Te Kanawa was born in Gisborne, on New Zealand's North Island. She has both Māori and European ancestry, but little is known about her birth parents as she was adopted as an infant. She is the adopted daughter of an Irish mother and Māori father. In her teens and early 20s, Te Kanawa was a pop star and popular entertainer at clubs in New Zealand.
She was educated at Saint Mary's College Auckland and formally trained in operatic singing by the celebrated Dame Sister Mary Leo, RSM, who was New Zealand's best-known opera coach. She began her singing career as a mezzo-soprano, but later developed into a soprano. Her recording of the "Nuns' Chorus" from the Strauss operetta Casanova was New Zealand's first gold record.
Kiri married Desmond Park, whom she met on a blind date in Auckland in August 1967 and married 6 months later. The couple adopted two children, Antonia (1976) and Thomas (1979, named after Kiri's adoptive father). The couple divorced in the late 1990s.
Career
In 1965 she won the prestigious Mobil Song Quest, entered by all types of singers, jazz, pop and classical, with her performance of Puccini's "Vissi d'arte" from Tosca. As the winner, she received a grant to study in London.
Early years in London
In 1966, without an audition, she enrolled at the London Opera Centre to study under James Robertson, who is said to have stated that Te Kanawa did not have any singing technique when she arrived at the school but did have a gift for captivating audiences.
She first appeared on stage as the "Second Lady" in Die Zauberflöte, as well as in performances of Dido and Aeneas in December 1968 at the Sadler's Wells Theatre. In 1969, she sang "Elena" in Gioacchino Rossini's La donna del lago at the Camden Festival. Praise for her "Idamante" in Mozart's Idomeneo led to an offer of a three-year contract as junior principal at the Royal Opera House Covent Garden where she made her debut as 'Xenia' in Boris Godunov and a 'Flower Maiden' in Parsifal in 1970, and was also heard as the "Voice from Heaven", an off-stage role, at the end of Verdi's Don Carlo. Also, during 1969, she was offered the role of the Countess in The Marriage of Figaro after an audition in which the conductor, Colin Davis said "I couldn't believe my ears. I've taken thousands of auditions, but it was such a fantastically beautiful voice." Under director John Copley, Te Kanawa was carefully groomed for the role for a December 1971 opening.
International career
Meanwhile, word of her success had reached John Crosby at the Santa Fe Opera, a summer opera festival in the U.S. state of New Mexico then about to begin its fifteenth season. He cast her in the role of the Countess in Figaro, which opened on 30 July 1971. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Kiri Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression." Von Stade and Te Kanawa have continued this association even up to the present day. In 2007, they sang together at Kiri's farewell concert in Carnegie Hall.
But on 1 December 1971 at Covent Garden, Kiri Te Kanawa repeated the Santa Fe triumph and created an international sensation in the same role: "with 'Porgi amor' Kiri knocked the place flat." It was followed by performances as the Countess at the San Francisco Opera in autumn 1972, while her Metropolitan Opera debut in 1974 as Desdemona in Otello took place on short notice, replacing an ill Teresa Stratas at the last minute.
In subsequent years, she performed at the Lyric Opera of Chicago, Paris Opera, Sydney Opera House, the Vienna State Opera, La Scala, San Francisco Opera, Munich and Cologne, adding the Mozart roles of Donna Elvira, Pamina, and Fiordiligi, in addition to Italian roles such as Mimi in La bohème. She played Donna Elvira in Joseph Losey's 1979 film adaptation of Don Giovanni.
Te Kanawa has a particular affinity for the heroines of Richard Strauss. Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that she made her first recording of Figaro.
Te Kanawa retired from the opera stage after her performances in Samuel Barber's Vanessa with the Washington National Opera and the Los Angeles Opera in November/December 2004, but she still performs in concert halls.
UK talk show host Michael Parkinson asked her to name the person she felt was the greatest singer that ever lived. She replied: "The young Elvis Presley, without any doubt."
Honours
Kiri Te Kanawa was conferred a Dame Commander of The Order of the British Empire (DBE) in 1982, invested as an Honorary Companion of the Order of Australia (AC) in 1990 and awarded the prestigious Order of New Zealand (ONZ) in the 1995 Queen's Birthday Honours List. She has also received honorary degrees from the following universities in the UK: Cambridge, Dundee, Durham, Nottingham, Oxford, Sunderland, Warwick as well as these universities worldwide: Chicago, Auckland and Waikato as well as being honorary fellow of Somerville College, Oxford and Wolfson College, Cambridge. She is also patron of Ringmer Community College, a school in the South-East of England.
Controversy
Te Kanawa has always been popular among New Zealanders, but in a 2003 interview with the Melbourne-based Herald Sun she was critical of the high rate of welfare dependence among the Māori people, angering some of her compatriots.
Te Kanawa has recently been taken to court by Leading Edge for cancelling a concert with Australian singer John Farnham after learning that his fans sometimes threw their underwear on stage, which he would then proudly display. She won this breach-of-contract lawsuit, in part because no binding contract was made, but over $100,000 in court costs were awarded against the Mittane holding company which employs and manages Te Kanawa.
Kiri Te Kanawa Foundation
Kiri founded the Kiri Te Kanawa Foundation with the vision "that talented young New Zealand singers and musicians with complete dedication to their art may receive judicious and thoughtful mentoring and support to assist them in realising their dreams."
The Foundation manages a trust fund to provide financial and career scholarships to young New Zealand singers and musicians.
Oh Kay!: Someone To Watch Over Me
Kiri Te Kanawa Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Still were often told, seek and ye shall find
So I'm going to seek a certain lad I've had in mind
Looking everywhere, haven't found him yet
Hes the big affair I cannot forget
Only man I ever think of with regret
I'd like to add his initial to my monogram
There's a somebody I'm longing to see
I hope that he turns out to be
Someone who'll watch over me
I'm a little lamb who's lost in the wood
I know I could always be good
Someone who'll watch over me
Although he may not be the man some
Girls think of as handsome
To my heart he carries the key
Won't you tell him please to put on some speed
Follow my lead, oh, how I need
Someone to watch over me
In Kiri Te Kanawa's song "Someone to Watch Over Me", the singer is expressing her desire to find someone who can watch over her and who she can depend on. The lyrics suggest that love is not always easy, as the singer has been looking everywhere but has not found the "certain lad" she has in mind. She then goes on to reveal that this man is the only one she thinks of with regret and that she would like to add his initials to her monogram, but she cannot seem to find him. The singer then asks for help: she is like a little lamb who is lost in the wood, and she needs someone to watch over her.
The idea of seeking someone to watch over you is a common theme in love songs, and this song is no exception. The lyrics are simple but powerful, as they express the singer's longing for someone to protect and care for her. The song is a reminder that even the strongest and most independent people need someone to depend on from time to time.
Line by Line Meaning
There's a saying old says that love is blind
It's an old saying that suggests love can make us overlook flaws.
Still were often told, seek and ye shall find
Despite love's blindness, we're advised to actively search for a partner.
So I'm going to seek a certain lad I've had in mind
I have someone specific in mind who I would like to find.
Looking everywhere, haven't found him yet
Despite searching high and low, I haven't found him yet.
He's the big affair I cannot forget
This person is someone I'm deeply infatuated with and cannot forget.
Only man I ever think of with regret
He's the only person I think about and feel regret that we haven't met yet.
I'd like to add his initial to my monogram
I want to be so deeply connected to this man that I want to add his initial to mine.
Tell me, where is the shepherd for this lost lamb?
I'm searching for someone to guide and protect me, like a shepherd looking after a lamb.
There's a somebody I'm longing to see
There is a person that I want to see very badly.
I hope that he turns out to be
I hope this person is everything I've imagined and wanted.
Someone who'll watch over me
I'm looking for someone to protect and care for me.
I'm a little lamb who's lost in the wood
I feel vulnerable and in need of guidance and protection.
I know I could always be good
I'm willing to behave and be responsible to earn someone's protection.
Someone who'll watch over me
I'm looking for someone to provide emotional and physical safety.
Although he may not be the man some
Even though he may not be physically attractive to others,
Girls think of as handsome
and might not fit society's standards of beauty,
To my heart he carries the key
To me, he holds the key to my happiness.
Won't you tell him please to put on some speed
Please help me get closer to this person by urging him to move faster.
Follow my lead, oh, how I need
I need guidance in order to be with him.
Someone to watch over me
I need someone to care and look after me.
Lyrics © Warner/Chappell Music, Inc., Peermusic Publishing
Written by: IRA GERSHWIN, GEORGE GERSHWIN
Lyrics Licensed & Provided by LyricFind
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