There are several artists named Kaze:
1. A Free Jazz Group
2. A J… Read Full Bio ↴There are several artists named Kaze:
1. A Free Jazz Group
2. A Japanese R&B pop vocalist
3. Kevin “Kaze” Thomas
4. A Spanish rapper
1.
Natsuki Tamura – trumpet
Christian Pruvost - trumpet
Satoko Fujii – piano
Peter Orins– drums
Formed only seven months before their remarkable debut recording Rafale, Kaze brings together trumpeter Natsuki Tamura and pianist Satoko Fujii, two of Japan's foremost improviser-composers, with trumpeter Christian Pruvost and drummer Peter Orins from the French improvisers collective, Muzzix.
The members of this international quartet share an insatiable appetite for sonic experimentation, boundless energy and enthusiasm, and the disciplined intelligence of accomplished spontaneous composers. Melodic, abstract, mysterious, beautiful, and confrontational, Kaze plays free jazz at its most creative and powerful.
2. Kaze debuted as a solo artist from the record label D-topia with the digital single "Zurukare" in 2011, in addition to featuring on several compilation albums.
3. Kevin “Kaze” Thomas is a versatile artist-producer who captures the spirit of groundbreakers like Run-DMC, Snoop Dog, and Wu-Tang Clan to promote an on-going, innovative hip-hop culture. Hailing from northern Virginia and eastern North Carolina, Kaze grew up in the 80’s memorizing his big sister’s mix tapes of hip-hop legends to lift himself out of an oppressive country lifestyle. As a student in communications at the University of North Carolina in Chapel Hill, Kaze helped to create Hip-Hop Nation, an on-campus organization fostering the growth of local emcees, poets, DJs, dancers, and graffiti artists. His mission gained national attention in 2001 when Kaze was tapped to co-create, produce, and host the nationally syndicated television program titled Hip-Hop Nation: Notes from the Underground. The show captured the immensity of the culture’s influence with viewers in over a hundred markets and linked Kaze’s name with a movement of international interest.
Kaze’s production experiences led to the establishment of his own record label, Soul Dojo, Inc. The initial offering under that label is his Spirit of ’94, a tribute to the legends of hip-hop featuring 15 tracks he both wrote and produced. Ingenuity and originality characterize his rhymes, while his words promote political consciousness, address personal trials, and celebrate the passion of hip-hop. The March 2003 release of Spirit of ‘94 set the standard for the label, claiming much critical acclaim and winning fans across the state. After selling thousands of copies independently, both on the streets and through mom and pop record stores, Spirit of ’94 was picked up by BCD Global Distribution in October of 2003 for placement into Transworld operated record stores such as FYE. The single, “50/50 Amp”, has received airplay on college and commercial radio stations across the country, charting with Billboard and with CMJ. Kaze peaked at number 11 on the Rap Network in March of 2004, a chart tabulated by spins from the tastemakers of college radio.
Kaze’s April 2004 sophomore effort, titled Enemy of the State, is a mixtape which features a collection of tracks by North Carolina’s finest hip-hop artists and producers. With notable appearances by Nature and 9th Wonder among others, Kaze uses the album as a platform for voicing his desire to make it to the top of the industry and chronicles his success and struggle thus far. Kaze’s first single from Enemy of the State titled “On” is due to grow on the strength of his debut and aims for an even greater audience.
Kaze has become one of the most talked about and recognizable figures in the North Carolina music scene. With strong personality and a unique style, he reigns as a tested mic battle champion and regularly lights up stages at nationally known venues across the Southeast including the Smith Center, Gusman Theater, Cat’s Cradle, Echo Lounge, Local 506, Apache Cafe, and The Brewery. He has opened for such artists as Nas, Jurassic 5, KRS-One Dead Prez, The Arsonists, Swollen Members, and Camp Lo. He also can be heard working the crowds for Soul Dojo’s premier open mic night, Microphone Mondays, at Rolling Stone Magazine’s favorite Chapel Hill music venue, the Local 506.
4. Cristian, a.k.a Kaze is a rapper from Cartagena, Spain. He released his first album, No Encajes, in 2016.
1. A Free Jazz Group
2. A J… Read Full Bio ↴There are several artists named Kaze:
1. A Free Jazz Group
2. A Japanese R&B pop vocalist
3. Kevin “Kaze” Thomas
4. A Spanish rapper
1.
Natsuki Tamura – trumpet
Christian Pruvost - trumpet
Satoko Fujii – piano
Peter Orins– drums
Formed only seven months before their remarkable debut recording Rafale, Kaze brings together trumpeter Natsuki Tamura and pianist Satoko Fujii, two of Japan's foremost improviser-composers, with trumpeter Christian Pruvost and drummer Peter Orins from the French improvisers collective, Muzzix.
The members of this international quartet share an insatiable appetite for sonic experimentation, boundless energy and enthusiasm, and the disciplined intelligence of accomplished spontaneous composers. Melodic, abstract, mysterious, beautiful, and confrontational, Kaze plays free jazz at its most creative and powerful.
2. Kaze debuted as a solo artist from the record label D-topia with the digital single "Zurukare" in 2011, in addition to featuring on several compilation albums.
3. Kevin “Kaze” Thomas is a versatile artist-producer who captures the spirit of groundbreakers like Run-DMC, Snoop Dog, and Wu-Tang Clan to promote an on-going, innovative hip-hop culture. Hailing from northern Virginia and eastern North Carolina, Kaze grew up in the 80’s memorizing his big sister’s mix tapes of hip-hop legends to lift himself out of an oppressive country lifestyle. As a student in communications at the University of North Carolina in Chapel Hill, Kaze helped to create Hip-Hop Nation, an on-campus organization fostering the growth of local emcees, poets, DJs, dancers, and graffiti artists. His mission gained national attention in 2001 when Kaze was tapped to co-create, produce, and host the nationally syndicated television program titled Hip-Hop Nation: Notes from the Underground. The show captured the immensity of the culture’s influence with viewers in over a hundred markets and linked Kaze’s name with a movement of international interest.
Kaze’s production experiences led to the establishment of his own record label, Soul Dojo, Inc. The initial offering under that label is his Spirit of ’94, a tribute to the legends of hip-hop featuring 15 tracks he both wrote and produced. Ingenuity and originality characterize his rhymes, while his words promote political consciousness, address personal trials, and celebrate the passion of hip-hop. The March 2003 release of Spirit of ‘94 set the standard for the label, claiming much critical acclaim and winning fans across the state. After selling thousands of copies independently, both on the streets and through mom and pop record stores, Spirit of ’94 was picked up by BCD Global Distribution in October of 2003 for placement into Transworld operated record stores such as FYE. The single, “50/50 Amp”, has received airplay on college and commercial radio stations across the country, charting with Billboard and with CMJ. Kaze peaked at number 11 on the Rap Network in March of 2004, a chart tabulated by spins from the tastemakers of college radio.
Kaze’s April 2004 sophomore effort, titled Enemy of the State, is a mixtape which features a collection of tracks by North Carolina’s finest hip-hop artists and producers. With notable appearances by Nature and 9th Wonder among others, Kaze uses the album as a platform for voicing his desire to make it to the top of the industry and chronicles his success and struggle thus far. Kaze’s first single from Enemy of the State titled “On” is due to grow on the strength of his debut and aims for an even greater audience.
Kaze has become one of the most talked about and recognizable figures in the North Carolina music scene. With strong personality and a unique style, he reigns as a tested mic battle champion and regularly lights up stages at nationally known venues across the Southeast including the Smith Center, Gusman Theater, Cat’s Cradle, Echo Lounge, Local 506, Apache Cafe, and The Brewery. He has opened for such artists as Nas, Jurassic 5, KRS-One Dead Prez, The Arsonists, Swollen Members, and Camp Lo. He also can be heard working the crowds for Soul Dojo’s premier open mic night, Microphone Mondays, at Rolling Stone Magazine’s favorite Chapel Hill music venue, the Local 506.
4. Cristian, a.k.a Kaze is a rapper from Cartagena, Spain. He released his first album, No Encajes, in 2016.
Cómete Mi Éxito
Kaze Lyrics
Jump to: Overall Meaning ↴
Dime cuántos son los que estaban ayer
¿Y ahora quiénes están? Aquí no se les ve
Hasta cuando, todo lo que quieres hacer
Aquí lo hicimos ya, así que no puede ser, dime cuántos
Dicen, "Oye, ¿por qué no te metes?"
Pero lo que quiere es que le arregle el tema
Si tu equipo lleva de pichichi al siete
Que le meta gol no será un problema (mm)
Viene Cartagena y Albacete
404, ya no va el sistema (eh)
Yo no miraba por el billete
Pero no me gusta que me roben la cartera
Uno me la cuela pero ya no se me acercan
Dos, de un boss qué esperas
Dice "Kaze, bro, no te retoques la voz"
Pero llego al bolo y lo hago mejor a capella
Shacki se la saca, y Shoda le hace sado al beat
Te lo peta como lo hizo Macarena
Antes no molaba y nadie me apoyaba en esto
Pero mira, maestro, me paga la cena
Vivo de la music porque si no, de qué
Shack Rose me puso BSO y ahora nos da de comer
Manejo un coche con amigas que escucharon "Salud"
Lo tiramos pa' la calle y lo pillaron los clubs, yo qué sé
Olía a One Million mucho antes del millón
Ahora vacilo de un armario de la cama al salón
Hacer dinero pa' mi equipo chulo, en OB we trust
Tengo el futuro de este país empaquetao' en un WeTrans
La mamá me dijo, "Hijo, debes beber menos"
Desde que se gastó el agua, la botella no la lleno
Ya me intentó controlar y sé que moriré de joven
Otro consejo del K es que nunca tomen
Follen, coman, rían, córranse, nunca me apliqué ningún consejo
Me bastó con quitarme la ropa enfrente del espejo
Fueron como seis colegios y muchos cambios de vida
Los versos que no saqué de las cosas que no se olvidan, pero
Me puse las pila' y mira (cómete mi éxito)
Igual que repetí de plato (cómete mi éxito)
Igual que repetí tercero (cómete mi éxito)
Igual que iba a repetir cuarto, cómete mi éxito
Porque me quedaba' grande (cómete mi éxito)
No vas a llegar a na' (cómete mi éxito)
Cuando nos hicimos sangre (cómete mi éxito)
Ya no tengo gravedad
Están rascando pared, 'tán tachando los pares
Se jodan si me va bien, cari, to' el mundo lo sabe
Llevo la bola en el pie, por eso quie'n que lo grabe
Estoy con el Cris en un estudio que parece una nave
Bien de McLaren, rompe un coche y que ese sello lo pague
Súper Sport en la vitrina, gelatina y jarabe
Lo que yo digo no va a misa, va pa' to's mis chavales
Coge la bolsa, mete pasta, dime a ver a qué sabe y amén
Con Helly Hansen en el VIP y en el after
'To lo peor de mí ya lo saqué y lo compraste
Pa' tirarme beef to'avía no existe un starter
Tienes que estar aquí pero para eso ya es tarde
Pam, pam, loco, no me traigas champagne
Si vienes al bolo, tráeme una lata de Fanta
Voy a sacar a mamá de agujeros y trampas
Pero lo tomo tran, ya cobraré lo que Frank Lampard
Llegan tiempos raros, pero aquí estamos ready
No les entendemos como Kenny
Quieren este caramelo y lo persiguen como Ed, Edd y Eddy
Kaze, Shoda y los chavales van pa'rriba como Lemmings
Tá' to' puesto pa' mí
El panorama está en la cama y yo grabando en Madrid
Me tienen mosca, Monkas y la K, manda OB
Lo que no ha separado el COVID lo ha juntado este beat
Pero me puse las pilas y mira, cómete mi éxito
Igual que repetí de plato, cómete mi éxito
Igual que repetí tercero, cómete mi éxito
Igual que iba a repetir cuarto, cómete mi éxito
Porque me quedaba' grande, cómete mi éxito
Yo no iba a llegar a na', cómete mi éxito
Porque nos hicimos sangre, cómete mi éxito
Yo no tengo gravedad
Cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi, cómete mi éxito
¿Y ahora quiénes están? Aquí no se les ve
Hasta cuando, todo lo que quieres hacer
Aquí lo hicimos ya, así que no puede ser, dime cuántos
Dicen, "Oye, ¿por qué no te metes?"
Pero lo que quiere es que le arregle el tema
Si tu equipo lleva de pichichi al siete
Viene Cartagena y Albacete
404, ya no va el sistema (eh)
Yo no miraba por el billete
Pero no me gusta que me roben la cartera
Uno me la cuela pero ya no se me acercan
Dos, de un boss qué esperas
Dice "Kaze, bro, no te retoques la voz"
Pero llego al bolo y lo hago mejor a capella
Shacki se la saca, y Shoda le hace sado al beat
Te lo peta como lo hizo Macarena
Antes no molaba y nadie me apoyaba en esto
Pero mira, maestro, me paga la cena
Vivo de la music porque si no, de qué
Shack Rose me puso BSO y ahora nos da de comer
Manejo un coche con amigas que escucharon "Salud"
Lo tiramos pa' la calle y lo pillaron los clubs, yo qué sé
Olía a One Million mucho antes del millón
Ahora vacilo de un armario de la cama al salón
Hacer dinero pa' mi equipo chulo, en OB we trust
Tengo el futuro de este país empaquetao' en un WeTrans
La mamá me dijo, "Hijo, debes beber menos"
Desde que se gastó el agua, la botella no la lleno
Ya me intentó controlar y sé que moriré de joven
Otro consejo del K es que nunca tomen
Follen, coman, rían, córranse, nunca me apliqué ningún consejo
Me bastó con quitarme la ropa enfrente del espejo
Fueron como seis colegios y muchos cambios de vida
Los versos que no saqué de las cosas que no se olvidan, pero
Me puse las pila' y mira (cómete mi éxito)
Igual que repetí de plato (cómete mi éxito)
Igual que repetí tercero (cómete mi éxito)
Igual que iba a repetir cuarto, cómete mi éxito
Porque me quedaba' grande (cómete mi éxito)
No vas a llegar a na' (cómete mi éxito)
Cuando nos hicimos sangre (cómete mi éxito)
Ya no tengo gravedad
Están rascando pared, 'tán tachando los pares
Se jodan si me va bien, cari, to' el mundo lo sabe
Llevo la bola en el pie, por eso quie'n que lo grabe
Estoy con el Cris en un estudio que parece una nave
Bien de McLaren, rompe un coche y que ese sello lo pague
Súper Sport en la vitrina, gelatina y jarabe
Lo que yo digo no va a misa, va pa' to's mis chavales
Coge la bolsa, mete pasta, dime a ver a qué sabe y amén
Con Helly Hansen en el VIP y en el after
'To lo peor de mí ya lo saqué y lo compraste
Pa' tirarme beef to'avía no existe un starter
Tienes que estar aquí pero para eso ya es tarde
Pam, pam, loco, no me traigas champagne
Si vienes al bolo, tráeme una lata de Fanta
Voy a sacar a mamá de agujeros y trampas
Pero lo tomo tran, ya cobraré lo que Frank Lampard
Llegan tiempos raros, pero aquí estamos ready
No les entendemos como Kenny
Quieren este caramelo y lo persiguen como Ed, Edd y Eddy
Kaze, Shoda y los chavales van pa'rriba como Lemmings
Tá' to' puesto pa' mí
El panorama está en la cama y yo grabando en Madrid
Me tienen mosca, Monkas y la K, manda OB
Lo que no ha separado el COVID lo ha juntado este beat
Pero me puse las pilas y mira, cómete mi éxito
Igual que repetí de plato, cómete mi éxito
Igual que repetí tercero, cómete mi éxito
Igual que iba a repetir cuarto, cómete mi éxito
Porque me quedaba' grande, cómete mi éxito
Yo no iba a llegar a na', cómete mi éxito
Porque nos hicimos sangre, cómete mi éxito
Yo no tengo gravedad
Cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi (cómete mi), có-cómete mi (éxito)
Có-cómete mi, cómete mi éxito
The lyrics to Kaze's song "Cómete Mi Éxito" discuss the artist reflecting on his success and addressing those who doubted him or tried to take advantage of his achievements. The song begins by questioning who was present during his struggles and who is around now that he has found success. Kaze emphasizes that he and his team have already accomplished what others only want to do, asserting his superiority. He mentions individuals who try to manipulate him for their own gain but highlights that he can easily outperform them.
Kaze goes on to mention specific places and people, such as Cartagena and Albacete, highlighting his widespread reach. He also references his past when he was not supported in his musical endeavors but now receives recognition and financial stability. He proudly claims that he lives off music and boasts about the material possessions it has afforded him. Kaze touches upon the advice he has received from others, including his mother's plea for him to drink less and the warning of dying young. However, he dismisses this advice and chooses to live life on his own terms, indulging in pleasure and not conforming to societal expectations.
In the chorus, Kaze asserts that his success is not for everyone to enjoy. He implies that those who envy him or wish for his downfall will never reach his level of achievement. He compares himself to a baller, emphasizing his skill and control. He also mentions recording with Cris in a studio that resembles a spaceship, adding to the idea of his elevated status.
Lyrics © Sony/ATV Music Publishing LLC, Peermusic Publishing
Written by: Alejandro Jaramillo, Cristian Carrion Chacon, Gabriel Diaz Garcia
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@jordiochoacastro3954
Nada, esto es brutal, como coño puede empezar una canción tan bien?!🤯
@nyLove859
Xk son unas Máquinas ❤❤❤❤❤❤❤❤❤
@matisepulveda1097
Le agradezco a la vida por haber conocido al KAZE y su música.
@VictorRoblesWEB
Agregada a la lista de reproducción de canciones que escucho en bucle infinito ✅🔄
@davidgrimaldos6183
Si te pones esto para programar dudo que te puedas concentrar 😂
@moisesgonzales240
Te amo
@sondame7119
Dudo q escuches todas las canciones de esa lista
@fernandom.2698
Rttttt
@user-ni2du6ii4e
Bueeeeeeno... modo turbio
@LuisMaKeta
Precisamente me pillaste escuchando el disco de Shack Rose