1) [1] a UK hi… Read Full Bio ↴There are three musical projects by the name of Kano --
1) [1] a UK hip hop / grime rapper
2) [2] a classic italo-disco project.
3) [3] a Japanese singer who covers Vocaloid songs.
[1] In his early teens Kano attended Langdon Comprehensive School in East Ham, Newham, where his mother still works. Kano was a promising footballer, representing Chelsea F.C., Junior Hammers and Norwich City by the age of thirteen, but in the end he abandoned his sporting ambitions in favour of a musical career. His cousin Jonathan Fortune plays for Charlton Athletic.
His first track was "Boys Love Girls". Kano first became known on the UK grime scene for his work with his original group, N.A.S.T.Y Crew (Natural Artistic Sounds Touching You). From this springboard he was signed as a solo artist and began work on his debut solo album.
He is signed to 679 Recordings and is a label mate of The Streets. He was also a key member in East London’s N.A.S.T.Y. Crew. However, since being signed to 679 recordings, he has now left N.A.S.T.Y Crew, and took Demon and Ghetto with him.
Home Sweet Home was a great critical success, from across the British press, most notably The Independent and The Observer, two creditable UK based newspapers. Many artists in the UK and US have expressed positive views of the album, including Busta Rhymes, Nas, RZA, Jay-Z, Andre 3000 and Chuck D of Public Enemy.
Towards the end of 2005, Kano also released a mixtape, Beats & Bars, which is currently only available at his concerts.
London Town was released on September 10, 2007, which included hit single, "This Is The Girl", featuring Craig David. London Town includes tracks featuring Gorillaz member Damon Albarn formerly of Blur, Kate Nash, Craig David, Vybz Kartel and Leo The Lion.
Kano is also releasing a special Deluxe Limited Edition that includes a DVD featuring a interview with Kano, This Is The Girl video and acoustic studio footage with Craig David.
Kano has now left 679 recordings.
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[2] Kano was a post-disco music project formed in 1979 by Italian-based producers/musicians Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. They were early producers of a style of Italian dance music called Italo-disco, a blend of 1970s disco and funk with the addition of synthesizers.
Kano's sound was first heard on radio stations and in dance clubs around the world with their debut hit single, 1980's "I'm Ready", from their self-titled debut album (which also included the minor hits, "It's a War" and the instrumental track "Cosmic Voyager"). The b-side of "I'm Ready", "Holly Dolly" used the same essential production elements. "I'm Ready" also peaked at #21 on the Black Singles chart. "It's a War" was also a big hit on the Hot Dance Music/Club Play chart in the U.S., reaching #2 for five weeks.
The project went on to record two other albums, including 1981's "New York Cake" (which included the minor hits "Don't Try to Stop Me", and "Can't Hold Back") and 1983's "Another Life" (including the title track and "I Need Love") which introduced West Indian-born singer Glen White. Their last song was 1985's "This Is the Night".
"I'm Ready" was later used as a sample on a few songs, such as Gigolo Tony's 1986 hit "Hokie Pokie" and Rofo's 1987 hit "Flashlight In A Disconight". The most well-known use of it as a sample is on Tag Team's 1993 hit, "Whoomp! (There It Is)". "Another Life" was remixed by Master Blaster featuring in their 2003 album "We Love Italo Disco". "Another Life" was also sampled in the 2005 track "Discopolis" by Lifelike & Kris Menace. "Ikeya Seki" was sampled by the French electro house artist Kavinsky for his track "Grand Canyon", which appeared on his 2007 EP, 1986.
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[3]Romanized name of the utaite 鹿乃, for a full biography, check that page.
P’s and Q’s
Kano Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When Kano comes to town
All I say is "mind's right", and they lose the limelight
When Kano comes around
Some try screw me or even sue me
But it don't work 'cos the crowd don't boo me
You ain't a true G, I'm too deep
How could Kano stay underground?
And kick shit off, I hold it down
But we're still gully
The only 'pop' you'll hear from us is
POP POP POP, then we're out
Act up and get boxed in the mouth
'Cos, you're just playing a gangster
You ain't never weighed a ounce, fought a bouncer
You ain't never hid no blocks in your mouth
You ain't got love in North, West and South
And I'm an East boy, you're a chief boy
I finish it when you start the beef boy
Girls like me but I ain't a sweet boy, so boy
Don't think you can move to me and think I'll be asleep boy
'Cos I'm on my P's and Q's
That's why I make more P's than you's
Even when I'm in 3s and 2s, slip?
There ain't no reason to, slipping
If there ain't a blitz between the clique, that's slipping
No whip, out the manor linking chicks
That's slipping, that's slipping
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
I hate losing, so I ain't snoozing
From London to Luton, I'm moving
I'm even merking over seas
And I got it locked from London to Leeds
Please, from time you heard me shine
Now I'm big from London to Merseyside
You got lines but you spit like nursery rhymes
This year's gotta be mine, I'm the first in line
Wow, you got your first rewind
But the second line sounded like the first line
I ain't got punch lines, I got kick lines
And I ain't commercial but I got hit lines
I spit deep rhymes
But I got the girls on my side from the first rewind
You might see my face in a magazine
Or in a fur coat in FACE magazine
'Cos they're spreading the word down from raves that I been
And they're bringing the purse out to pay for my team
I couldn't give a shit, I'm breaking the scene
Making a scene then start making the cream
Seen? I got a gang with me
And we all walk with a gangster lean
You're all talk, you don't wanna rap with me
There's no jokes or no pranks with me
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my, P's and Q's, in sneaks or shoes
We're in a Honda, fuck it no Jeeps and coupes
We'll chief your crew, we're so hungry we'll thief your food
So mind out before you find out who you're speaking to
I speak to youths, on the level, and speak the truth
So please, there's thug in me
But there ain't no me in you
And please, you ain't bussin' one, let alone squeezing two
Say cheese, but it won't be a snapshot
Pull out and try and hit like the jackpot, leave
I ain't waiting around, baiting the town for K to be found
That's slipping, if there ain't a blitz between the clique
That's slipping
No whip, out the manor linking chicks
That's slipping, that's slipping
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
The lyrics to Kano's "Ps & Qs" showcase the rapper's self-confidence and assertiveness in the face of adversity. Kano addresses those who try to badmouth him, screw him or even sue him but remains unfazed, emphasizing that he is always on his P's and Q's, meaning he is alert, aware, and not to be underestimated. He corrects those who see him as just another gangster, pointing out that he has actually put in the work and fought his way to the top. Kano also stresses his attention to detail and professionalism in everything he does, even when he's on his own, which sets him apart from other rappers.
Moreover, Kano's lyrics reflect not only his confidence as an artist but the genre of grime as well. Grime is a subgenre of UK rap that originated in East London in the early 2000s. Grime music is characterized by its fast-paced, syncopated beats and gritty lyrics that touch on themes of UK life, especially urban life in London. The lyrics can be seen as reflective of the grime scene, where MCs are expected to be confident, skilled and able to hold their own against rivals.
In conclusion, Kano's "Ps & Qs" is a powerful song that showcases the genre of grime as well as Kano's own confidence and skill as an artist.
Line by Line Meaning
Some manors don't like me, they try and badmind me
Certain areas dislike me and attempt to spread negativity towards me
When Kano comes to town
All I say is "mind's right", and they lose the limelight
When Kano comes around
When I arrive in town, I simply state that I am focused and the attention is no longer on those who were seeking limelight before my arrival
Some try screw me or even sue me
But it don't work 'cos the crowd don't boo me
You ain't a true G, I'm too deep
How could Kano stay underground?
Some attempt to sabotage me, but it is ineffective because my fans continue to support me. I am too authentic to remain underground
I ain't like most that roll around
And kick shit off, I hold it down
But we're still gully
The only 'pop' you'll hear from us is
POP POP POP, then we're out
I am not like those who come around causing trouble, I stay composed. Yet, I still come from the streets. The only 'pop' sound you'll hear is from our guns, then we leave
Act up and get boxed in the mouth
'Cos, you're just playing a gangster
You ain't never weighed a ounce, fought a bouncer
You ain't never hid no blocks in your mouth
If you act out of line, you will get hit. You are pretending to be a gangster, but you have no experience. You have never sold drugs, fought with bouncers, or hidden illegal items in your mouth
You ain't got love in North, West and South
And I'm an East boy, you're a chief boy
I finish it when you start the beef boy
You do not have respect or support from all areas of London. I am from the East and have the authority to end any issues
Girls like me but I ain't a sweet boy, so boy
Don't think you can move to me and think I'll be asleep boy
'Cos I'm on my P's and Q's
Women are attracted to me, but I am not a soft or naive person. Do not try to approach me thinking I am unaware because I am always alert
That's why I make more P's than you's
Even when I'm in 3s and 2s, slip?
There ain't no reason to, slipping
This is why I make more money than you, even when in smaller groups. Is there any reason to mess up and slip?
If there ain't a blitz between the clique, that's slipping
No whip, out the manor linking chicks
That's slipping, that's slipping
If there is not a sense of urgency and aggression within the group, that is a mistake. If you are hanging out with girls outside of the neighborhood, that is also a mistake
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me alone, know that I am still alert and focused. This is what sets me apart from you
I hate losing, so I ain't snoozing
From London to Luton, I'm moving
I'm even merking over seas
And I got it locked from London to Leeds
I despise losing, so I am always active. I am moving between different areas of the UK and even achieving success overseas
You got lines but you spit like nursery rhymes
This year's gotta be mine, I'm the first in line
Wow, you got your first rewind
But the second line sounded like the first line
Your lyrics are basic, like children's songs. This year, I am going to be the one on top. Congratulations on receiving your first rewind, but your verses are repetitive
I ain't got punch lines, I got kick lines
And I ain't commercial but I got hit lines
I spit deep rhymes
But I got the girls on my side from the first rewind
I do not have meaningless one-liners, I have powerful lyrics. Although I am not mainstream, I still have successful songs. My verses have depth but also attract women
You might see my face in a magazine
Or in a fur coat in FACE magazine
'Cos they're spreading the word down from raves that I been
And they're bringing the purse out to pay for my team
You might recognize me from a magazine or from a high-end fashion publication. This is because my name is becoming more popular from the raves I attend and people are willing to pay for my presence
I couldn't give a shit, I'm breaking the scene
Making a scene then start making the cream
Seen? I got a gang with me
And we all walk with a gangster lean
I do not care about the opinions of others, I am breaking into the music industry. I am causing a stir and starting to make money. My group has a tough appearance
You're all talk, you don't wanna rap with me
There's no jokes or no pranks with me
Believe I'm on my, P's and Q's, in sneaks or shoes
We're in a Honda, fuck it no Jeeps and coupes
You are only pretending to be a rapper, and you do not want to actually compete against me. I do not mess around and I am always alert, regardless of what I am wearing or driving
We'll chief your crew, we're so hungry we'll thief your food
So mind out before you find out who you're speaking to
I speak to youths, on the level, and speak the truth
We will take control of your group, because we are desperate and will even steal your food. So be careful who you talk to. I talk to young people honestly and straightforwardly
So please, there's thug in me
But there ain't no me in you
And please, you ain't bussin' one, let alone squeezing two
Say cheese, but it won't be a snapshot
Pull out and try and hit like the jackpot, leave
I am a tough person, but you are not like me. You have not even fired a single gun, let alone two. Smile for a photo, but you will not be around for long. If we fight, I will come out on top
I ain't waiting around, baiting the town for K to be found
That's slipping, if there ain't a blitz between the clique
That's slipping
I do not waste time waiting for people to come to me. If the group is not properly alert or aggressive, it is a problem
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
@uzzie88
"Bluetooth me that track yo".
"Not got bluetooth? Alright, infrared it".
- Them days.
@davidhanley1962
Good old days
@XionGaming2912
Infrared...jeez 😂
@canderella85able
😂
@chickfight1602
YESS
@JB.h2o2
This!
@WhiteNoiseCompany
Whos still listening to this banger in 2024
@dracokk868
16 yrs later
@BiignoseMiidget
@@dracokk868 No, this song was released in 2004
@GNotts
Every day since release pretty much. O.G for sure