Joyce Silveira Moreno (born January 31, 1948 in Rio de Janeiro, Brazil), be… Read Full Bio ↴Joyce Silveira Moreno (born January 31, 1948 in Rio de Janeiro, Brazil), best known as Joyce or Joyce Moreno, is a Brazilian singer, composer, acoustic guitarist, arranger and producer. Her trademark was, since the beginning of her career, the feminine language in the first person, in which she was a pioneer: she was the first female Brazilian composer to express herself this way in the history of MPB, paving the way for countless other female composers who would follow.
Joyce has in her baggage an extensive discography and about 400 recordings of her songs by some of the biggest names in Brazilian popular music, such as Gal Costa, Maria Bethânia, Elis Regina, Milton Nascimento, Ney Matogrosso, Edu Lobo, Emílio Santiago, Boca Livre, Mônica Salmaso, Leny Andrade, Nana Caymmi, Zizi Possi, Elizeth Cardoso, Simone and many others. Internationally, she has been recorded by big names like Annie Lennox, Wallace Roney, Omara Portuondo, Black Eyed Peas, David Sanchez, Jon Lucien, Claus Ogerman, Gerry Mulligan, Till Brönner, Flora Purim and others. Her compositions have been used in soundtracks for films (such as Robert Altman's "The Player" and "Legally Blonde"), animations (she participated in the soundtrack of the Japanese anime "Wolf's Rain" in partnership with Japanese composer Yoko Kanno), TV shows and theater performances.
She received 4 Latin Grammy nominations and has so far 34 individual CDs and 2 DVDs, besides compilations and participations. Currently, her work also follows an international path, with world tours every year and recordings of new albums in different countries, without ever losing her Brazilian-feminine identity. She performs annually on the Blue Note circuit in Japan, and in jazz festivals and tours in Europe, the United States, and Canada.
Joyce has in her baggage an extensive discography and about 400 recordings of her songs by some of the biggest names in Brazilian popular music, such as Gal Costa, Maria Bethânia, Elis Regina, Milton Nascimento, Ney Matogrosso, Edu Lobo, Emílio Santiago, Boca Livre, Mônica Salmaso, Leny Andrade, Nana Caymmi, Zizi Possi, Elizeth Cardoso, Simone and many others. Internationally, she has been recorded by big names like Annie Lennox, Wallace Roney, Omara Portuondo, Black Eyed Peas, David Sanchez, Jon Lucien, Claus Ogerman, Gerry Mulligan, Till Brönner, Flora Purim and others. Her compositions have been used in soundtracks for films (such as Robert Altman's "The Player" and "Legally Blonde"), animations (she participated in the soundtrack of the Japanese anime "Wolf's Rain" in partnership with Japanese composer Yoko Kanno), TV shows and theater performances.
She received 4 Latin Grammy nominations and has so far 34 individual CDs and 2 DVDs, besides compilations and participations. Currently, her work also follows an international path, with world tours every year and recordings of new albums in different countries, without ever losing her Brazilian-feminine identity. She performs annually on the Blue Note circuit in Japan, and in jazz festivals and tours in Europe, the United States, and Canada.
Na Casa do Villa
Joyce Lyrics
Na casa do villa era uma zona
Diz a lenda com razão
Com rádio, com novela e com vitrola
Atrapalhando a criação
Nem por isso o digno maestro
Alguma vez se perturbou
O ouvido de dentro é o que importa
E isso foi ele que ensinou
Na casa do vina era uma festa
Como na casa do tom
Com música, parceiros, namoradas
Desde a gávea até o leblon
Nem por isso o mestre ou o poeta
Desistiam das canções
O ouvido de dentro é o que importa
E nisso é que eles eram bons
Hoje em minha casa tem criança,
Cachorro e televisão
Tem gente aqui chegando de viagem
Também tem gente que não
Nem por isso a música me larga
Triste, sem inspiração
O ouvido de dentro é o que importa
Então eu fiz essa canção
Diz a lenda com razão
Com rádio, com novela e com vitrola
Atrapalhando a criação
Nem por isso o digno maestro
Alguma vez se perturbou
O ouvido de dentro é o que importa
E isso foi ele que ensinou
Na casa do vina era uma festa
Com música, parceiros, namoradas
Desde a gávea até o leblon
Nem por isso o mestre ou o poeta
Desistiam das canções
O ouvido de dentro é o que importa
E nisso é que eles eram bons
Hoje em minha casa tem criança,
Cachorro e televisão
Tem gente aqui chegando de viagem
Também tem gente que não
Nem por isso a música me larga
Triste, sem inspiração
O ouvido de dentro é o que importa
Então eu fiz essa canção
Lyrics © O/B/O APRA AMCOS
Written by: Joyce
Lyrics Licensed & Provided by LyricFind
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