The trio originally formed in Nashville, Tennessee, in 2006 by Charles Kelley (lead and background vocals), Dave Haywood (background vocals, guitar, piano, mandolin) and Hillary Scott (lead and background vocals).
Scott is the daughter of country music singer Linda Davis, and Charles Kelley is the brother of pop artist Josh Kelley. It was these family connections and music industry ties that helped launch the band. Kelley moved to Nashville in mid-2005 from Winston-Salem, North Carolina, where he had been working construction with his brother John. Trying to become a successful solo country artist, Kelley convinced his old middle-school classmate, Haywood, to move to Nashville from Georgia in 2006 so they could write music together. Shortly thereafter, Scott recognized Kelley from MySpace, and they started to talk at a Nashville music club. Kelley later invited Scott to join him and Haywood in the new group, which assumed the name Lady Antebellum. The name Antebellum comes from when the group were photographing "antebellum" homes. The antebellum ('pre-war') architectural style describes the large plantation homes in the American South. While photographing the houses one of the group said that there's a great band name in there, and they adopted the Lady Antebellum name shortly after. The trio then began performing at local venues in Nashville before being signed in July 2007 to a recording contract with Capitol Records Nashville. In an interview with Sirius Satellite Radio, Scott claimed she was rejected from the hit show American Idol two times, not even making it past the first round.
Shortly after the trio signed to the label, adult contemporary artist Jim Brickman chose Lady Antebellum to sing on his 2007 single Never Alone, which reached #14 on the Billboard adult contemporary charts. In mid-2007, Lady Antebellum also wrote a song for the MTV reality television series The Hills.
Their solo debut single Love Don't Live Here was released in September of 2007, with a music video for the song following in December. This song was the lead-off single to the band's self-titled debut album. Released on April 15, 2008, Lady Antebellum was produced by Paul Worley and Victoria Shaw, a Nashville songwriter and former solo artist. Love Don't Live Here reached #3 on the Billboard Hot Country Songs charts. The album itself was the first album by a new duo or group to debut at Number One on the Billboard Top Country Albums charts.
A second single, Lookin' for a Good Time, was issued in June 2008 and peaked at #11 in December. In addition, Lady Antebellum was signed as an opening act on Martina McBride's "Waking Up Laughing Tour" in 2008. Lady Antebellum also contributed the song I Was Here to the AT&T Team USA Soundtrack, a song which peaked at #24 on the Bubbling Under Hot 100 based on downloads. In December 2008, their rendition of Baby, It's Cold Outside peaked at #3 on the same chart. Their third official single, I Run to You, was released in January 2009. It eventually became the trio's first Number One in July 2009.
On October 7, 2009 their debut album was certified platinum by the RIAA for shipments of one million copies in the United States.
In August 2009, the group released their fourth single, Need You Now, the lead-off single and title track to their second studio album. It debuted at #50 on the Billboard Hot Country Songs chart and became their second Number One hit on the charts for the week of November 28, 2009. The song also reached a peak of #2 on the Billboard Hot 100 and was a number-one hit on the Hot Adult Contemporary chart, making it a crossover hit. A second single, American Honey, was released to radio on January 11, 2010 and would become their third #1 hit. Our Kind of Love was released as the third single from the album on May 31, 2010 and became a #1 single in September, 2010.
The album debuted at #1 on the Billboard 200 and Top Country Albums charts for the week of Feb. 2, 2010, selling 480,922 copies in the first week. Four weeks after the album's release, it was certified platinum by the Recording Industry Association of America.
The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Kelley said, "We actually just went ahead and decided we’re gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing". He goes on to say that the group has around 50 songs which they plan to choose from along with songs from other songwriters. However, he singles out a song called Dancing Away With My Heart as one the band is particularly excited about, a song that the group co-wrote with Josh Kear, who previously wrote with the group on their hit Need You Now.
On May 2, 2011, the group released the first single from their upcoming album, titled Just a Kiss. The group performed the single on stage on American Idol's result show on May 5, 2011.
On June 11, 2020, amid the George Floyd protests, the band announced they would rename themselves "Lady A" in order to avoid racist connotations with Civil War history, as the original name was based on the Antebellum South. The band stated on social media that they were "deeply sorry for the hurt this has caused and for anyone who has felt unsafe, unseen or unvalued."
Damn You Seventeen
Lady Antebellum Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I still taste the crowd
I still feel the line of love
The backseat with the windows halfway down
Yeah I still hear 'pour some sugar on me' in the tape deck
With both of us singin' along and I still hear me saying
Baby, not yet, not yet
Damn, girl, you put a few on me, on me
Life pulled on like a limo under the highway after the prom
Time ran down like a scoreboard on the last Hail Mary bomb
My heart's still stuck at a stop light
With you sittin' there next to me
And the red light won't turn green
Yeah, it won't turn green, damn you, seventeen
Damn you, seventeen
I still smell your hair
I still taste the salt
Mixed with the cherry on your lips
Afraid your momma might come home
I still see all of your vintage rock n' roll t-shirts
Hangin' on your closet door
Back when we didn't really know what we were
We were
We talk about our heartache
I still want another replay, replay
Life pulled on like a limo under the highway after the prom
Time ran down like a scoreboard on the last Hail Mary bomb
My heart's still stuck at a stop light
With you sittin' there next to me
And the red light won't turn green
Yeah, it won't turn green, damn you, seventeen
Damn you, seventeen
Well, I wanna call, but I bet your number's changed a couple times
A couple times ago, but I can't let you go
Life pulled on like a limo under the highway after the prom
Time ran down like a scoreboard on the last Hail Mary bomb
My heart's still stuck at a stop light
With you sittin' there next to me
And the red light won't turn green
No, it won't turn green, damn you, seventeen
Damn you, seventeen, damn you, seventeen
The lyrics of Lady Antebellum's "Damn You Seventeen" describe the powerful hold of memories and the emotions they evoke. The singer of the song cannot let go of the past, specifically a moment in time captured during his seventeenth year, which haunts him to this day. Through the sensory details woven into the lyrics, we are transported to the scene of a night in a car with a lover, relishing the moment with musical and physical affection. The singer "still smells the smoke," "still tastes the crowd," "still hears 'pour some sugar on me' in the tape deck," and "still feels the line of love." The vivid description of these moments and the singer's intense longing for them contribute to the song's emotive power.
The chorus is particularly impactful, with the repeated phrase "damn you, seventeen" conveying the singer's frustration and despair over the fact that he cannot escape the past. The metaphor of a red traffic light that won't turn green is used to symbolize the singer's inability to move on from this moment, despite the passage of time. The memories are so vivid and intense that the singer is still "stuck at a stop light" with his lover "sitting there next to [him]."
Overall, "Damn You Seventeen" is a poignant exploration of the hold that memories can have on us and the emotions they can evoke. The song's powerful lyrics, combined with Lady Antebellum's signature harmonies, make it an emotionally resonant and memorable ballad.
Line by Line Meaning
I still smell the smoke
The singer can still remember the smell of something that happened when they were seventeen
I still taste the crowd
The singer can still remember the taste of something that happened when they were seventeen
I still feel the line of love
The singer can still feel the love they had with someone when they were seventeen
The backseat with the windows halfway down
The artist can recall a specific moment where they were in the backseat with someone else, driving with the windows halfway down
Yeah I still hear 'pour some sugar on me' in the tape deck
The artist can recall a specific song that was playing on the tape deck when they were in the car
With both of us singin' along and I still hear me saying
The singer can recall singing along to the song with someone else and specifically remembers something they said during that moment
Baby, not yet, not yet
The singer remembers rejecting someone's advances and specifically recalls the phrase they used to do so
We talk about our memories
The artist and someone else often discuss their past experiences
Damn, girl, you put a few on me, on me
The artist admits that they have been emotionally affected by their memories with this person
Life pulled on like a limo under the highway after the prom
The artist compares the fast pace of life to a limo rushing past on a highway after prom
Time ran down like a scoreboard on the last Hail Mary bomb
The singer compares time passing to the ticking down of a scoreboard in a football game
My heart's still stuck at a stop light
The artist's heart is still emotionally stuck in the past on a specific moment
With you sittin' there next to me
The singer is stuck in that specific moment with someone else by their side
And the red light won't turn green
The singer feels as though they are unable to move on from the past
Yeah, it won't turn green, damn you, seventeen
The singer specifically blames being 17 years old for why they cannot move on from the past
I still smell your hair
The artist can still remember the scent of someone's hair from when they were 17
I still taste the salt
The artist can still recall the taste of something salty that was associated with someone they knew when they were 17
Mixed with the cherry on your lips
The singer can recall the taste of something cherry-flavored that was associated with someone they knew when they were 17
Afraid your momma might come home
The singer can remember being nervous that someone's mother might come home and catch them doing something they didn't want to be caught doing
I still see all of your vintage rock n' roll t-shirts
The artist specifically remembers seeing someone's rock and roll t-shirts from the past
Hangin' on your closet door
The artist can remember seeing someone's rock and roll t-shirts hanging on their closet door
Back when we didn't really know what we were
The artist can remember a time when they and someone else were young and naive about life
We were
The singer feels a sense of nostalgia for the time when they and someone else were young and naive about life
We talk about our heartache
The artist and someone else discuss emotional pain they have experienced in the past
I still want another replay, replay
The singer wishes they could re-experience certain events from the past again, as if they were replaying them
Well, I wanna call, but I bet your number's changed a couple times
The singer wants to reach out to someone from their past, but suspects that they have changed their phone number multiple times
A couple times ago, but I can't let you go
The singer can remember trying to move on from someone multiple times in the past, but they still cannot seem to let go of this person emotionally
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: LUKE ROBERT LAIRD, RODNEY DALE CLAWSON, SHANE L. MCANALLY
Lyrics Licensed & Provided by LyricFind