John Fogerty began a solo career, originally under the name The Blue Ridge Rangers for his 1973 LP debut. Fogerty played all of the instruments on covers of others' country music hits, such as "Jambalaya" (which was a Top 40 hit). Prior to performing country & western tunes he released a rock & roll single in late 1973, also as The Blue Ridge Rangers. The two John Fogerty penned songs were "You Don't Owe Me" and "Back In The Hills" (Fantasy F-710).
In early 1974 John Fogerty released two rock & roll tunes on a 7"-single. The two songs were the vocal "Comin' Down The Road" b/w the instrumental "Ricochet". His second solo album John Fogerty was released in 1975. Sales were slim and legal problems delayed a followup, though it yielded "Rockin' All Over the World", a top 40 hit for Fogerty in North America.
Fogerty finished an album called Hoodoo in 1976. A single, "You Got The Magic" b/w "Evil Thing", preceded the album's release, but it performed poorly. The album, for which covers had already been printed, was rejected by Asylum Records a couple weeks before its scheduled release, and Fogerty agreed that it wasn't up to his usual high standards. Fogerty told Asylum Records to destroy the master tapes for Hoodoo sometime in the 1980s. Fogerty is something of a perfectionist, often destroying unreleased material. Fogerty says that he was unable to write music during this period of his life.
Fogerty's solo career re-emerged in full force with 1985's Centerfield, his first album for Warner Bros. Records (which took over co-ownership of Asylum's contract with Fogerty). Centerfield went to the top of the charts and included a top-ten hit in "The Old Man Down The Road"; the title track is frequently played on classic rock radio and at baseball games to this day. But that album was not without its legal snags either.
Two songs on the album, "Zanz Kant Danz" and "Mr Greed", were believed to be attacks on Fogerty's former boss at Fantasy Records, Saul Zaentz. "Zanz Kant Danz" was about a pig who can't dance but would "steal your money". When Zaentz responded with a lawsuit, Fogerty issued a revised version of "Zanz Kant Danz" (changing the lead character's name to Vanz). Another lawsuit claimed that "The Old Man Down The Road" shared the same chorus as "Run Through The Jungle" (a song from Fogerty's days with Creedence to which Fantasy Records had owned the publishing rights). Fogerty ultimately won his case when he proved that the two songs were wholly distinct compositions.
The followup album to Centerfield was Eye of the Zombie in 1986, which was less successful. Fogerty toured behind the album, but he refused to play any Creedence material. The album took on a darker mood, talking about a troubled society, terrorism, and pop stars selling out. For years, he refused to play material from the Zombie album. However, "Change In The Weather" was included in the set list for his 2009 tour. Fogerty played Creedence material again at a concert in Washington, D.C., for Vietnam veterans that took place on July 4, 1987. The show was aired on HBO. Aside from the show at the Palomino, this was the first time Fogerty had performed any Creedence Clearwater Revival songs for a large audience since 1972.
Fogerty traveled to Mississippi in 1990 for inspiration and visited the gravesite of blues legend Robert Johnson. He realized that Robert Johnson was the true spiritual owner of the songs Johnson had written. Fogerty decided to start making a new album and to perform his old Creedence material regularly in concert.[4][5] It was at this time visiting the Mt. Zion Missionary Baptist Church cemetery that Fogerty met Skip Henderson, a New Jersey vintage guitar dealer who had formed a nonprofit corporation The Mt. Zion Memorial Fund to honor Johnson with a memorial marker. Fogerty subsequently funded headstones for Charlie Patton, James Son Thomas, Mississippi Joe Callicott, Eugene Powell, Lonnie Pitchford and helped with financial arrangements for numerous others.[6]
Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame in 1993. John Fogerty refused to perform with his former band mates and fellow inductees Stu Cook and Doug Clifford during the musical portion of the induction ceremony. In place of the surviving members of CCR, Fogerty recruited LA session musicians on drums and bass and was also joined by Bruce Springsteen and Robbie Robertson in performing three songs; "Who'll Stop The Rain", "Born On The Bayou" and "Green River".
Fogerty returned to the commercial music industry in 1997 with Blue Moon Swamp. The layoff between Zombie and Swamp had been longer than his mid-'70s-mid-'80s break. The album was much more successful than his previous effort and won the Grammy for best rock album in 1997. A live album of the equally successful tour was released to similar acclaim and good sales.
It seemed as though Fogerty was back, but again he drifted out of the mainstream, only returning after another break in 2004. Deja Vu (All Over Again) was Fogerty’s next release. His new record contract was with DreamWorks Records, which had taken over distribution of Fogerty's Warner Bros. catalog. Rolling Stone wrote: "The title track is Fogerty's indictment of the Iraq war as another Vietnam, a senseless squandering of American lives and power". On the album, Fogerty squeezed 10 songs into only 34 minutes.
The sale of Fantasy Records to Concord Records in 2004 ended the 30+-year estrangement between Fogerty and his former label as the new owners took steps to restore royalty rights Fogerty gave up in order to be released from his contract with Fantasy in the mid 1970s. In September 2005, Fogerty returned to Fantasy Records. That was made possible when DreamWorks Records' non-country music unit was absorbed by Geffen Records, which dropped Fogerty but continued to distribute his earlier solo albums. The first album released under the new Fantasy contract was The Long Road Home, a compilation CD combining his Creedence hits with solo material which was issued in November 2005. A live CD and DVD concert was released the following year.
Fogerty’s touring schedule increased in the period after Deja Vu (All Over Again). In October 2004, Fogerty appeared on the Vote for Change tour, playing a series of concerts in American swing states. Centerfield was also played at the 2008 Republican National Convention when John McCain introduced Sarah Palin as his running mate. Fogerty's numbers were played with Bruce Springsteen and the E Street Band. Fogerty toured with John Mellencamp in the summer of 2005 and with Willie Nelson in the summer of 2006. On June 29, 2006 he played his first headlining British concert since 1972, at the Hammersmith Apollo theater in London, as part of the European leg of the tour. During that leg, he also performed in Sundsvall, Sweden, where 25,000 people came to see him perform at the town square. On Thanksgiving Day of 2006, Fogerty performed at halftime at the Miami Dolphins/Detroit Lions game as well as at the Denver Broncos/Kansas City Chiefs halftime later that evening.
Alongside, Bill Withers, the Sherman Brothers, Steve Cropper and Isaac Hayes and David Porter, Fogerty was named to the Songwriters Hall of Fame in 2005.
Fogerty features on Jerry Lee Lewis's album "Last Man Standing" issued 26 September 2006, duetting on a recording of "Travellin' Band". He also participated in the live set follow-up "Last Man Standing - Live", joining Lewis for a duet of "CC Rider", "Will The Circle Be Unbroken" (also featuring Kris Kristofferson), and concluding with a performance of "Good Golly Miss Molly", with Lewis backing him on piano.
Fogerty completed his first new country and rock album in three years, Revival, which was released on October 2, 2007. Heavily promoted by the label, Revival debuted at number 14 on the U.S. Billboard 200 chart with sales about 65,000 copies in its first week. Revival was nominated for a Grammy Award for Best Rock Album of 2008 but lost to the Foo Fighters.
On February 10, 2008, he appeared with Jerry Lee Lewis and Little Richard on the Grammy Award's Show. Along with these rock icons and his regular touring band, he played his ultra-rare 1973 single "Comin' Down The Road" leading into Lewis and Richard's performances of "Great Balls Of Fire," and "Good Golly Miss Molly," respectively.
On March 16, 2008, Fogerty kicked off an Australian tour. On March 22 in Point Nepean, Australia, surprise guest Keith Urban joined Fogerty on stage, performing two songs: "Broken Down Cowboy," off Fogerty's newest album Revival, and "Cotton Fields," from CCR's album Willy & the Poor Boys.
Fogerty's current touring band includes Dave Santos on bass, Kenny Aronoff on drums, Matt Nolen on keyboards, guitar & mandolin, Hunter Perrin on guitars Billy Burnette (of Fleetwood Mac fame) on guitars, and Dan Hochhalter on fiddle, mandolin, and guitars.
On June 24, 2008, Fogerty made a return to the Royal Albert Hall, a venue he last played with CCR in 1971. It was the last concert on his 2008 European Tour. This concert was filmed (causing staging problems that annoyed some fans) and, according to his website, is to be released in early 2009.
On December 10, 2008, a Billboard article announced that besides the Royal Albert Hall DVD, Fogerty was working on recording a new album of mostly country covers. The album is a sequel to his 1973 solo debut The Blue Ridge Rangers and will be called The Blue Ridge Rangers Rides Again. It will be released on September 1, 2009 and will contain a duet with Bruce Springsteen on the 1960 Everly Brothers classic "When Will I Be Loved?."[15] In addition, Don Henley and Timothy B. Schmit of The Eagles sing with Fogerty on a cover of Rick Nelson's 1972 classic "Garden Party."
On April 16, 2009, Fogerty performed his hit "Centerfield," from center field, at the opening day festivities of the new Yankee Stadium.[16]
On July 2,3,and 4, 2009 John Fogerty performed with the Los Angeles Philharmonic at the Hollywood Bowl. The Bowl was completely sold out. The night included a fireworks display. Although the night was billed as Fogerty with the LA Philharmonic, the LA Philharmonic began the night with music by American composers, and Fogerty and his band came on after intermission and played all of his greatest hits. Fogerty and his band only played one song with the orchestra.
From Wikipedia, the free encyclopedia
Don't You Wish It Was True
John Fogerty Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There was so much beauty, so much light
Don't you wish it was true
Don't you wish it was true
An angel took my hand
Said you don't have to hurry
Got all the time in the world, don't worry
Lord, don't you wish it was true
But if tomorrow everybody was your friend
Anyone could take you in
No matter what or where you been
But if tomorrow everybody had enough
The world wasn't quite so rough
Lord, don't you wish it was true
He said the world gonna change and it starting today
There will be no more armies, no more hate
Don't you wish it was true
Don't you wish it was true
And all the little children, will live happily
There'll be singing and laughter, sweet harmony
Don't you wish it was true
Lord, don't you wish it was true
But if tomorrow, everybody under the sun
Was happy just to live as one
No borders, no battles to be won
But if tomorrow everybody was your friend
Happiness would never end
Lord, don't you wish it was true
But if tomorrow, everybody under the sun
Was happy just to live as one
No borders, no battles to be won
But if tomorrow everybody was your friend
Happiness would never end
Lord, don't you wish it was true
Lord, don't you wish it was true
What a beautiful day
This song is full of hope and longing for a better world. The first verse describes the dream of walking in heaven, where there is so much beauty and light. The second verse describes an angel taking the singer's hand and promising that there is no need to rush, since there is all the time in the world. The third verse imagines a world where everyone is friendly and hospitable, where there is no need for borders, armies, or battles. The fourth verse is a repeat of the third, with allusion to the children living in a harmonious world. The chorus repeats the question, "Don't you wish it was true?" and the final verse envisions a world where there is no division or conflict and happiness is infinite.
The song can be interpreted to be about heaven, a utopian society, or a wishful fantasy of a better world. It is a protest song that exposes the flaws of our current world and calls on us to change it. The song has an optimistic tone, as it suggests that change is possible and can start today.
Line by Line Meaning
I dreamed I walked in heaven, just the other night
Narrator describes a dream where he visited heaven
There was so much beauty, so much light
Narrator is mesmerized by the beauty and light in the dream
Don't you wish it was true
Narrator asks if the listener wishes the dream was true
Don't you wish it was true
Narrator repeats the question to emphasize its importance
An angel took my hand
Narrator met an angel in his dream
Said you don't have to hurry
Angel comforts narrator by telling him he has plenty of time
Got all the time in the world, don't worry
Angel reassures narrator that there's no need to worry about running out of time
Don't you wish it was true
Narrator again asks if the listener wishes this was true
Lord, don't you wish it was true
Narrator emphasizes that he believes this to be something the listener truly desires
But if tomorrow everybody was your friend
Narrator poses a hypothetical scenario where everyone is friendly towards each other
Anyone could take you in
Narrator suggests that there won't be any hostility or prejudice towards strangers
No matter what or where you been
Narrator implies that people won't judge others based on their past or origins
But if tomorrow everybody had enough
Narrator poses another hypothetical scenario where everyone has the resources they need
The world wasn't quite so rough
Narrator suggests that a lack of resources creates difficulty and harshness
Lord, don't you wish it was true
Narrator emphasizes that he believes this is something the listener desires
He said the world gonna change and it starting today
Narrator recalls what the angel told him - that the world is changing and it's starting now
There will be no more armies, no more hate
Narrator describes a future where there is no war or hatred among people
Don't you wish it was true
Narrator asks again if the listener wishes this to be true
Don't you wish it was true
Narrator repeats the question to emphasize its importance
And all the little children, will live happily
Narrator describes a future where children are happy
There'll be singing and laughter, sweet harmony
Narrator says people will be singing and laughing in harmony
Don't you wish it was true
Narrator again asks if the listener wishes this future was true
Lord, don't you wish it was true
Narrator emphasizes that he believes this to be something the listener desires
But if tomorrow, everybody under the sun
Narrator repeats the hypothetical scenario where everyone gets along
Was happy just to live as one
Narrator implies that people won't hold onto individual differences or preferences
No borders, no battles to be won
Narrator suggests that the future won't have countries fighting each other
But if tomorrow everybody was your friend
Narrator repeats this idea of a friendly world again
Happiness would never end
Narrator believes that if everyone was friends, there would be no end to happiness
Lord, don't you wish it was true
Narrator emphasizes that he believes this to be something the listener desires
But if tomorrow, everybody under the sun
Narrator repeats this hypothetical scenario once more
Was happy just to live as one
Narrator emphasizes that unity is key
No borders, no battles to be won
Narrator repeats this idea once more
But if tomorrow everybody was your friend
Narrator again emphasizes the importance of friendship and unity
Happiness would never end
Narrator again repeats the idea of happiness being eternal in this case
Lord, don't you wish it was true
Narrator emphasizes that he strongly wishes this hypothetical scenario to be true
Lord, don't you wish it was true
Narrator repeats and emphasizes the importance of the listener's desire for this future
What a beautiful day
Narrator ends the song with an acknowledgement of the beauty of the hypothetical future
Lyrics © Universal Music Publishing Group
Written by: FOGERTY
Lyrics Licensed & Provided by LyricFind
Kfir Ochaion
That's so sweet! You know John, you have a big part in the reason for why I started playing guitar. That "I put a spell on you" solo sent fire through my bones the first time I heard it when I was about 6 years old. I will always remember that. Thank you.
Star Action, s
And same with you Kfir the reason i start to learn guitar...
Györgyi Toth
nice
Györgyi Toth
@Craig Marsh nice
Györgyi Toth
@Star Action, s nice
Winslow Redcross
The legend John Fogerty just kickin back, playing great music with his kids and passing his talent on down to them. I think Don't You Wish It Was True is by far one of the best songs John Fogerty has ever written. Thank you for all the great music since the 1960's John!!
Rita McDonald
A very talented family making music it comes naturally .
Moses Guerrero
God, I just love this song! Never get tired of hearing it.
john sturdy
how can ayone ! x
Gerald Ricklefs
John enjoying life, making music with his family......doesn’t get any better than this!