Window
K.Buttons Lyrics
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Look what they started, blue knees curbing down on all our hope
The honey croons on Crescent Street
This wine feels rather weak
The proof is on the pavement
And wire hung shoes
A life-vest breach, they decided
Sweet old intrigue, the shipwrecked dreams
Of modern kids
Are we too late?
(I didn't wanna freak you out, freak you out)
Look what they started, blue knees curbing down on all our hope
But I was gonna stay home tonight
How could I?
Something wrong?
'Cause we don't need a John Wayne
To save the day
(Throw your dated views away)
The same unknowns we keep on chasing
Left foot, left foot racing
Our eyes close before the lens
Face you hear behind the scream
Are we too late?
(I didn't wanna freak you out, freak you out)
(I didn't wanna freak you out, freak you out)
Look what they started, blue knees curbing down on all our hope
Achilles Heel
And we all know the deal
Sick what it reveals
The same treatment as Bobby Seale
Just on newer wheels
Down on three-eight
But now are we too late?
A window seat
The government cheese
From some federal suite
Dry martinis on charming streets
But I was gonna stay home tonight
How could I?
In "Window" by K.Buttons, the lyrics touch on themes of disillusionment and the loss of hope in society. The song begins with a line expressing a desire not to unsettle or disturb someone, perhaps reflecting a sense of caution or self-restraint. The next line, "Look what they started, blue knees curbing down on all our hope," suggests a sense of despair and frustration, symbolized by blue knees, which could represent exhaustion or defeat. The imagery of curbing down on hope implies that external forces or circumstances have dampened the collective optimism of a community or generation.
The following lines describe a scene on Crescent Street, where the singer observes the dispiriting effects of life's challenges. The reference to honey crooning may suggest a false or overly sweet facade that masks the underlying struggles and weaknesses. The feeling of weakness is further emphasized by the weak wine and proof on the pavement. Wire hung shoes and a life-vest breach symbolize vulnerability and the dangers faced in navigating life's hardships.
The chorus returns with a repetition of the line about not wanting to freak someone out, followed by the haunting question of whether it's too late for something. This could imply a missed opportunity, a sense of regret, or a realization of the irreversible damage caused by external factors. The lyrics then critique the notion that a hero like John Wayne is needed to save the day, suggesting that the outdated perspectives and views should be discarded. The pursuit of the unknown and the frenetic pace of life are portrayed through the imagery of left foot racing and closing eyes before the lens, symbolizing a lack of focus or introspection.
The outro of the song introduces more imagery and social commentary, referencing Achilles Heel and the collective understanding of the deal. It comments on the sickness revealed within society and compares it to the treatment of Bobby Seale, a civil rights activist, suggesting that history repeats itself in different forms. The mention of a window seat, government cheese, and dry martinis evokes images of privilege and artificial charm, contrasting with the earlier lyrics' sense of disillusionment. The song ends with a lament about staying home and a rhetorical question of how one could possibly do so, expressing a sense of resignation or entrapment within the cycle of societal disillusionment.
Line by Line Meaning
(I didn't wanna freak you out, freak you out)
I didn't want to disturb or alarm you
Look what they started, blue knees curbing down on all our hope
See the consequences of their actions, limiting our optimism
The honey croons on Crescent Street
The sweet melody resonates on Crescent Street
This wine feels rather weak
The wine seems lacking in strength
The proof is on the pavement
The evidence is clearly visible on the ground
And wire hung shoes
Shoes hanging from wires
A life-vest breach, they decided
A deliberate violation of life-saving measures
Sweet old intrigue, the shipwrecked dreams
Nostalgic fascination with dreams that have failed
Of modern kids
Experienced by the youth of today
Are we too late?
Have we missed our chance?
Something wrong?
Is there a problem?
'Cause we don't need a John Wayne
Because we don't require a hero like John Wayne
To save the day
To rescue or solve the problem
(Throw your dated views away)
Discard your outdated perspectives
The same unknowns we keep on chasing
The identical uncertainties we continually pursue
Left foot, left foot racing
Quickly moving forward one step at a time
Our eyes close before the lens
Our vision becomes obscured
Face you hear behind the scream
A face hidden amidst the chaos
Are we too late?
Have we missed our chance?
Achilles Heel
A vulnerable point or weakness
And we all know the deal
And we are all aware of the situation
Sick what it reveals
Unhealthy consequences revealed
The same treatment as Bobby Seale
Being subjected to similar mistreatment as Bobby Seale
Just on newer wheels
Simply in a more contemporary form
Down on three-eight
In a disadvantaged or difficult position
But now are we too late?
But have we missed our chance now?
A window seat
A seat next to a window
The government cheese
A metaphorical representation of government benefits or resources
From some federal suite
Obtained from a luxurious government office
Dry martinis on charming streets
Enjoying sophisticated cocktails on delightful streets
But I was gonna stay home tonight
But I had planned to remain at home tonight
How could I?
How can I resist?
Lyrics Β© O/B/O APRA AMCOS
Written by: Adam Holtzberg, Eric Nizgretsky, Zachary Kantor, Manny Silverstein
Lyrics Licensed & Provided by LyricFind
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