Lollipop
Kanye West & Lil Wayne ft. M83 Lyrics

Oww, uh-huh, no homo (Young Mula, baby)
Expressing excitement and camaraderie with fellow collaborators, assuring that there are no romantic implications with the use of 'no homo'.

"He's so sweet, make her wanna lick the wrapper" (Go, go, go, go, go, go)
Describing the attractiveness of the singer and how it has led to a desire to explore or consume them, as exemplified in the image of licking the wrapper of a sweet candy.

So I let her lick the rapper
Giving permission to the woman mentioned earlier to pursue the singer and indulge in their desires, as represented through the metaphor of licking the rapper.

She-she-she licked me like a lollipop (yeah)
Reiterating the previous line and showcasing the eagerness and enthusiasm of the woman in satisfying her attraction towards the artist.

Shawty want a thug (yeah, yeah, yeah)
Stating the artist's desirability and attractiveness to women who are drawn to more rebellious, dangerous personas or lifestyles.

Bottles in the club (yeah, yeah, yeah)
Depicting a setting of luxury and fun, and boasting a lavish lifestyle that involves drinking and partying in exclusive venues with a high social status.

Shawty wanna hump (yeah)
Expressing the physical attraction and desire of the woman to engage in sexual activity with the singer, despite any reservations or social norms.

You know I like to touch (yeah)
Asserting the artist's own desires and ways of expressing physical attraction towards women, suggesting that the feeling is mutual and consensual.

Your lovely lady lumps (she lick me like a lollipop)
Referring to the attractive features of the woman, particularly their curves or physical attributes that are desirable to the artist as he is being licked like a lollipop.

Okay, lil' mama had a swag like mine (yeah)
Complimenting the style and attitude of the woman mentioned earlier, and identifying similarities between her and the artist that make her more attractive or likable.

She even wear her hair down her back like mine (yeah)
Noting a physical trait that the singer finds desirable in women, which is the length and style of their hair as it resembles his own, adding to the attraction he feels towards her.

I make her feel right when it's wrong, like lyin' (yeah)
Confessing that the artist has a talent for making women feel comfortable despite doing something that might be considered morally or socially unacceptable, likening it to the art of lying convincingly.

Man, she ain't never had a love like mine (yeah)
Asserting the singer's uniqueness and appeal as a partner, suggesting that he can offer something different or more satisfying than what the woman has experienced before in romantic relationships.

But man, I ain't never seen a ass like hers (go)
Praising the physical attributes of the woman, specifically the shape and size of her buttocks that captivate and attract the singer's attention and desire.

That pussy in my mouth, had me lost for words (yeah)
Admitting to engaging in oral sex with the woman, and being so overwhelmed by the pleasure and sensation that it rendered him speechless and unable to articulate his emotions or thoughts.

So I told her to back it up like, "berp, berp" (yeah)
Instructing the woman to move her body in a sexually suggestive way, telling her to back up her buttocks to get him more aroused and excited.

And I made that ass jump like, "jerp jerp"
Describing the successful implementation of the previous instruction and the ensuing movement of the woman's buttocks in response to it, as it mimics the sound of a vehicle accelerating suddenly.

She-she-she licked me like a lollipop (oh yeah, I like that)
Repeating the refrain mentioned earlier, and expressing the singer's enjoyment and pleasure in being licked by the woman as part of their sexual interaction.

Shawty say the nigga that she with ain't shit (yeah)
Referring to the current partner or lover of the woman, and identifying his shortcomings or flaws as perceived by her, creating an opportunity for the singer to offer a better alternative.

Shawty say the nigga that she with ain't this (yeah)
Echoing the previous line and further emphasizing the disappointment or dissatisfaction that the woman feels in her current relationship, and how the artist can potentially fulfill her needs and desires more effectively.

Shawty say the nigga that she with can't hit (yeah)
Suggesting that the current partner of the woman is unable to satisfy her sexually or provide her with physical pleasure, opening up an opportunity for the artist to demonstrate his own prowess and expertise in that domain.

But shawty, I'm a hit it, hit it, like I can't miss
Promising the woman that he can perform sexually with skill and intensity, suggesting that he will not miss or disappoint her in any way, and that he is confident in his own abilities.

And he can't do this and he don't do that
Comparing himself favorably to the current partner of the woman, pointing out that he can offer something different or better in terms of romantic or sexual fulfillment, and that the other guy is lacking in those areas.

Shawty need a refund
Taking a playful or joking tone, the artist suggests that the woman should demand a refund from her current partner, indicating that he is not providing a satisfactory service or experience.

Need to bring that nigga back
Amplifying the previous sentiment, the singer suggests that the woman should discard her current partner and return to the singer instead, as he represents a better option for her romantic and sexual needs.

Just like a refund, I make her bring that ass back
Using wordplay to suggest that, like a refund, the singer can also make the woman return to him and respond to his sexual and romantic advances, particularly her buttocks as he has focused on that physical feature earlier.

And she bring that ass back, because I like that
Expressing the pleasure and satisfaction that the singer derives from the physical attraction and interaction with the woman, and how it leads to her returning to him and continuing the cycle of desire and fulfillment.

C-call me, s-so I can make it juicy for you
Inviting the woman to call him and engage in sexual activity with him, promising to make the experience more pleasurable and exciting for her through his own actions and skills.

Your lovely lady lumps
Repeating the refrain mentioned earlier and referring to the physical attributes of the woman, and how they are attractive and desirable to the artist.

I said, shawty want a thug, yeah
Reiterating the earlier sentiment about being a desirable and attractive partner to women who are drawn to more rebellious or dangerous personas, and how the singer fits that description.

Bottles in the club
Repeating the earlier description of a luxurious and exclusive party setting with alcohol and entertainment, further emphasizing the singer's social status and desirable lifestyle.

I get her on top (yeah), she drop it like it's hot (yeah)
Describing a sexual position where the woman is on top of the artist, and how she moves or gyrates her hips in a sensual or enticing way, resulting in the metaphoric heat or intensity as suggested by dropping something that is hot.

And when I'm at the bottom she Hilary Rodham (ha)
Using wordplay to suggest that, when the positions are reversed and the artist is on the bottom, the woman takes a dominant or empowered role, akin to politician or lawyer Hillary Clinton, who is known for her assertiveness and strong personality.

The middle of the bed (yeah), givin', gettin' head (huh)
Describing another sexual position, where the artist and the woman are mutually engaged in oral sex, pointing out the relative position and location of the bed as well as the nature of the activity.

Givin', gettin' head, givin', gettin' head
Repeating the phrases earlier mentioned to form a rhythm and cadence, drawing emphasis to the sexual activity being described and highlighting the mutual pleasure and enjoyment experienced by both partners.

I said, hmm, hmm, I like that
Expressing the artist's satisfaction and enjoyment of the sexual activity being described, as well as the partner involved, through a repetition of a nonverbal sound.

Say, hmm, hmm, yeah, I like that
Suggesting that the woman also enjoys the sexual interaction and finds it pleasurable, as indicated through the repetition of the nonverbal sound in response to the singer's earlier statement.

Mmm-hmm
Repeating the nonverbal sound from earlier again, further emphasizing the pleasure and satisfaction experienced by both partners during the sexual activity.

Call me, so I can come and do it for you
Repeating the earlier invitation for the woman to call the singer and initiate sexual activity, emphasizing the singer's willingness and eagerness to participate in such an encounter.

Call me, so I can come and prove it for you
Suggesting that the artist wants to demonstrate his sexual abilities and prowess to the woman, expressing confidence in his own skills and the ability to give her pleasure.

She, she, lick me like a lollipop
Reiterating the refrain mentioned numerous times earlier, and showcasing the woman's enthusiasm and eagerness in licking the artist as a part of their sexual interaction.

I said, "He's so sweet, make her wanna lick the rapper" (what you do?
Repeating the earlier statement from the beginning of the song and questioning what the listener would do in that situation, suggesting that the singer is desirable and attractive to women and may face similar situations in the future.