During the late 1950s, Crosby was a member of a local Oneonta teen band called The Tones. The band traveled to Philadelphia to audition for Dick Clark's "American Bandstand", but were turned down. Members of the band found Dick Clark's house and were able to get a recommendation to audition at New York City's Baton Records through the company's lead producer Sol Rabinowitz. The band was given a recording contract, but the studio wanted a quintet backed by studio musicians, which left Crosby and another member out of their recordings.
After high school, Crosby joined the National Guard, but his thirst for adventure led him to go AWOL and roam the country busking for a living in areas like New Orleans, Texas, Florida, and New York. He played mostly ukulele until Harriet Ottenheimer, one of the founders of The Quorum, got him settled on a guitar in 1963. He adopted his stage name "Jerry Jeff Walker" in 1966. He spent his early folk music days in Greenwich Village in the mid 1960s. He co-founded a band with Bob Bruno in the late 1960s called Circus Maximus that put out two albums one with the popular west coast hit "Wind", but Bruno's interest in jazz apparently diverged from Walker's interest in folk music. Walker thus resumed his solo career and recorded the seminal album "Mr. Bojangles" with the help of David Bromberg and other influential Atlantic recording artists. He settled in Austin, Texas, in the 1970s associating mainly with the country-rock outlaw scene that included artists such as Willie Nelson, Guy Clark, Waylon Jennings, and Townes Van Zandt.
"Mr. Bojangles" (written by Walker) is perhaps his most well-known and most-often covered song. It was about an obscure alcoholic but talented tap-dancing drifter, (not the famous stage and movie dancer Bill Robinson, as usually assumed). Bojangles is thought to have been a folk character who entertained informally in the south of the US and California, and some say he might have been one of the most gifted natural dancers ever. Authentic reports of him exist from the 1920s through about 1965. Artists from Nina Simone to Bob Dylan, Philip Glass to the Nitty Gritty Dirt Band, have covered the song. Walker has also recorded songs written by others such as "LA Freeway" (Guy Clark), and "Up Against the Wall Red Neck Mother" (Ray Wylie Hubbard).
A string of records for MCA and Elektra followed Jerry Jeff's move to Austin, before he gave up on the mainstream music business and formed his own independent record label. Tried & True Music was founded in 1986, with his wife Susan as President and manager. Susan also founded Goodknight Music as his management company and Tried & True Artists for his bookings. A series of increasingly autobiographical records followed under the Tried & True imprint. Tried & True also sells his autobiography called "Gypsy Songman". In 2004, Jerry Jeff released his first DVD of songs from his past as performed in an intimate setting in Austin, TX.
He interpreted the songs of others like Rodney Crowell, Guy Clark, Keith Sykes, Paul Siebel, Bob Dylan, Todd Snider and even a rodeo clown named Billy Jim Baker.
His son, Django Walker, is also a musician. In addition to his residence in Austin, Walker had a retreat on Ambergris Caye in Belize where he recorded his "Cowboy Boots and Bathing Suits" album in 1998.
Members of his band varied over the years. The Lost Gonzo Band and the Gonzo Compadres have backed him in the past. Key members of his band included Craig Hillis - guitarist and arranger on Viva Terlingua, John Inmon, Freddy Krc, Gary P. Nunn, Bob Livingston, Bobby Rambo, Mitch Watkins, Steve Samuel, David Bromberg and others.
Sloop John B
Jerry Jeff Walker Lyrics
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My grandfather and me
Around Nassau town we did roam
Drinking all night
Got into a fight
Well I feel so broke up
I want to go home
See how the mainsail sets
Call for the Captain ashore
Let me go home, let me go home
I wanna go home, yeah yeah
Well I feel so broke up
I wanna go home
The first mate he got drunk
And broke in the Cap'n's trunk
The constable had to come and take him away
Sheriff John Stone
Why don't you leave me alone, yeah yeah
Well I feel so broke up I wanna go home
So hoist up the John be 's sail
See how the mainsail sets
Call for the Captain ashore
Let me go home, let me go home
I wanna go home, let me go home
Why don't you let me go home
Hoist up the John be
I feel so broke up I wanna go home
Let me go home
The poor cook he caught the fits
And threw away all my grits
And then he took and he ate up all of my corn
Let me go home
Why don't they let me go home
This is the worst trip I've ever been on
So hoist up the John be 's sail
See how the mainsail sets
Call for the Captain ashore
Let me go home, let me go home
I wanna go home, let me go home
Why don't you let me go home
In Jerry Jeff Walker's song "Sloop John B," the singer talks about sailing on a ship called the John B with their grandfather. They make a stop in Nassau, where they drink all night and end up getting into a fight. After the altercation, the singer wants to go home and asks for the Captain to hoist up the John B's sail so they can leave. However, the first mate gets drunk and breaks into the Captain's trunk, leading to the constable coming to take him away. The poor cook then catches the fits and throws out the singer's grits and eats their corn. Throughout the song, the singer repeatedly expresses their desire to go home, feeling broke up and regrets ever going on the trip.
The song's lyrics are reflective of the traditional Caribbean folk song "The John B. Sails" and were popularized by the Beach Boys in their rendition of the song. Walker's version brings a sense of folk-country flair to the classic tune. The song is all about feeling out of place and longing for home, a common theme in both country and folk music. The singer experiences frustration and homesickness throughout their journey, and it's clear by the end of the song that they never want to experience anything like it again.
Overall, "Sloop John B" is a lively and heartfelt song that speaks to the idea of home being where the heart is. Through the ups and downs of the singer's sea voyage, one thing remains constant - their longing for the place they call home.
Line by Line Meaning
We come on the sloop John be
My grandfather and I arrived on the sloop John B
Around Nassau town we did roam
We wandered around Nassau town
Drinking all night
We drank all night
Got into a fight
We got into a fight
Well I feel so broke up
I feel so upset
I want to go home
I want to return home
So hoist up the John be's sail
Raise the John B's sail
See how the mainsail sets
Observe how the mainsail is positioned
Call for the Captain ashore
Summon the Captain from the shore
Let me go home, let me go home
Allow me to leave and go home
I wanna go home, yeah yeah
I really want to go home
The first mate he got drunk
The first mate became intoxicated
And broke in the Cap'n's trunk
And forcibly opened the Captain's trunk
The constable had to come and take him away
The law enforcement officer had to intervene and remove him
Sheriff John Stone, why don't you leave me alone, yeah yeah
Sheriff John Stone, please stop bothering me
Let me go home
Allow me to return home
Hoist up the John be's sail
Raise the John B's sail
See how the mainsail sets
Observe how the mainsail is positioned
Call for the Captain ashore
Summon the Captain from the shore
I wanna go home, let me go home
I want to leave and go home
Why don't you let me go home
Please allow me to return home
The poor cook he caught the fits
The unfortunate cook became ill
And threw away all my grits
And disposed of all the grits I had
And then he took and he ate up all of my corn
Then he took and consumed all of my corn
Why don't they let me go home
Why won't they allow me to return home
This is the worst trip I've ever been on
This is the most unpleasant journey I have ever had
Lyrics © Sony/ATV Music Publishing LLC
Written by: BOB BOGLE, DON WILSON, MELVIN TAYLOR, NOLE EDWARDS
Lyrics Licensed & Provided by LyricFind