Keith Sweat was born in Harlem, New York City, to Juanita Thompson, a hairdresser, and Charles Sweat, a factory worker. After Charles Sweat's passing in 1973, Juanita raised their five kids by herself. He worked as a night stock boy at Macy's Department Store, and then a mail room clerk at Paine Webber, a brokerage firm. In just four years he worked his way up to a lucrative brokerage assistant job on the floor of the New York Stock Exchange.[2] Sweat also worked as a supervisor for the New York Mercantile Exchange.[1]
Sweat started his musical career as a member of a Harlem band called Jamilah in 1975.[3] With the help of Jamilah, Sweat was able to hone his craft as a lead singer by performing regionally throughout the tri-State area of New York, New Jersey and Connecticut. The group was started by bassist Larry Peoples, guitarist Michael Samuels, and drummer Walter Bradley.[citation needed]
After leaving the group in 1984 to begin a solo career, he sang at nightclubs throughout New York City and landed a chance to record for the independent label, Stadium Records. Sweat recorded only two tunes for Stadium, "Lucky Seven", and "My Mind Is Made Up", which was their third and fourth ever release, but on Stadium's first release, he is credited as co-writer and co-producer of "You Are the One for Me", the last recording ever made by the group GQ. One of GQ's original members is his uncle, Keith "Sabu" Crier.
Later in 1987, Keith Sweat was discovered by Vincent Davis and offered a recording contract with his label, Vintertainment Records, which was founded in 1983 on the foundations of early Hip-Hop and otherwise best known for releasing Joeski Love's "Pee Wee's Dance" in 1985. Vintertainment was distributed by Elektra Records from 1985 until it ceased operations in 1990. On November 24, 1987, Sweat released his debut solo studio album Make It Last Forever, which sold three million copies. The biggest hit from this album was the song that inaugurated the new jack swing era "I Want Her"[5] (No. 1 R&B & No. 5 Pop), which was nominated for the 1989 Soul Train Best R&B/Urban Contemporary Song of the Year award, while the title track from the album hit No. 2 on the R&B charts. Sweat reached the charts again with his second album I'll Give All My Love to You (1990) which hit No. 6 on the Billboard 200 chart. He released his third album, Keep It Comin' in 1991, which debuted in the Top 20 of the album chart. He produced soul singer Omar Chandler.
In 1992, Sweat discovered the group Silk, and helped craft their debut album, Lose Control, which hit No. 7 on the Billboard 200 album chart.[6]
The album's single "Freak Me" hit No. 1 on the Billboard Hot 100 on May 1, 1993. In 1993, Sweat discovered the Atlanta-based female R&B group Kut Klose. Sweat also produced the group's debut album Surrender, which produced their biggest hit single "I Like", peaking to No. 8 on the Hot R&B/Hip-Hop Singles & Tracks chart.
Sweat released his fourth album Get Up on It in the summer of 1994, and his self-titled fifth album in 1996. Both albums reached the top ten on the Billboard 200. The single co/produced and written by Eric McCaine "Twisted" featuring R&B group Kut Klose hit No. 2 on the Billboard Hot 100 and "Nobody" hit No. 3, which made them Sweat's biggest hits to date. "Just A Touch" was a cover of the 1979 song "Just a Touch of Love" by Slave. He produced R&B group Dru Hill in 1996.
In the fall of 1997, Sweat discovered the group Ol' Skool and helped with their self-titled debut. He was on their biggest single, "Am I Dreaming", which featured the R&B group Xscape. Sweat also formed the R&B supergroup LSG with Gerald Levert and Johnny Gill, and released their self-titled debut album Levert.Sweat.Gill in 1997.[7] That album featured "My Body", which became a hit single. The album was certified double platinum and reached No. 4 on the U.S. Billboard 200.
Sweat's sixth album, Still in the Game was released in 1998, hitting No. 6 on the Billboard 200, and No. 2 on the R&B/Hip Hop albums chart. It featured the singles "Come and Get With Me" (which featured Snoop Dogg) (No. 12 Hot 100) and "I'm Not Ready" (No. 16 Hot 100). Sweat's success on the charts started to diminish in 2000, when he released the album Didn't See Me Coming. None of the singles from the album reached the top forty.
On August 13, 2002, Keith Sweat released his eighth album, Rebirth. The single "One on One" reached No. 75 on the Billboard Hot 100 and No. 44 on the Hot R&B/Hip-Hop Singles & Tracks chart.His 2008 album Just Me included the single, "Love U Better (featuring Keyshia Cole)". Sweat is currently signed to Kedar Records and released his tenth studio album entitled Ridin' Solo on June 22, 2010. The lead single taken from the album is "Test Drive" and featured label-mate Joe. Since 2007, Sweat has been the host of a nationally syndicated radio program based upon the Quiet storm format. The Keith Sweat Hotel (known as The Quiet Storm with Keith Sweat on WBLS in New York City) is syndicated through Premiere Radio Networks.[8]
Sweat is also the host of a nationally syndicated radio show called The Sweat Hotel, which I s produced and distributed to urban adult contemporary and classic soul radio stations across the U.S. by Premiere Networks, a subsidiary of iHeartMedia, Inc.[9]
Telephone Love
Keith Sweat Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
[Him: answers telephone] Hello?
[Her:] Hey, baby
[Him:] Hey, what's up, baby?
[Her:] Just laying here listening to some Keith Sweat, what are you doing?
[Him:] Oh, I'm just chillin
[Her:] Can your come over?
[Her:] He's gone outta town for the weekend
[Him:] Damn! You sure you wanna do this?
[Her:] Yeah, I thought about it and it's exactly what I wanna do
[Him:] Alright then, it's on baby, I'll be right over
[Him: hangs up telephone]
The lyrics to "Telephone Love" by Keith Sweat depict a conversation between a man and a woman who seem to be in a secret relationship. The song opens with the woman calling the man and initiating the conversation, stating that she's listening to some Keith Sweat music. The man seems to be aware of their relationship, as he asks what she's up to.
The woman then asks the man if he can come over, and the man expresses concerns about her relationship status, asking about her man. She assures him that her man is out of town for the weekend, and that she's made a conscious decision to spend time with the man on the phone. The song ends with the man agreeing to come over, hanging up the phone.
Overall, the lyrics illustrate the strong attraction between the two parties involved, but also hint at the secrecy and potential guilt or regret that might accompany their relationship. The song's slow tempo and sultry tone emphasize the intimate nature of the conversation, creating a sense of tension and anticipation.
Line by Line Meaning
Hello?
Answering the phone call.
Hey, baby
Greeting the person on the other end of the call affectionately.
Hey, what's up, baby?
Responding to the greeting and asking how they are.
Just laying here listening to some Keith Sweat, what are you doing?
Making small talk and asking what they're up to.
Oh, I'm just chillin
Responding with a relaxed and calm answer.
Can your come over?
Inviting the person over to their place.
What about your man?
Asking about the relationship status of the person they're talking to.
He's gone outta town for the weekend
Letting the person know that their partner is not around for the time being.
Damn! You sure you wanna do this?
Expressing surprise and asking if they're certain about what they want to do.
Yeah, I thought about it and it's exactly what I wanna do
Confirming their decision and stating that it's something they truly want.
Alright then, it's on baby, I'll be right over
Agreeing to the invitation and indicating that they will come over soon.
Hangs up telephone
Ending the phone call.
Contributed by Natalie C. Suggest a correction in the comments below.