During the middle of the 1970s Johnny Clarke stood at a Crossroads of Jamai… Read Full Bio ↴During the middle of the 1970s Johnny Clarke stood at a Crossroads of Jamaican music, and was the point about which Reggae music turned during the "Golden Era" of '70s Roots Reggae. Briefly there was no more popular act than he in Jamaica, and this in a country where popularity is exceptionally hard won.
He was nominated best vocalist five times in his own country, an indication of the love Jamaicans have for his voice and music. There are many reasons as to why he commands the respect of his countrymen, one is his ability to perform both roots Reggae material and love songs with equal ability and conviction. This dual persona, both as roots 'preacher' and love 'crooner', was one which out of financial necessity many other performers were required to adopt. Dennis Brown, then Johnny's biggest rival, is a fine example in this regard.
Masterful dub remixes of Johnny Clarke's songs by KING TUBBY contribute no end to the beauty of any mid '70s single release by Clarke. Listen to 'Move Out Of Babylon Rastaman' or the later 'Cold I Up' and to the accompanying b-side dub versions, and you will realize why Johnny Clarke encapsulates so well, '70s Roots Reggae. Few other artists have ever achieved such domination, let alone with the consummate ease and style that Johnny Clarke, the 'studio idler' did.
If you are looking to understand and absorb the world of Reggae, in particular the 'Golden Era' of the mid '70s, Clarke's music is an ideal vehicle within which to do so. When Bob Marley was turning himself into the first International Jamaican superstar, Big Youth, Inner Circle and Johnny Clarke ruled the roost back home. They were the acts popular with Jamaicans, in Jamaica.
While he failed to maintain the success of the '70s, Clarke went on to become one of the highlights of the dancehall era, re-establishing his reputation as he did so. His style had always been well suited to this new genre, one that coincided with the beginning of the new decade.
He has continued to remain true to his own roots, singing largely of 'cultural' matters and retaining his Rastafarian faith. Touring to this day, he spends much of his time in the U.K., and long may we benefit from his beautiful voice.
He was nominated best vocalist five times in his own country, an indication of the love Jamaicans have for his voice and music. There are many reasons as to why he commands the respect of his countrymen, one is his ability to perform both roots Reggae material and love songs with equal ability and conviction. This dual persona, both as roots 'preacher' and love 'crooner', was one which out of financial necessity many other performers were required to adopt. Dennis Brown, then Johnny's biggest rival, is a fine example in this regard.
Masterful dub remixes of Johnny Clarke's songs by KING TUBBY contribute no end to the beauty of any mid '70s single release by Clarke. Listen to 'Move Out Of Babylon Rastaman' or the later 'Cold I Up' and to the accompanying b-side dub versions, and you will realize why Johnny Clarke encapsulates so well, '70s Roots Reggae. Few other artists have ever achieved such domination, let alone with the consummate ease and style that Johnny Clarke, the 'studio idler' did.
If you are looking to understand and absorb the world of Reggae, in particular the 'Golden Era' of the mid '70s, Clarke's music is an ideal vehicle within which to do so. When Bob Marley was turning himself into the first International Jamaican superstar, Big Youth, Inner Circle and Johnny Clarke ruled the roost back home. They were the acts popular with Jamaicans, in Jamaica.
While he failed to maintain the success of the '70s, Clarke went on to become one of the highlights of the dancehall era, re-establishing his reputation as he did so. His style had always been well suited to this new genre, one that coincided with the beginning of the new decade.
He has continued to remain true to his own roots, singing largely of 'cultural' matters and retaining his Rastafarian faith. Touring to this day, he spends much of his time in the U.K., and long may we benefit from his beautiful voice.
Jah Jah Bless Joshua
Johnny Clarke Lyrics
We have lyrics for these tracks by Johnny Clarke:
African Roots African roots Just call me African roots Please call me Af…
African Roots - 2000 Digital Remaster African roots Just call me African roots Please call me Afri…
Bad Days Are Going Some days are dry, some days are leaky Some days come…
Be Holy My Brothers And Sisters It's quarter to three, there's no one in the place Except…
Blood Dunza Blood dunza! Blood dunza! Blood money! Blood dunza! Bloo…
Crazy Baldhead Them crazy, them crazy - We gonna chase those crazy Baldhead…
Crazy Baldheads Chase them crazy - Chase them crazy - Chase them crazy. …
Dance To The Music Come on dance to the music, Get out rock with the…
Declaration of Rights Verse 1 Look how long they brought us down here Have us…
Enter Into His Gates With Praise Oh oh oh oh oh Jah Jah in deh, in deh. Let's…
Every Knee Shall Bow Every Knee Shall bow And every tongue confess On the day …
Fittest Of The Fittest Oh Jah Jah. Oh Father. Ooh Jah Jah. Yeah.. The fittest…
I Saw Mommy Kissing Santa Claus I saw mommy kissing Santa Claus Underneath the Christmas tre…
Joshua's Word Listen, baby not with your ears cuz this song will…
Left with a Broken Heart You were seen runnin' round With him again, woah yeah But I…
Legalize It Legalize it, yeah, yeah, Don't criticize it Legalize it, y…
Love Me Forever 77s Tom Tom Blues You Still Love Me (I) Yeah I come runn…
Move Out A Babylon Move out of Babylon, rastaman And leave all the wicked man M…
Moving On to Zion Waa-ooh. Ooh-ooh.. Waa-ooh. We are moving on, to Zion. …
Natty Dreadlocks Stand Up Right Dont take natty dread Dont take natty dread For a puppy sh…
None Shall Escape Oh, oh, oh, oh, yeah, oh, oh, oh, oh, yeah Ho…
None Shall Escape the Judgement Though you may not drive a great big Cadillac Gangster white…
Peace and Love in the Ghetto Jamaicans, out of many we are one Peace and love I went…
Ride On Girl I work so hard just to make her satisfied, And no…
Roots Natty Roots Natty Congo Roots natty roots, natty congo, Roots natty roots natty dre…
Roots Natty Roots, Natty Congo Roots natty roots, natty congo, Roots natty roots natty drea…
Satta Massagana There is a land, far far away Where there's no night,…
Simmer Down Simmer down.. don't mek you so hot, man. Simmer down.. say…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Ayrin ortiz lopez
una de mis preferidas de johnny clarke
fafa fabrice
yesss i love this song jah bless
Cash82Mx
Haile Selassie I is our God Claudius Henry is our King Michael Manley is our Joshua What a peace of mind Our Joshue has come -Henry´s Peacemakers Church
Seydoux Kady
...there is only one GOD...JAH love
Cash82Mx
The cane, or rod, was given to him by Ethiopian Emperor Haile Selassie I during a visit to that country in 1970. When the PNP leader waved the ivory-tipped, ebony-bodied 'Rod of Correction' at meetings, it stirred the masses and added to his image of Joshua, the Old Testament figure who led the enslaved Jews out of Jericho. -Jamaica Gleaner This is a propaganda tune!!
Ray Ranking - Shamba Lion Sound System
Earl Zero was the first who sung None Shall Escape the judgement.
duncabbin
Johnny Clarke did the Original, correct title though.
Fabio Bari
Joshua is the greek of YESHUA (JESUS).... Joshua already come on the first time as Son of Joseph....and will come the second time as Son of David as Lord in ISRAEL , not any other country.....
Antoni Kuzmicz
1:20 memba that!
duncabbin
I stand corrected