Flavor
Just-Ice Lyrics
She ain't my taste but she got flavor
Ima have to show her off on my screen saver
She a little feisty got a devil in her
And what your man can't get I can get it for you, get it for you
She ain't my taste but she got flavor
But she made me eat it now and save the rest later
She hella thick cause she got it like that (Like that)
And when I talk shit shawty answer right back
(It's JV)
If you was mine I would treat you better (Damn right)
I would hype you up for everything that you do (Go baby)
Just as long as I could be the one to call you my boo
I think that you're a star but I can't help but wait
Can't come between your man cause I don't want any hate
Back in ‘05 with B5 “All I Do”
I couldn't wait to fall for a girl in high school
And I just wanna let you know that your perfect (Your perfect)
I prolly shouldn't wait but damn you worth it (Worth it)
Lil mama on the dance floor yeah she workin' it
And the whole room lookin' when she twerkin' it
(Got me infatuated)
She ain't my taste but she got flavor
Ima have to show her off on my screen saver
She a little feisty got a devil in her
And what your man can't get Ima get it for you, get it for you
She ain't my taste but she got flavor
But she made me eat it now and save the rest later
She hella thick cause she got it like that (Goddamn)
And when I talk shit shawty answer right back
(It's Cloud Brooks)
Baetona 500 I pull up like a race car
It ain't a secret you been up on my radar
Let's get it poppin' if you want it then I'm on it
Top down see the stars by the pier, girl it ain't far (No it ain't)
I’m only with it if you with it
I haven’t been kicking back like this in a minute (Yessir)
Lay back and watch the view (Uh huh)
And I’ll spend a view on you (Okay)
Because the only room with a view is a room with you in it
You got me hella trippin’ on some real shit
Wait let me put you on my snap story real quick
You typa I needa flex (Flex)
Kiss you on the neck (Neck)
Make you stay longer
And forget about your ex (Daaamn)
Thank you, next
She ain't my taste but she got flavor
Ima have to show her off on my screen saver
She a little feisty got a devil in her
And what your man can't get I can get it for you, get it for you
She ain't my taste but she got flavor
But she made me eat it now and save the rest later
She hella thick cause she got it like that
And when I talk shit shawty answer right back
You look so sexy
You really turn me on
You blow my mind all the time
And I, think about your love
You look so sexy
You really turn me on
You blow my mind all the time
And I, think about your love
Lyrics © DistroKid
Written by: Jann Violanda, Karl Violanda
Lyrics Licensed & Provided by LyricFind
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Just-Ice (b. Joseph Williams) a former bouncer at punk clubs, was the first of the New York MCs to embrace gangsta rap (although he hardly ever used foul language), and when he burst out of Ft. Greene, Brooklyn, as Just-Ice, he gained instant notoriety. Muscle-bound, tattooed, aggressive—he resembled Mike Tyson in more than just looks—and with a mouthful of gold teeth, he certainly stood out. His debut album Back to the Old School proved he was more than just a pretty face. Read Full BioJust-Ice (b. Joseph Williams) a former bouncer at punk clubs, was the first of the New York MCs to embrace gangsta rap (although he hardly ever used foul language), and when he burst out of Ft. Greene, Brooklyn, as Just-Ice, he gained instant notoriety. Muscle-bound, tattooed, aggressive—he resembled Mike Tyson in more than just looks—and with a mouthful of gold teeth, he certainly stood out. His debut album Back to the Old School proved he was more than just a pretty face. It came out on the independent New York label Fresh/Sleeping Bag label in 1986, and sounded like no other hip-hop album, thanks to his fast, forceful rhymes, Cool DMX's human beatbox, and the distinctive production of Mantronix's Kurtis Mantronik. Ice was also one of the first MCs to embrace the teachings of the Nation of Gods and Earths on a recording, as well as being a pioneer in incorporating dancehall reggae-style toasting into hip-hop rhymes.
When he was held by Washington, D.C., police regarding the murder of a drug dealer in 1987 ("Murder, Drugs, and the Rap Star" read a Washington Post headline), it gave him an even greater notoriety (he was never charged with the murder). Declaring war on D.C.'s go-go scene and loudly criticizing Run-D.M.C. (then the ruling New York hip-hop outfit), Just-Ice set a pattern for many a future hip-hop feud. Little could halt Just-Ice's ascension to hip hop stardom, though the departure of Mantronik from Sleeping Bag was a bad omen. KRS-One stepped in to produce 1987's Kool & Deadly, an album that swapped Mantronik's hi-tech skills for raw, elemental beats and rhymes. The British and New York public that had so enthusiastically embraced Back to the Old School were indifferent about this one, and 1989's The Desolate One (with KRS-One back in the producer's seat) was no great improvement. By 1990, both Just-Ice and Sleeping Bag appeared to be quickly fading as a new generation of MCs and labels overtook them. He continued to release albums at intervals across the 1990s, but they were on tiny independent labels, although one, 1993's Gun Talk, had major-label distribution and had five of the album's 10 cuts produced by Kurtis Mantronik; and were rarely noticed. Just-Ice was a member of hip-hop super session, the Stop the Violence Movement, which released one single ("Self Destruction") in 1990.
When he was held by Washington, D.C., police regarding the murder of a drug dealer in 1987 ("Murder, Drugs, and the Rap Star" read a Washington Post headline), it gave him an even greater notoriety (he was never charged with the murder). Declaring war on D.C.'s go-go scene and loudly criticizing Run-D.M.C. (then the ruling New York hip-hop outfit), Just-Ice set a pattern for many a future hip-hop feud. Little could halt Just-Ice's ascension to hip hop stardom, though the departure of Mantronik from Sleeping Bag was a bad omen. KRS-One stepped in to produce 1987's Kool & Deadly, an album that swapped Mantronik's hi-tech skills for raw, elemental beats and rhymes. The British and New York public that had so enthusiastically embraced Back to the Old School were indifferent about this one, and 1989's The Desolate One (with KRS-One back in the producer's seat) was no great improvement. By 1990, both Just-Ice and Sleeping Bag appeared to be quickly fading as a new generation of MCs and labels overtook them. He continued to release albums at intervals across the 1990s, but they were on tiny independent labels, although one, 1993's Gun Talk, had major-label distribution and had five of the album's 10 cuts produced by Kurtis Mantronik; and were rarely noticed. Just-Ice was a member of hip-hop super session, the Stop the Violence Movement, which released one single ("Self Destruction") in 1990.
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reginald fowler
Justice was cold hard rhyme