Meet Jonwayne, a baby-faced white kid from the LA suburb of La Habra, who's been a fixture at Low End Theory long before he was old enough to drink. The 28 year-old rapper/producer got his start early, writing his first raps and recording his first beats while still in high school. Back then, he was a football-playing poetry-writing theater geek. The football part made sense; both his older brothers were varsity players, and their coaches knew him since he was a kid. But by the end of his sophomore year, the allure of jockstraps and pushups had waned, and Jonwayne (then still known as Jon Wayne) removed himself from the roster.
Fearful that they had a slacker son on their hands, his parents presented Jon with two options: find a job, or get some kind of productive hobby. The choice was easyโhe got involved with the theater program at his school and attended the Young Artists Workshop, where he discovered a love of spoken word performance. Around the same time, he found his poetic muse; a girl he had a crush on was into poetry, and he wanted to impress her. "I was having all kinds of frustrating problems with raging hormones and trying to express myself. I was a mess," he says. "So [writing poetry] was really helpful. It wasn't necessarily a ruseโit just started as this half-assed thing and then it turned into something that I did really heavily for the next few years."
Writing turned to rapping at the age of 17, when a crew from West Covina at the Young Artists Workshop made an impression on him. Every day they'd bring over a workstation to make beats and Wayne would listen to them rap. "I was kinda tagging along, being the token white kid of the group, because, you know they needed one of those guys in there," he says, recalling how they'd encourage him to start rapping. "I started developing a style, but I wasn't comfortable recording it because they all had a certain aesthetic, and they pushed a certain vibe on everyone." After saving up enough cash to buy a cheap microphone, he left the group and started recording on his own. "I was kinda feeling like I was going somewhere else."
That somewhere else turned out to be Low End Theory, where he found a community of more like-minded artists such as dublab and Low End Theory-affiliated Kutmah. Wayne remembers the night they met very clearly: it was in early 2009, and the night's guests were Dibiase, Devonwho and Mono/Polyโa lineup that can easily draw a line stretching around the block in 2012, but which still allowed for some elbow room on the dance floor at the time. Dibia$e, Wayne's friend and mentor, encouraged him to bring a stack of CDs of his beats and hand them out to select tastemakers in the crowdโincluding Kutmah.
"Dibiase was like, 'You need to give him something.' So I did, even though I didn't know who he was at the time. He said he wanted to give me something too. He gave me this Sacred Geometry Mix and that was it! He was the first person to ever put me on." Kutmah was working at Poo-Bah Records at the time, and he started playing Wayne's CD there. DJ NobodyโLow End curator and fellow Poo-Bah employeeโtook notice and asked him for some more beats. After passing along his latest work, Nobody started playing them out during his sets. Soon after, Wayne booked his first Low End gig, becoming one of the youngest artists to grace its tiny stage.
"Elvin [DJ Nobody] had heard my music before, but it wasn't until he heard me rap for Dibia$e that he was like, 'Oh, OKโlet's do this,'" he recalls. He invited Wayne over to his house to put together a set. Wayne brought over five CDs worth of material, and after spending a day sorting through the tracks, 30 beats made it onto his 404. "Elvin helped create it. He knew what would work there, so he picked out my set for me โฆ you gotta be inducted into the family, and they took me in."
On the night of his Low End debut, it was pouring rain outside, and it was the first and last time he can remember ever being nervous before a show. "I had envisioned that night for a long timeโit'll be packed, I'll subject these people to my shit for half-an-hour and it'll be dope. And then it started raining, and I was like, 'Ah, fuck. This is my one chance and it's not gonna go like I expected.' I didn't want to fuck up. Two hours before go time, I told Elvin, 'I don't think I can do this shit.' I thought it would be awful."
The rain had thinned out the crowd from its normal sweat-soaked, sardine-packed population of beat obsessives. But Wayne found himself rising to the challenge, transformed, swept away with his audience like the water guzzling through the venue's outside patio. "I can safely say it changed the course of my life. I think it was one of Elvin and Kevin's first experiences seeing the next generationโkids taking what they were doing and absorbing their aesthetic and building on it."
Wayne's second big break came shortly thereafter. Early one morning in May 2010, Kutmah woke up to the sound of police knocking at his door. He immediately knew what was going on; born and raised in Brighton, England and brought to Los Angeles at age 12, Kutmah lacked legal-residency status, and it was only a matter of time before someone noticed. Within minutes, he was handcuffed and detained by Department of Homeland Security authorities for failing to honor a voluntary deportation notice that he had signed over a decade earlier.
While he was locked up in a high security prison in New Mexico awaiting deportation, a furious local effort amassed to raise money for his mounting legal fees and raise awareness about the case. About two months in, as deportation loomed, Kutmah asked Wayne to host a benefit show produced by screen-printing collective Hit+Run. He had never performed at a Hit+Run event beforeโthey didn't even really know who he was at the timeโbut they added him to the night's stacked lineup, which featured Stones Throw's giants like resident funkmaster Dam-Funk, smooth soul crooner Mayer Hawthorne and founding father Peanut Butter Wolf.
"For him to ask me to host, that was a big thing. For me to have the opportunity to share the stage with all these people that I admired and wanted to work with, that was great. I secretly think he knew that would be a great situation for me to be in."
During Dam-Funk's set, Wayne finally caught up with Stones Throw Records label head Wolf, a man he'd been chasing since the days of MySpace. "When I first started making music, the Stones Throw libraryโthe funky, soulful aestheticโwas a very loud template for me," Wayne says. "My music was very derivative at first but then I started to find my voice and ended up going away from them and, in the process, attracted Stones Throw to me." He inked a three-album deal with the label this past January, shortly after his 21st birthday.
Before joining the Stones Throw family, Wayne already had a recording system nailed down: he used to drag a synthesizer, his 404 and some turntables into the bathroom and set up shop: the "synthesizer sits on top of pulled-out drawers, 404 goes on one side of the sink and a turntable goes on the other side." Any extra gear ended up on stacks of books. Wayne would sit in the bathroom composing tracks and beats, his eight-track resting on a trash can beside him, escaping to his bedroom when he needed inspiration for his rap lyrics. It was in the bathroom that he produced what later became his Alpha Pup debut, Bowser, a collection of sample-free beats blending the Warp Records' distinct brand of IDM with video game-influenced melodies. Deeper, darker instrumentals followed with his sophomore album The Death of Andrew, released on Alpha Pup late last year, along with several essential, self-released mixtapes.
The success of Bowser allowed Wayne to graduate from his commode. He now works out of the Stones Throw headquarters in Highland Park, in a studio he helped build with Peanut Butter Wolf and close friend/collaborator Jonti, a fellow Stones Throw signee. At last, Jonwayne finally ended up where he was always meant to be: right next to the ever-elusive, always-brilliant producer Madlib, on the roster of one of the most innovative hip-hop labels in the world.
"I had dreamed for years about coming here and meeting these people and seeing where it all started, [but] as a visitor... rather than a welcomed guest! It goes to show that if you want to grab someone's attention, you literally have to take them by the collar and be like, 'You're fucking listening to me now.' There's no other way."
Releases:
Jonwayne released his debut instrumental album Bowser on Alpha Pup Records on April 19, 2011, the mixtape How Stella Got Her Groove Back in July 2011, the compilation mixtape Thanks, Bro in August 2011, and the mixtape I Don't Care through Wedidit in September 2011. Jonwayne released his second proper album, The Death of Andrew, on October 25, 2011 on Alpha Pup Records. Shortly afterwards he signed to Stones Throw Records, on which he released the beat tape Oodles of Doodles in March 2012. Later that same month, he self-released a mixtape titled This Is False. He released a mixtape titled Jonwayne Fucks Disney on May 29, 2012. Most recently he released Casette (a limited edition 24-minute rap tape available only on casette) through Stones Throw on July 31, 2012.
Out of sight
Jonwayne Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My head in the past, my feet in the future
My life, hang my head like a necklace
In the blink, no sheep
Next scene I'm just eating my breakfast
Isolation slowly feeling like it's house arrest
Bound from the scene that made me see what my credit gets
Puttin' health before career just to steer ahead
And in the end this mirror's getting strange
I'd never thought I'd ever see a change
Nobody pickin' up the phone
Makes me question if I ever did 'em wrong
Steady lying but I'd better be alone
Shit, and if I did I'd have to own up
Little did I know that the cognac was keeping me from growing up
And my fear of flying keeping me from going up
And musical meditation is spiritually glowin' up
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
They been out of sight
Until now
Sometimes
When you end a build you end up destroying things
Like how you hate so much you end up enjoying things
Like how we break it up to keep it moving forward but
When we sit inside the new box we're thinkin' about the older things
I'm just a man playing god with my thoughts
Over pans and pots
He scotch rocks and acting like Novocaine
Might as well fix the grill spill the spray until the day that my brains cold
That's what I told the rain
Pre-apocalyptic L.A everyday
Yeah, I keep myself company on the motorway
Like the hunchback of notre dame
Ringing dead radio waves
Still feel this weight from the barricade
Tryna feel like a human among these animals
Tryna feel some community in this solitude
And as I hit the nuke button once again I can see that
I don't have a single friend
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
Until now
They been out of sight
Until now
They been out of sight
The song "Out of Sight" by Jonwayne explores the theme of isolation and loneliness. The lyrics suggest that the singer may have lost touch with friends and family, and may be struggling with addiction and depression. The first verse mentions the singer's past and future, indicating that he may not be fully present in the present moment. He ruminates about mistakes he may have made that caused his friends to distance themselves from him. He then mentions his fear of flying, which could represent a fear of progressing in life or reaching his goals.
The chorus of the song talks about how the singer's demons were out of sight until now, which could mean that the singer is finally confronting his personal issues and reflecting on his past mistakes. The second verse touches on the singer's struggles with mental health and addiction, referring to his use of alcohol as a way of avoiding growing up. He mentions his regret in losing friends and how he wishes to reconnect with them, but struggles to do so due to his own fears and anxieties.
Overall, the theme of the song is about the struggle for human connection, the fear of growing up and the regret of losing old friends. The song explores the consequences of avoiding issues and the importance of confronting them head-on.
Line by Line Meaning
My momma always told me I was never in the here and now
I always lived either in the past or the future, never in the present. This is something my mother had told me.
My head in the past, my feet in the future
My thoughts are always preoccupied with either what has already happened or what is yet to happen.
My life, hang my head like a necklace
I feel weighed down by the burdens of life, like a heavy necklace around my neck.
In the blink, no sheep
Even when I close my eyes, I cannot find peace. Sleep does not come easily to me.
Next scene I'm just eating my breakfast
Even though my mind is often elsewhere, I still have to carry on with the routine of daily life, such as eating breakfast.
Isolation slowly feeling like it's house arrest
Isolation is making me feel trapped and confined to my own thoughts and feelings, like I am under house arrest.
Bound from the scene that made me see what my credit gets
I am now limited by my past experiences and the choices I have made. The things that once served me well are now holding me back.
Puttin' health before career just to steer ahead
I am prioritizing my health over my career because I want to make sure that I am doing what is best for me in the long run.
And burn a few bridges just to keep the ends mirrored
I am willing to sever ties with people in my life to maintain a sense of symmetry and balance in my world.
And in the end this mirror's getting strange
As time goes on, the reflection of myself in the mirror is becoming more and more complex and hard to understand.
I'd never thought I'd ever see a change
At one point, I didn't believe that change was possible. But now, I am starting to see that it is.
Nobody pickin' up the phone
No one is answering my calls, leaving me feeling alone and isolated.
Makes me question if I ever did 'em wrong
The lack of response is making me second-guess if I have wronged those people in some way.
Steady lying but I'd better be alone
I am starting to realize that I have been lying to myself and that being alone might be the best thing for me right now.
Shit, and if I did I'd have to own up
If I did something wrong, I would have to take responsibility for it and face the consequences.
Little did I know that the cognac was keeping me from growing up
I didn't realize that my drinking was hindering my personal growth and development.
And my fear of flying keeping me from going up
My fear of taking risks and trying new things is preventing me from reaching new heights in life.
And musical meditation is spiritually glowin' up
Using music as a form of meditation is helping me to grow spiritually and become a better version of myself.
Sometimes when you end a build you end up destroying things
Sometimes when you finish building something, it can cause unintended damage and destruction.
Like how you hate so much you end up enjoying things
Sometimes when you dislike something so strongly, it can actually end up being enjoyable in a strange way.
Like how we break it up to keep it moving forward but
We often break things apart in order to keep progressing, but this can sometimes cause us to lose sight of what we had before.
When we sit inside the new box we're thinkin' about the older things
When we are focused on creating something new, we still think about the past and the things that came before us.
I'm just a man playing god with my thoughts
I am trying to take control of my own thoughts and emotions, attempting to be like a god in terms of my own mental dominion.
Over pans and pots
This is something I do while cooking or working on other menial tasks.
He scotch rocks and acting like Novocaine
Drinking alcohol and numbing myself like Novocaine is one way I try to cope with my emotional struggles.
Might as well fix the grill spill the spray until the day that my brains cold
Instead of fixing my problems, I am just putting off the inevitable until the day I die.
That's what I told the rain
These thoughts and feelings are things that I express to no one, almost as if I am telling them to the rain itself.
Pre-apocalyptic L.A everyday
Living in L.A. often feels like we are already living in a pre-apocalyptic world.
Yeah, I keep myself company on the motorway
I often find myself alone and driving on the freeway.
Like the hunchback of notre dame
I sometimes feel like a social outcast, similar to the titular character of the classic novel.
Ringing dead radio waves
There is no response or connection when I reach out to others, like trying to communicate on a dead radio frequency.
Still feel this weight from the barricade
I am still feeling burdened by the barriers and obstacles in my life.
Tryna feel like a human among these animals
It is difficult for me to relate to others and feel like a part of society at times.
Tryna feel some community in this solitude
Despite my desire for solitude, I also crave a sense of community and belonging.
And as I hit the nuke button once again I can see that
I am making a big decision or taking a big step that will have a profound impact on my life.
I don't have a single friend
I am feeling completely alone and isolated.
This is my work but it was just a diversion
Although I am invested in my work, it is really just a way for me to distract myself.
When I was kicking the curb
In the past, I was aimlessly wandering or wasting time.
Feels like I'm sinning when I be seeing the light
Even though I am trying to become a better person and see the good in the world, it still feels like I am doing something wrong.
'Cause now I'm working on this living just to rap about life
I am now fully invested in my music, using it as a way to express my thoughts and feelings about life.
That's some backwards commitment
This form of commitment is somewhat unconventional and contradictory.
And on the way I know I gave away some friends
In pursuit of my music career, I have lost some important friendships along the way.
And every day I wish that we could speak again
I regret losing these friendships and wish that I could repair them.
But every time I wanna make it right
Although I want to make things right, I am not sure how to go about it.
I freeze up and the visions of the shadows of my demons who went out of sight
My past mistakes and inner demons continue to haunt me, making it hard to reach out to old friends.
They been out of sight
These old friends have been out of my life for some time now.
Until now
But now, I am starting to realize how much I miss them and want to reconnect.
Lyrics ยฉ BMG Rights Management
Written by: Jonathan Michael Wayne
Lyrics Licensed & Provided by LyricFind
POVCOL
My momma always told me I was never in the here and now
My head in the past, my feet in the future
My life, hang my head like a necklace
In the blink, no sheep
Next scene I'm just eating my breakfast
Isolation slowly feeling like it's house arrest
Bound from the scene that made me see what my credit gets
Puttin' health before career just to steer ahead
And burn a few bridges just to keep the ends mirrored
And in the end this mirror's getting strange
I'd never thought I'd ever see a change
Nobody pickin' up the phone
Makes me question if I ever did 'em wrong
Steady lying but I'd better be alone
Shit, and if I did I'd have to own up
Little did I know that the cognac was keeping me from growing up
And my fear of flying keeping me from going up
And musical meditation is spiritually glowin' up
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
They been out of sight
Until now
Sometimes
When you end a build you end up destroying things
Like how you hate so much you end up enjoying things
Like how we break it up to keep it moving forward but
When we sit inside the new box we're thinkin' about the older things
I'm just a man playing god with my thoughts
Over pans and pots
He scotch rocks and acting like Novocaine
Might as well fix the grill spill the spray until the day that my brains cold
That's what I told the rain
Pre-apocalyptic L.A everyday
Yeah, I keep myself company on the motorway
Like the hunchback of notre dame
Ringing dead radio waves
Still feel this weight from the barricade
Tryna feel like a human among these animals
Tryna feel some community in this solitude
And as I hit the nuke button once again I can see that
I don't have a single friend
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
Until now
They been out of sight
Until now
They been out of sight
haz
A quote that stuck with me after i had read it is "A friend to all is a friend to none" - Aristotle. and its is so true, i had so many "friends" and as i was going through this severe depression episode that lasted 6 months, none of these people tried to hit me up or try to help me, i realised that our friendship was a one way street, i realised i was being used. i realised that they only talked/invited me when they wanted some sort of value whether that be entertainment, insight or taking care of them. After i got over my depression with therapy i was truely alone and didnt know who to talk to, and now when they try to link up by sending messages or whatever i cant help but think that they just dont care.
๐๐ณ๐บ๐ฏ๐ข ๐ง๐ฆ๐ฆ๐ญ ๐ญ๐ช๐ฌ๐ฆ ๐ข ๐ฉ๐ถ๐ฎ๐ข๐ฏ ๐ข๐ฎ๐ฐ๐ฏ๐จ ๐ต๐ฉ๐ฆ๐ด๐ฆ ๐ข๐ฏ๐ช๐ฎ๐ข๐ญ๐ด
๐๐ณ๐บ๐ฏ๐ข ๐ง๐ฆ๐ฆ๐ญ ๐ด๐ฐ๐ฎ๐ฆ ๐ค๐ฐ๐ฎ๐ฎ๐ถ๐ฏ๐ช๐ต๐บ ๐ช๐ฏ ๐ต๐ฉ๐ช๐ด ๐ด๐ฐ๐ญ๐ช๐ต๐ถ๐ฅ๐ฆ
๐๐ฏ๐ฅ ๐ข๐ด ๐ ๐ฉ๐ช๐ต ๐ต๐ฉ๐ฆ ๐ฏ๐ถ๐ฌ๐ฆ ๐ฃ๐ถ๐ต๐ต๐ฐ๐ฏ ๐ฐ๐ฏ๐ค๐ฆ ๐ข๐จ๐ข๐ช๐ฏ ๐ ๐ค๐ข๐ฏ ๐ด๐ฆ๐ฆ ๐ต๐ฉ๐ข๐ต
๐ ๐ฅ๐ฐ๐ฏ'๐ต ๐ฉ๐ข๐ท๐ฆ ๐ข ๐ด๐ช๐ฏ๐จ๐ญ๐ฆ ๐ง๐ณ๐ช๐ฆ๐ฏ๐ฅ
๐๐ฏ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ธ๐ข๐บ ๐ ๐ฌ๐ฏ๐ฐ๐ธ ๐ ๐จ๐ข๐ท๐ฆ ๐ข๐ธ๐ข๐บ ๐ด๐ฐ๐ฎ๐ฆ ๐ง๐ณ๐ช๐ฆ๐ฏ๐ฅ๐ด
๐๐ฏ๐ฅ ๐ฆ๐ท๐ฆ๐ณ๐บ ๐ฅ๐ข๐บ ๐ ๐ธ๐ช๐ด๐ฉ ๐ต๐ฉ๐ข๐ต ๐ธ๐ฆ ๐ค๐ฐ๐ถ๐ญ๐ฅ ๐ด๐ฑ๐ฆ๐ข๐ฌ ๐ข๐จ๐ข๐ช๐ฏ
๐๐ถ๐ต ๐ฆ๐ท๐ฆ๐ณ๐บ ๐ต๐ช๐ฎ๐ฆ ๐ ๐ธ๐ข๐ฏ๐ฏ๐ข ๐ฎ๐ข๐ฌ๐ฆ ๐ช๐ต ๐ณ๐ช๐จ๐ฉ๐ต
๐ ๐ง๐ณ๐ฆ๐ฆ๐ป๐ฆ ๐ถ๐ฑ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐ท๐ช๐ด๐ช๐ฐ๐ฏ๐ด ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ด๐ฉ๐ข๐ฅ๐ฐ๐ธ๐ด ๐ฐ๐ง ๐ฎ๐บ ๐ฅ๐ฆ๐ฎ๐ฐ๐ฏ๐ด ๐ธ๐ฉ๐ฐ ๐ธ๐ฆ๐ฏ๐ต ๐ฐ๐ถ๐ต ๐ฐ๐ง ๐ด๐ช๐จ๐ฉ๐ต
๐๐ฏ๐ต๐ช๐ญ ๐ฏ๐ฐ๐ธ
This shit is deep and i relate to it alot. Thank you Jonwayne for making this masterpiece that means alot to me.
Snoop Dogg before being eaten by The Count
The song for when you're curled up in bed at night wanting to sleep but your mind won't.
Artifacts187
Living out of sight
Matt Taylor
รp
Nate Hinxman
Me rn
POVCOL
My momma always told me I was never in the here and now
My head in the past, my feet in the future
My life, hang my head like a necklace
In the blink, no sheep
Next scene I'm just eating my breakfast
Isolation slowly feeling like it's house arrest
Bound from the scene that made me see what my credit gets
Puttin' health before career just to steer ahead
And burn a few bridges just to keep the ends mirrored
And in the end this mirror's getting strange
I'd never thought I'd ever see a change
Nobody pickin' up the phone
Makes me question if I ever did 'em wrong
Steady lying but I'd better be alone
Shit, and if I did I'd have to own up
Little did I know that the cognac was keeping me from growing up
And my fear of flying keeping me from going up
And musical meditation is spiritually glowin' up
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
They been out of sight
Until now
Sometimes
When you end a build you end up destroying things
Like how you hate so much you end up enjoying things
Like how we break it up to keep it moving forward but
When we sit inside the new box we're thinkin' about the older things
I'm just a man playing god with my thoughts
Over pans and pots
He scotch rocks and acting like Novocaine
Might as well fix the grill spill the spray until the day that my brains cold
That's what I told the rain
Pre-apocalyptic L.A everyday
Yeah, I keep myself company on the motorway
Like the hunchback of notre dame
Ringing dead radio waves
Still feel this weight from the barricade
Tryna feel like a human among these animals
Tryna feel some community in this solitude
And as I hit the nuke button once again I can see that
I don't have a single friend
This is my work but it was just a diversion
When I was kicking the curb
Feels like I'm sinning when I be seeing the light
'Cause now I'm working on this living just to rap about life
That's some backwards commitment
And on the way I know I gave away some friends
And every day I wish that we could speak again
But every time I wanna make it right
I freeze up and the visions of the shadows of my demons who went out of sight
Until now
They been out of sight
Until now
They been out of sight
Mathias Schultz
Shed a tear the first time I heard this song
ParadoxAssassin
Love the production on this track.
PsiFi
One of the things jonwayne will never let you down on, beats and very high production value.
teawa crossmannixon
Jon Wayne songs are the definition of rhythm and poetry. Simply beautiful
Mark Schrรถder
This entire album encapsulates growing up for me so well,itยดll always have a special place in my heart