Antonius Tom Holkenborg (born 8 December 1967), known by his stage name Jun… Read Full Bio ↴Antonius Tom Holkenborg (born 8 December 1967), known by his stage name Junkie XL and occasionally JXL, is a Dutch composer, multi-instrumentalist, DJ, producer, and engineer. Originally known for his trance productions, he has moved to producing electronica and big beat music and film scores. Junkie XL is best known for his remix of Elvis Presley's "A Little Less Conversation", which became a worldwide hit in 2002.
In film scores, he is best known for his work in the DC Extended Universe beginning with Batman v Superman: Dawn of Justice with Hans Zimmer, contributing to the theme song for Wonder Woman, as well as the scores for Deadpool and Mad Max: Fury Road.
Holkenborg was born in Lichtenvoorde, Gelderland, Netherlands. Classically trained by his mother – herself an accredited music teacher – Holkenborg started playing piano when he was four years old, drums when he was eight, and guitar at 12. Influenced by the psychedelic-pop of Pink Floyd and King Crimson, he took up the bass by age 14. After taking a job at a local music store selling keyboards and other digital gear, he began to have an appreciation for the combination of electronic and organic sounds. It was shortly after he discovered synthesizers that he joined the Dutch New Wave ensemble Weekend at Waikiki as a multi-instrumentalist and producer, touring extensively with the band, including through parts of the former Soviet Union, from 1988 to 1991. He also contributed to their final album, Sputnik. In 1993, Holkenborg produced Almost a Dance by Dutch metal band The Gathering, and later that year went on to form the industrial rock band Nerve with Phil Mills. After signing with label Play It Again Sam in 1992 and releasing two LPs – Cancer of Choice (1993) and Blood & Gold (1994) – he continued as a producer, working with hardcore and metal bands like Sepultura, Fear Factory, and Dog Eat Dog, while simultaneously licensing some of his instrumental electronic tracks for racing video games like The Need For Speed and Test Drive 5. It was during this time that he also began scoring the Dutch feature film, Siberia, which would be released by Warner Brothers Netherlands.
In collaboration with Harry Gregson-Williams, he contributed additional music to the Tony Scott film Domino (2005), and served as the composer on the Dutch film Blind, which was nominated for Best Original Music Score at the Netherlands Film Festival in 2007 and received the Grand Prix award for Best Original Music Score at the 2008 Aubagne International Film Festival. Holkenborg continues to work in the film and television industry, collaborating with composer Hans Zimmer on Christopher Nolan's The Dark Knight Rises. The film marks the fourth scoring collaboration between Holkenborg and Zimmer, including Megamind (2010), Inception (2010) and Madagascar 3: Europe's Most Wanted (2012). Since moving into Zimmer's Remote Control Productions studio, the two have worked together on many other musical projects, including Man of Steel, the reboot of the Superman franchise, and a remix of that year's Academy Awards theme song. Holkenborg has provided music for the films Kingdom of Heaven, Domino, DOA: Dead or Alive, Shark Tale, The Chronicles of Riddick: Dark Fury, The Animatrix, and Resident Evil, and has had his original music featured in a number of major motion pictures, including Blade ("Dealing with the Roster") and The Beach ("Synaesthesia"). In 2013, he composed the music for the Relativity Media film Paranoia. Shortly after, he was brought in by Zack Snyder, the producer of 300: Rise of an Empire, to create the score for the film. He is credited as the composer for the 2014 film Divergent, with Hans Zimmer credited as "Executive Producer" for the soundtrack. He is a member of the Magnificent Six, a collaborative group of five other musicians, consisting of Hans Zimmer, Pharrell Williams, Johnny Marr (from The Smiths), Michael Einziger (from Incubus), Andrew Kawczynski, and Steve Mazzaro. The "supergroup" of artists ranging from diverse backgrounds teamed up to compose the score for the Marvel comic reboot's second feature film of the original Spider-Man trilogy The Amazing Spider-Man 2. He was the primary composer for the 2015 film Mad Max: Fury Road and the 2016 film Deadpool, and was co-composer for the film Batman v Superman: Dawn of Justice, along with Zimmer. Holkenborg's theme music for Wonder Woman was used in the film of the same name. Zimmer was replaced by Junkie XL to write and compose the music for Justice League releasing in 2017. Holkenborg was later replaced by Danny Elfman, brought up by Joss Whedon.[2] On 8 December 2017 Holkenborg was revealed to be composing the score for the 2018 film Alita: Battle Angel, based on the manga Battle Angel Alita by Yukito Kishiro.
To go along with his numerous artist albums and EPs, Holkenborg has been creating original music for video games since the mid-90s. In addition to composing the soundtrack for Xbox racing games Forza Motorsport and Quantum Redshift, Holkenborg is responsible for the SSX Blur soundtrack. He has also licensed a number of his album tracks for video game use. "Future in Computer Hell (Part 2)", "Synasthesia", and "Dance USA"—all taken from his album Big Sounds of the Drags—were licensed to the racing video game TD Overdrive: The Brotherhood of Speed (2002). The title track for Today is featured on the soundtrack for the video games Burnout Legends and Burnout Revenge, while "More"—taken from his fifth album, Booming Back at You—is featured on the soundtrack to EA Games' Need for Speed: ProStreet, which also includes a full score from Holkenborg. His cover of Siouxsie and the Banshees' "Cities in Dust" is featured on Electronic Arts' Burnout Paradise. He has written additional music for and licensed music to The Matrix: Path of Neo, Destroy All Humans!, The Sims 2: Nightlife, The Sims 3, Need for Speed: Underground, Need for Speed: Carbon, FIFA 08, and FIFA Street 3, among others. He composed the soundtrack for EA's Darkspore.
Holkenborg is an associate professor at the ArtEZ Conservatorium, one of the major art institutes in the Netherlands, where he teaches producing, remixing, and music composition. He resides in Venice, Los Angeles, California. He uses the name JXL in cases where the term "Junkie" might cause offense. Holkenborg says of his name: "I called myself Junkie XL from the point of view that once you're completely overworked, you never want to go there again. The 'XL' stands for expanding limits; broadening up your vision."
In film scores, he is best known for his work in the DC Extended Universe beginning with Batman v Superman: Dawn of Justice with Hans Zimmer, contributing to the theme song for Wonder Woman, as well as the scores for Deadpool and Mad Max: Fury Road.
Holkenborg was born in Lichtenvoorde, Gelderland, Netherlands. Classically trained by his mother – herself an accredited music teacher – Holkenborg started playing piano when he was four years old, drums when he was eight, and guitar at 12. Influenced by the psychedelic-pop of Pink Floyd and King Crimson, he took up the bass by age 14. After taking a job at a local music store selling keyboards and other digital gear, he began to have an appreciation for the combination of electronic and organic sounds. It was shortly after he discovered synthesizers that he joined the Dutch New Wave ensemble Weekend at Waikiki as a multi-instrumentalist and producer, touring extensively with the band, including through parts of the former Soviet Union, from 1988 to 1991. He also contributed to their final album, Sputnik. In 1993, Holkenborg produced Almost a Dance by Dutch metal band The Gathering, and later that year went on to form the industrial rock band Nerve with Phil Mills. After signing with label Play It Again Sam in 1992 and releasing two LPs – Cancer of Choice (1993) and Blood & Gold (1994) – he continued as a producer, working with hardcore and metal bands like Sepultura, Fear Factory, and Dog Eat Dog, while simultaneously licensing some of his instrumental electronic tracks for racing video games like The Need For Speed and Test Drive 5. It was during this time that he also began scoring the Dutch feature film, Siberia, which would be released by Warner Brothers Netherlands.
In collaboration with Harry Gregson-Williams, he contributed additional music to the Tony Scott film Domino (2005), and served as the composer on the Dutch film Blind, which was nominated for Best Original Music Score at the Netherlands Film Festival in 2007 and received the Grand Prix award for Best Original Music Score at the 2008 Aubagne International Film Festival. Holkenborg continues to work in the film and television industry, collaborating with composer Hans Zimmer on Christopher Nolan's The Dark Knight Rises. The film marks the fourth scoring collaboration between Holkenborg and Zimmer, including Megamind (2010), Inception (2010) and Madagascar 3: Europe's Most Wanted (2012). Since moving into Zimmer's Remote Control Productions studio, the two have worked together on many other musical projects, including Man of Steel, the reboot of the Superman franchise, and a remix of that year's Academy Awards theme song. Holkenborg has provided music for the films Kingdom of Heaven, Domino, DOA: Dead or Alive, Shark Tale, The Chronicles of Riddick: Dark Fury, The Animatrix, and Resident Evil, and has had his original music featured in a number of major motion pictures, including Blade ("Dealing with the Roster") and The Beach ("Synaesthesia"). In 2013, he composed the music for the Relativity Media film Paranoia. Shortly after, he was brought in by Zack Snyder, the producer of 300: Rise of an Empire, to create the score for the film. He is credited as the composer for the 2014 film Divergent, with Hans Zimmer credited as "Executive Producer" for the soundtrack. He is a member of the Magnificent Six, a collaborative group of five other musicians, consisting of Hans Zimmer, Pharrell Williams, Johnny Marr (from The Smiths), Michael Einziger (from Incubus), Andrew Kawczynski, and Steve Mazzaro. The "supergroup" of artists ranging from diverse backgrounds teamed up to compose the score for the Marvel comic reboot's second feature film of the original Spider-Man trilogy The Amazing Spider-Man 2. He was the primary composer for the 2015 film Mad Max: Fury Road and the 2016 film Deadpool, and was co-composer for the film Batman v Superman: Dawn of Justice, along with Zimmer. Holkenborg's theme music for Wonder Woman was used in the film of the same name. Zimmer was replaced by Junkie XL to write and compose the music for Justice League releasing in 2017. Holkenborg was later replaced by Danny Elfman, brought up by Joss Whedon.[2] On 8 December 2017 Holkenborg was revealed to be composing the score for the 2018 film Alita: Battle Angel, based on the manga Battle Angel Alita by Yukito Kishiro.
To go along with his numerous artist albums and EPs, Holkenborg has been creating original music for video games since the mid-90s. In addition to composing the soundtrack for Xbox racing games Forza Motorsport and Quantum Redshift, Holkenborg is responsible for the SSX Blur soundtrack. He has also licensed a number of his album tracks for video game use. "Future in Computer Hell (Part 2)", "Synasthesia", and "Dance USA"—all taken from his album Big Sounds of the Drags—were licensed to the racing video game TD Overdrive: The Brotherhood of Speed (2002). The title track for Today is featured on the soundtrack for the video games Burnout Legends and Burnout Revenge, while "More"—taken from his fifth album, Booming Back at You—is featured on the soundtrack to EA Games' Need for Speed: ProStreet, which also includes a full score from Holkenborg. His cover of Siouxsie and the Banshees' "Cities in Dust" is featured on Electronic Arts' Burnout Paradise. He has written additional music for and licensed music to The Matrix: Path of Neo, Destroy All Humans!, The Sims 2: Nightlife, The Sims 3, Need for Speed: Underground, Need for Speed: Carbon, FIFA 08, and FIFA Street 3, among others. He composed the soundtrack for EA's Darkspore.
Holkenborg is an associate professor at the ArtEZ Conservatorium, one of the major art institutes in the Netherlands, where he teaches producing, remixing, and music composition. He resides in Venice, Los Angeles, California. He uses the name JXL in cases where the term "Junkie" might cause offense. Holkenborg says of his name: "I called myself Junkie XL from the point of view that once you're completely overworked, you never want to go there again. The 'XL' stands for expanding limits; broadening up your vision."
a little less conversation"|"--"|"--"|"--"|"--"|"--"
Junkie XL Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
Satisfy me baby
Baby close your eyes and listen to the music
Drifting through a summer breeze
It's a groovy night and I can show you how to use it
Come along with me and put your mind at ease
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me baby (Satisfy me)
Come on baby I'm tired of talking
Grab your coat and let's start walking
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Don't procrastinate, don't articulate
Girl it's getting late, gettin' upset waitin' around
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me baby (Satisfy me)
Come on baby I'm tired of talking
Grab your coat and let's start walking
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Don't procrastinate, don't articulate
Girl it's getting late, gettin' upset waitin' around
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me (Satisfy me)
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
Satisfy me baby
Baby close your eyes and listen to the music
It's a groovy night and I can show you how to use it
Come along with me and put your mind at ease
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me baby (Satisfy me)
Come on baby I'm tired of talking
Grab your coat and let's start walking
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Don't procrastinate, don't articulate
Girl it's getting late, gettin' upset waitin' around
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me baby (Satisfy me)
Come on baby I'm tired of talking
Grab your coat and let's start walking
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Come on, come on (Come on, come on)
Don't procrastinate, don't articulate
Girl it's getting late, gettin' upset waitin' around
A little less conversation, a little more action please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and baby satisfy me
(Satisfy me) Satisfy me (Satisfy me)
The song "A Little Less Conversation" by Junkie XL features Elvis Presley's voice from one of his classic recordings. The lyrics suggest that actions speak louder than words and that the person singing desires more physical intimacy and less idle chatter. The singer is tired of meaningless conversation and desires for his partner to be more proactive about satisfying him, both physically and emotionally. The song alternates between an energetic, upbeat tempo and a more subdued, groovy rhythm, reflecting the song's lyrics of wanting more "bite" and less "bark" and encouraging the listener to let go and enjoy the moment.
Line by Line Meaning
A little less conversation, a little more action please
Stop talking and start doing something to satisfy me
All this aggravation ain't satisfactioning me
I am not happy with all this arguing and complaining
A little more bite and a little less bark
Be more aggressive and less talkative
A little less fight and a little more spark
Stop arguing and be more exciting
Close your mouth and open up your heart and baby satisfy me
Stop talking and show your love for me to make me happy
(Satisfy me) Satisfy me baby (Satisfy me)
Make me happy and fulfill my desires
Come on baby I'm tired of talking
Stop talking and take action to make me happy
Grab your coat and let's start walking
Let's leave and start doing something together
Don't procrastinate, don't articulate
Stop delaying and stop talking
Girl it's getting late, gettin' upset waitin' around
I am getting frustrated waiting for you to take action
Lyrics © Warner/Chappell Music, Inc., Sony/ATV Music Publishing LLC, Peermusic Publishing, IMAGEM MUSIC INC
Written by: BILLY STRANGE, MAC DAVIS
Lyrics Licensed & Provided by LyricFind
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@JuniorDominguez
A little less conversation, a little more action, please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and, baby, satisfy me
Satisfy me, baby
Baby, close your eyes and listen to the music
Drifting through a summer breeze
It's a groovy night and I can show you how to use it
Come along with me and put your mind at ease
A little less conversation, a little more action, please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and, baby, satisfy me
(Satisfy me) Satisfy me, baby (satisfy me)
Come on, baby, I'm tired of talking
Grab your coat and let's start walking
Come on, come on (come on, come on)
Come on, come on (come on, come on)
Come on, come on (come on, come on)
Don't procrastinate, don't articulate
Girl, it's getting late, gettin' upset waitin' around
A little less conversation, a little more action, please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and, baby, satisfy me
(Satisfy me) Satisfy me, baby (satisfy me)
Come on, baby, I'm tired of talking
Grab your coat and let's start walking
Come on, come on (come on, come on)
Come on, come on (come on, come on)
Come on, come on (come on, come on)
Don't procrastinate, don't articulate
Girl, it's getting late, gettin' upset waitin' around
A little less conversation, a little more action, please
All this aggravation ain't satisfactioning me
A little more bite and a little less bark
A little less fight and a little more spark
Close your mouth and open up your heart and, baby, satisfy me
(Satisfy me) Satisfy me (satisfy me)
@ntcnetwork9934
This video is the most amazingly 2000s thing I’ve ever seen.
@evrtt_trn
lol Let's get it started by black eyed peas is peak 2000 for me
@thomasoftorquemadamcdxx171
Nike Ad: 24 Elite Footballers Hold a Secret Tournament: Welcome To The Cage
@DPMusicStudio
It's like watching Go West's "The King of Wishful Thinking" and realizing that they are perfectly encapsulating the early 1990's.
@mchristhomas
Agreed - how could a video be so cheap, yet entertaining!!
@jr2904
@the hevy let's get tarded in here! I agree, fuck the PC bullshit
@Elvisultimatefanchannel
Took Elvis to No1 in the charts.Where he rightly belongs
@vernpascal1531
Absolutely right -used too work in a Gym this came on regularly and was like a Rose in a garden of weeds!
@frankmay1223
Elvis:The Ultimate Fan Channel elvis songs
@karlhungus5554
The King still reigns!