Junior Walker was born Autry DeWalt Jr. in Blytheville, Arkansas in 1942. Some accounts list his birth name as Oscar G. Mixon, and say his name was changed at some point during his early childhood. He grew up in South Bend, Indiana where he became a proficient saxophone player, studying the methods of some of the prominent sax players of the time. During his teens, DeWalt joined a group called the Jumping Jacks and began to perform in local clubs, calling himself Junior Walker.
He next joined a trio led by drummer Billy "Stix" Nicks, which also featured organist Fred Patton. They soon added backing vocalist and guitarist Willie Woods, and played around northern Indiana and southern Michigan. Walker took over the group after Nicks joined the Army and in the late '50s, relocated to Battle Creek, MI, and formed a band billed as Junior Walker & the All-Stars. Initially, they featured Patton, Woods, and drummer Tony Washington. Patton was later replaced by Victor Thomas, and Washington by Jack Douglas and, finally, James Graves. The All-Stars continued to play around the area, and took up a residency in Battle Creek's El Grotto club.
It was at the El Grotto that they were noticed by Johnny Bristol, who recommended them to Harvey Fuqua, who had sang with Harvey and the Moonglows. By this time, Fuqua was running his own fledgling record label called simply "Harvey". Fuqua liked what he heard and signed Junior Walker and the All Stars in 1962.
The Harvey label was soon bought out by Motown, and the group found itself recording with Soul Records. Soul was a subsidiary of Motown and all of the group's subsequent hits in the US were released on the Soul label, although they had some Tamla/Motown hits on the charts in the UK.
In early 1965, the band scored their first big hit with a dance tune that Walker had written called "Shotgun", which marked Junior's vocal debut. In fact, the only reason he sang the song was that the vocalist he'd hired didn't show up for the session, and he was somewhat flabbergasted by the label's decision to leave his vocal intact. Berry Gordy's instincts proved right, however, when "Shotgun" topped the R&B charts and hit number four on the Pop chart.
In 1966, Graves left and was replaced by old friend Billy "Stix" Nicks. Walker's hits continued with tunes like "I'm a Road Runner" (#20 Pop) and "Pucker Up Buttercup". (#3 Pop) Toward the end of the '60s, seeking to diversify their approach, the All-Stars began recording more ballad material, complete with string arrangements and Walker vocals. That approach resulted in the group's second Top Five pop hit, the R&B number one "What Does It Take (To Win Your Love)" which helped refuel Walker's career. He landed several more R&B Top Ten hits over the next few years, including a cover of The Guess Who's "These Eyes", which went to number 16 on the Pop chart. Musical tastes changed in the 70's and the final top forty hit for Junior Walker and the All Stars was "Do You See My Love (For You Growing)" in 1970.
Walker resurfaced as a solo artist during the disco era, working with producer Brian Holland beginning in 1976 with the single "Hot Shot". A pair of albums followed. In 1979, Walker joined up with another former Motown mainstay, signing with producer Norman Whitfield's Whitfield label, though without much success.
Walker returned to the spotlight in 1981 with a guest solo on Foreigner's Top Five hit "Urgent". Two years later, he re-signed with Motown and recorded "Blow the House Down". His melodic style was now being absorbed into a new generation of R&B-flavoured jazz instrumentalists.
Junior continued to perform in the 80's and 90's, often with his son Autry DeWalt III on drums. Sadly, Junior Walker developed cancer in 1993 and as his health deteriorated, he had difficulty walking. He died on November 23, 1995 in Battle Creek, Michigan at age 53.
In the wake of his death, Billy "Stix" Nicks continued to tour with a version of the All-Stars.
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Mercy Mercy Me
Junior Walker & The All Stars Lyrics
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Dah, dah, dah, dah, dah, dah, dah
Dah, dah, dah, dah
Dah, dah, dah, dah, dah, dah, dah
Dah, dah, dah
Rockets, moon shots
Spend it on the have nots
Money, we make it
Oh, make you wanna holler
The way they do my life
Make me wanna holler
The way they do my life
This ain't livin', this ain't livin'
No, no baby, this ain't livin'
No, no, no
Inflation no chance
To increase finance
Bills pile up sky high
Send that boy off to die
Make me wanna holler
The way they do my life
Make me wanna holler
The way they do my life
Dah, dah, dah
Dah, dah, dah
Hang ups, let downs
Bad breaks, set backs
Natural fact is
I can't pay my taxes
Oh, make me wanna holler
And throw up both my hands
Yea, it makes me wanna holler
And throw up both my hands
Crime is increasing
Trigger happy policing
Panic is spreading
God know where we're heading
Oh, make me wanna holler
They don't understand
Dah, dah, dah
Dah, dah, dah
Dah, dah, dah
Mother, mother
Everybody thinks we're wrong
Who are they to judge us
Simply cause we wear our hair long
The lyrics of "Mercy Mercy Me" by Junior Walker & The All Stars speak to the social and economic struggles faced by many individuals in society. The initial verses express a sense of frustration and disillusionment with the state of the world, with references to rockets, moon shots, and the disparity between the haves and have nots. The lyrics suggest a feeling of powerlessness in the face of a system that prioritizes money and material wealth over the well-being of individuals.
The repeated refrain of "Make me wanna holler, the way they do my life" conveys a deep emotional response to the injustices and hardships that the singer experiences. The lyrics highlight the stress and pressure of trying to make ends meet in a world where inflation and financial burdens continue to rise. The mention of bills piling up and the sacrifice of sending young men off to war underscore the personal toll of living in a society that values profits over people.
The song delves into themes of systemic inequality and social unrest, with references to hang ups, let downs, bad breaks, and setbacks that impede progress and success. The inability to pay taxes and the growing crime rates reflect a society straining under the weight of economic disparity and social upheaval. The lyrics capture a sense of desperation and hopelessness, with the singer expressing a desire to both holler in frustration and throw up their hands in defeat.
The final lines of the song shift to a plea for acceptance and understanding, as the singer appeals to the idea that judgment based on appearance, such as wearing long hair, is unjust. The mention of "Mother, mother, everybody thinks we're wrong" challenges societal norms and calls for empathy and compassion towards those who may be marginalized or misunderstood. Overall, "Mercy Mercy Me" serves as a powerful commentary on the struggles of everyday life and the need for greater empathy and social change.
Lyrics © Sony/ATV Music Publishing LLC, Royalty Network, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Marvin Gaye, James Nyx
Lyrics Licensed & Provided by LyricFind