John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his masterful and idiosyncratic blues guitar and singing. His best known songs include "Boogie Chillen" (1948) and "Boom Boom" (1962).
There is some debate as to the year of John Lee Hooker's birth, 1915, 1917, 1920, and 1923 have all been cited, 1917 (the date on his grave marker in Oakland, California) is the one most commonly cited although Hooker himself claimed, at times, 1920.
Hooker was the youngest of the eleven children of William Hooker (1871–1923), a sharecropper and a Baptist preacher, and Minnie Ramsey (1875–?).
Hooker and his siblings were home-schooled. They were permitted to listen only to religious songs, with his earliest musical exposure being the spirituals sung in church.
In 1921, his parents separated. The next year, his mother married William Moore, a blues singer who provided John's first introduction to the guitar (and whom John would later credit for his distinctive playing style). The year after that (1923), John's natural father died; and at age 15, John ran away from home, never to see his mother and stepfather again.
He was a cousin of Earl Hooker,
Throughout the 1930s, Hooker lived in Memphis where he worked on Beale Street and occasionally performed at house parties. He worked in factories in various cities during World War II, drifting until he found himself in Detroit in 1948 working at Ford Motor Company. He felt right at home near the blues venues and saloons on Hastings Street, the heart of black entertainment on Detroit's east side. In a city noted for its piano players, guitar players were scarce. Performing in Detroit clubs, his popularity grew quickly, and seeking a louder instrument than his crude acoustic guitar, he bought his first electric guitar.
Though he stuttered slightly in his normal speech, he performed in a half-spoken style that became his trademark. Rhythmically, his music was free, a property common with early acoustic Delta blues musicians. His vocal phrasing was less closely tied to specific bars than most blues singers'. This casual, rambling style had been gradually diminishing with the onset of electric blues bands from Chicago but, even when not playing solo, Hooker retained it in his sound.
Hooker's recording career began in 1948 with the hit single, "Boogie Chillen" cut in a studio near Wayne State University.
Despite being illiterate, he was a prolific lyricist. In addition to adapting the occasionally traditional blues lyric (such as "if I was chief of police, I would run her right out of town"), he freely invented many of his songs from scratch. Recording studios in the 50s rarely paid black musicians more than a pittance, so Hooker would spend the night wandering from studio to studio, coming up with new songs or variations on his songs for each studio. Due to his recording contract, he would record these songs under obvious pseudonyms such as "John Lee Booker," "Johnny Hooker", or "John Cooker".
His early solo songs were recorded under Bernie Besman.
John Lee Hooker rarely played on a standard beat, changing tempo to fit the needs of the song. This made it nearly impossible to add backing tracks. As a result, Besman would record Hooker, in addition to playing guitar and singing, stomping along with the music on a wooden palette.
John Lee Hooker's guitar playing is closely aligned with piano Boogie Woogie. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of trills, done by rapid hammer-ons and pull-offs. The songs that most epitomize his early sound are "Boogie Chillen," about being 17 and wanting to go out to dance at the Boogie clubs, "Baby Please Don't Go," a more typical blues song, summed up by its title, and "Tupelo," a stunningly sad song about the flooding of Tupelo, Mississippi.
He maintained a solo career, popular with blues and folk music fans of the early 1960s and crossed over to white audiences, giving an early opportunity to the young Bob Dylan. As he got older, he added more and more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing.
In 1989 he joined with a number of musicians, including Keith Richards and Carlos Santana to record The Healer, which won a Grammy award — one of many awards.
He fell ill just before a tour of Europe in 2001 and died soon afterwards at the age of 83.
Hooker recorded over 100 albums and lived the last years of his life in San Francisco, California, where he licensed a nightclub to use the name Boom Boom Room, after one of his hits.
Among his many awards, John Lee Hooker has a star on the Hollywood Walk of Fame.
In 1991 he was inducted into the Rock and Roll Hall of Fame. Two of his songs, "Boogie Chillen" and "Boom Boom" were named to the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
John Lee recorded several songs with Van Morrison, including "Never Get Out of These Blues Alive", "The Healing Game" and "I Cover the Waterfront". He also appeared on stage with Van Morrison several times, some of which was released on the live album "A Night in San Francisco".
John Lee also recorded in the sixties with british blues band The Groundhogs. These recordings are still available as a CD "John Lee Hooker with The Groundhogs". More importantly, Hooker recorded with the Blues-rock outfit Canned Heat, delivering the album 'Hooker N' Heat' in 1971. Hooker was influential and topical even in his lifetime, as evidenced in the MC5 cover of "Motor City's Burning" on their first album, recorded almost immediately after the riots which are the song's topic.
Bluebird Bluebird Take A Letter Down South
John Lee Hooker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh, bluebird, take this letter down south for me
Don't you two stop flyin' till you find little Liza Belle for me
Lord, she way down, she's way down in Jackson, Tennessee
Bluebird, she's way down south in Jackson, Tennessee
She may not be home, but, please, knock upon her door
Oh, bluebird, please, do this for me
If you see my baby, tell her I want her to come back home to me
The song "Blue Bird" by John Lee Hooker is a plea to a bluebird to deliver a letter to a man's beloved, who is far away in Jackson, Tennessee. The man is desperate to have his baby come back home to him and is relying on the bluebird to bring his message to her. The repetition of the request to the bluebird reinforces the urgency of the situation and the man's longing for his love. The fact that he begs the bird not to stop flying until it finds Liza Belle suggests that the two have been separated for a long time and he cannot bear to be without her any longer. The choice of a bluebird as the messenger is interesting as it symbolizes hope, happiness, and love. In Native American culture, the bluebird is believed to bring good luck and ward off evil spirits. This further emphasizes the man's desire for a positive outcome and his belief that the bluebird will bring him happiness.
Line by Line Meaning
Bluebird, please, take this letter down south for me
The singer is asking a bluebird to take a written message down south for him
Oh, bluebird, take this letter down south for me
The singer is pleading with the bluebird to do him a favor by taking a letter down south
Don't you two stop flyin' till you find little Liza Belle for me
The singer wants the bluebird to keep flying until it finds a person named Liza Belle
Lord, she way down, she's way down in Jackson, Tennessee
The person the artist is looking for, Liza Belle, is located far away in Jackson, Tennessee
Bluebird, she's way down south in Jackson, Tennessee
The artist repeats that Liza Belle is located far away in Jackson, Tennessee
She may not be home, but, please, knock upon her door
The singer is asking the bluebird to look for Liza Belle's house and knock on her door even if she's not home
Bluebird, bluebird, please, do this for me
The singer is repeating his request, asking the bluebird to fulfill his favor
Oh, bluebird, please, do this for me
The artist is pleading with the bluebird to do him this favor
If you see my baby, tell her I want her to come back home to me
The artist wants the bluebird to tell Liza Belle that he misses her and wants her to come back home
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: WILLIE WILLIAMSON
Lyrics Licensed & Provided by LyricFind