One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx first became known for his many roles on Keenen Ivory Wayans’ long-running comedy variety show In Living Color. Since then, Foxx has played both raucous and sensitive nice-guy roles in a number of films, and earned particular acclaim for his portrayal of a talented but egotistical quarterback in Oliver Stone’s Any Given Sunday.
Born Eric Bishop in the small town of Terrell, Texas, on December 13, 1967, Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church’s choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx’s enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton’s sitcom Roc in 1985.
Foxx was ultimately given his own show in 1996; that same year, he appeared in a supporting role in The Truth About Cats and Dogs, which cast him as a friend of Ben Chaplin. He was also featured in the boxing satire The Great White Hype, and the following year he got star billing opposite fellow comedian Tommy Davidson in the poorly received comedy Booty Call. After playing a DJ in Ice Cube’s The Players Club (1998), Foxx earned some of his best reviews to date for his role in Any Given Sunday (1999). He subsequently returned to straight comedy, starring in Antoine Fuqua’s crime comedy Bait as an ex-con trying to mend his ways, and as a man caught in a convenience stored robbery in Held Up.
In 2001, Foxx was given an opportunity to again flex the dramatic chops he displayed in Any Given Sunday with a role as Drew Bundi Brown in Michael Mann’s biopic Ali. Then, after a role in the barely seen 2003 Sylvester Stallone drama Shade, Foxx embarked on his busiest year yet. 2004 saw him star in no fewer than four films, the most noteworthy of them being the thriller Collateral. The tense summer flick not only saw Foxx again under the direction of Mann, but cast on an equal level with Hollywood uber-star Tom Cruise. His turn as a hapless cab driver who is forced into a menacing partnership slowly advancing Foxx’s dramatic screen presence, the role served as proof to many that his talents extended well beyond what many may have suspected. When it was announced shortly thereafter that Foxx would be donning the trademark sunglasses to essay the role of legendary blues pianist Ray Charles in Director Taylor Hackford’s eagerly anticipated biopic Ray, it was only a matter of time before audiences found out how deep Foxx’s talents as an actor truly ran. So effective was Foxx in recreating Charles’ unique style and unmistakable visage that many critics speculated an Oscar nomination may be in calling for the one-time funnyman turned dramatic powerhouse. When the star-studded evening in February did finally arrive and the envelope that would reveal the best actor of 2005 was breathlessly opened, Foxx did indeed take the prize — raising already stratospheric expectations regarding his future career to a fever pitch.
Foxx subverted expectations by capitalizing on his Oscar win with an R&B album that garnered respectable reviews and solid sales. He returned to films in the summer action flop Stealth — in a supporting role to would-be superstar Josh Lucas — and appeared as a leader of men in Sam Mendes’ Gulf War film Jarhead. In 2006 he reteamed with Michael Mann, starring as Tubbs in the big-screen adaptation of Miami Vice. Late in the year, he starred in the much-anticipated adaptation of the musical Dreamgirls, opposite fellow actor-musicians hyphenates Eddie Murphy and Beyoncé Knowles. He is also known for his big leading role in Law Abiding Citizen.
Text Message
Jamie Foxx Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What you doing early, what you doing late? (Doing late)
Do you think that you could put me in your plans? (In your plans)
If you invite me over girl, I'll bring the drinks (Bring the drinks)
Today I'm gon' be free so girl it's up to you (S'up to you)
And you already know the things I like to do (Like to do)
I ain't really with the beating 'round the bush ('Round the bush)
You already know, so let's go, baby
Tell me how to get there, send me your address
Tell me how to get there, already be on the way there
Started with a text message, ended with sex, yes it's true, I wanna be on you
Started with a text message, ended with sex, yes it's true, I wanna be on you
LOL, smiley face, the emoji with the tongue out
Now I'm kissing you, touching you, freaking you over at your house
'Cause girl we started on the phone now we face to face (Face to face)
Started a little slow now pick up the pace (Pick up the pace)
Everything I told you I was gonna do (Gonna do)
I did it well except we didn't get the drinks (Get the drinks)
Your body, I want it until the morning, baby
I came by for you, I'm a love-aholic
Tell me how to get there, send me on your address
Tell me how to get there, already be on the way there
Started with a text message, ended with sex, yes it's true, I wanna be on you
Started with a text message, ended with sex, yes it's true, I wanna be on you
LOL smiley face, the emoji with the tongue out
Now I'm kissing you, touching you, freaking you over at your house
Started with a text message, ended with sex, yes it's true, I wanna be on you
Started with a text message, ended with sex, yes it's true, I wanna be on you
LOL smiley face, the emoji with the tongue out
Now I'm kissing you, touching you, freaking you over at your house
The lyrics of Jamie Foxx's song "Text Message" describe the beginning of a physical relationship that started with a simple text message. Foxx describes his attraction to the woman and his desire to spend time with her, bringing drinks and enjoying each other's company. He is direct about his intentions and doesn't "beat around the bush," indicating that he is looking for a physical connection. As the song progresses, he describes the evolution of the relationship- from texting to talking on the phone, to finally being together in person. The song ends on a sexual note, with Foxx explicitly describing his actions with the woman.
While the lyrics are straightforward, they can be interpreted in a few different ways. It's possible that Foxx is describing a one-night stand, where the relationship started and ended in the same encounter. Alternatively, the song could be describing a casual, ongoing sexual relationship with the woman. What's clear is that the relationship is based on physical attraction and an initial text message.
Overall, "Text Message" is a catchy and playful song that incorporates modern technology and language. It's about the excitement of a new relationship, and how technology can play a role in facilitating those connections.
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Line by Line Meaning
I start by saying tell me something good, show me something great (Something great)
I'm looking for something real and exciting, so impress me from the start.
What you doing early, what you doing late? (Doing late)
I want to be a part of your day and night, and I'm interested in your schedule.
Do you think that you could put me in your plans? (In your plans)
I'm hoping for a future with you, and I want to know if I can be a part of that.
If you invite me over girl, I'll bring the drinks (Bring the drinks)
I want to show you a good time, and I'm willing to contribute to the experience.
Today I'm gon' be free so girl it's up to you (S'up to you)
I'm available now, and I'm leaving the next move up to you.
And you already know the things I like to do (Like to do)
We've talked about our interests, and I'm looking forward to exploring your interests as well.
I ain't really with the beating 'round the bush ('Round the bush)
I prefer to be direct and upfront with my intentions.
You already know, so let's go, baby
We're on the same page, so let's get this started.
Tell me how to get there, send me your address
I want to come over to your place, so give me your address.
Tell me how to get there, already be on the way there
I'm eager to see you, so I'll start heading your way as soon as I know where to go.
Started with a text message, ended with sex, yes it's true, I wanna be on you
Our conversation escalated quickly, and now I'm physically attracted to you and want to be intimate.
LOL, smiley face, the emoji with the tongue out
We joked and flirted over text, and now that playful banter has turned into physical affection.
Now I'm kissing you, touching you, freaking you over at your house
We started with text messages, but now we're together and physically exploring each other.
'Cause girl we started on the phone now we face to face (Face to face)
Our relationship began long-distance, but now we're finally able to be in each other's presence.
Started a little slow now pick up the pace (Pick up the pace)
We took our time getting to know each other, but now that we're together, let's not waste any time.
Everything I told you I was gonna do (Gonna do)
I followed through on my promises, except for bringing the drinks.
Your body, I want it until the morning, baby
I'm not looking for a quick fling; I want to spend the whole night with you.
I came by for you, I'm a love-aholic
I'm here because I'm attracted to you and want to pursue a relationship with you.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: BOBBY TERRY, CHRIS LEWIS, CURTIS LEON WILLIAMS, JAROME DAVIS, JERRY VINES, NICHOLAS BAIN, RAHEEM DE VAUGHN
Lyrics Licensed & Provided by LyricFind