In film scores, he is best known for his work in the DC Extended Universe beginning with Batman v Superman: Dawn of Justice with Hans Zimmer, contributing to the theme song for Wonder Woman, as well as the scores for Deadpool and Mad Max: Fury Road.
Holkenborg was born in Lichtenvoorde, Gelderland, Netherlands. Classically trained by his mother – herself an accredited music teacher – Holkenborg started playing piano when he was four years old, drums when he was eight, and guitar at 12. Influenced by the psychedelic-pop of Pink Floyd and King Crimson, he took up the bass by age 14. After taking a job at a local music store selling keyboards and other digital gear, he began to have an appreciation for the combination of electronic and organic sounds. It was shortly after he discovered synthesizers that he joined the Dutch New Wave ensemble Weekend at Waikiki as a multi-instrumentalist and producer, touring extensively with the band, including through parts of the former Soviet Union, from 1988 to 1991. He also contributed to their final album, Sputnik. In 1993, Holkenborg produced Almost a Dance by Dutch metal band The Gathering, and later that year went on to form the industrial rock band Nerve with Phil Mills. After signing with label Play It Again Sam in 1992 and releasing two LPs – Cancer of Choice (1993) and Blood & Gold (1994) – he continued as a producer, working with hardcore and metal bands like Sepultura, Fear Factory, and Dog Eat Dog, while simultaneously licensing some of his instrumental electronic tracks for racing video games like The Need For Speed and Test Drive 5. It was during this time that he also began scoring the Dutch feature film, Siberia, which would be released by Warner Brothers Netherlands.
In collaboration with Harry Gregson-Williams, he contributed additional music to the Tony Scott film Domino (2005), and served as the composer on the Dutch film Blind, which was nominated for Best Original Music Score at the Netherlands Film Festival in 2007 and received the Grand Prix award for Best Original Music Score at the 2008 Aubagne International Film Festival. Holkenborg continues to work in the film and television industry, collaborating with composer Hans Zimmer on Christopher Nolan's The Dark Knight Rises. The film marks the fourth scoring collaboration between Holkenborg and Zimmer, including Megamind (2010), Inception (2010) and Madagascar 3: Europe's Most Wanted (2012). Since moving into Zimmer's Remote Control Productions studio, the two have worked together on many other musical projects, including Man of Steel, the reboot of the Superman franchise, and a remix of that year's Academy Awards theme song. Holkenborg has provided music for the films Kingdom of Heaven, Domino, DOA: Dead or Alive, Shark Tale, The Chronicles of Riddick: Dark Fury, The Animatrix, and Resident Evil, and has had his original music featured in a number of major motion pictures, including Blade ("Dealing with the Roster") and The Beach ("Synaesthesia"). In 2013, he composed the music for the Relativity Media film Paranoia. Shortly after, he was brought in by Zack Snyder, the producer of 300: Rise of an Empire, to create the score for the film. He is credited as the composer for the 2014 film Divergent, with Hans Zimmer credited as "Executive Producer" for the soundtrack. He is a member of the Magnificent Six, a collaborative group of five other musicians, consisting of Hans Zimmer, Pharrell Williams, Johnny Marr (from The Smiths), Michael Einziger (from Incubus), Andrew Kawczynski, and Steve Mazzaro. The "supergroup" of artists ranging from diverse backgrounds teamed up to compose the score for the Marvel comic reboot's second feature film of the original Spider-Man trilogy The Amazing Spider-Man 2. He was the primary composer for the 2015 film Mad Max: Fury Road and the 2016 film Deadpool, and was co-composer for the film Batman v Superman: Dawn of Justice, along with Zimmer. Holkenborg's theme music for Wonder Woman was used in the film of the same name. Zimmer was replaced by Junkie XL to write and compose the music for Justice League releasing in 2017. Holkenborg was later replaced by Danny Elfman, brought up by Joss Whedon.[2] On 8 December 2017 Holkenborg was revealed to be composing the score for the 2018 film Alita: Battle Angel, based on the manga Battle Angel Alita by Yukito Kishiro.
To go along with his numerous artist albums and EPs, Holkenborg has been creating original music for video games since the mid-90s. In addition to composing the soundtrack for Xbox racing games Forza Motorsport and Quantum Redshift, Holkenborg is responsible for the SSX Blur soundtrack. He has also licensed a number of his album tracks for video game use. "Future in Computer Hell (Part 2)", "Synasthesia", and "Dance USA"—all taken from his album Big Sounds of the Drags—were licensed to the racing video game TD Overdrive: The Brotherhood of Speed (2002). The title track for Today is featured on the soundtrack for the video games Burnout Legends and Burnout Revenge, while "More"—taken from his fifth album, Booming Back at You—is featured on the soundtrack to EA Games' Need for Speed: ProStreet, which also includes a full score from Holkenborg. His cover of Siouxsie and the Banshees' "Cities in Dust" is featured on Electronic Arts' Burnout Paradise. He has written additional music for and licensed music to The Matrix: Path of Neo, Destroy All Humans!, The Sims 2: Nightlife, The Sims 3, Need for Speed: Underground, Need for Speed: Carbon, FIFA 08, and FIFA Street 3, among others. He composed the soundtrack for EA's Darkspore.
Holkenborg is an associate professor at the ArtEZ Conservatorium, one of the major art institutes in the Netherlands, where he teaches producing, remixing, and music composition. He resides in Venice, Los Angeles, California. He uses the name JXL in cases where the term "Junkie" might cause offense. Holkenborg says of his name: "I called myself Junkie XL from the point of view that once you're completely overworked, you never want to go there again. The 'XL' stands for expanding limits; broadening up your vision."
Beauty Never Fades
Junkie XL Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Feathered footfalls in the dark, I wonder
Come to steal your lifeblood away
Looking for a beauty that never fades
See a glimpse inside the foolish hollow
Come to know a time when he will haunt you
It's nothing I find heals make me live
Today
The lyrics to Junkie XL's song "Beauty Never Fades" evoke a sense of ominous urgency. Each step taken leads to longer shadows, as if the singer is creeping forward into an unknown danger. Their "feathered footfalls in the dark" implies a sense of lightness, as if the singer is trying to remain unseen. The next line, "Come to steal your lifeblood away," is a chilling threat that makes the listener question who the singer is and what their motives are.
The second stanza seems to address the consequences of the singer's actions. They have looked into a "foolish hollow" and will now be haunted by something they cannot escape. They long to return to an "angel realm," indicating perhaps that they have gone too far into darkness and want to return to a state of purity or innocence.
Overall, the lyrics of "Beauty Never Fades" are poetic and cryptic, leaving ample room for interpretation. It could be read as a cautionary tale against pursuing superficial beauty at the cost of one's morality or soul.
Line by Line Meaning
Each step I take, the shadows grow longer
As I move forward, I feel the weight of my past getting heavier and more overwhelming.
Feathered footfalls in the dark, I wonder
As I walk cautiously through the darkness, I question my own motives and intentions.
Come to steal your lifeblood away
I am here to take everything from you, leaving you empty and drained.
Looking for a beauty that never fades
I am searching for something pure and perfect that will never decay or lose its charm.
See a glimpse inside the foolish hollow
Through my experiences, I have come to understand the emptiness and foolishness of my own desires.
Come to know a time when he will haunt you
I am aware that my actions may come back to haunt me in the future.
It's nothing I find heals make me live
I have not found anything that truly heals me or makes me feel alive.
Someone take me back to the angel realm
I want to return to a state of purity and innocence, free from the darkness that surrounds me.
Today
Right now, in this moment, I am searching for the beauty that I so desperately desire.
Lyrics © Universal Music Publishing Group
Written by: ANTONIUS J. B. TOM HOLKENBORG, SAMANTHA MARIE SPRACKLING
Lyrics Licensed & Provided by LyricFind
SysLocal
Recommended:
Ayumi Hamasaki - Teddy Bear (Hybrid Remix) | https://www.youtube.com/watch?v=-4RlQMoH4bA
Parker & Hanson - Let Me Be (Vocal Mix) | https://www.youtube.com/watch?v=xmboTr5IndU
Alexander Eisner
Благодарю! 🔥
Low Waste, High Melanin
Still love this track in 2022. Honestly this part of the series had the best music out of everything. Still holds up.
Sabrina B.
I LOVE IT when you listen to a track so good and telling that you have hundreds of ideas of scenarios that automatically come to reach your brain everytime you put on play button. I'm not even trying, it's filling my soul with energy and creativity
Pedro Viloria
Amazing right? Have you tried to lose yourself while dancing to this song in your own bedroom?
Joseph Astier
@Pedro Viloria The genre is called "trance" for a reason.
Subliminally
As much if not more breakbeat than trance in this particular track (shrugs)
Pedro Viloria Blogs
John Dough hahah why
Pedro Viloria Blogs
John Dough haha thank you
Jawa Chew
Snowboarding at night in foggy conditions listening to this is my heaven. It's so epic!