King Cannibal (b. Dylan Richards, aka Zilla), is a London, UK breakbeat / b… Read Full Bio ↴King Cannibal (b. Dylan Richards, aka Zilla), is a London, UK breakbeat / breakstep / dancehall / drum and bass / dubstep artist. He signed to Ninja Tune in 2008, following projects on Combat Recordings, Kriss & Rag & Bone Records - which crafted his ferocious take on dancehall & filthy bass-driven beats.
It all began with a series of super-evolved mixes towards the latter end of the nineties as a reaction to the glut of uninspiring mix compilations that had began to flood the industry. The first salvo against conformity was A Friendly Game of Chess , a self-funded, hand-sprayed, highly under-the-counter mix project with Lex Records DJ and friend Buddy Peace . The highly stylised conceptual expression of work that combined a rich fusion of textures together with strong themes and motifs began to ignite more than their own imaginations, selling out in just 48 hours and earning high praise on a global scale.
A Friendly Game Of Chess was swiftly followed by solo mixtape strike One Foot In The Fire, One Fist In The Air which earned numerous comparisions to Coldcuts 70 Minutes Of Madness’. Comprised of almost 100 tracks from Autechre to Britney Spears, interviews and spoken word interludes, the CD sold-out in a day, attracted attention from all corners and ended up in many a Best of 2004 list. Among those with their ears to the ground were Trash supremo Erol Alkan, notorious London promoters Wheels Instead of Hooves and the heads of both Ninja Tune and Warp Records.
After 2 appearances on the legendary Solid Steel radio show, the honour of being the first unsigned act to play at Strictly Kev & D.Ks Solid Steel clubnight, 4 sets with Buddy Peace at Dedbeat 04 in the course of one weekend and a number of European dates, Warp Records stepped in and invited Buddy Peace & Zilla to compile a retrospective of the label. Released late September 2004 as part of the ‘WARP VISION The Videos’ DVD, the mix entitled ‘Watch And Repeat Play‘ was a startlingly original tour de force, over 70 minutes the two DJs re-worked and re-wired the label’s back catalogue, twisting the already twisted into sonic maelstrom.
The Warp Vision Audio Visual / Resfest Tour followed, with appearances alongside artists such as Plaid, Chris Cunningham, Seiji, Mike Paradinas and Funkstorung and invitations to play at the Glade Festival, Trash, The Warp Summer Ball and The Poke Xmas Rave. It was these shows and the experience of playing live that inspired ZILLAs latest mix Grinted Teeth & Brawlsville , a year in the making, it was a more uptempo and aggressive yet challenging body of work that manages to find the link between party starting crunk of Lil’ Jon and the dancefloor destroying sonics of The Aphex Twin.
Once again the great and the good were suitably impressed with praise coming from the likes of Kid 606, Knifehandchop and, again, Erol Alkan. The success of Grinted Teeth and ‘ZILLA’s growing reputation led to Domino Records inviting him to remix the final single from Test-Icicles, ‘Biggest Mistake’, a remix which has been rapturously received by everyone from Laurent Garnier to Lo Recordings Jon Tye.
Punishing remixes of Black Grass (Catskills), and New Flesh (Big Dada) have followed as ‘ZILLA’ perfected his twisted industrial take on dancehall, dubstep & drum n bass and in late 2006 he was asked to produce an EP for kid606’s Shockout label.
Recieving massive support from Amon Tobin (Ninja Tune,) Combat Recordings and Rag And Bone Records, the results were so good that the one EP quickly became two, both of which are due for release in 2008 under ‘ZILLA’s brand new new alias KING CANNIBAL alongside other releases including work for Combat Recordings and Bong Ra’s Kriss Records. Recent highlights from the past few months have included the ‘ZILLA’/Autechre remixes of Unique 3 ‘s The Theme (Fat! Records), Premier At Last featuring on The Chap’s The Chop EP. and King Cannibal’s – Beneath The Surface on Uncharted Audio’s new Signals imprint
Its not often that someone comes along and defines your opinion of the potential of djing. Over the course of two under-the-counter mix-cds, the man known as ZILLA has done just that. – Fact Magazine
“Too dark, love this tune”- Marry Anne Hobbs (BBC Radio 1) on Aragami Style
“..a great tune…put together like a dj’s wet dream.”- Amon Tobin writing about Aragami Style (forthcoming on Shockout) for Urb
someone please give this guy a residency! – D.K (Solid Steel/Ninja Tune).
It completely blew me away’ – Erol Alkan on ‘One Foot in the Fire, One Fist in the Air’
A phenomenal mix by UK up-and-comers Buddy Peace & ZILLA… Besting even some of the most accomplished feats of creative cutting-and-pasting, the Watch And Repeat Play mix is a rarity that you have to get your paws on – Scissorkick.com on ‘Watch And Repeat Play’
“Heavy as fuck!”- Parasite (Deathsucker Records)
“Heavy as fuck tech step dancehall!!”- Bong Ra
“Slamming ragga rinse out”- Kid 606
“Zilla remix is absolutely brilliant – I will playlist on the radio and play the hell out of it on the dancefloor!”- Laurent Garnier on Test-Icicles – ‘Biggest Mistake (Zilla remix)’
“Fucking great….I love it!”- Knifehandchop on Grinted Teeth & Brawlsville
Other reactions for Grinted Teeth… Album of the Week- Boomkat, Warpmart and Banquet Records “..the mix album of the year”- Fact Magazine “stunning …”- Sounds Of The Universe
It all began with a series of super-evolved mixes towards the latter end of the nineties as a reaction to the glut of uninspiring mix compilations that had began to flood the industry. The first salvo against conformity was A Friendly Game of Chess , a self-funded, hand-sprayed, highly under-the-counter mix project with Lex Records DJ and friend Buddy Peace . The highly stylised conceptual expression of work that combined a rich fusion of textures together with strong themes and motifs began to ignite more than their own imaginations, selling out in just 48 hours and earning high praise on a global scale.
A Friendly Game Of Chess was swiftly followed by solo mixtape strike One Foot In The Fire, One Fist In The Air which earned numerous comparisions to Coldcuts 70 Minutes Of Madness’. Comprised of almost 100 tracks from Autechre to Britney Spears, interviews and spoken word interludes, the CD sold-out in a day, attracted attention from all corners and ended up in many a Best of 2004 list. Among those with their ears to the ground were Trash supremo Erol Alkan, notorious London promoters Wheels Instead of Hooves and the heads of both Ninja Tune and Warp Records.
After 2 appearances on the legendary Solid Steel radio show, the honour of being the first unsigned act to play at Strictly Kev & D.Ks Solid Steel clubnight, 4 sets with Buddy Peace at Dedbeat 04 in the course of one weekend and a number of European dates, Warp Records stepped in and invited Buddy Peace & Zilla to compile a retrospective of the label. Released late September 2004 as part of the ‘WARP VISION The Videos’ DVD, the mix entitled ‘Watch And Repeat Play‘ was a startlingly original tour de force, over 70 minutes the two DJs re-worked and re-wired the label’s back catalogue, twisting the already twisted into sonic maelstrom.
The Warp Vision Audio Visual / Resfest Tour followed, with appearances alongside artists such as Plaid, Chris Cunningham, Seiji, Mike Paradinas and Funkstorung and invitations to play at the Glade Festival, Trash, The Warp Summer Ball and The Poke Xmas Rave. It was these shows and the experience of playing live that inspired ZILLAs latest mix Grinted Teeth & Brawlsville , a year in the making, it was a more uptempo and aggressive yet challenging body of work that manages to find the link between party starting crunk of Lil’ Jon and the dancefloor destroying sonics of The Aphex Twin.
Once again the great and the good were suitably impressed with praise coming from the likes of Kid 606, Knifehandchop and, again, Erol Alkan. The success of Grinted Teeth and ‘ZILLA’s growing reputation led to Domino Records inviting him to remix the final single from Test-Icicles, ‘Biggest Mistake’, a remix which has been rapturously received by everyone from Laurent Garnier to Lo Recordings Jon Tye.
Punishing remixes of Black Grass (Catskills), and New Flesh (Big Dada) have followed as ‘ZILLA’ perfected his twisted industrial take on dancehall, dubstep & drum n bass and in late 2006 he was asked to produce an EP for kid606’s Shockout label.
Recieving massive support from Amon Tobin (Ninja Tune,) Combat Recordings and Rag And Bone Records, the results were so good that the one EP quickly became two, both of which are due for release in 2008 under ‘ZILLA’s brand new new alias KING CANNIBAL alongside other releases including work for Combat Recordings and Bong Ra’s Kriss Records. Recent highlights from the past few months have included the ‘ZILLA’/Autechre remixes of Unique 3 ‘s The Theme (Fat! Records), Premier At Last featuring on The Chap’s The Chop EP. and King Cannibal’s – Beneath The Surface on Uncharted Audio’s new Signals imprint
Its not often that someone comes along and defines your opinion of the potential of djing. Over the course of two under-the-counter mix-cds, the man known as ZILLA has done just that. – Fact Magazine
“Too dark, love this tune”- Marry Anne Hobbs (BBC Radio 1) on Aragami Style
“..a great tune…put together like a dj’s wet dream.”- Amon Tobin writing about Aragami Style (forthcoming on Shockout) for Urb
someone please give this guy a residency! – D.K (Solid Steel/Ninja Tune).
It completely blew me away’ – Erol Alkan on ‘One Foot in the Fire, One Fist in the Air’
A phenomenal mix by UK up-and-comers Buddy Peace & ZILLA… Besting even some of the most accomplished feats of creative cutting-and-pasting, the Watch And Repeat Play mix is a rarity that you have to get your paws on – Scissorkick.com on ‘Watch And Repeat Play’
“Heavy as fuck!”- Parasite (Deathsucker Records)
“Heavy as fuck tech step dancehall!!”- Bong Ra
“Slamming ragga rinse out”- Kid 606
“Zilla remix is absolutely brilliant – I will playlist on the radio and play the hell out of it on the dancefloor!”- Laurent Garnier on Test-Icicles – ‘Biggest Mistake (Zilla remix)’
“Fucking great….I love it!”- Knifehandchop on Grinted Teeth & Brawlsville
Other reactions for Grinted Teeth… Album of the Week- Boomkat, Warpmart and Banquet Records “..the mix album of the year”- Fact Magazine “stunning …”- Sounds Of The Universe
Oh No ! Not You Again !!
King Cannibal Lyrics
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The Heavy Now there was a time When you loved me so I couldn't…
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@TheFifaPredictor2000
One of the biggest issues with this film was screen time for past characters.
I believe specs and tucker deserved a little bit more instead of just appearing on a YouTube clip.
Carl should have been involved in helping josh gain back his memory (since he was the one that took it away from him) instead of renai just doing it on the couch
Elise could have helped josh or dalton in the further and even face off against the red faced demon (which I believe had been teased throughout the series)
And yeah i expected more screen time for the red faced demon as well.
@BandenTCY
Just finished this over here in Malaysia. Enjoyed it alot and the ending made me shed a tear. As a long time Insidious fan this film is the perfect way to end the series
@housexl1984
You never saw this movie 😂😂😂
@ShadowSorceryFTW
@@housexl1984 he did
@LouvisV
@@housexl1984 tf u talkin about ? We're together watching it
@kij7412
NO END!
@kiloisnear
2 Cor 4:4, repent- Heil GOD
@badboytimmins
Seeing the original cast back together makes me so happy. One of the best horror franchises ever made
@itchytastyurr
saw first one at my bros on his big screen- it was scary- that right in front of you crap.....
@BillyJack85
It's definitely a top 500 horror franchise. Maybe even 475.
@_Tricky_
You need to watch better movies.