1) [1] a UK hi… Read Full Bio ↴There are three musical projects by the name of Kano --
1) [1] a UK hip hop / grime rapper
2) [2] a classic italo-disco project.
3) [3] a Japanese singer who covers Vocaloid songs.
[1] In his early teens Kano attended Langdon Comprehensive School in East Ham, Newham, where his mother still works. Kano was a promising footballer, representing Chelsea F.C., Junior Hammers and Norwich City by the age of thirteen, but in the end he abandoned his sporting ambitions in favour of a musical career. His cousin Jonathan Fortune plays for Charlton Athletic.
His first track was "Boys Love Girls". Kano first became known on the UK grime scene for his work with his original group, N.A.S.T.Y Crew (Natural Artistic Sounds Touching You). From this springboard he was signed as a solo artist and began work on his debut solo album.
He is signed to 679 Recordings and is a label mate of The Streets. He was also a key member in East London’s N.A.S.T.Y. Crew. However, since being signed to 679 recordings, he has now left N.A.S.T.Y Crew, and took Demon and Ghetto with him.
Home Sweet Home was a great critical success, from across the British press, most notably The Independent and The Observer, two creditable UK based newspapers. Many artists in the UK and US have expressed positive views of the album, including Busta Rhymes, Nas, RZA, Jay-Z, Andre 3000 and Chuck D of Public Enemy.
Towards the end of 2005, Kano also released a mixtape, Beats & Bars, which is currently only available at his concerts.
London Town was released on September 10, 2007, which included hit single, "This Is The Girl", featuring Craig David. London Town includes tracks featuring Gorillaz member Damon Albarn formerly of Blur, Kate Nash, Craig David, Vybz Kartel and Leo The Lion.
Kano is also releasing a special Deluxe Limited Edition that includes a DVD featuring a interview with Kano, This Is The Girl video and acoustic studio footage with Craig David.
Kano has now left 679 recordings.
----------------------
[2] Kano was a post-disco music project formed in 1979 by Italian-based producers/musicians Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. They were early producers of a style of Italian dance music called Italo-disco, a blend of 1970s disco and funk with the addition of synthesizers.
Kano's sound was first heard on radio stations and in dance clubs around the world with their debut hit single, 1980's "I'm Ready", from their self-titled debut album (which also included the minor hits, "It's a War" and the instrumental track "Cosmic Voyager"). The b-side of "I'm Ready", "Holly Dolly" used the same essential production elements. "I'm Ready" also peaked at #21 on the Black Singles chart. "It's a War" was also a big hit on the Hot Dance Music/Club Play chart in the U.S., reaching #2 for five weeks.
The project went on to record two other albums, including 1981's "New York Cake" (which included the minor hits "Don't Try to Stop Me", and "Can't Hold Back") and 1983's "Another Life" (including the title track and "I Need Love") which introduced West Indian-born singer Glen White. Their last song was 1985's "This Is the Night".
"I'm Ready" was later used as a sample on a few songs, such as Gigolo Tony's 1986 hit "Hokie Pokie" and Rofo's 1987 hit "Flashlight In A Disconight". The most well-known use of it as a sample is on Tag Team's 1993 hit, "Whoomp! (There It Is)". "Another Life" was remixed by Master Blaster featuring in their 2003 album "We Love Italo Disco". "Another Life" was also sampled in the 2005 track "Discopolis" by Lifelike & Kris Menace. "Ikeya Seki" was sampled by the French electro house artist Kavinsky for his track "Grand Canyon", which appeared on his 2007 EP, 1986.
----------------------
[3]Romanized name of the utaite 鹿乃, for a full biography, check that page.
Little Sis
Kano Lyrics
Jump to: Overall Meaning ↴
If being fatherless
Means no gift under trees, fuck it and plant the shit
Still got a tick on my feet, mothers are hustlers
But pushing little sis on the swing's a box I'd rather tick
Ramping with my niece
Makes me think about the sis that I never see
'Member the day you was introduced to me and Lee
You had your hair in twists, pretty little sunshine
Dropped you off just one time
Then we didn't ever see you again, was it the Choc Ice?
But maybe Dad's no longer with Mum, Jamaican bloodline
But I feel responsible 'cause I could've reached out just one time
Now I wonder if you know who I am
I wonder if you tell your friends that we're fam
I wonder if you're listening to this
Even though you must've grown all big
This one's for my little sis
This one's for my little sis
So many landmarks missed
13, 16, 18, landmarks missed
For all I know, you've got a kid that Uncle Kane can't gift
Tiny baby Stan Smiths, ah, now they match my creps
You could all be married now and I didn't give no speech
No, not that speech, the De Niro speech
You know where the groom goes in a headlock in the hotel suite?
You're in the circle of trust, best treat she like queen
Family trees and olive branches
Or maybe we'll next meet when Daddy passes
See you there
I'll be in my funeral suit and Jeffery West
But maybe you've been thinking for years to send a text
But I get if you don't wanna come across like you're begging friend
Some girl rolled up to me at Lovebox, said she knows my sis
I said "nah, love, I ain't got no-" shit, how could I forget little sis?
So this one's for my little sis
This one's for my little sis
This one's for my little sis
In the song "Little Sis" by Kano, the artist delves into complex emotions and reflections surrounding his relationship with his younger sister. The lyrics portray a sense of regret and yearning as he navigates feelings of absence and missed opportunities in their connection. Kano begins by acknowledging the difficulties of being fatherless and how this may have impacted traditional experiences like receiving gifts under the Christmas tree. He metaphorically suggests planting a new kind of love and care in the absence of material gifts, highlighting the resilience of mothers who hustle to provide for their children.
The artist reminisces about past moments with his little sister, from pushing her on the swing to memories of her younger years. Despite these fond recollections, there is a sense of loss and missed chances to build a closer bond. Kano expresses a mixture of guilt and responsibility, wondering if he could have done more to stay connected with his sister. The mention of their Jamaican bloodline adds depth to the familial ties and cultural background that shape their relationship.
As the song progresses, Kano reflects on the passing of significant milestones in his sister's life, such as birthdays and potential life events like marriage and motherhood. The lyrics suggest a sense of estrangement and longing to be present for these occasions, symbolized by uncle Kane's inability to give gifts to her children. The artist contemplates the idea of reuniting with his sister at their father's funeral, a somber moment that may serve as a catalyst for a reunion or reconciliation.
The final verses of the song delve into a chance encounter that sparks memories of his sister, highlighting the conflicting emotions of remembering a lost connection. Kano acknowledges the possibility of his sister reaching out or wanting to reconnect but also understands the complexities of pride and hesitation in initiating contact. The song serves as a heartfelt tribute to his little sis, expressing a mix of regret, longing, and hope for a renewed bond in the future.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC, Downtown Music Publishing
Written by: FRASER T. SMITH, KANE ROBINSON
Lyrics Licensed & Provided by LyricFind