One & Only
Jay-Z Featuring Kanye West & Adele Lyrics

What? Well fuck you, bitch
Disrespectful and aggressive statement directed at someone, indicating a lack of interest to maintain a polite conversation

Bounce wit me, wit me, wit me wit me
Invitation to dance, expressing the artist's desire to engage with the listener

Can you bounce wit me, bounce wit me, wit me wit me
Repetition of the previous invitation to dance

Uh-huh uh-huh bounce wit me, bounce wit me
Confirmation that the artist wants the listener to dance with them

Can ya can ya can ya bounce wit me, bounce wit me
Repetition of the invitation to dance

Ya yah yah, ya ya yah yeah bounce wit me, bounce wit me
Encouragement to dance, using vocalizations to hype up the listener

Get it!
Encouragement to dance, urging the listener to start moving

Can I hit in the mornin Without givin you half of my dough And even worse if I was broke would you want me?
Questioning the listener's true intentions toward the artist and their relationship, specifically if financial gain is the main motivator for the listener

If I couldn't get you finer things Like all of them diamond rings bitches kill for Would you still roll?
Continuation of the previous question, asking if the listener would still want to be in a relationship with the artist if he didn't have the resources to provide them with expensive gifts

If we couldn't see the sun risin off the shore of thailand Would you ride then, if I wasn't drivin?
Asking if the listener's interest in the artist extends beyond experiencing luxurious locations

If I wasn't ah, eight figure nigga by the name of jigga Would you come around me or would you clown me?
Asking if the listener's interest in the artist is genuine or if they are only attracted to his wealth and fame

If I couldn't flow futuristic would ya Put your two lips on my wood and kiss it, could ya
Asking if the listener's attraction to the artist is based on his talent and style rather than just his appearance or resources

See yourself with a nigga workin harder than nine to five Contend with six, two jobs to survive, or Do you need a balla? so you can shop and tear the mall up? Brag, tell your friends what I bought ya
Asking if the listener is interested in a working-class man rather than just a wealthy and famous one, who will buy them gifts and fulfill their desires

If you couldn't see yourself with a nigga when his dough is low Baby girl, if this is so, yo Can I get a fuck you
Expressing frustration with listeners who only value the artist's resources and fame rather than who he is as a person

To these bitches from all of my niggaz Who don't love hoes, they get no dough Can I get a woop woop
Celebrating and acknowledging the artist's fellow male friends who also don't value superficial relationships or women who only care about wealth

To these niggaz from all of my bitches Who don't got love for niggaz without dubs?
Pointing out that women can also be just as superficial and only value men for their wealth and resources

Now can you bounce wit me, uhh Bounce wit me, bounce wit me Uh uh major coins, amil-lion Uhh, yo bounce wit me
Repeating the invitation to dance, with a shoutout to the featured artists on the track

It ain't even a question How my dough flows, I'm good to these bad hoes
Asserting the artist's financial success and ability to attract superficial women despite not necessarily valuing those types of relationships

Like my bush wet and undry like damp clothes What y'all niggaz don't know, it's eazy, to pimp a hoe Bitches betta have my, money fo' sho'
Using crude language to discuss the artist's sexual prowess and ability to attract and manipulate women who value resources over genuine connections

Before they go, runnin they mouth, promotin half I be dickin' they, back out, go 'head, let it out
Continuing to discuss the artist's sexual exploits and manipulative behavior, indicating that he has no qualms with using women for his own pleasure

I fucks with my gat out, bounce and leave a hundred Making 'em feel, slutted even if they don't want it
Continuing to discuss the artist's sexual behavior, using derogatory language to describe women and indicating that he has no qualms with coercing women into sexual acts they may not want

It's been so long Since I met a chick ain't on my tips but then I'm Dead wrong, when I tell em be gone
Acknowledging that the artist has only been involved with superficial women for some time, but expressing regret over the fact that he recognizes the negative implications of those relationships

So hold on to the feelin of flossin' and platinum Cause from now on, you can witness ja the I-con
Using the artist's personal experiences and growth to acknowledge the impact he has had on hip-hop culture and his influential status as a well-known rapper

With hoodies and timbs on, cause I thugs my bitches Veve, studs my bitches, then we rob bitch niggaz I'm talkin bout straight figures if you here, you wit us
Continuing to describe the artist's manipulative behavior and illegal activities, involving women in his schemes and indicating that he values wealth and material gain above all else

If not boo, you know what, I still fucked you
Using crude language to mock women who are only interested in the artist's wealth and resources, indicating that he doesn't value or respect those types of relationships

Ge gi gi gi geyeah geyeah Can ya bounce wit me, bounce wit me Gi gi gi gi can ya bounce wit me, bounce wit me Uhh! yeah
Repeating the invitation to dance with vocalizations and enthusiasm