Garbarek's sound is one of the hallmarks of the ECM record label, which has released virtually all of his recordings. His style incorporates a sharp-edged tone, long, keening, sustained notes strongly reminiscent of Islamic prayer calls, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as Othello Ballet Suite and Electronic Sonata for Souls Loved by Nature). If he had initially appeared as a devotee of Albert Ayler and Peter Brötzmann, by 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach.
As a composer, Garbarek tends to draw heavily from Scandinavian folk melodies, a legacy of his Ayler influence. He is also a pioneer of ambient jazz composition, most notably on his 1976 album Dis. This textural approach, which rejects traditional notions of thematic improvisation (best exemplified by Sonny Rollins) in favor of a style described by critics Richard Cook and Brian Morton as "sculptural in its impact", has been critically divisive.
After recording a string of unheralded avant-garde albums, Garbarek rose to international prominence in the mid-1970s playing post-bop jazz, both as a leader and as a member of Keith Jarrett's successful "European Quartet." He achieved considerable commercial success in Europe with Dis, a meditative collaboration with guitarist Ralph Towner that featured the distinctive sound of a wind harp on several tracks. (Selections from Dis have been used as incidental music in several feature films and documentaries.) In the 1980s, Garbarek's music began to incorporate synthesizers and elements of world music. In 1993, during the Gregorian chant craze, his album Officium, a collaboration with early music vocal performers the Hilliard Ensemble, became one of ECM's biggest-selling albums of all time, reaching the pop charts in several European countries. (Its sequel, Mnemosyne, followed in 1999.) In 2005, his album In Praise of Dreams was nominated for a Grammy.
In addition to the selections from Dis, Garbarek has also composed music for several other European films, including French and Norwegian films. Also his song 'Rites' was used in the American film The Insider.
Rosensfole
Jan Garbarek Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sadel inn mæ marmor å steinar
Utan han fekk av sylvarhonn
Han rinder i sine silkjetaumar
So sette dei fyre dei låsanne ni
Sadel inn mæ marmor å steinar
Rosensfole han sprengde dei adde ni
Rosensfole sprang på sunde å såm
Sadel inn mæ marmor å steinar
De' va' femtån mil før til lande han kåm
Han rinder i sine silkjetaumar
Ha' de' 'kje vore for manneor
Sadel inn mæ marmor å steinar
Ha eg grave rosensfole i vigde jord
Han rinder i sine silkjetaumar
The lyrics of Jan Garbarek's song "Rosensfole" depict a story of longing and desire, expressed through a metaphorical narrative. The singer, Rosensfole, is described as someone who is unwilling to settle for ordinary sustenance, conveyed through the line "Rosensfole ville 'kje eta konn" (Rosensfole did not want to eat grain). Instead, he craves something more precious and valuable, symbolized by his desire for "sylvarhonn" (silver honey). This suggests his yearning for an exceptional and rare experience, something beyond the ordinary.
The song then goes on to describe how the locks and chains were set to prevent Rosensfole from accessing what he desires. However, he breaks through all barriers and restrictions, destroying the locks effortlessly, as seen in the lines "So sette dei fyre dei låsanne ni, Sadel inn mæ marmor å steinar, Rosensfole han sprengde dei adde ni" (So they placed locks on the gates, Saddled with marble and stone, but Rosensfole blew them apart).
The narrative continues as Rosensfole runs across lands, over waters, and through meadows, symbolizing his relentless pursuit of his desires and his unwavering determination. The line "Rosensfole sprang på sunde å såm" (Rosensfole ran over straits and meadows) suggests his relentless journey, driven by his insatiable longing, represented by his continued existence in his "silkjetaumar" (silk fetters).
The lyrics then reflect on the consequences of Rosensfole's relentless pursuit. The line "Ha' de' 'kje vore for manneor" (If it hadn't been for many) suggests that if it weren't for the limitations imposed by society and the restrictions of reality, Rosensfole's desires would have been fulfilled. The singer's longing is so intense that even in death, he wishes to be buried with his desires, as expressed in the line "Ha eg grave rosensfole i vigde jord" (If I buried Rosensfole in consecrated earth). This emphasizes the depth of his yearning, an unquenchable desire that defines his existence.
In summary, Jan Garbarek's lyrics in "Rosensfole" portray a protagonist named Rosensfole, who represents an individual refusing to settle for mundane pleasures and instead yearning for something extraordinary. The song captures his unyielding pursuit of his desires, breaking through all barriers and limitations. The lyrics reflect on the consequences of such unwavering longing and the pervasive nature of desire, even extending beyond death.
Line by Line Meaning
Rosensfole ville 'kje eta konn
Rosensfole refused to eat rabbit
Sadel inn mæ marmor å steinar
Saddled with marble and stones
Utan han fekk av sylvarhonn
Except he received silver honey
Han rinder i sine silkjetaumar
He glides in his silk reins
So sette dei fyre dei låsanne ni
So they set fire to the locks
Sadel inn mæ marmor å steinar
Saddled with marble and stones
Rosensfole han sprengde dei adde ni
Rosensfole exploded all nine of them
Han rinder i sine silkjetaumar
He glides in his silk reins
Rosensfole sprang på sunde å såm
Rosensfole jumped on a sound and sea
Sadel inn mæ marmor å steinar
Saddled with marble and stones
De' va' femtån mil før til lande han kåm
It took fifteen miles before he arrived on land
Han rinder i sine silkjetaumar
He glides in his silk reins
Ha' de' 'kje vore for manneor
Had it not been for men
Sadel inn mæ marmor å steinar
Saddled with marble and stones
Ha eg grave rosensfole i vigde jord
If I had buried Rosensfole in consecrated earth
Han rinder i sine silkjetaumar
He glides in his silk reins
Lyrics © O/B/O APRA AMCOS
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