Savall's musical training started in the school choir of his native town (1947-55). He later completed his training at the Barcelona Conservatory of Music (1959-65). Afterward, he began his specialisation in early music at the Schola Cantorum Basiliensis in Basel, Switzerland (1968-70).
In 1974 he formed the ensemble Hespèrion XX (since 2000 as Hespèrion XXI), together with the soprano Montserrat Figueras (his wife), Lorenzo Alpert and Hopkinson Smith. Hespèrion XX favored a style of interpretation characterised by great musical vitality and at the same time, maximum historical accuracy.
In 1987 he returned to Barcelona to found La Capella Reial de Catalunya, a vocal ensemble devoted to the interpretation of music prior to the 18th century.
Finally, in 1989 Savall created Le Concert des Nations, an orchestra that is generally dedicated to the baroque repertoire, but which sometimes also serves as an outlet for music that hails from the classical/romantic repertoire (e.g. Sinfonia a Gran Orquesta by Juan Crisótomo de Arriga).
Savall's discography includes more than 140 recordings. Since 1998 he has released his records with his own label, Alia Vox.
Jordi Savall is also a two-time Grammy nominee, who scored the 1991 Alain Corneau film, Tous les matins du monde (also awarded the César of the French film industry in 1992). The soundtrack, re-released on his own Alia Vox label, has sold more than a million copies worldwide.
Markus Passion BWV 247: Choral "Herr ich habe mißgehandelt"
Jordi Savall Lyrics
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Ja, mich drückt der Sünden Last,
Ich bin nicht den Weg gewandelt,
Den Du mir gezeiget hast.
Und jetzt wollt ich gern aus Schrecken
Mich vor Deinem Zorn verstecken.
(„Herr, ich habe missgehandelt“, Vers 1)
In the opening verse of Jordi Savall's song "Markus Passion BWV 247: Choral 'Herr ich habe mißgehandelt'," the lyrics express a profound sense of guilt and remorse. The singer addresses the Lord, acknowledging their wrongdoings and the weight of their sins. The burden of guilt becomes overwhelming as the singer realizes they have strayed from the path that the Lord had revealed to them. As a result, they find themselves seeking refuge from the terrifying prospect of facing the Lord's anger.
The lyrics highlight the vulnerability and genuine repentance of the singer as they admit their failings. They yearn for forgiveness and seek solace from the consequences of their actions. The use of the word "missgehandelt" emphasizes the remorse and recognition of having acted wrongly. The singer is deeply aware of their transgressions and the pain they have caused themselves and potentially others.
This verse reflects the internal struggle and fear that arises when one confronts their own mistakes. The singer's desire to hide from the Lord's wrath reveals the magnitude of their distress and the overwhelming sense of shame they feel. It is a plea for redemption and mercy, demonstrating a sincere desire to make amends for the sins committed.
Overall, these lyrics encapsulate the remorseful and contrite sentiments expressed in the song. They depict a person who feels the weight of their sins and is desperately seeking reconciliation with the Lord. It serves as a timeless reminder of the universal human experience of guilt and the profound need for forgiveness.
Lyrics © O/B/O APRA AMCOS
Written by: Johann Sebastian Bach
Lyrics Licensed & Provided by LyricFind