Johnny was 13 years old when Clem took him to see Connie Cox, a Bay Area voice teacher, who agreed to take on the youngster in exchange for his doing odd jobs around her house. Johnny studied with Connie for six years learning vocal scales and exercises, voice production, classical and operatic skills.
At George Washington High School, Johnny was known not only for his singing ability but his athleticism as well. He became a star athlete on the track and field team as a high jumper and hurdler and played on the basketball team.
In 1954, Johnny enrolled at San Francisco State College with the intention of being an English and Physical Education teacher. While there, Johnny set a high jump record of 6’-5 1/2”. This is still on the College’s Top 15 list and was only two inches short of the Olympic record of the time. Just as when he was in high school, Johnny’s name was frequently mentioned in the sports sections of the Northern California newspapers. He was often referred to as “the best all-around athlete to come out of the San Francisco Bay Area”.
A fellow student whose sextet was working at the Black Hawk nightclub brought Johnny in for a Sunday afternoon jam session. It was at the Black Hawk that Helen Noga, co-owner of the club, first heard him sing. She decided that she wanted to manage his career.
In early September of 1955, Johnny landed a job singing weekends at Ann Dee’s 440 Club. After repeated attempts, Helen convinced George Avakian, then head of Jazz A&R at Columbia, to see him. Avakian came to the club, heard Johnny sing and sent the now famous telegram to his record company: “Have found phenomenal 19 year old boy who could go all the way. Send blank contracts.”
Avakian left for New York after telling Johnny that he would eventually send for him. Johnny continued his studies at San Francisco State and gained additional fame as a high jumper. In early 1956, Johnny was asked to attend the trials for the 1956 Olympic teams that would travel to Melbourne, Australia that summer. At the same time, Columbia Records requested that Johnny come to New York to start arrangements for his first recording session. Clem helped his son decide that his future and best interests were with the recording company. So, Johnny gave up his chance to become a member of the USA Olympic Team. He went to New York to record his first album in March of 1956.
The first album was a collection of jazz oriented renditions of popular standards entitled: Johnny Mathis: A New Sound In Popular Song. It included jazz musicians Gil Evans, John Lewis and Teo Macero and songs like “Angel Eyes”, “Easy to Love” and “Babalu”. The album enjoyed only moderate success because jazz vocal albums were not good sellers. Nevertheless, Johnny remained in New York and landed bookings at some of the leading nightclubs such as the Village Vanguard, The Blue Angel and Basin Street East.
Soon, Columbia placed Johnny under the supervision of producer Mitch Miller. Mitch favored using Johnny’s voice to sing soft, romantic ballads. At his second recording session, in the fall of 1956, Johnny recorded two singles. These songs were to become among his most popular all-time greatest hits: “Wonderful, Wonderful” and “It’s Not For Me To Say.” Subsequently, MGM Studios signed Johnny to sing “It’s Not For Me To Say” in the film Lizzie . He played a tavern piano bar singer. In 1958, Johnny made another motion picture appearance. This time it was for 20th Century Fox in A Certain Smile. In this movie, he sang the title song playing himself in an elegant nightclub scene. Since then, Johnny’s voice has been used in countless Hollywood movies for theme songs, background music and to enhance a particular setting or segment.
“Wonderful, Wonderful” and “It’s Not For Me To Say” reached their peaks on the BILLBOARD pop chart in July of 1957. These successes were followed by the monumental single “Chances Are” which became Johnny’s first #1 hit.
In June of 1957, Johnny appeared on the Ed Sullivan Show where he was introduced to the record buying public and became a national celebrity and household name. Columbia Records continued to release albums of Johnny singing beautiful and romantic ballads, classic standards and the best songs from Broadway musicals. These albums, like the singles, became immediate successes with sales in the millions. It was not uncommon for Johnny to have as many as four albums on the BILLBOARD Top Albums chart at the same time. In late 1959, Johnny recorded another song that became synonymous with the name of Johnny Mathis, the Erroll Garner composition, “Misty”.
Johnny’s accomplishments are numerous and varied. He holds many records and has set many precedents in the music industry. In 1958, two years after being signed by Columbia Records, Johnny’s Greatest Hits was released. It began a “Greatest Hits” tradition copied by every record company since then. Johnny’s Greatest Hits went on to become one of the most popular albums of all time and spent an unprecedented 490 continuous weeks (almost ten years) on the BILLBOARD Top Albums Chart. This record has been noted in the GUINNESS BOOK OF WORLD RECORDS.
According to record historian Joel Whitburn, Johnny is one of only five recording artists to have Top 40 Hits spanning each of the four decades since 1955. Amazingly, his second #1 Hit Single, “Too Much, Too Little, Too Late” (recorded with Deniece Williams), came almost 21 years after his very first #1 Hit Single, “Chances Are”.
Johnny has been honored to make several appearances before various heads of state. Starting in June of 1973, he sang at a State Dinner held in honor of the President of Liberia. In 1978, Johnny sang for the British Royal Family at A Command Performance held at The London Palladium. He performed for President and Mrs. Reagan at the State Dinner held in honor of the Prime Minister of Japan in April of 1987. Four years later in April of 1991, he sang for President and Mrs. Bush in honor of the President of Nicaragua. Most recently, in May of 1994, Johnny sang for President and Mrs. Clinton (along with the other five living First Ladies) at a very special First Ladies Tribute.
Johnny has also been honored by entertainment heads of state. In June of 1972, he was awarded his own star on the famous Hollywood Walk of Fame. He has participated in the Academy Awards presentation many times to sing the song nominated in the “Best Song” category. He has received two Grammy nominations. The first was for “Misty” in 1960 in the category of Best Vocal Performance Single Record or Track Male. The second came in 1992 for In a Sentimental Mood/Mathis Sings Ellington in the category of Best Traditional Pop Performance.
1996 marked Johnny’s 40th Anniversary as a recording artist. He celebrated by releasing All About Love. He then released The Global Masters (songs from his three year contract at Mercury Records) in 1997, and 1998 saw the release of The Ultimate Hits and Because You Loved Me.
In his free time, Johnny loves to golf. He plays golf almost every day when he’s not traveling and has sung at many golf banquets such as the Ryder Cup. In 1985 and 1986, Johnny hosted his own golf tournament, The Johnny Mathis Seniors PGA Classic which was held in Los Angeles, California.
Johnny’s other favorite avocation is cooking. He is a gourmet cook who cooks for himself and often others when he’s home or traveling. His mother taught him at an early age how to cook up a storm and do it well. He’s enjoyed doing so all his life.
What Will My Mary Say
Johnny Mathis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My heart is showing (don't go)
I better hurry away
If I don't leave I'll be sorry
What will my Mary say
Your lips are thrilling
My arms are willing
If I don't leave I'll be sorry
What will my Mary say
What would I do if she should meet me
And find me kissing you
She's always trusted me completely
Her poor heart would break in two
I must be going (don't go)
My heart is showing (don't go)
I better hurry away
If I don't leave I'll be sorry
What will my Mary say
If I don't leave I'll be sorry
What will my Mary say
(Don't go)
(Don't go)
The lyrics to Johnny Mathis's song What Will My Mary Say are about a man who is tempted to cheat on his girlfriend named Mary with someone else. He is struggling with his desire to stay and continue to kiss the other person, but also feels guilty and knows he should leave. He is worried about what Mary will think or say if she finds out about his behavior. The lyrics show a sense of conflict and longing, but also a sense of responsibility and loyalty to his relationship.
The opening lines "I must be going (don't go), My heart is showing (don't go)" sets the tone for the rest of the song. Although he is physically leaving, his heart is struggling with the decision. He feels the thrill and passion of the moment, but he knows he needs to leave before it is too late. The repeated lines of "What will my Mary say" illustrates the anxiety and concern he has about how his actions will affect her and their relationship.
The theme of the song is a reminder of the importance of trust, loyalty, and responsibility in a relationship. The man is at a crossroads, and the lyrics suggest a sense of guilt and struggle with his desires. The song explores the internal conflict that can exist between temptation and commitment in a romantic relationship.
Line by Line Meaning
I must be going (don't go)
Although I want to stay, I know I need to leave.
My heart is showing (don't go)
My feelings for you are becoming more and more transparent.
I better hurry away
I need to leave quickly before I do something I regret.
If I don't leave I'll be sorry
If I don't leave now, I know I will cause pain and regret in the future.
What will my Mary say
I fear disappointing and hurting my significant other, Mary.
Your lips are thrilling
Being with you fills me with excitement and desire.
My arms are willing
I am ready and willing to hold and embrace you.
I know that I shouldn't stay
Even though I want to be with you, I know it's not the right thing to do.
What would I do if she should meet me
If Mary were to unexpectedly run into us, I would not know how to explain myself.
And find me kissing you
If Mary saw us together in a romantic embrace, it would break her heart.
She's always trusted me completely
Mary has always had faith in me to make the right decisions and be faithful to her.
Her poor heart would break in two
The thought of hurting Mary would devastate me.
If I don't leave I'll be sorry
The consequences of not leaving now would be severe and regrettable.
(Don't go)
Your plea for me to stay is tempting, but I know I can't.
(Don't go)
I hear your plea to stay and it makes leaving even harder.
Lyrics © Peermusic Publishing
Written by: Eddie Snyder, Paul Vance
Lyrics Licensed & Provided by LyricFind
Milton Moore
Johnny Mathis is a tenor who could sing in a lower key,
but he does have
the deep tone of
a baritone when
doing so.
Also, he never used falsetto in
this recording. He
just pitched his
natural voice into
a higher key at times.
Milton Moore
With gratitude for the compliment!
(Google Charley Pride on YOU'LL
STILL BE THE ONE
on Augustus66FUL
ch. Another of his recordings which
could easily be decreed as his
best ever if there
were not so many
others just as great. A nice
problem to have!)
Milton Moore
Certainly one of
his most enchanting songs.
Marty Robbins had a hit song around this time
that also dealt
with a straying
partner looking
elsewhere, and
the object of his misplaced affection was named Mary. The
song is titled DEVIL WOMAN.
Mary F. Judge
I must be going (don't go)
My heart is showing (don't go)
I better hurry away
If I don't leave I'll be sorry
What will my Mary say
Your lips are thrilling
My arms are willing
I know that I shouldn't stay
If I don't leave I'll be sorry
What will my Mary say
What would I do if she should meet me
And find me kissing you
She's always trusted me completely
Her poor heart would break in two
I must…be going,
My heart is stalling
I better hurry away
If I don't leave I'll be sorry
What will my Mary say
If I don't leave I'll be sorry
What will my Mary say...
Felix. Carbonel.
Johnny Mathis has an extremely rare unique gifted talent who can transform a song into pure gold and elevate a listener to a rarefied state of pure bliss just listening to his singing for a few minutes.
sld379
Sooo pure! Absolute perfection by Johhny Mathis. He comes from a time when you had to have real TALENT to make it in the music industry, unlike the junk...pure crap today that makes millions. A beautiful melody...compelling lyrics and a unique voice and style that is his and his alone. Beautiful song!
ShadowHawk4219
I agree with every word you said sid379, especially " He comes from a time when you had to have real TALENT to make it in the music industry, unlike the junk...pure crap today that makes millions".
Ringo Clark
The artists of today , especially Female , get on stage half naked and gyrate around like they're having Sex with themselves and the stage , forgettable music with no Depth and Soul to it and songs nobody will remember , unlike Classics like this that stand the test of time You were one of a kind Mr Johnny Mathis
Liz Cole
@Ringo Clark yeah but artists like these last a lifetime when youve lost someo e you love or close to you its both for me
Liz Cole
Old artists i forgot to mention not new ones i love oldies from 50s and 60s when i was born in 50s.
Stuart sjalund
What a beautiful song by Johnny Mathis. He knows his 'stuff.' they don't make 'em like him any more! Beautiful!
magovenor
I don't think anything surpasses what Mr. Mathis produced in his early years. His tone was unique, his phrasing has never been duplicated.
ShadowHawk4219
Give a listen to one of his earlier works, the CD " Heavenly", backed by an orchestra. Superb.
Mike sr Kern
Dream