Biography
Johnson is from the small town of Ängelholm in the south western part of Sweden, but the surroundings and the media compare her with the biggest stars in the music business. By the age of four, she had decided that she wanted to become an artist. She was highly encouraged by her local choir leader.
She now lives in a hunting lodge in the Western Gothlandic woods of Sweden, but also has a home in Stockholm.
As a 12-year old, she started off as vocalist in a Country & Western band, Tomboola Band, touring in Norway and Denmark. She signed eventually with EMI-Medley in Denmark and recorded an album, produced by top producer Paul Bruun. The title-track, Sugar Tree, became a hit in Denmark. In 1996, she had her first Swedish hit with Kommer tid, kommer vår”, a duet with Jan Johansen.
In 1998, she performed Kärleken är at Melodifestivalen, winning the Swedish finals and going on to represent Sweden in the Eurovision Song Contest. This established Johnson as one of the prime Swedish artists. The success was followed by the hit album När hela världen ser på and a successful tour.
In mid 1999, Johnson went to L.A. to look for material for her second album. At home, she worked with Andreas Carlsson (ASCAP Writer of the Year 2000), who is known for several massive hits, the biggest , so far, being Celine Dion's That's the Way It Is. She also tried out a few local new-comers and the album Daughter of Eve was released in early 2000. It was very well received and Johnson was compared with some of the world's best artists.
In 2000, she received a platinum-record in Denmark for the sound-track Promise To Love from the Danish block-buster, "Eneste Ene". Later that year, Johnson started to collaborate with other songwriters such as Jenny Orenstein, Charlie Stefl, Mary Green [Biem Writer of the Year 2001]. This resulted in her receiving a Publishing contract in Nashville Tennessee. Consequently, in 2002 Johnson's album entitled "Good Girl" came to be with the help of producer Scott Bagget and some of Nashville’s top musicians. This album secured Johnson's artistic sound and style and once again she was extremely well received by the press in their reviews where she was described as an artist of International calibre.
In the Swedish finals of the Eurovision Song Contest 2003 she qualified at fourth place (out of 32 entries) but and her song “Crazy in Love" became a hit and received a great deal of radio play and was followed by a successful tour.
Johnson's collective "Discography" CD was released in late March 2003. It contains the 20 most popular songs since her debut in 1995. This Cd went straight into the sales charts for best selling CDs in Sweden. The single “Crazy in Love” stayed at No 1 in the Swedish Top Charts (Svensktoppen) 12 weeks consecutively and No 2 for 15 weeks. "Discography" sold Gold in Sweden and Johnson also got a Grammy for this album.
The new album "Roots and Wings" was released in November 2003, recorded and produced by Amir Aly in Sweden and by Scott Baggett in Nashville, USA. "Roots and Wings" sold gold in less than two weeks and platinum a few months later. The album "Being who you are" was released in Sweden in late March 2005 and sold gold in only a few weeks. Johnson was the host of the 2005 Swedish finals of the Eurovison Song Contest in Stockholm
Flirting With Disaster
Jill Johnson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I should've looked away
I should've said a prayer
Instead of saying your name
It's too late to run
I let you get to close
Been here before
My hands start shaking
When yours start moving
My heart couldn't beat any faster
When it comes to taking me
Places I shouldn't be
You're the master
I'm flirting with disaster
Last time I fell for you
Last time I played with fire
I barely made it through
The smoke of that desire
My hands start shaking
When yours start moving
My heart couldn't beat any faster
When it comes to taking me
Places I shouldn't be
You're the master
I'm flirting with disaster
I can't help myself
Boy you know me well
When I'm this kind of lonely
You can always tell
My hands start shaking
When yours start moving
My heart couldn't beat any faster
When it comes to taking me
Places I shouldn't be
You're the master
Ooooh
My hands start shaking
When yours start moving
My heart couldn't beat any faster
When it comes to taking me
Places I shouldn't be
You're the master
Oh you're the master
I'm flirting with disaster
Flirting with disaster
In the lyrics of Jill Johnson's song "Flirting With Disaster," the singer reflects on her past experiences of making risky choices and falling into dangerous situations with someone she is attracted to. The singer acknowledges that she made several mistakes in the past by not being cautious and not praying, and now realizes that it is too late to run away from this person.
The line "Been here before, but let's see how far this train wreck goes" indicates that the singer has been in similar situations in the past where things haven't ended well. Despite this, she is still willing to see where this current risky encounter will lead. This suggests a certain level of excitement and thrill that comes with flirting with danger, even if it might end badly.
The chorus expresses the physical and emotional impact that the other person has on the singer. Her hands start shaking when the other person's hands start moving, and her heart beats faster. The lyrics imply that the singer is drawn to the idea of being taken to places she knows she shouldn't be, and the other person is the master of leading her into these risky situations.
The second verse reflects on a previous experience where the singer fell for someone and played with fire, but barely made it through the aftermath. This suggests that she has learned from her past mistakes, yet she still finds herself in a similar situation again. The repetition of the chorus reinforces the intense physical and emotional response the singer has to this person, further emphasizing the uncontrollable attraction and danger she finds herself in.
The final verse highlights the singer's vulnerability and inability to resist when she is feeling lonely. This person knows her well enough to recognize when she is susceptible to taking risks. The repetition of the chorus at the end serves as a reminder of the power and influence the other person holds over the singer, depicting a sense of being trapped in an enticing but dangerous cycle.
Overall, the lyrics of "Flirting With Disaster" explore the excitement, temptation, and vulnerability that come with risking it all for someone who elicits both fear and attraction. The repetitive structure of the song reinforces the addictive nature of pursuing these dangerous relationships, even when the singer knows they are heading towards disaster.
Line by Line Meaning
I should've crossed the street
I should have avoided getting close to you and the potential danger you bring.
I should've looked away
I should have turned my attention elsewhere, away from the temptation and risk you represent.
I should've said a prayer
I should have sought guidance and protection from a higher power before involving myself with you.
Instead of saying your name
Instead of acknowledging your presence and giving you power over me by mentioning your name.
It's too late to run
Escaping from this situation is no longer possible, as I have already allowed myself to become entangled with you.
I let you get too close
I allowed you to come too near to me, despite knowing the potential risks and consequences.
Been here before
I have experienced similar scenarios in the past, where I indulged in dangerous behavior despite the potential harm.
But let's see how far this train wreck goes
However, let's continue this reckless path and observe the extent of the inevitable disaster that will unfold.
My hands start shaking
My anxiety intensifies, and my body physically reacts, trembling in response to the dangerous situation.
When yours start moving
When you initiate physical contact, my nervousness heightens even further.
My heart couldn't beat any faster
My heart races at its maximum speed, unable to pump any faster or keep up with the adrenaline rush caused by your actions.
When it comes to taking me
When it comes to leading me and influencing my decisions, especially towards places I should avoid for my own safety.
Places I shouldn't be
Locations or situations that I am aware are not good for me, filled with risks and potential harm.
You're the master
You possess the control and power over me, guiding me towards dangerous situations and decisions.
Last time I fell for you
In the past, I succumbed to my attraction for you and experienced the negative consequences of my actions.
Last time I played with fire
Previously, I engaged in risky behavior, similar to playing with fire, and faced the repercussions.
I barely made it through
I managed to survive, albeit barely, the aftermath and repercussions of my previous actions.
The smoke of that desire
The lingering effects and consequences of my intense desire for you, similar to the lingering smoke from a fire.
I can't help myself
I am unable to resist the allure of your presence and the temptation you represent, despite the knowledge of potential harm.
Boy you know me well
You, as a boy, are intimately acquainted with my weakness and susceptibility to danger in these situations.
When I'm this kind of lonely
When I experience this specific type of loneliness and vulnerability, which makes me prone to seeking dangerous connections.
You can always tell
You possess the ability to easily recognize and exploit my vulnerability during such circumstances.
Ooooh
An exclamation expressing the realization of the impending disaster and my helplessness to avoid it.
Oh you're the master
You are definitively the one in control, exerting your influence over me and my decisions.
I'm flirting with disaster
I am engaging in behavior that embraces danger and the potential for negative consequences.
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: LIZ ROSE, JILL JOHNSON, LISA CARVER
Lyrics Licensed & Provided by LyricFind