Wild Child
John Cale/Lou Reed/Nico Lyrics


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I was talkin' to Chuck in his Genghis Khan suit
And his wizard's hat
He spoke of his movie and how he was makin' a new sound track
And then we spoke of kids on the coast
And different types of organic soap
And the way suicides don't leave notes,
Then we spoke of Loraine, always back to Lorraine
I was speakin' to Bill who was given to pills and small racing cars
He had given them up since his last crack-up had carried him too far
Then we spoke of the movies and verse
And the way an actress held her purse
And the way life at times can get worse,
Then we spoke of Loraine, always back to Lorraine

Ah, she's a wild child, and nobody can get at her
She's a wild child, oh, and nobody can get to her

Sleepin' out on the street, oh, livin' all alone
Without a house or a home and then she asked you, please,
Hey, baby, can I have some spare change
Oh, can I break your heart ?

She's a wild child, she's a wild child

I was talkin' to Betty about her auditions, how they made her ill
But life in the theater, is certainly fraught
With many spills and chills
But she'd come down after some wine
Which is what happens most of the time
Then we sat and both spoke in rhymes
Till we spoke of Loraine, ah, always back to Lorraine

I was talking to Ed who'd been reported dead by mutual friends
He thought it was funny that I had no money to spend on him
So we both shared a piece of sweet cheese
And sang of our lives and our dreams
And how things can come apart at the seams
And we talk of Lorraine, always back to Lorraine

She's a wild child, oh, and nobody can get at her
She's a wild child, oh, and nobody can get to her

Sleepin' out on the street, oh, livin' all alone
Without a house or a home and then she asked you, please,
Oh, baby, can I have some spare change
Now can I break your heart?"





She's a wild child, she's a wild child

Overall Meaning

The song Wild Child by John Cale, Lou Reed, and Nico is about a group of friends in New York City discussing their lives and experiences. The song has a conversational style, with the different characters talking to each other about various topics, but always coming back to Lorraine, who seems to be a mutual acquaintance. The song explores themes of loneliness, poverty, and the struggles of creative individuals who are part of the countercultural scene in the city.


As the song progresses, different characters are introduced, such as Chuck, who is working on a new movie soundtrack, Bill who has given up pills and small racing cars, Betty who auditions for theater roles, and Ed who was reported dead but is still alive. Despite the varied experiences and lifestyles of these characters, they are all connected through Lorraine, who seems to be a point of reference for them. The song speaks to the ephemeral nature of human relationships and the struggles of finding meaning and connection in a big city where everyone is trying to make it.


Overall, Wild Child is a poignant and insightful commentary on life in New York City during the 1960s. The song captures the spirit of the era and the struggles of those who were part of the counterculture scene. It is a testament to the enduring power of music to capture the human experience in all its complexity.


Line by Line Meaning

I was talkin' to Chuck in his Genghis Khan suit
I was chatting with Chuck who was dressed like Genghis Khan


And his wizard's hat
and wearing a wizard's hat


He spoke of his movie and how he was makin' a new sound track
Chuck talked about the movie he was making and the new soundtrack he was working on


And then we spoke of kids on the coast
We talked about children who live near the sea


And different types of organic soap
Different varieties of organic soap were also discussed


And the way suicides don't leave notes,
We discussed the fact that people who commit suicide don't always leave a note


Then we spoke of Loraine, always back to Lorraine
Then, as usual, our conversation turned to Loraine


I was speakin' to Bill who was given to pills and small racing cars
I was talking to Bill who used to take pills and have a hobby of racing small cars


He had given them up since his last crack-up had carried him too far
But he had stopped doing both since his last breakdown took him too far


Then we spoke of the movies and verse
We then discussed movies and poetry


And the way an actress held her purse
And how the actress held her purse


And the way life at times can get worse,
And how life can sometimes become worse


Then we spoke of Loraine, always back to Lorraine
And then, as usual, our conversation turned to Loraine


Ah, she's a wild child, and nobody can get at her
Lorraine is a wild child who nobody can quite get through to


She's a wild child, oh, and nobody can get to her
She's a wild child who no one can reach


Sleepin' out on the street, oh, livin' all alone
Sleeping outside, all alone on the street


Without a house or a home and then she asked you, please,
Without a place to stay, and then she asked for some help


Hey, baby, can I have some spare change
She asked, 'Hey, can you spare some change?'


Oh, can I break your heart ?
She asked, 'Can I break your heart?'


She's a wild child, she's a wild child
Lorraine is a wild child


I was talkin' to Betty about her auditions, how they made her ill
I was talking to Betty about her auditions, which made her physically sick


But life in the theater, is certainly fraught
Life in the theater is filled with its own problems and difficulties


With many spills and chills
Including many mistakes and scary moments


But she'd come down after some wine
But after having a drink, she felt better


Which is what happens most of the time
This is usually how she copes


Then we sat and both spoke in rhymes
Then we had a conversation that was full of rhyming words


Till we spoke of Loraine, ah, always back to Lorraine
And once again, the conversation turned to Lorraine


I was talking to Ed who'd been reported dead by mutual friends
I was speaking with Ed who, according to our mutual friends, had died


He thought it was funny that I had no money to spend on him
He found it amusing that I was unable to lend him any money


So we both shared a piece of sweet cheese
So we both had some sweet cheese together


And sang of our lives and our dreams
And we discussed our lives and hopes for the future


And how things can come apart at the seams
And how everything can fall apart so easily


And we talk of Lorraine, always back to Lorraine
And of course, our conversation eventually turned to Lorraine again


She's a wild child, oh, and nobody can get at her
Lorraine is truly wild and untouchable


She's a wild child, oh, and nobody can get to her
Nobody can get close to her


Sleepin' out on the street, oh, livin' all alone
Sleeping outside, all alone on the street


Without a house or a home and then she asked you, please,
She has no place to live and asks for help


Oh, baby, can I have some spare change
She asks, 'Can you give me some change?'


Now can I break your heart?"
She asks, 'Can I break your heart now?'


She's a wild child, she's a wild child
Lorraine is a truly wild and untouchable individual




Lyrics © Sony/ATV Music Publishing LLC
Written by: LOU REED

Lyrics Licensed & Provided by LyricFind
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Paul


on Waiting for my man

I'm waiting for my man
The singer is waiting for their drug dealer.

26 dollars in my hand
The singer has just enough money to buy their drugs.

Up to Lexington 125
The location where the singer will meet the dealer.

Feel sick and dirty
The artist is experiencing withdrawal symptoms and feels ashamed.

More dead than alive
The artist is struggling with addiction and barely getting by.

Hey white boy, what you doing uptown
The singer is racially profiled and questioned about their presence in the area.

Hey white boy, you chasing our women around
The singer is accused of being a threat to the local women.

Oh, pardon me, sir, it's furthest from my mind
The artist denies the accusation and tries to distance themselves from the stereotype.

I'm just lookin' for a dear, dear friend of mine
The artist is using the excuse of meeting a friend to avoid further scrutiny.

Here he comes, he's all dressed in black
The dealer arrives, dressed in a way that draws little attention.

P.R. shoes and and big straw hat
The dealer wears specific items to hide their identity and avoid suspicion.

He's never early, he's always late
The dealer is unreliable and often shows up past the agreed time.

First thing you learn is that you always gotta wait
The singer has grown accustomed to waiting for their dealer and knows it's a necessary part of the process.

Up to a Brownstone, up three flights of stairs
The dealer's location is in a residential building, requiring the singer to climb several flights of stairs.

Everybody's pinned you, but nobody cares
The singer feels judged by the people around them, but they are all there for the same reason and don't pay much attention.

He's got the works, gives you sweet taste
The dealer has the drugs and provides a small sample to the artist, to prove that they've not just been sold Drano or something equally heinous.

Then you gotta split
The addict is in bad withdrawal by now and he wants to leave immediately after verifying the H is good, and he needs to get it in his body as fast as possible without other addicts begging for a "little taste"

Because you've got no time to waste, ah
The singer is in a hurry to use the drugs and satisfy their addiction.

Baby, don't you holler
The singer is reassuring someone not to worry or make a scene.

Darling don't you bawl and shout
The artist is addressing a partner or loved one, urging them to stay calm and not interfere with their addiction.

I'm feeling so good
The artist is experiencing an initial high from the drugs.

I'm gonna work it all out
The artist believes that their drug use will help them solve their problems.

I'm feeling good, I'm feeling oh so fine
The singer is enjoying the effects of the drugs and feels invincible.

Until tomorrow, but that's just some other time
The artist is living in the present moment and not worrying about the consequences of their actions tomorrow.

man-man-man-man-man-man-man
The repeated use of the word 'man' emphasizes the drug dealer's importance in the singer's life.

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