Widely regarded as one of the most creative musicians of his generation, Ju… Read Full Bio ↴Widely regarded as one of the most creative musicians of his generation, Julian Lloyd Webber has collaborated with an extraordinary array of musicians from Yehudi Menuhin, Lorin Maazel, Neville Marriner, Esa-Pekka Salonen and Georg Solti to Stephane Grappelli, Elton John and Cleo Laine.
Julian has made many outstanding recordings including his Brit-Award winning Elgar Concerto conducted by Yehudi Menuhin (chosen as the finest ever version by BBC Music Magazine) the Dvorak Concerto with Vaclav Neumann and the Czech Philharmonic, Tchaikovsky's Rococo Variations with the London Symphony under Maxim Shostakovich and a coupling of Britten's Cello Symphony and Walton's Concerto with Sir Neville Marriner and the Academy of St Martin in the Fields, which was described by Gramophone magazine as "beyond any rival". Julian has also recorded several highly successful CD's of short pieces for Universal Classics including Made In England, Cello Moods, and Cradle Song: "It would be difficult to find better performances of this kind of repertoire anywhere on records of today or yesterday" - Gramophone.
Julian has given more than fifty works their premiere recordings and has inspired new compositions for cello from composers as diverse as Malcolm Arnold and Joaquin Rodrigo to James MacMillan and Philip Glass. Recent concert performances have included three further works composed for Julian - Michael Nyman's Double Concerto for Cello and Saxophone on BBC Television, Gavin Bryars' Concerto in Suntory Hall, Tokyo and Philip Glass's Concerto at the Beijing International Festival. Julian's recording of the Glass concerto with the Royal Liverpool Philharmonic conducted by Gerard Schwarz was released on the Orange Mountain label in September 2004.
Julian’s most recent recording, Phantasia, is based on Andrew Lloyd Webber’s Phantom of the Opera and features violinist, Sarah Chang. This is available on EMI and is the first of several planned recordings that Julian will be making for EMI Classics. His new EMI disc, Unexpected Songs, featuring 21 tracks, including collaborations with harpist Catrin Finch and singer Michael Ball will be released in June this year.
Julian Lloyd Webber plays the ‘Barjansky’ Stradivarius cello of c.1690.
www.julianlloydwebber.com
Julian has made many outstanding recordings including his Brit-Award winning Elgar Concerto conducted by Yehudi Menuhin (chosen as the finest ever version by BBC Music Magazine) the Dvorak Concerto with Vaclav Neumann and the Czech Philharmonic, Tchaikovsky's Rococo Variations with the London Symphony under Maxim Shostakovich and a coupling of Britten's Cello Symphony and Walton's Concerto with Sir Neville Marriner and the Academy of St Martin in the Fields, which was described by Gramophone magazine as "beyond any rival". Julian has also recorded several highly successful CD's of short pieces for Universal Classics including Made In England, Cello Moods, and Cradle Song: "It would be difficult to find better performances of this kind of repertoire anywhere on records of today or yesterday" - Gramophone.
Julian has given more than fifty works their premiere recordings and has inspired new compositions for cello from composers as diverse as Malcolm Arnold and Joaquin Rodrigo to James MacMillan and Philip Glass. Recent concert performances have included three further works composed for Julian - Michael Nyman's Double Concerto for Cello and Saxophone on BBC Television, Gavin Bryars' Concerto in Suntory Hall, Tokyo and Philip Glass's Concerto at the Beijing International Festival. Julian's recording of the Glass concerto with the Royal Liverpool Philharmonic conducted by Gerard Schwarz was released on the Orange Mountain label in September 2004.
Julian’s most recent recording, Phantasia, is based on Andrew Lloyd Webber’s Phantom of the Opera and features violinist, Sarah Chang. This is available on EMI and is the first of several planned recordings that Julian will be making for EMI Classics. His new EMI disc, Unexpected Songs, featuring 21 tracks, including collaborations with harpist Catrin Finch and singer Michael Ball will be released in June this year.
Julian Lloyd Webber plays the ‘Barjansky’ Stradivarius cello of c.1690.
www.julianlloydwebber.com
Air On A G String
Julian Lloyd Webber Lyrics
We have lyrics for 'Air On A G String' by these artists:
Johann Sebastian Bach C21 Miscellaneous Hanging on a String I can't sleep I'm inco…
We have lyrics for these tracks by Julian Lloyd Webber:
Close Every Door Joseph Close every door to me, Hide all the world from me B…
Don't Cry for Me Argentina It won't be easy, you'll think it strange When I try…
I Don't Know how to Love Him I don't know how to love him. What to do, how…
Jesus Christ Superstar: I Don't Know how to Love Him I don't know how to love him. What to do, how…
Memory Daylight, see the dew on the sunflower And a rose that…
No Matter What [Chorus:] No matter what they tell us No matter what they…
Starlight Express: Starlight Express When your good nights have been said And you are lying…
The Girl From Ipanema Tall and tan and young and lovely The girl from Ipanema…
Your Song It's a little bit funny this feeling inside I'm not…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@schweitzer006325
Julian Lloyd Webber is an absolute genius, his tone and technique is magnificent.
@erciasico
julian is awesome! i first heard him in the andrew webber birthday concert at the royal albert hall when he played the 'variations'. he's superb in playing the cello.
@dcllaw677
I don’t care who he’s related to, the man is a truly great artist in his own right.
@RayCee
Julian Lloyd Webber demands so much from his accompaniest too. He looks so much further than his own performance. As an arranger he is fabulous
@BourneAccident
Touch... feel...doesn't get better than this... I am overwhelmed...
@Lohitaksha
The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold of Anhalt sometime between the years 1717 and 1723. The title comes from violinist Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major and transposing the melody down an octave, Wilhelmj was able to play the piece on only one string of his violin, the G string.
@BTBHSOHBOY
He plays so smoothly, like it's involuntary. An absolute master!
@AdvanTuil
Beautiful !!!
This song always calms me down...
@raymondesherman2524
I love this number. Another one that hits you in the gut!
@JillForrest64
I love the melancholy of the cello too - the best interpretation for me