Described by Billboard Magazine as a “visionary composer and producer”, Kar… Read Full Bio ↴Described by Billboard Magazine as a “visionary composer and producer”, Karsh Kale is one of global music’s brightest stars. In the past 12 years as a solo recording artist, producer, composer, live performer and DJ, Karsh has set the world of electronic fusion on fire and has helped to create a genre of new music and culture that continues to influence an entire generation. His body of work has been cause for fans and critics alike to claim Kale as a pioneer and a trail blazer, not only opening doors for his own career but for an entire scene to emerge in the world of electronica and fusion music. Karsh Kale has also developed a reputation as a genre bending collaborator and a world renowned tabla player and musician, exploring the worlds of electronica, Indian classical music, rock, jazz fusion and hip hop which has led him to work with some of the most renowned artists from around the globe. Kale continues to reinvent his ever-evolving sound and has established himself as one of the worlds most sought after fusion artists.
Born in West Bromwich England and raised in New York by immigrant parents from India, Kale showed his interest in music first as a drummer and eventually as a tabla player (paired classical percussion instrument from north India). Kale grew up steeped in classical music and film music from India; largely due to his father’s own passion for sound. It was Karsh’s father who also introduced him to other styles of music as well such as that of the Beatles and the Rolling Stones. This became a doorway for Kale to begin his own exploration further into the worlds of rock, jazz and eventually, electronica. Bands like Led Zeppelin, Rush, the Police and Pink Floyd along with early hip hop and pop music became some of his earliest and most profound influences. Being a predominantly self-taught musician, Kale was able to break rules at an early age as he began experimenting with different instruments and styles. His own ingenuity and experimental nature helped Kale in developing his “Electric Tabla”. In 2002 Kale was invited to join other pioneering creators of new electronic instruments at the prestigious Lincoln Center where he joined the likes of Robert Moog and Moceanworker to perform the very first all electronic version of Terry Rileys “in C”. Though he has no true guru (teacher) or gharana (school of learning) that he belongs to , Kale , through shear talent has found himself working with the very best from the genre’s in which influenced his sound, from Pt Ravi Shankar to Sting to Zakir Hussain, Herbie Hancock and Bill Laswell to only name a few..
Karsh Kale began his career in music while a student at NYU (New York University) where he studied music production and performance.
He began playing with local bands and was able to showcase his original style as a tabla player and drummer, which led to many recording projects as a session musician. In the mid nineties Kale found himself collaborating and recording with artist such as DJ Spooky, Herbie Hancock, Chaka Khan, Amel Larouix, Bill Laswell and more. His studio savvy and original style keep him in demand to this day as he has recently done sessions for artists such as Lenny Kravitz, Yoko Ono as well as his partners in crime the Midival Punditz. Kale has, as of date, recorded on over 50 releases worldwide as a session musician.
As the 20th century came to a close, Kale found himself inspired and began creating his own solo work which would eventually take form in a highly successful monthly event called Futureproof in NYC. Kale simultaneously created his first self produced E.P called “Classical Science Fiction From India”. A nationwide tour with electronica legend DJ Spooky allowed Kale to spread his sound and also allowed his music to fall into the hands of then upstart record label Six Degrees Records. After the label took notice, curiosity brought them to NY to witness Kale’s Futureproof event. Karsh Kale was immediately signed to a multi album record deal, making him the very first Indo-American to attain a solo record contract in the states. In 2001, Kale released “Realize”, his first solo international release. The album became a milestone for what was dubbed the Asian Massive scene and positioned Kale as the genres leading proponent. The album featured collaborations with the likes of Ustad Sultan Khan, Gigi and some of NYC’s finest musicians. 2 of the songs from “Realize”, “Distance” and “One Step beyond“ are now included in the Microsoft Vista Operating System allowing millions to share in Kale’s music.
In the same year Kale was approached by super producer Bill Laswell to contribute to a project he was calling “Tabla Beat Science”. The album would feature the leading tabla artists who were taking the instrument into modern and exciting new contexts. Kale joined Laswell, Zakir Hussain, Trilok Gurtu and Talvin Singh to create “Tala Matrix” which is considered to be one of the greatest modern explorations of tabla fusion in recent years. The project eventually evolved into a live band featuring Kale on drums and electric tabla, Zakir Hussain on acoustic tabla, Bill Laswell on bass, Ustad Sultan Khan on Sarangi and DJ Disk – turntables. Tabla Beat Science went on to tour the world from their debut at the 16,000 strong Stern Grove concert, which eventually became a 2 disc live release on Palm Pictures. Other stops included Dubai, Beirut, LA, Tokyo , London’s Barbican Center, and finally at the 2nd annual Barsi concert in Mumbai honoring the death anniversary of Hussains famous father Ustad Allah Rakha. Tabla Beat Science also had many guest artists joining their electric live concerts including Pt Hari Prasad Chaurasia, Ganesh Iyer, Salim Merchant (Salim Suleman) and the Midival Punditz.
In 2002 Kale also initiated a tour that would bring together the most promising artists from this evolving genre, which eventually was called the Asian Massive tour. Joined by label mates Midival Punditz and Cheb I Sabbah, the Asian Massive tour proved to be a great success and set sparks that inspired artist from many other U.S cities to follow suit. A compilation of the same name helped to further the scene and establish this sound as an entirely new genre.
2003 saw the release of Kale’s now legendary “Liberation” album. On Liberation
Kale collaborated with Zakir Hussain and Bill Laswell on a track called Milan (named after his daughter) which has now become one of Kale’s most requested works. The album also boasted collaborations with the Madras Cinematik Orchestra, ace bollywood composer Salim Merchant, Kirk Douglass (guitarist of the Roots) as well as his usual cast of collaborators including singer Vishal Vaid and the Midival Punditz.
In 2005 Kale began work on Broken English, which for Kale was a new direction in sound and musical approach. For Kale, known for his genre bending productions and musicianship , It was time to flex his songwriting skills. Broken English, which is Kale’s first album predominantly set to English lyrics, boasted collaborations with the likes of vocalists Trixie Reiss (Crystal Method), Sol Seppy, Dierdra Dubois (Ekova) and MC Napolean. Kale also worked with artists such as sitar genius Niladri Kumar and the Mumbai Cinematik strings. Broken English became the calling card for the new sound emerging from Kale’s repetuar and showcased Kale as a songwriter and a singer in his own right.
Around the time of the release of Broken English, Kale began collaborating with sitar visionary Anoushka Shankar. Their collaboration eventually turned into the 2-year project, which became “Breathing Under Water” released in 2007. For both Kale and Shankar, the collaboration proved to be their most ambitious musical venture to date. Kale not only played many of the instruments but acted as composer and co songwriter which allowed him to pen songs for the likes of Sting and Norah Jones. The album also boasted collaborations with Pt Ravi Shankar, Pt Vishwa Mohan Bhatt, Shankar Mahadevan and Sunidhu Chauhan , and was co produced by Gaurav Raina (Midival Punditz) and Salim Merchant. Breathing Under Water proved to be a milestone for both Kale and Shankar and has cemented them both as undeniable forces in the world of modern world fusion.
Karsh Kale has over the years developed the reputation as a world class live performer and has toured the world with his own bands “Realize Live” , “Timeline” and “Tabla Beat Science”. As well as , as a guest performer with bands like “Material” “Sound Tribe Sector Nine” “Madman OF God” and the “Universal Robot Band” which in turn has allowed Kale to share the stage with the likes of jazz legends Pharaoh Sanders, Henry Threadgill , Amina Claudine Meyers and Vijay Iyer as well as Rock legends Buckethead (Guns and Roses/Praxis), Serge Tankian (System of a Down) , Will Calhoun (Living Colour) and electronica stalwarts Paul Oakenfold, BT , and Grand Mixer DXT. Kale also has performed as part of a project in collaboration with Ustad Shujaat Khan (son of sitar legend Vilayat Khan) in which they recently performed to a sold out audience at Lincoln Centers Alice Tully Hall. Karsh has also performed at venues worldwide ,ranging from the now infamous CBGB’s and Wetlands to the Hollywood Bowl , the United Nations, The Disney Theatre in LA and the Museum of Natural History in NY. Kale has also performed at many festivals around the globe including, the Montrieux Jazz Festival, Bonaroo, Glastonbury, Burningman, Bumpershoot, the Sydney Fest and Central Parks Summerstage to name a few. In 2007 Kale was invited by Anoushka Shankar to join her in a performance at the 2007 Grammy Awards making them the very first ever-Indian performance at the Grammy’s. Kale has also as of late been performing in collaboration with the Midival Punditz creating the genre’s first super group performing the music from both bands.
Karsh Kale has emerged as a force of nature in the electronica scene not only as a live performer and recording artist but as a DJ as well. He created Kollektiv, a national crew of DJs' producers, musicians and artists showcasing cutting edge underground music through Kollektiv events across the country and the world. Karsh Kale is also known for his remixing skills as he not only reworks music for the dancfloor but rather for the world stage as well. Karsh has created remixes for artists such as Paula Cole, DJ Spooky, The Cure, Sting, Midival Punditz, Yoko Ono, Anne Rani, Janaka Selktah just to name a few and is featured on many compilations worldwide.
Kale has lent his skills as a composer and producer for films and television alike.
As film composer Kale has created music for crossover films such as “Chutney Popcorn”, “Ocean Of Pearls” and “Indian Cowboy”. His music has also appeared in Bollywood hit films like “ Fashion”, and recently “Luck” and “Kambakht Ishq” . Karsh Kale recently collaborated with the Midival Punditz on the rescoring of the 1973 classic Bruce Lee Film “Enter The Dragon” which they have been presenting live in amny prestigious venues around the world . Kale continues to collaborate with the Pundits on future film projects including Ajay Naidu's “Ashes” . Kale’s music has also been featured on TV such as the HBO series “Real Time with Bill Maher” and “True Blood”.
As of late Kale has been collaborating on new projects for both film and solo release . Kale is also collaborating with the likes of hip-hop legend Afrika Bambata and the 90’s Rock gods Live. Karsh continues to share his musical vision with an ever-growing legion of listeners who continue to hold his music as paramount within the global music scene.
Born in West Bromwich England and raised in New York by immigrant parents from India, Kale showed his interest in music first as a drummer and eventually as a tabla player (paired classical percussion instrument from north India). Kale grew up steeped in classical music and film music from India; largely due to his father’s own passion for sound. It was Karsh’s father who also introduced him to other styles of music as well such as that of the Beatles and the Rolling Stones. This became a doorway for Kale to begin his own exploration further into the worlds of rock, jazz and eventually, electronica. Bands like Led Zeppelin, Rush, the Police and Pink Floyd along with early hip hop and pop music became some of his earliest and most profound influences. Being a predominantly self-taught musician, Kale was able to break rules at an early age as he began experimenting with different instruments and styles. His own ingenuity and experimental nature helped Kale in developing his “Electric Tabla”. In 2002 Kale was invited to join other pioneering creators of new electronic instruments at the prestigious Lincoln Center where he joined the likes of Robert Moog and Moceanworker to perform the very first all electronic version of Terry Rileys “in C”. Though he has no true guru (teacher) or gharana (school of learning) that he belongs to , Kale , through shear talent has found himself working with the very best from the genre’s in which influenced his sound, from Pt Ravi Shankar to Sting to Zakir Hussain, Herbie Hancock and Bill Laswell to only name a few..
Karsh Kale began his career in music while a student at NYU (New York University) where he studied music production and performance.
He began playing with local bands and was able to showcase his original style as a tabla player and drummer, which led to many recording projects as a session musician. In the mid nineties Kale found himself collaborating and recording with artist such as DJ Spooky, Herbie Hancock, Chaka Khan, Amel Larouix, Bill Laswell and more. His studio savvy and original style keep him in demand to this day as he has recently done sessions for artists such as Lenny Kravitz, Yoko Ono as well as his partners in crime the Midival Punditz. Kale has, as of date, recorded on over 50 releases worldwide as a session musician.
As the 20th century came to a close, Kale found himself inspired and began creating his own solo work which would eventually take form in a highly successful monthly event called Futureproof in NYC. Kale simultaneously created his first self produced E.P called “Classical Science Fiction From India”. A nationwide tour with electronica legend DJ Spooky allowed Kale to spread his sound and also allowed his music to fall into the hands of then upstart record label Six Degrees Records. After the label took notice, curiosity brought them to NY to witness Kale’s Futureproof event. Karsh Kale was immediately signed to a multi album record deal, making him the very first Indo-American to attain a solo record contract in the states. In 2001, Kale released “Realize”, his first solo international release. The album became a milestone for what was dubbed the Asian Massive scene and positioned Kale as the genres leading proponent. The album featured collaborations with the likes of Ustad Sultan Khan, Gigi and some of NYC’s finest musicians. 2 of the songs from “Realize”, “Distance” and “One Step beyond“ are now included in the Microsoft Vista Operating System allowing millions to share in Kale’s music.
In the same year Kale was approached by super producer Bill Laswell to contribute to a project he was calling “Tabla Beat Science”. The album would feature the leading tabla artists who were taking the instrument into modern and exciting new contexts. Kale joined Laswell, Zakir Hussain, Trilok Gurtu and Talvin Singh to create “Tala Matrix” which is considered to be one of the greatest modern explorations of tabla fusion in recent years. The project eventually evolved into a live band featuring Kale on drums and electric tabla, Zakir Hussain on acoustic tabla, Bill Laswell on bass, Ustad Sultan Khan on Sarangi and DJ Disk – turntables. Tabla Beat Science went on to tour the world from their debut at the 16,000 strong Stern Grove concert, which eventually became a 2 disc live release on Palm Pictures. Other stops included Dubai, Beirut, LA, Tokyo , London’s Barbican Center, and finally at the 2nd annual Barsi concert in Mumbai honoring the death anniversary of Hussains famous father Ustad Allah Rakha. Tabla Beat Science also had many guest artists joining their electric live concerts including Pt Hari Prasad Chaurasia, Ganesh Iyer, Salim Merchant (Salim Suleman) and the Midival Punditz.
In 2002 Kale also initiated a tour that would bring together the most promising artists from this evolving genre, which eventually was called the Asian Massive tour. Joined by label mates Midival Punditz and Cheb I Sabbah, the Asian Massive tour proved to be a great success and set sparks that inspired artist from many other U.S cities to follow suit. A compilation of the same name helped to further the scene and establish this sound as an entirely new genre.
2003 saw the release of Kale’s now legendary “Liberation” album. On Liberation
Kale collaborated with Zakir Hussain and Bill Laswell on a track called Milan (named after his daughter) which has now become one of Kale’s most requested works. The album also boasted collaborations with the Madras Cinematik Orchestra, ace bollywood composer Salim Merchant, Kirk Douglass (guitarist of the Roots) as well as his usual cast of collaborators including singer Vishal Vaid and the Midival Punditz.
In 2005 Kale began work on Broken English, which for Kale was a new direction in sound and musical approach. For Kale, known for his genre bending productions and musicianship , It was time to flex his songwriting skills. Broken English, which is Kale’s first album predominantly set to English lyrics, boasted collaborations with the likes of vocalists Trixie Reiss (Crystal Method), Sol Seppy, Dierdra Dubois (Ekova) and MC Napolean. Kale also worked with artists such as sitar genius Niladri Kumar and the Mumbai Cinematik strings. Broken English became the calling card for the new sound emerging from Kale’s repetuar and showcased Kale as a songwriter and a singer in his own right.
Around the time of the release of Broken English, Kale began collaborating with sitar visionary Anoushka Shankar. Their collaboration eventually turned into the 2-year project, which became “Breathing Under Water” released in 2007. For both Kale and Shankar, the collaboration proved to be their most ambitious musical venture to date. Kale not only played many of the instruments but acted as composer and co songwriter which allowed him to pen songs for the likes of Sting and Norah Jones. The album also boasted collaborations with Pt Ravi Shankar, Pt Vishwa Mohan Bhatt, Shankar Mahadevan and Sunidhu Chauhan , and was co produced by Gaurav Raina (Midival Punditz) and Salim Merchant. Breathing Under Water proved to be a milestone for both Kale and Shankar and has cemented them both as undeniable forces in the world of modern world fusion.
Karsh Kale has over the years developed the reputation as a world class live performer and has toured the world with his own bands “Realize Live” , “Timeline” and “Tabla Beat Science”. As well as , as a guest performer with bands like “Material” “Sound Tribe Sector Nine” “Madman OF God” and the “Universal Robot Band” which in turn has allowed Kale to share the stage with the likes of jazz legends Pharaoh Sanders, Henry Threadgill , Amina Claudine Meyers and Vijay Iyer as well as Rock legends Buckethead (Guns and Roses/Praxis), Serge Tankian (System of a Down) , Will Calhoun (Living Colour) and electronica stalwarts Paul Oakenfold, BT , and Grand Mixer DXT. Kale also has performed as part of a project in collaboration with Ustad Shujaat Khan (son of sitar legend Vilayat Khan) in which they recently performed to a sold out audience at Lincoln Centers Alice Tully Hall. Karsh has also performed at venues worldwide ,ranging from the now infamous CBGB’s and Wetlands to the Hollywood Bowl , the United Nations, The Disney Theatre in LA and the Museum of Natural History in NY. Kale has also performed at many festivals around the globe including, the Montrieux Jazz Festival, Bonaroo, Glastonbury, Burningman, Bumpershoot, the Sydney Fest and Central Parks Summerstage to name a few. In 2007 Kale was invited by Anoushka Shankar to join her in a performance at the 2007 Grammy Awards making them the very first ever-Indian performance at the Grammy’s. Kale has also as of late been performing in collaboration with the Midival Punditz creating the genre’s first super group performing the music from both bands.
Karsh Kale has emerged as a force of nature in the electronica scene not only as a live performer and recording artist but as a DJ as well. He created Kollektiv, a national crew of DJs' producers, musicians and artists showcasing cutting edge underground music through Kollektiv events across the country and the world. Karsh Kale is also known for his remixing skills as he not only reworks music for the dancfloor but rather for the world stage as well. Karsh has created remixes for artists such as Paula Cole, DJ Spooky, The Cure, Sting, Midival Punditz, Yoko Ono, Anne Rani, Janaka Selktah just to name a few and is featured on many compilations worldwide.
Kale has lent his skills as a composer and producer for films and television alike.
As film composer Kale has created music for crossover films such as “Chutney Popcorn”, “Ocean Of Pearls” and “Indian Cowboy”. His music has also appeared in Bollywood hit films like “ Fashion”, and recently “Luck” and “Kambakht Ishq” . Karsh Kale recently collaborated with the Midival Punditz on the rescoring of the 1973 classic Bruce Lee Film “Enter The Dragon” which they have been presenting live in amny prestigious venues around the world . Kale continues to collaborate with the Pundits on future film projects including Ajay Naidu's “Ashes” . Kale’s music has also been featured on TV such as the HBO series “Real Time with Bill Maher” and “True Blood”.
As of late Kale has been collaborating on new projects for both film and solo release . Kale is also collaborating with the likes of hip-hop legend Afrika Bambata and the 90’s Rock gods Live. Karsh continues to share his musical vision with an ever-growing legion of listeners who continue to hold his music as paramount within the global music scene.
Absence
Karsh Kale Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tum nahi aaj, phir ye shaam
Aayi hai kyun?
Phir hai yeh raat, tumhari raat
Tum nahi ho
Galiyon ke ghere
Main hain andhere,
Kis mod sapne bhool aayi hain
Tumhari nazrein,
Tum waheen ho
Phir gai yeh raat, tumhari baat
Tum nahi ho
Yeh tanhayi
Raat ne gawayi
Pal bhar aaya
Raat bhar aayi
Aankh bhari phir
Ghir ghir ke saawan aaya
Reh gaya jo, dhuaan hai woh,
Tum nahi ho.
Aayi hai kyun?
Phir hai yeh raat, tumhari raat
Tum nahi ho
Galiyon ke ghere
Main hain andhere,
Kis mod sapne bhool aayi hain
Tum waheen ho
Phir gai yeh raat, tumhari baat
Tum nahi ho
Yeh tanhayi
Raat ne gawayi
Pal bhar aaya
Raat bhar aayi
Aankh bhari phir
Ghir ghir ke saawan aaya
Reh gaya jo, dhuaan hai woh,
Tum nahi ho.
The lyrics to Karsh Kale's song Absence capture the feeling of separation and longing. The singer is asking why the evening has come again without the presence of their loved one. The darkness and mystery of the surrounding streets reflect the confusion and uncertainty in their mind. The singer remembers the way their loved one used to look at them, but now they are nowhere to be found. The night is passing, full of silence and sorrow. The singer feels the weight of their solitude, and the rain that comes represents their tears. The smoke that remains, like an afterthought, symbolizes their heartache. Throughout the song, the absence of the loved one is a haunting presence, a reminder of the profound loss the singer is experiencing.
What makes Absence even more powerful is the way the music and lyrics work together. The music is moody and atmospheric, with a slow, steady beat that creates a sense of timelessness. The vocals are delivered in a plaintive, soulful style, with a hint of sadness and regret. The combination of these elements creates a haunting, melancholy mood that perfectly matches the lyrics. By the end of the song, the listener is left with a deep sense of empathy for the singer, and a profound appreciation for the power of music to convey complex emotions.
Line by Line Meaning
Tum nahi aaj, phir ye shaam
You are not here today, so why has this evening arrived? Once again, it's your night, but you're not here.
Phir hai yeh raat, tumhari raat
Again, it's your night, but you're not here to claim it as your own.
Tum nahi ho
You're not here.
Galiyon ke ghere
I'm surrounded by the streets.
Main hain andhere,
I'm in the darkness.
Kis mod sapne bhool aayi hain
I forgot my dreams at which turn of the road.
Tumhari nazrein,
Your eyes.
Tum waheen ho
You are right there.
Phir gai yeh raat, tumhari baat
Again, this night has gone by, and it was all about you, but you weren't there.
Tum nahi ho
You're not here.
Yeh tanhayi
This solitude.
Raat ne gawayi
The night has lost.
Pal bhar aaya
Just for a moment.
Raat bhar aayi
The whole night long.
Aankh bhari phir
My eyes fill up, and then.
Ghir ghir ke saawan aaya
Rain falls steadily and in large quantities.
Reh gaya jo, dhuaan hai woh,
What remains is smoke.
Tum nahi ho.
You're not here.
Writer(s): Gaurav Raina, Karsh Kale
Contributed by Julia L. Suggest a correction in the comments below.
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Protiqe Mojoomdar
This was written for Karsh at the Midival Punditz studio in Hauz Khas, Delhi, in late 2010 for Karsh's multi-faceted album CINEMA which released in the US in 2011, and launched in India 2012 (available only online in India). My first meeting with Karsh, and a lasting impression left on each other - reflected in this song, I guess. As usual, Papon rocks!
Protiqe Mojoomdar
My absolute fave among all the songs I've written till dt. ABSENCE (tum nahi ho) - lyrics by: Protiqe Mojoomdar Tum nahi aaj, phir yeh shaam Aayi hai kyun? Phir hai yeh raat, tumhari raat, Tum nahi ho. Galiyon ke ghere mein hain andhere, Kis mod sapne bhool aayi hain tumhari nazrein, Tum waheen ho. Phir hai yeh raat, tumhari baat, Tum nahi ho. Yeh tanhaayi raat ne ganwaayi, Pal bhar aaya, raat bhar aayi. Aankh bhari phir Ghir-ghir ke saawan aaya... reh gaya jo, dhuaan hai wo, Tum nahi ho.
ARTemisinin
Can you please translate the first 48 seconds of this song 💞
The Joker
thanks thanks thanks... broder¡¡¡
Swaraj Mazumdar
Well done Papon! And Thanks Kursh Kahley for featuring him. This comes from a die hard trance fanatic... Keep up your good music both of you!
Thank you uploader too.
Cheers and enjoy responsibly.
Abhishek //M
JaduPadu101
i love this song! Papon's voice is amazing. Does anyone have the lyrics for this?
Robert Strong
I'll never forget as a volunteer for "Suhana" an underground events non profit org. In Toronto, Canada hosting Karsh Kali at the Bamboo Night club on Queen's Quay. The original location was Queen st. West. So good live, great sound crew and acoustics.
Swaraj Mazumdar
what a fantastic voice Papon has got...
Protiqe Mojoomdar
'You're not around, why's the evening come about? Night will fall too, it's your night. You're not around. The streets engulf the darkness. Where, at which crossroads did your eyes leave your dreams behind? That's where you are perhaps. Night falls, there's a murmur about you.You're not around. The Night loses its loneliness to Time, as the moments fills up with your thoughts and.. the rain. The loud and clear and devastating rain. Now what's left is only mist. It's not you. You're not around.'
Hiroyukeeeeee 波多野 寛之
気持ちいい！！