Mathew Walker from Bristol, UK may have appeared to burst on to the scene i… Read Full Bio ↴Mathew Walker from Bristol, UK may have appeared to burst on to the scene in late 2009, but the lead up to the Julio Bashmore EP for Claude VonStroke's highly influential Dirtybird label was essentially a lifetime in the making. Siphoning the tastes of his older brothers through hip-hop cassettes, Julio's interest in electronic music began in earnest after hearing Daft Punk's "Da Funk", which was handily around the time that turntables arrived in the house via his elder sibling. There was something Julio warmed to in the typically French approach Daft Punk and Cassius took to house music composition, and his earliest vinyl purchases reflected this. Aged 14, a battered old PC and a copy of Reason became Julio's very first 'instruments.' He later experimented with synthesizers and guitars, playing in bands for a brief period, but by the time he was old enough to experience club culture firsthand, Julio had made the realisation that DJing was the true vehicle in which to deliver his music.
Perhaps indicative of Bristol's fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke's label tellingly signed an EP's worth of Julio's material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you're reading this. Labels, media and clubbers seemed to instantly 'get' the skewed angle at which Julio attacked house music in 2010. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio's future-facing output.
Perhaps indicative of Bristol's fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke's label tellingly signed an EP's worth of Julio's material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you're reading this. Labels, media and clubbers seemed to instantly 'get' the skewed angle at which Julio attacked house music in 2010. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio's future-facing output.
Battle for Middle You
Julio Bashmore Lyrics
We have lyrics for these tracks by Julio Bashmore:
Au Seve Baby Baby Oh baby Baby Oh baby Baby Oh baby Baby Oh baby …
Bubblin Bubblin Bubblin Bubblin Bubblin…
Holding On I lost my mind, my heart's been stolen But don't ask…
Holding On feat. Sam Dew I lost my mind, my heart's been stolen But don't ask…
Peppermint What you gonna do I'm hot for you What you gonna…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@m1ndsetstudio
I don't understand why this isn't on Spotify. Best track Julio Bashmore made
@usdjxavi
Because certain songs you have to put in work to discover, plus Spotify doesn’t pay artists their due
@yevchornenkyy4805
@@usdjxavi Neither does youtube.. lol $0.03 per play or less
@lolch5658
1) julio bashmore is all over spotify 2) hardly hard to locate one of the most played tunes from a decade ago 3) the guy was merely asking as to why it's not on there alongside his other stuff 4) have a day off
@lolch5658
@@usdjxavi admit you're the guy standing in the corner of the party crying that noone can hear how good the prosumer panorama bar mix is you've just put on that noone wanted to hear
@slickdon1
Au seve is up there tho
@lolch5658
when this song dropped it spawned a generation of have-a-go uni promoters, google traffic for numark mixers went through the roof, sports societies signed socials up to that 'new house night' and aux cables went out of stock overnight. general happiness levels were higher. simpler yet very good times
@paultaylor1872
Googled ''house song, lets get down'' and managed to find this. Fucking love the internet sometimes
@mooneymanl337
mate i just did exactly the same
@taymoorrehman8727
Googled ear porn, this showed up😂