles' "Who's Lovin' You", written by Smokey Robinson.
In mid-August 1969, Gordy moved the Jackson Five and Joseph to California, and he and Suzanne de Passe began the process of grooming them as the label's next big act, while the rest of the family remained in Gary. While looking for a house in California, Joseph, Jermaine, Tito, and Jackie lived with Berry Gordy, while Michael and Marlon lived with Motown star Diana Ross.
And micheal jackson was hot all his life!
lot of girl and boy whas in love the lead singer michael jackson lot of friend of michael will say that he was lucke to have fans like tiffiny willcox and his mum and dad the END
Money Honey
Jackson 5 Lyrics
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I let it ring for a long, long spell
I went to the window, I peeped through the blind
And asked him to tell me what's on his mind
He said
Money, honey
Money, honey
If you want to get along with me
Well, I screamed and I hollered, I was so hard-pressed
I called the woman that I loved the best
I finally got my baby about half past three
She said I'd like to know what you want with me
I said
Money, honey
Money, honey
Money, honey
If you want to get along with me
Well, I said tell me baby, what's wrong with you?
From this day on our romance is through
I said, tell me baby, face to face
How could another man take my place?
She said
Money, honey
Money, honey
Money, honey
If you want to get along with me
Well, I've learned my lesson and now I know
The sun may shine and the winds may blow
The women may come and the women may go
But before I say I love you so
I want
Money, honey
Money, honey
Money, honey
If you want to get along with me
The Jackson 5's Money Honey is a song about the importance of money in life and relationships. The singer of the song is facing financial troubles as his landlord has come to collect rent, and he desperately needs money to keep his relationship going. He calls his lover, but she tells him she will only be with him if he has money. He tries to win her back with a heartfelt plea, but it’s no use. The song ends with the singer acknowledging the importance of money and how it affects his life and relationships.
The lyrics articulate the internal struggle of a person who has come to realize that money is vital for survival, but it also has the power to influence their relationships. The song also explores the toxicity of the transactional nature of some relationships, where love is conditional on the presence of money. The lyrics offer a commentary on the harsh reality of life, where money plays an important role in every aspect of our lives.
Overall, Money Honey is a song that highlights the importance of financial security and how it can impact our personal relationships. The song acknowledges the hard truth that sometimes love is just not enough, and that sometimes the only thing that can make a relationship work is money.
Line by Line Meaning
You know, the landlord rang my front door bell
The landlord came to collect rent and rang the doorbell.
I let it ring for a long, long spell
I ignored the doorbell for a long time.
I went to the window, I peeped through the blind
I looked outside through the blinds to see who it was.
And asked him to tell me what's on his mind
I asked him why he was there.
He said Money, honey
He wanted money.
If you want to get along with me
He wanted me to pay up to avoid any issues.
Well, I screamed and I hollered, I was so hard-pressed
I was angry and frustrated.
I called the woman that I loved the best
I called my girlfriend for emotional support.
I finally got my baby about half past three
I eventually reached my girlfriend at 3:30 in the morning.
She said I'd like to know what you want with me
She asked me why I called her so late.
Well, I said tell me baby, what's wrong with you?
I asked her what was wrong.
From this day on our romance is through
I broke up with her.
I said, tell me baby, face to face
I asked her to tell me the truth.
How could another man take my place?
I couldn't believe she could move on so quickly.
She said Money, honey
She was only in it for the money.
If you want to get along with me
She only cared about money.
Well, I've learned my lesson and now I know
I learned from my mistakes.
The sun may shine and the winds may blow
Things can change.
The women may come and the women may go
Relationships can end.
But before I say I love you so
But before I declare my love again.
I want Money, honey
I want to make sure she isn't just after my money.
If you want to get along with me
I need to make sure she truly cares about me and not just my money.
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Written by: JESSE STONE
Lyrics Licensed & Provided by LyricFind