Ollie Imogene Shepard (November 21, 1933 - September 25, 2016), better know… Read Full Bio ↴Ollie Imogene Shepard (November 21, 1933 - September 25, 2016), better known as Jean Shepard, was an American honky tonk singer-songwriter who pioneered for women in country music. Shepard released a total of 73 singles to the Hot Country Songs chart, one of which reached the No. 1 spot. She recorded a total of 24 studio albums between 1956 and 1981, and became a member of the Grand Ole Opry in 1955.
After Kitty Wells' 1952 breakthrough, Shepard quickly followed, and a national television gig and the Opry helped make her a star when few female country singers had enduring success. Her first hit, "A Dear John Letter", a 1953 duet with Ferlin Husky, was the first post-World War II record by a woman country artist to sell more than a million copies.
Jean Shepard was born November 21, 1933 in Pauls Valley, Oklahoma, but was raised in Visalia, California near Bakersfield. As a teenager, she played bass in the Melody Ranch Girls, an all-female band formed in 1948. Hank Thompson discovered Shepard a few years later.[2] With Thompson's help, Shepard signed with Capitol Records in 1952, following the success of Kitty Wells' "It Wasn't God Who Made Honky Tonk Angels" Shepard cut four songs at her first session with popular band players Jimmy Bryant, Speedy West, Cliffie Stone and Billy Strange. She recorded her first single for the label in 1952, "Crying Steel Guitar Waltz", but it failed to chart.
Shepard's first chart appearance was 1953's duet with Ferlin Husky, with "A Dear John Letter". It was a No. 1 smash, and also became a major crossover pop hit, peaking at No. 4 on the Billboard pop chart. The song struck a chord a with audiences as it was a half-spoken duet about a soldier in the Korean War. The duo's follow-up, "Forgive Me John", was another crossover hit, peaking in the Top 10 on the country chart and the top 25 on the pop chart. Because at 20 she was still a minor, Shepard's parents signed her rights to Husky so she could tour.
In 1955, Shepard joined ABC-TV's nationally-telecast Ozark Jubilee for several years, and recorded her first studio album, Songs of a Love Affair, written by Shepard. She also charted her first solo top ten single, "A Satisfied Mind", that same year, backed by the No. 13 hit, "Take Possession". "A Satisfied Mind" peaked at No. 4 on the Billboard country chart. Shepard had another top five hit the same year with "Beautiful Lies". Its flip side, "I Thought of You", peaked in the country top ten. Her streak of hit singles led to an invitation to join the Grand Ole Opry in 1955 as one of its few female stars; Kitty Wells and Minnie Pearl were the only others.
Because she was a honky tonk singer when the Nashville sound was popular, Shepard had just two charting country singles between 1956 and 1963. She had two charting singles in 1958 and 1959, however, with "I Want to Go Where No One Knows Me" and "Have Heart Will Love"; and was also named Cash Box's Top Female Artist of 1959.
In 1960, Shepard married fellow Opry star Hawkshaw Hawkins, whom she had met on Ozark Jubilee. He died three years later in the same plane crash that killed Patsy Cline and Cowboy Copas. Shepard gave birth to their son Hawkshaw Jr. just one month after the crash. She later married country music musician and singer Benny Birchfield and they remain married.
Shepard returned to the top ten in 1964 with "Second Fiddle (To an Old Guitar)", which began a string of hits and proved a commercial comeback as well. In 1964 and 1965, she had two Top 40 hits with "A Tear Dropped By" and "Someone's Gotta Cry", from the Heart, We Did All We Could LP released in 1967. In 1966, Shepard recorded a duet with country singer Ray Pillow titled, "I'll Take the Dog", which peaked at No. 9 on the Billboard country chart. This was followed by two solo hit singles the same year: the top ten hit, "If the Teardrops Were Silver" and the top 15 hit, "Many Happy Hangovers to You".
In 1967, Shepard had two top 20 hits with the title track of Heart, We Did All We Could and the single "Your Forevers Don't Last Very Long". The following year she had only one Top 40 hit, but continued to release albums, which included 1968's A Real Good Woman. In 1969, Shepard's LP, Seven Lonely Days, produced the hit single of the same name that reached the top 20. With the release of 1969's "Then He Touched Me", Shepard had a top ten hit; followed by three hits in 1970, including the top 15 hit, "Another Lonely Night". Shepard had one more Top 40 hit with Capitol, 1971's "With His Hand in Mine", and shortly afterward her singles began to drop out of the Top 40.
In the early 1970s, Shepard moved to United Artists Records. Her first single for the label in 1973, the Bill Anderson-penned “Slippin' Away,” was her biggest solo hit since the fifties. The single peaked at No. 4 on the Billboard country chart and also charted on the Billboard pop chart, peaking outside the Top 40. With the success of the single, an LP of the same name was released the same year and peaked at No. 15 on the Top Country Albums chart. Shepard's hits continued throughout the 1970s, though as the decade wore on she hit the Top 40 less frequently. She had three top 20 hits in 1974, beginning with the No. 13 smash "At the Time", and "I'll Do Anything it Takes (To Stay With You)". In 1975, Shepard recorded an album of songs written by Bill Anderson titled, Poor Sweet Baby (And Ten More Bill Anderson Songs). Both singles from the album were top 20 hits on the Billboard country chart between 1974 and 1975, and were also her last Top 40 singles.
She created controversy when she served as president of the Association of Country Entertainers, formed in response to Olivia Newton-John’s CMA Female Vocalist of the Year win in 1974. The organization was intended to keep country music "pure" and criticized the pop influences at the time. Shepard would come out in defense of "pure" country music again nearly forty years later, criticizing singer and TV personality Blake Shelton for a comment in which he referred to fans of traditional country as "old farts and jackasses": "We’ve got a young man in country music who has made some pretty dumb statements lately. What did he say? That traditional country music is for old farts and jack-you-know-whats? Well, I guess that makes me an old fart. I love country music. I won’t tell you what his name is…but his initials is BS…and he’s full of it!"
In 1975 and 1976, Shepard recorded two albums, I'm a Believer and Mercy/Ain't Love Good, before leaving the label in 1976. In response, United Artists released a Greatest Hits compilation. Between 1977 and 1978, she recorded for the smaller GRT label, which produced minor hit singles on the Billboard country chart. She had her last charting record in 1978 under the label with "The Real Thing".
After departing GRT at the end of the 1970s, Shepard did not record again until 1981, when she released a final studio album under the label Laselight titled, Dear John, which included remakes of her hits, including "A Dear John Letter" and "Slippin' Away", but also included a new song, "Too Many Rivers".
She continued to perform at the Grand Ole Opry and tour, particularly in the UK, where she had a strong fan base. Her work has also been reissued by Bear Family Records. Although in her eighties, Shepard continues to regularly tour and perform. Her touring show, "The Jean Shepard Show," has toured the U.S. and she performs at the Grand Ole Opry regularly.
In 2005, Shepard celebrated 50 years as a member of the Opry and at the time of her death was the longest running living member of the Opry.
In 2011, Shepard was inducted into the Country Music Hall of Fame with fellow Oklahoma native Reba McEntire and songwriter Bobby Braddock.
On November 21, 2015, Shepard became the first female to be a member of the Grand Ole Opry for 60 consecutive years. A feat that only one other person has achieved. She then retired from the stage that night.
On September 25, 2016 Jean Shepard, passed away from Parkinson's Disease.
After Kitty Wells' 1952 breakthrough, Shepard quickly followed, and a national television gig and the Opry helped make her a star when few female country singers had enduring success. Her first hit, "A Dear John Letter", a 1953 duet with Ferlin Husky, was the first post-World War II record by a woman country artist to sell more than a million copies.
Jean Shepard was born November 21, 1933 in Pauls Valley, Oklahoma, but was raised in Visalia, California near Bakersfield. As a teenager, she played bass in the Melody Ranch Girls, an all-female band formed in 1948. Hank Thompson discovered Shepard a few years later.[2] With Thompson's help, Shepard signed with Capitol Records in 1952, following the success of Kitty Wells' "It Wasn't God Who Made Honky Tonk Angels" Shepard cut four songs at her first session with popular band players Jimmy Bryant, Speedy West, Cliffie Stone and Billy Strange. She recorded her first single for the label in 1952, "Crying Steel Guitar Waltz", but it failed to chart.
Shepard's first chart appearance was 1953's duet with Ferlin Husky, with "A Dear John Letter". It was a No. 1 smash, and also became a major crossover pop hit, peaking at No. 4 on the Billboard pop chart. The song struck a chord a with audiences as it was a half-spoken duet about a soldier in the Korean War. The duo's follow-up, "Forgive Me John", was another crossover hit, peaking in the Top 10 on the country chart and the top 25 on the pop chart. Because at 20 she was still a minor, Shepard's parents signed her rights to Husky so she could tour.
In 1955, Shepard joined ABC-TV's nationally-telecast Ozark Jubilee for several years, and recorded her first studio album, Songs of a Love Affair, written by Shepard. She also charted her first solo top ten single, "A Satisfied Mind", that same year, backed by the No. 13 hit, "Take Possession". "A Satisfied Mind" peaked at No. 4 on the Billboard country chart. Shepard had another top five hit the same year with "Beautiful Lies". Its flip side, "I Thought of You", peaked in the country top ten. Her streak of hit singles led to an invitation to join the Grand Ole Opry in 1955 as one of its few female stars; Kitty Wells and Minnie Pearl were the only others.
Because she was a honky tonk singer when the Nashville sound was popular, Shepard had just two charting country singles between 1956 and 1963. She had two charting singles in 1958 and 1959, however, with "I Want to Go Where No One Knows Me" and "Have Heart Will Love"; and was also named Cash Box's Top Female Artist of 1959.
In 1960, Shepard married fellow Opry star Hawkshaw Hawkins, whom she had met on Ozark Jubilee. He died three years later in the same plane crash that killed Patsy Cline and Cowboy Copas. Shepard gave birth to their son Hawkshaw Jr. just one month after the crash. She later married country music musician and singer Benny Birchfield and they remain married.
Shepard returned to the top ten in 1964 with "Second Fiddle (To an Old Guitar)", which began a string of hits and proved a commercial comeback as well. In 1964 and 1965, she had two Top 40 hits with "A Tear Dropped By" and "Someone's Gotta Cry", from the Heart, We Did All We Could LP released in 1967. In 1966, Shepard recorded a duet with country singer Ray Pillow titled, "I'll Take the Dog", which peaked at No. 9 on the Billboard country chart. This was followed by two solo hit singles the same year: the top ten hit, "If the Teardrops Were Silver" and the top 15 hit, "Many Happy Hangovers to You".
In 1967, Shepard had two top 20 hits with the title track of Heart, We Did All We Could and the single "Your Forevers Don't Last Very Long". The following year she had only one Top 40 hit, but continued to release albums, which included 1968's A Real Good Woman. In 1969, Shepard's LP, Seven Lonely Days, produced the hit single of the same name that reached the top 20. With the release of 1969's "Then He Touched Me", Shepard had a top ten hit; followed by three hits in 1970, including the top 15 hit, "Another Lonely Night". Shepard had one more Top 40 hit with Capitol, 1971's "With His Hand in Mine", and shortly afterward her singles began to drop out of the Top 40.
In the early 1970s, Shepard moved to United Artists Records. Her first single for the label in 1973, the Bill Anderson-penned “Slippin' Away,” was her biggest solo hit since the fifties. The single peaked at No. 4 on the Billboard country chart and also charted on the Billboard pop chart, peaking outside the Top 40. With the success of the single, an LP of the same name was released the same year and peaked at No. 15 on the Top Country Albums chart. Shepard's hits continued throughout the 1970s, though as the decade wore on she hit the Top 40 less frequently. She had three top 20 hits in 1974, beginning with the No. 13 smash "At the Time", and "I'll Do Anything it Takes (To Stay With You)". In 1975, Shepard recorded an album of songs written by Bill Anderson titled, Poor Sweet Baby (And Ten More Bill Anderson Songs). Both singles from the album were top 20 hits on the Billboard country chart between 1974 and 1975, and were also her last Top 40 singles.
She created controversy when she served as president of the Association of Country Entertainers, formed in response to Olivia Newton-John’s CMA Female Vocalist of the Year win in 1974. The organization was intended to keep country music "pure" and criticized the pop influences at the time. Shepard would come out in defense of "pure" country music again nearly forty years later, criticizing singer and TV personality Blake Shelton for a comment in which he referred to fans of traditional country as "old farts and jackasses": "We’ve got a young man in country music who has made some pretty dumb statements lately. What did he say? That traditional country music is for old farts and jack-you-know-whats? Well, I guess that makes me an old fart. I love country music. I won’t tell you what his name is…but his initials is BS…and he’s full of it!"
In 1975 and 1976, Shepard recorded two albums, I'm a Believer and Mercy/Ain't Love Good, before leaving the label in 1976. In response, United Artists released a Greatest Hits compilation. Between 1977 and 1978, she recorded for the smaller GRT label, which produced minor hit singles on the Billboard country chart. She had her last charting record in 1978 under the label with "The Real Thing".
After departing GRT at the end of the 1970s, Shepard did not record again until 1981, when she released a final studio album under the label Laselight titled, Dear John, which included remakes of her hits, including "A Dear John Letter" and "Slippin' Away", but also included a new song, "Too Many Rivers".
She continued to perform at the Grand Ole Opry and tour, particularly in the UK, where she had a strong fan base. Her work has also been reissued by Bear Family Records. Although in her eighties, Shepard continues to regularly tour and perform. Her touring show, "The Jean Shepard Show," has toured the U.S. and she performs at the Grand Ole Opry regularly.
In 2005, Shepard celebrated 50 years as a member of the Opry and at the time of her death was the longest running living member of the Opry.
In 2011, Shepard was inducted into the Country Music Hall of Fame with fellow Oklahoma native Reba McEntire and songwriter Bobby Braddock.
On November 21, 2015, Shepard became the first female to be a member of the Grand Ole Opry for 60 consecutive years. A feat that only one other person has achieved. She then retired from the stage that night.
On September 25, 2016 Jean Shepard, passed away from Parkinson's Disease.
Memory
Jean Shepard Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Old memory, keep him remembering me
Behold him constantly while we're apart
Old memory, don't ever set him free
Make him keep loving me, beholds my heart
Your part of memory is deeper than
The sea you hold, such misery or happiness
Let every hour we spent and every place we went
Be in his memory, the ones he'll miss
Your part of memory is deeper than
The sea you hold, such misery or happiness
Let every hour we spent and every place we went
Be in his memory, the ones he'll miss
Behold him constantly while we're apart
Old memory, don't ever set him free
Make him keep loving me, beholds my heart
Your part of memory is deeper than
The sea you hold, such misery or happiness
Let every hour we spent and every place we went
Your part of memory is deeper than
The sea you hold, such misery or happiness
Let every hour we spent and every place we went
Be in his memory, the ones he'll miss
In Jean Shepard's song "Memory," the singer is addressing an old memory, asking it to keep the man she loves remembering her constantly while they are apart. She is pleading with this memory to not let him go and to make him keep loving her, holding onto her heart. The line "Your part of memory is deeper than the sea" suggests that their shared memories are incredibly strong, both good and bad, and she wants every moment they spent together to be remembered, even the places they visited.
The song is an emotional plea from the singer to the memory of her relationship. Rather than speaking to the man directly, she addresses the intangible presence of memories, asking them to keep her in his thoughts. It is a beautiful and poetic ode to the power of memory and its ability to hold onto the past.
Line by Line Meaning
Old memory, keep him remembering me
Please remind him of me constantly while we are apart, old memory.
Old memory, don't ever set him free
Please don't let him forget me, old memory. Keep him tied to these memories of us.
Make him keep loving me, beholds my heart
Help him keep his love for me alive, old memory. Let these memories we made together always hold a special place in his heart.
Your part of memory is deeper than
The memories we made together are so intense and profound they cut deeper than
The sea you hold, such misery or happiness
Even the vastness of the sea cannot contain the range of emotions these memories evoke, whether they be joy or sorrow.
Let every hour we spent and every place we went
I want every moment that we shared and every location we traveled to
Be in his memory, the ones he'll miss
To remain in his memory forever as the ones he will always long for and remember fondly.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: STUART EADIE, ANASTASIA COX
Lyrics Licensed & Provided by LyricFind
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Curt Biem
I have this album and love it great song whole album is a classic
Sherry Collins
This one of if not the best singers male or female that has ever been. She never got the recondinizion she deserved.
Milton Moore
She is in the COUNTRY MUSIC HALL OF FAME!
One of only 17 females as of 2018!!!!!!! How much more recognition does she need?