Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
Don’t Take Your Guns to Town
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A boy filled with wonderlust who really meant no harm
He changed his clothes and shined his boots
And combed his dark hair down
And his mother cried as he walked out
Don't take your guns to town son
Leave your guns at home Bill
He laughed and kissed his mom
And said your Billy Joe's a man
I can shoot as quick and straight as anybody can
But I wouldn't shoot without a cause
I'd gun nobody down
But she cried again as he rode away
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
He sang a song as on he rode
His guns hung at his hips
He rode into a cattle town
A smile upon his lips
He stopped and walked into a bar
And laid his money down
But his mother's words echoed again
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
He drank his first strong liquor then to calm his shaking hand
And tried to tell himself he had at last he had become a man
A dusty cowpoke at his side began to laugh him down
And he heard again his mothers words
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
Filled with rage then
Billy Joe reached for his gun to draw
But the stranger drew his gun and fired
Before he even saw
As Billy Joe fell to the floor
The crowd all gathered 'round
And wondered at his final words
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
"Don't Take Your Guns to Town" by Johnny Cash is a story about a young cowboy named Billy Joe, who grew restless on the farm and wanted to explore the world outside of his village. He changed his clothes, shined his boots, and combed his hair down while his mother cried as he walked out. His mother advised him not to take his guns to town, but Billy Joe carried them anyway.
As Billy Joe rode into town, he walked into a bar and drank his first strong liquor, which made him feel like a man. He had his guns hung at his hips, and a dusty cowpoke at his side began to laugh him down. Billy Joe filled with rage; he reached for his gun, but the stranger drew his gun and fired before he even saw. Billy Joe fell to the floor, and the crowd gathered around him as he spoke his last words, "Don't take your guns to town, leave your guns at home, Bill."
The song is about the consequences of bringing weapons into public places, and it's a warning to people about the risks of carrying guns. The mother's words were significant because she knew the consequences of violent behavior and advised him to avoid it.
Line by Line Meaning
A young cowboy named Billy Joe grew restless on the farm
A boy named Billy Joe who lived on a farm was feeling restless and wanted to venture out
A boy filled with wonderlust who really meant no harm
This boy was curious about the world and wanted to explore, and had no intention of harming anyone
He changed his clothes and shined his boots
He put on his best clothes and polished his boots to prepare for his journey
And combed his dark hair down
He fixed his hair neatly as he wanted to look his best
And his mother cried as he walked out
His mother felt emotional and sad as she watched her son leave
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
His mother warned him not to carry his guns with him as it could lead to trouble and advised him to leave them behind
He laughed and kissed his mom
And said your Billy Joe's a man
I can shoot as quick and straight as anybody can
But I wouldn't shoot without a cause
I'd gun nobody down
But she cried again as he rode away
Despite his mother's warning, Billy Joe felt confident and assured his mother that he wouldn't harm anyone, but she still felt upset as he left
He sang a song as on he rode
His guns hung at his hips
He rode into a cattle town
A smile upon his lips
He stopped and walked into a bar
And laid his money down
But his mother's words echoed again
As he traveled, he sang and carried his guns, and when he reached a new town, he went to a bar and laid his money down. But his mother's warning rang in his head again
He drank his first strong liquor then to calm his shaking hand
And tried to tell himself he had at last he had become a man
A dusty cowpoke at his side began to laugh him down
And he heard again his mothers words
To calm his nerves, he had a drink, and he tried to prove his manhood. But a cowboy made fun of him, and he heard his mother's warning again
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town
In his mind, he heard his mother's warning again not to bring his guns to town
Filled with rage then
Billy Joe reached for his gun to draw
But the stranger drew his gun and fired
Before he even saw
As Billy Joe fell to the floor
The crowd all gathered 'round
And wondered at his final words
Despite the warning, Billy Joe got upset when he was made fun of and reached for his gun, but before he could draw, the cowboy he was arguing with shot him. As he lay dying, people gathered around and heard him repeating his mother's warning
Lyrics © Warner Chappell Music, Inc.
Written by: Johnny R. Cash
Lyrics Licensed & Provided by LyricFind
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home