During his early days as a musician, Jimmy Dorsey performed with various other ensembles and artists including the Scranton Sirens, The California Ramblers, Red Nichols, Jean Goldkette, Ben Pollack, and Paul Whiteman. He and his younger brother Tommy formed several bands known as “The Dorsey Brothers Orchestra” during the late 1920s and early 1930s which suddenly ended in May, 1935, when Tommy stormed off the bandstand after an onstage argument.
For several months, Jimmy continued leading the band, keeping the Dorsey Brothers name, hoping that his younger brother would return, but he did not. In September, 1935, the Dorsey Brothers band legally became the "Jim Dorsey Orchestra", after Jimmy found out that Tommy Dorsey now had his own band, and had signed a recording contract with RCA Victor. Jimmy Dorsey remained with Decca Records as the two brothers were now competing with each other musically.
Jimmy Dorsey's first hit record was "You Let Me Down" in 1935. His early band was considered to be more jazz-oriented than his brother's, and recordings of some instrumental swing classics soon followed: Dorsey Stomp, Tap Dancer's Nightmare, Parade of the Milk Bottle Caps, John Silver, and Dusk in Upper Sandusky. The band was featured on Bing Crosby's Kraft Music Hall radio show, and did quite well commercially, although being overshadowed by Benny Goodman, (also a clarinetist), whose big band had grabbed center stage in the mid thirties.
Dorsey's main vocalist was Bob Eberly, considered to be the best in the music business, and in 1939, Helen O'Connell joined the band, and the idea to have them do duets together proved to be highly successful. Almost every record released during 1939-1943 were hits, but especially records made with a Latin American flavor like “Amapola”, "Maria Elena", and “Green Eyes”, which topped the charts in 1941.
Certainly vocalists Helen O’Connell and Bob Eberly, were two very important factors in Jimmy Dorsey’s rise in popularity. They continued singing with his band for future records and motion picture appearances. Despite personnel changes, Jimmy remained one of the top big band leaders after World War II and into the 1950s, always updating the sound of his band, but the big band business was beginning to decline.
Jimmy and Tommy Dorsey reunited on March 15, 1945 to record a V-Disc at Liederkranz Hall in New York City. Released in June, 1945, V-Disc 451 featured "More Than You Know" backed with "Brotherly Jump". The songs featured the combined orchestras of Jimmy and Tommy Dorsey.
In 1953, he and his brother reunited to form a (new) “Dorsey Brothers Orchestra.” Tommy was the leader of the group, making Jimmy the co-leader and featured soloist. In 1954, Jackie Gleason chose their band to star in a weekly television show that centered on their band. The show, called “Stage Show,” was a huge hit, and gave other big band leaders hope in a business that was steadily declining.
Tommy’s death in 1956 and Jimmy’s own health problems resulted in the end of his television and musical career in 1957.
Three Little Words
Jimmy Dorsey & His Orchestra Lyrics
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Oh, what I'd give for that wonderful phrase
To hear those three little words
That's all I'd live for the rest of my days.
And what I feel in heart they tell sincerely,
No other words can tell it half so clearly.
Three little words, eight little letters
These lyrics express a deep longing for the phrase "I love you" to be spoken, highlighting the immense importance and significance it holds. The singer expresses that they would give anything for the opportunity to hear those three little words. It implies that these three words hold immense power and can have a significant impact on the singer's life. They convey a sense of desire and hope for the expression of love to be reciprocated.
The lyrics suggest that the singer believes that these three little words capture the true essence of their emotions and desires. They indicate that no other words can convey their feelings as effectively or sincerely as these three words do. This emphasizes the belief that the phrase "I love you" carries a unique weight and has a profound ability to communicate one's affection and devotion.
The lyrics go on to describe these three little words as consisting of eight little letters. This may be a symbolic representation of the simplicity and compactness of the phrase, illustrating that love can be encapsulated in a concise yet powerful manner. The singer suggests that despite its simplicity, this phrase holds immense significance and meaning. It implies that these eight letters have the power to shape the singer's life and serve as the focal point of their existence.
Ultimately, these lyrics highlight the universal desire for love and the essential role that these three little words, "I love you," play in expressing and reciprocating that love. The lyrics evoke a sense of yearning and emphasize that these three words can bring immense joy and fulfillment to the singer's life. It encapsulates the universal longing for love to be acknowledged and reciprocated, emphasizing the profound impact that words of love can have on an individual's emotional well-being.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Bert Kalmar, Harry Ruby
Lyrics Licensed & Provided by LyricFind