The seeds of the Jook were planted by John Hewlett, formerly bassist with '60s psych warriors John's Children but, by the early '70s, moving into management. It was he who introduced guitarist White to singer/songwriter Ian Kimmett. White was a former memeber of the A-Jaes, a band once regarded as Britain's answer to the Beach Boys, Kimmett was working at a music publisher's office in London. Following the common trend of the day, the pair immediately decamped to Jedburgh, Scotland, intending to "get their heads together in the country"; there they encountered bassist Ian Hampton before returning to London to hook up with another John's Children graduate, drummer Chris Townson. The band name was supplied by Hewlett, adapted from Gene Chandler's "Jook [Duke] of Earl."
Signed with RCA, the Jook was launched in summer 1972. Hardly surprising, the label promptly christened them the new John's Children -- another former band member guitarist Marc Bolan was currently the hottest thing around and the connection, it was hoped, would power the Jook to similar heights. Unfortunately, it didn't. The Jook's debut single, "It's All Right With Me," appeared that summer; over the next two years, the group released four further 45s, including a cover of Gallagher & Lyle's "City and Suburban Blues" (backed by a wildfire interpretation of "Shame Shame Shame"); the stomping and delightfully self-aggrandizing "Oo Oo Rudie," King Kapp," and finally, the prosaically titled "Bish Bash Bosh."
None charted and the band members themselves have since gone on record claiming that the only releases they truly enjoyed were those cut with no thoughts whatsoever for chart success and which were promptly buried away on B-sides -- or worse: "Shame Shame Shame," taped during rehearsals one day and never intended for public consumption, "Rumble," a Trevor White riff extemporized during rehearsals one day with passing pianist Pete Wingfield, and "Crazy Kids," a riotous piece of proto-punk buried on the flip of their final single. Other material was recorded for a full album which has still to see the light of day, while even the attentions of producer Mickie Most, who signed the Jook to a publishing deal in early 1974 could not alter their luck.
Completely at odds with the fate of the band's vinyl, the Jook's live appeal was vast. They had a monthly residency at the Edmonton Sundown in north London, where the band's uniform of braces, boots, and cropped hair drew a deeply loyal skinhead audience to their side. The suggestion that, the Bolan connection aside, they were also following in Slade's footsteps did not phase the band members any. It was more alarming, however, for Townson to switch on the television one evening in early 1974 and catch the Bay City Rollers in their own variation on the same look -- only weeks earlier, that the Jook had met the Rollers at a gig in Scotland and been flattered by the local band's admiration for their image.
The Jook struggled on for another six months, finally breaking up after manager Hewlett invited White and Ian Hampton to join another band in his stable, Sparks, as replacement for bassist Martin Gordon. Intriguingly, Gordon then formed his own new band, Jet, with Jook drummer Townson and yet another former member of John's Children, vocalist Andy Ellison.
There would be two further Jook releases. Following his own departure from Sparks in 1976, White cut a solo single for the band's then-current label, Island, a remake of "Crazy Kids" backed by the Jook's previously unreleased (and uncredited) "Moving in the Right Direction." Two years later, a four-track EP comprising the band's last-ever recording session was issued by U.K. indie Chiswick. One track from that set, "Aggravation Place," was later included on the Bomp label's The Roots of Power Pop anthology.
2.) A Bristol based grime producer.
She
Jook Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gang gang
I want to thank every body
For your
Swamp game nigga
High end
Tweezy
Christmas gifts
Splash nigga
80s Babies back in the building
In 20/20
What the fuck you mean
I wanna thank all you hoes
Balenziaga Gucci Prada or Jimmy Choo
I pose a vogue
And I look to draw in designer hoe
True Religion
She's a pivot on yo big decision
Rick Owens
Raf Simons
Or that St Lauren
Ralph Lauren
Bust down I had to find
Hill Figga
And hard liquor
Make me drill quick
Robin Jeans
An Michal Kors
Fucking all the whors
Splash
Give it to her good
Then we hit the stores
Bust Down
Bust down touch down a nigga scores
Yeah
Get it out a bitch an it might be yours
Fly nigga
Every thing designer down to the draws
I ain't fucken with her if she can't afford
Moncler
Or Carter
With the Luis slippers
Lavish Cavalli
Or double F on that Fendi Belt
Findi
Ferragmo
Ugh
As far as self
Now please excuse yo self
(We did it again)
I woke up this fly
You niggaz need some help
Slpash
Splash
Gang gang gang gang
Splash
Splash
Splash nigga
Splash
AAAAAAAAA
Splash
Splash
Splash
Ba ba baba
She love a G
Stupid P in that D&G
I charge C notes for Valentino so this dick ain't free
Yes sir Versace
Type of swag them niggaz copy
I knocked yo bitch in that Dolce
An not a soul can stop me
Calvin an that Kline got me feeling cocky
Sick Game
Flippen all this sauce
Bich this teriyaki
Rague
Lv Lui
But for the whole posse
Gang shit
Them lames split
But know ma bros got me
Bust down
When I'm around
That's why them hoes Jocking
This fit Kills narcotic
An Supreme rocken
Ice cream or Bathing ape
She can not make me weight
Star
Change bitches
Just like them Jays
An smoke
Ain't it great
23
Splashen on you niggaz
Bra like everyday
Ugh
Shitten on you niggaz
Bra in every way
You should know the Motto.
Filling up A Safe
Getting strait to the bag
For better views today
Grinding all my life an now I'm payed for it
Separate them tramps that ain't made for it
Cell phone bout dollar Jucka can't ignore it
Plains
Geography I aint explored
Posted on ma page case she look like Cardi
Probably thinks I'm feel im balling an I look like Quavo
Love me in the morning with another kilo
We take a trip in the Winnebago
Lets Go
The jolly rancher
The cherry cough
She smelling good
What is that you got on
150 k from Hood
Donatella Valenciaga
First names (They know me)
Giorgio Armani
Tom Ford
Kate Spade
I know they last
We get together
They won't get away
Nordstroms
Neiman Marcus
That's where well go today
Yea
I sell work
Made about a g today
She took me down town
Made about 5 gs today
Tramps
Tuggen at ma zippa
Trying to get this D
Tramps
Tuggen at ma zippa
Trying to get this D
Big tramps
Tuggen at ma zippa
Trying ta Get this D
Tramps tuggen at ma zippa
Trying to get this
DonatellaValentino
She know they first name (She do)
Giorgio Armani
Tom Ford
Kate Spade
I know they last
We get together
They won't get away
Nordstroms
Neiman Marcus
That's where well go today
Ferragamo
Stella McCartney or that French Givenchy
Smelling like Burberry
These hookers wanna do me
Balmain Draws
Be dropping
An they mouth explore
Big booty black bitch
Quadruple on the b
Big tramps
Tuggen at ma zippa trynna get this D
Big Dressed up
Keith an James
Im finna let it drip
Alexandria in ma palm
Feeling like a pimp
Pimp
Finna let it drip
Drip
Like a pimp
Yeah
Grinding all ma life an now I'm payed for it
Separate them tramps that ain't made for it
Grinding all ma life an now I'm payed for it
Separate them tramps that ain't made for it
With you
Ugh
Thank you every body
Thank you every body
The lyrics to Jook's song "She" delve into themes of fashion, luxury, and materialism, as well as the indulgence in a lavish lifestyle. The song opens with a shoutout to various expensive designer brands like Balenciaga, Gucci, Prada, and Jimmy Choo. The mention of Christmas gifts, Swamp game, and 80s Babies returning in 2020 sets the tone for a celebratory and self-assured vibe. The lyrics express gratitude to the audience, referred to as "hoes," for their support and admiration.
The singer flaunts his affinity for high-end fashion and designer labels, emphasizing his preference for luxury brands like True Religion, Rick Owens, Raf Simons, and Saint Laurent. The mention of iconic fashion houses like Ralph Lauren, Moncler, and Cartier underscores his status and opulent lifestyle. The lyrics also touch upon the singer's interactions with women, boasting about his ability to provide for and impress them with his expensive taste.
The song continues to highlight the singer's confidence and swagger, as he references brands like Dolce & Gabbana, Versace, Calvin Klein, and Balmain. The inclusion of references to streetwear brands like Supreme and Bathing Ape adds a contemporary and urban flair to the lyrics. The singer revels in his success and status, exuding a sense of self-assuredness and dominance in his interactions with women and peers.
The lyrics also touch upon themes of hustle and success, as the singer reflects on his journey from grinding to now reaping the rewards. The repetition of the phrase "Grinding all my life and now I'm paid for it" underscores his hard work and determination to achieve success. The references to luxury retailers like Nordstrom and Neiman Marcus further emphasize his affluent lifestyle and penchant for high-end shopping experiences. Overall, the song "She" by Jook presents a vivid portrayal of excess, luxury, and self-assurance in a world defined by materialism and status.
Line by Line Meaning
Gang
Acknowledging the group or team of people I associate myself with.
Gang gang
Emphasizing the unity and strong bond within the group.
I want to thank every body
Expressing gratitude towards everyone who has supported and been there for me.
For your
Acknowledging the continuous support and loyalty received from others.
Swamp game nigga
Referring to a lifestyle characterized by luxury and success, often associated with wealth and opulence.
High end
Indicating a preference for luxury and upscale items or experiences.
Tweezy
Mentioning a specific individual, possibly a friend or collaborator, in the context of the song.
Christmas gifts
Symbolizing generosity and giving, possibly in the form of material or emotional offerings.
J Jucka an young Tweezy
Highlighting specific individuals who play a significant role in the artist's life or career.
Splash nigga
Displaying a sense of confidence and extravagance, often associated with flaunting success or accomplishments.
80s Babies back in the building
Acknowledging a specific group or generation, possibly nostalgic or influential in the singer's life.
In 20/20
Referring to the current year, indicating a sense of clarity or vision for the future.
What the fuck you mean
Expressing confusion or disbelief towards a statement or action.
I wanna thank all you hoes
Using sarcasm or irony to dismiss or mock certain individuals or aspects of the singer's life.
Lyrics © O/B/O DistroKid
Written by: James Hartley
Lyrics Licensed & Provided by LyricFind
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