Lamb of God is an American groove metal band, originally formed under the n… Read Full Bio ↴Lamb of God is an American groove metal band, originally formed under the name Burn the Priest.
The roots of Lamb of God were planted in the year 1990, when Mark Morton, Chris Adler and John Campbell were friends at Virginia Commonwealth University. The trio began playing at Adler's house in Richmond weathering chilly conditions. "There was no heat in the house," recalls Campbell. "We would hang around the kerosene heaters, get really drunk and write metal songs. Fumes and Black Label beer were definitely what fueled our early days."
After graduation, Morton moved to Chicago to pursue a master's degree, but the band continued. A new guitarist, Abe Spear, replaced Morton as the band retired its instrumental sound and added Randy Blythe on vocals.
The quartet, known then as Burn the Priest, became a fixture in the tightly-knit Richmond music scene. To compete with the high-level of musicianship displayed by their contemporaries, the band adopted a rigid practice schedule. "To this day, we practice five days a week out of necessity," says Campbell. "The bands in Richmond can flat outplay you and if you don't practice, they will blow you off the stage. Bands like Breadwinner and Sliang Laos - two local math-metal bands - could play insanely complicated music note perfect. They inspired us to raise the bar musically and taught us the work ethic we needed to be a success."
The band was playing around Virginia when Mark Morton moved back from Chicago and re-joined the group. Soon after, Burn the Priest released a self-titled full length album on Legion Records. Abe left soon after, which opened a spot for guitarist, and brother to Chris - Willie Adler.
A year after the second Adler joined, in 2000, Burn the Priest changed its name to Lamb of God, and signed a record deal with Prosthetic Records. The band's independent-debut, New American Gospel, was released in the year 2000. "This album was all about creating a rhythmic and pummeling musical landscape with riff after riff," explains Morton. Drummer Adler notes: ''This is a classic record. We had all the elements come together to make one of the heaviest, yet contagious records of our career. It was difficult to contain us - we didn't even understand at the time what we had created."
Two years of extensive touring to support the album raised Lamb of God's profile before the band released the critically acclaimed, As The Palaces Burn (2003). ATPB won record of the year honors in such notable magazines as Revolver and Metal Hammer while garnering mainstream press in Rolling Stone and Entertainment Weekly.
The band hit the road again and began headlining tours across the globe. In the fall of 2003 Lamb of God was a co-headliner on the first ever MTV's Headbanger's Ball Tour which elevated Lamb of God beyond the underground. The band then released Terror and Hubris, a DVD, featuring early live performances, videos for "Ruin" and "Black Label" and behind-the-scenes footage highlighting the work ethic, humility and sense of humor of one of the most respected and influential bands around today. The DVD proved to be a commercial success as it entered the Billboard Music DVD Charts at #32.
Gradually, Lamb of God's persistence paid off. Their 2003 disc, As The Palaces Burn earned them a new level of respect and admiration, but it was 2004's virulent major label debut (Epic Records) Ashes of the Wake that turned the band into true contenders for the metal throne. By mid 2006, the record had sold over 275,000 copies. Revolver magazine voted it the album of the year, a Guitar World readers poll deemed it best metal album and awarded the band "most valuable players," "best shredders" and "best riffs." The video for "Now You've Got Something to Die For" earned "best video" from both Headbanger's Ball and Revolver. And a DVD chronicling the tour and life on the road with the band, Killadelphia, has gone gold. Lamb of God supported Ashes with more relentless touring, now playing mostly arenas and festivals, starting with a headlining run on Second Stage at Ozzfest 2004, and ending by headlining the North American Sounds of The Underground Festival in 2005.
The political angst that fueled the lyrics on As The Palaces Burn continues unabated on Ashes of the Wake. However, Blythe admits that his plans to write songs about personal responsibility quickly changed. "Mark and I write most of the lyrics together, and at the start of this album we agreed that we wanted to concentrate on internal instead of external politics," he explains. "But as we got into it, considering the condition of the world today, we felt obligated as responsible artists to give accurate social commentary, and that meant writing a few indictments against the powers that be."
Mixing a call to arms with a sneering disdain balances Ashes of the Wake. "In the end, I think the album is stronger because we show the relation between internal and external politics instead of just focusing on one or the other," Blythe says. "These songs are a reality check for everyone because they rail against a wrong-headed government and against the apathetic people that ignore the government and allow it to exist."
After Ashes of the Wake, they had been praised as one of the leaders of the new American metal movement, and while they were flattered to be considered part of something so influential, this time they wanted to stand alone. "I believe it's important for us to create a legacy for this band, and I don't want that legacy to be in association with anyone else," Adler says. "In our minds, we're a cut above and we feel like we put out a whole lot more."
Towards the end of 2005, the band stopped all touring and came home to Richmond, VA, to begin writing the next chapter. An intense 8 month writing process followed. "We pretty much killed ourselves working on it five to six days a week for six to eight hours a day," says drummer Chris Adler. "It was important to push ourselves into uncomfortable territory as players. A lot of times one of us would say, 'I'm not sure if I can play that.' The typical response was, 'Well, you've got a year to figure it out.' We pushed ourselves to step it up and threw out a lot of decent material because we were insisting on only the best." One reason Lamb of God pushed so hard is because they wanted to create something that couldn't be classified, categorized or marginalized.
August 22, 2006 brought Sacrament, a stunning example of how diverse, articulate and pummeling metal can be. It's a record that emphasizes just how far the band members have come as players, writers and people and stands as a true testament of triumph over adversity. With Sacrament, Lamb of God has stoked the flames by stripping the flesh to the bone and examining the carnage. The songs are bleak and dark, yet key ingredients of a ride that's as breathless, exhilarating and terrifying as an overdose.
Guitarist and co-lyricist Mark Morton notes the band chose the name Sacrament based on a specific lyrical reference as well as a more general symbolic perspective. "We like it because it employs the idea of the traditional religious Sacrament, which is something you do as ritual to get to a different level of your faith," he says. "Also, I thought it was symbolic in terms of us putting out another record and getting to the next stage of our musical development." "This is definitely a personal record and it's the darkest thing we've ever done," adds Blythe. "It stems from a lot of depression and a fucked up worldview. In the last couple years I've been going through a lot of weird, bad shit."
The biggest difference between Sacrament and Ashes of the Wake is the lyrical content. In the past, Lamb of God has lyrically been motivated by the hypocrisy, greed and turmoil of politics and politicians. This time the band turned within to reveal an even greater source of despair and frustration.
Songs like 'Pathetic' and 'Descending' for instance are about the whirlpool of addiction and alcoholism, 'Walk With Me In Hell' addresses the destruction of codependency and 'Blacken the Cursed Sun' confronts suicidal depression.
"The lyrics were so intense for me, when I was recording, it was like breathing pain instead of breathing air," Blythe says. "So, when it was done, I couldn't listen to the record for another two months. It just took so much out of me to get all this stuff out, I didn't want to touch it right away."
In addition to being relatively heavy, Sacrament is a sincere expression of the turmoil that has tumbled through the last few years of the band's existence. In an era of stagnant, contrived metal, Lamb of God is a harrowing rush of honesty, a declaration that no matter what anyone else is playing, Lamb of God will always follow their own hearts.
"This band was started because no one out there was making the music that we wanted to hear," singer Randy Blythe says. "So, we decided to make that music, and from that point it has just been a continuation of that philosophy. We had never changed anything we do to appeal to anyone, appease anyone or seek any sort of approval from anyone other than ourselves."
In 2009, Lamb of God released their sixth studio album 'Wrath' which debuted at No. 2 on the billboard top 200. The track 'Set to Fail' also received a Grammy nomination amongst other Metal heavyweights such as Megadeth, Slayer, Judas Priest, and Ministry. They spent the remainder of 2009 touring in support of the new album and expect to continue touring through most of 2010.
In an interview with Spin Magazine, Chris Adler stated that the band currently has plans to begin work on their seventh album (title unknown) at the start of 2011. The album has been stated to be released either the end of 2011 or the beginning of 2012 and the band will not be doing any public performances until 2012 according to Morton's personal Twitter account.
On June 28, 2012, Randy Blythe was arrested in Czech Republic for alleged manslaughter. He was released on August 3 on a $400,000 bail until the criminal proceedings are finished.
Despite statements from band members that Lamb of God planned to enter the studio in 2014 to begin recording their eighth studio album, hoping to complete it by the end of the same year, Chris Adler said in an interview with The Virginian-Pilot that besides the large amount legal fees the band encountered from Randy Blythe's trial, the band's inactivity during the trial had eventually depleted the band's funds and thus were unable to fulfill those plans.
On January 26, 2014, Randy Blythe posted a picture and a statement on his Instagram saying he would be taking a long break from Lamb of God. The band, after the then-current album cycle would be on hiatus, except for some summer festival appearances. By September, however, Blythe revealed that he was planning to release a new Lamb of God record, which uses lyrics he had written while he was incarcerated along with his book, Dark Days: A Memoir in early 2015.
The band began teasing a new album, with the placeholder title Lamb of God VII via Instagram and Twitter in late April 2015. A website, lambofgodvii.com, initially comprising an empty black screen, went online in early May. The "VII" (the roman numeral for the number seven) refers to the album being the band's seventh, and does not take into account the first of their albums, released with a slightly different line-up as Burn the Priest. On May 15, 2015, it was announced that the title of the new album VII: Sturm und Drang, and would be released in July via Epic and Nuclear Blast Entertainment. The first song, "Still Echoes" was made available for streaming on LambofGodVII.com, and available for digital download on May 18. In June of the same year, the band released a video for the song "512".
On November 14, 2016, Lamb of God released a new EP titled "The Duke", which featured two new songs from the VII: Sturm und Drang recordings and three live tracks. The title track is dedicated to a fan and friend of vocalist Randy Blythe, Wayne Ford, who died after a 5-year battle with leukaemia. In addition to the new release, several members of the band auctioned off their instruments, signed CDs, lyric books and gold records to raise money for the Leukemia and Lymphoma Society.
On April 4, 2017, Blythe said it was time for the band to "really go on hiatus" after their summer North American tour; this was in reference to the first hiatus being on the back of his release from prison and acquittal. On August 10, guitarist Mark Morton confirmed that the band would be going on hiatus but stated that they would still be making music but did not hint at whether this was either for an upcoming release or indeed for Lamb of God at all.
On January 22, 2018, Lamb of God was announced as one of the bands supporting the Slayer Farewell Tour.
On March 22, 2018, Lamb of God announced that on May 18, 2018, they would release a cover album, Legion: XX under their original name Burn the Priest. It is the band's first album as Burn the Priest since their 1999 album.
On October 23, 2018, Lamb of God drummer Chris Adler was interviewed on the 486th Metal Injection Livecast and in the interview with Metal Injection he revealed that the band is aiming for a December 2019 release date for Lamb of God's tenth studio album. He also revealed in the interview that he had a conversation with fellow heavy metal drummer Lars Ulrich of the band Metallica about what it is like to work with ex-Metallica guitarist and current Megadeth lead vocalist and guitarist Dave Mustaine prior to working with him on Megadeth's 15th album, Dystopia, which was released in 2016.
In June 2019, on the topic of Chris Adler returning to the band on a touring basis, Randy Blythe stated during an interview with WSOU that he had no comment and that "it's hard to see what's going to happen with Chris Adler."On July 19, 2019, the band released a statement informing that they had indeed parted ways with Chris Adler, with Winds of Plague and former Prong drummer Art Cruz being named the new drummer of Lamb of God. They additionally stated that they had begun pre-production on their forthcoming 10th album.On October 23, 2019, Chris Adler released his own statement about his departure from Lamb of God revealing that he "did not make the decision to leave my life’s work" and he "is unwilling to paint by numbers".
On February 5, 2020, the band released "Checkmate" as the debut single from their self-titled album, Lamb of God, which marks the first song to feature new drummer Art Cruz. The album was initially planned to be released on May 8, but was postponed to June 19, 2020 due to the coronavirus pandemic. Lamb of God will spend most of 2021 touring in support of the album, including a co-headlining US tour with Megadeth, and a European trek with Kreator and Power Trip.
In a September 2020 interview with Australia's Subculture Entertainment, Lamb of God guitarist Mark Morton was asked how he was spending his coronavirus downtime. He responded, "Writing and recording and creating new music is my favorite part out of all the things we get to do. There's a lot of elements, a lot of components about being in a band like Lamb of God. Performing and touring is one of them. Writing and recording is another one of them. The writing and recording part is far and away my favorite part of what we get to do. And so I have been doing some writing. I've been writing some stuff for Lamb of God, some stuff for other people, some stuff for my own solo project, so there's a lot of new music jumping out of me right now."
On February 4, 2021, the band released a song called "Ghost Shaped People" off the upcoming deluxe version of their 2020 self-titled album. The reissue of the album is set for release on March 26, 2021.
The roots of Lamb of God were planted in the year 1990, when Mark Morton, Chris Adler and John Campbell were friends at Virginia Commonwealth University. The trio began playing at Adler's house in Richmond weathering chilly conditions. "There was no heat in the house," recalls Campbell. "We would hang around the kerosene heaters, get really drunk and write metal songs. Fumes and Black Label beer were definitely what fueled our early days."
After graduation, Morton moved to Chicago to pursue a master's degree, but the band continued. A new guitarist, Abe Spear, replaced Morton as the band retired its instrumental sound and added Randy Blythe on vocals.
The quartet, known then as Burn the Priest, became a fixture in the tightly-knit Richmond music scene. To compete with the high-level of musicianship displayed by their contemporaries, the band adopted a rigid practice schedule. "To this day, we practice five days a week out of necessity," says Campbell. "The bands in Richmond can flat outplay you and if you don't practice, they will blow you off the stage. Bands like Breadwinner and Sliang Laos - two local math-metal bands - could play insanely complicated music note perfect. They inspired us to raise the bar musically and taught us the work ethic we needed to be a success."
The band was playing around Virginia when Mark Morton moved back from Chicago and re-joined the group. Soon after, Burn the Priest released a self-titled full length album on Legion Records. Abe left soon after, which opened a spot for guitarist, and brother to Chris - Willie Adler.
A year after the second Adler joined, in 2000, Burn the Priest changed its name to Lamb of God, and signed a record deal with Prosthetic Records. The band's independent-debut, New American Gospel, was released in the year 2000. "This album was all about creating a rhythmic and pummeling musical landscape with riff after riff," explains Morton. Drummer Adler notes: ''This is a classic record. We had all the elements come together to make one of the heaviest, yet contagious records of our career. It was difficult to contain us - we didn't even understand at the time what we had created."
Two years of extensive touring to support the album raised Lamb of God's profile before the band released the critically acclaimed, As The Palaces Burn (2003). ATPB won record of the year honors in such notable magazines as Revolver and Metal Hammer while garnering mainstream press in Rolling Stone and Entertainment Weekly.
The band hit the road again and began headlining tours across the globe. In the fall of 2003 Lamb of God was a co-headliner on the first ever MTV's Headbanger's Ball Tour which elevated Lamb of God beyond the underground. The band then released Terror and Hubris, a DVD, featuring early live performances, videos for "Ruin" and "Black Label" and behind-the-scenes footage highlighting the work ethic, humility and sense of humor of one of the most respected and influential bands around today. The DVD proved to be a commercial success as it entered the Billboard Music DVD Charts at #32.
Gradually, Lamb of God's persistence paid off. Their 2003 disc, As The Palaces Burn earned them a new level of respect and admiration, but it was 2004's virulent major label debut (Epic Records) Ashes of the Wake that turned the band into true contenders for the metal throne. By mid 2006, the record had sold over 275,000 copies. Revolver magazine voted it the album of the year, a Guitar World readers poll deemed it best metal album and awarded the band "most valuable players," "best shredders" and "best riffs." The video for "Now You've Got Something to Die For" earned "best video" from both Headbanger's Ball and Revolver. And a DVD chronicling the tour and life on the road with the band, Killadelphia, has gone gold. Lamb of God supported Ashes with more relentless touring, now playing mostly arenas and festivals, starting with a headlining run on Second Stage at Ozzfest 2004, and ending by headlining the North American Sounds of The Underground Festival in 2005.
The political angst that fueled the lyrics on As The Palaces Burn continues unabated on Ashes of the Wake. However, Blythe admits that his plans to write songs about personal responsibility quickly changed. "Mark and I write most of the lyrics together, and at the start of this album we agreed that we wanted to concentrate on internal instead of external politics," he explains. "But as we got into it, considering the condition of the world today, we felt obligated as responsible artists to give accurate social commentary, and that meant writing a few indictments against the powers that be."
Mixing a call to arms with a sneering disdain balances Ashes of the Wake. "In the end, I think the album is stronger because we show the relation between internal and external politics instead of just focusing on one or the other," Blythe says. "These songs are a reality check for everyone because they rail against a wrong-headed government and against the apathetic people that ignore the government and allow it to exist."
After Ashes of the Wake, they had been praised as one of the leaders of the new American metal movement, and while they were flattered to be considered part of something so influential, this time they wanted to stand alone. "I believe it's important for us to create a legacy for this band, and I don't want that legacy to be in association with anyone else," Adler says. "In our minds, we're a cut above and we feel like we put out a whole lot more."
Towards the end of 2005, the band stopped all touring and came home to Richmond, VA, to begin writing the next chapter. An intense 8 month writing process followed. "We pretty much killed ourselves working on it five to six days a week for six to eight hours a day," says drummer Chris Adler. "It was important to push ourselves into uncomfortable territory as players. A lot of times one of us would say, 'I'm not sure if I can play that.' The typical response was, 'Well, you've got a year to figure it out.' We pushed ourselves to step it up and threw out a lot of decent material because we were insisting on only the best." One reason Lamb of God pushed so hard is because they wanted to create something that couldn't be classified, categorized or marginalized.
August 22, 2006 brought Sacrament, a stunning example of how diverse, articulate and pummeling metal can be. It's a record that emphasizes just how far the band members have come as players, writers and people and stands as a true testament of triumph over adversity. With Sacrament, Lamb of God has stoked the flames by stripping the flesh to the bone and examining the carnage. The songs are bleak and dark, yet key ingredients of a ride that's as breathless, exhilarating and terrifying as an overdose.
Guitarist and co-lyricist Mark Morton notes the band chose the name Sacrament based on a specific lyrical reference as well as a more general symbolic perspective. "We like it because it employs the idea of the traditional religious Sacrament, which is something you do as ritual to get to a different level of your faith," he says. "Also, I thought it was symbolic in terms of us putting out another record and getting to the next stage of our musical development." "This is definitely a personal record and it's the darkest thing we've ever done," adds Blythe. "It stems from a lot of depression and a fucked up worldview. In the last couple years I've been going through a lot of weird, bad shit."
The biggest difference between Sacrament and Ashes of the Wake is the lyrical content. In the past, Lamb of God has lyrically been motivated by the hypocrisy, greed and turmoil of politics and politicians. This time the band turned within to reveal an even greater source of despair and frustration.
Songs like 'Pathetic' and 'Descending' for instance are about the whirlpool of addiction and alcoholism, 'Walk With Me In Hell' addresses the destruction of codependency and 'Blacken the Cursed Sun' confronts suicidal depression.
"The lyrics were so intense for me, when I was recording, it was like breathing pain instead of breathing air," Blythe says. "So, when it was done, I couldn't listen to the record for another two months. It just took so much out of me to get all this stuff out, I didn't want to touch it right away."
In addition to being relatively heavy, Sacrament is a sincere expression of the turmoil that has tumbled through the last few years of the band's existence. In an era of stagnant, contrived metal, Lamb of God is a harrowing rush of honesty, a declaration that no matter what anyone else is playing, Lamb of God will always follow their own hearts.
"This band was started because no one out there was making the music that we wanted to hear," singer Randy Blythe says. "So, we decided to make that music, and from that point it has just been a continuation of that philosophy. We had never changed anything we do to appeal to anyone, appease anyone or seek any sort of approval from anyone other than ourselves."
In 2009, Lamb of God released their sixth studio album 'Wrath' which debuted at No. 2 on the billboard top 200. The track 'Set to Fail' also received a Grammy nomination amongst other Metal heavyweights such as Megadeth, Slayer, Judas Priest, and Ministry. They spent the remainder of 2009 touring in support of the new album and expect to continue touring through most of 2010.
In an interview with Spin Magazine, Chris Adler stated that the band currently has plans to begin work on their seventh album (title unknown) at the start of 2011. The album has been stated to be released either the end of 2011 or the beginning of 2012 and the band will not be doing any public performances until 2012 according to Morton's personal Twitter account.
On June 28, 2012, Randy Blythe was arrested in Czech Republic for alleged manslaughter. He was released on August 3 on a $400,000 bail until the criminal proceedings are finished.
Despite statements from band members that Lamb of God planned to enter the studio in 2014 to begin recording their eighth studio album, hoping to complete it by the end of the same year, Chris Adler said in an interview with The Virginian-Pilot that besides the large amount legal fees the band encountered from Randy Blythe's trial, the band's inactivity during the trial had eventually depleted the band's funds and thus were unable to fulfill those plans.
On January 26, 2014, Randy Blythe posted a picture and a statement on his Instagram saying he would be taking a long break from Lamb of God. The band, after the then-current album cycle would be on hiatus, except for some summer festival appearances. By September, however, Blythe revealed that he was planning to release a new Lamb of God record, which uses lyrics he had written while he was incarcerated along with his book, Dark Days: A Memoir in early 2015.
The band began teasing a new album, with the placeholder title Lamb of God VII via Instagram and Twitter in late April 2015. A website, lambofgodvii.com, initially comprising an empty black screen, went online in early May. The "VII" (the roman numeral for the number seven) refers to the album being the band's seventh, and does not take into account the first of their albums, released with a slightly different line-up as Burn the Priest. On May 15, 2015, it was announced that the title of the new album VII: Sturm und Drang, and would be released in July via Epic and Nuclear Blast Entertainment. The first song, "Still Echoes" was made available for streaming on LambofGodVII.com, and available for digital download on May 18. In June of the same year, the band released a video for the song "512".
On November 14, 2016, Lamb of God released a new EP titled "The Duke", which featured two new songs from the VII: Sturm und Drang recordings and three live tracks. The title track is dedicated to a fan and friend of vocalist Randy Blythe, Wayne Ford, who died after a 5-year battle with leukaemia. In addition to the new release, several members of the band auctioned off their instruments, signed CDs, lyric books and gold records to raise money for the Leukemia and Lymphoma Society.
On April 4, 2017, Blythe said it was time for the band to "really go on hiatus" after their summer North American tour; this was in reference to the first hiatus being on the back of his release from prison and acquittal. On August 10, guitarist Mark Morton confirmed that the band would be going on hiatus but stated that they would still be making music but did not hint at whether this was either for an upcoming release or indeed for Lamb of God at all.
On January 22, 2018, Lamb of God was announced as one of the bands supporting the Slayer Farewell Tour.
On March 22, 2018, Lamb of God announced that on May 18, 2018, they would release a cover album, Legion: XX under their original name Burn the Priest. It is the band's first album as Burn the Priest since their 1999 album.
On October 23, 2018, Lamb of God drummer Chris Adler was interviewed on the 486th Metal Injection Livecast and in the interview with Metal Injection he revealed that the band is aiming for a December 2019 release date for Lamb of God's tenth studio album. He also revealed in the interview that he had a conversation with fellow heavy metal drummer Lars Ulrich of the band Metallica about what it is like to work with ex-Metallica guitarist and current Megadeth lead vocalist and guitarist Dave Mustaine prior to working with him on Megadeth's 15th album, Dystopia, which was released in 2016.
In June 2019, on the topic of Chris Adler returning to the band on a touring basis, Randy Blythe stated during an interview with WSOU that he had no comment and that "it's hard to see what's going to happen with Chris Adler."On July 19, 2019, the band released a statement informing that they had indeed parted ways with Chris Adler, with Winds of Plague and former Prong drummer Art Cruz being named the new drummer of Lamb of God. They additionally stated that they had begun pre-production on their forthcoming 10th album.On October 23, 2019, Chris Adler released his own statement about his departure from Lamb of God revealing that he "did not make the decision to leave my life’s work" and he "is unwilling to paint by numbers".
On February 5, 2020, the band released "Checkmate" as the debut single from their self-titled album, Lamb of God, which marks the first song to feature new drummer Art Cruz. The album was initially planned to be released on May 8, but was postponed to June 19, 2020 due to the coronavirus pandemic. Lamb of God will spend most of 2021 touring in support of the album, including a co-headlining US tour with Megadeth, and a European trek with Kreator and Power Trip.
In a September 2020 interview with Australia's Subculture Entertainment, Lamb of God guitarist Mark Morton was asked how he was spending his coronavirus downtime. He responded, "Writing and recording and creating new music is my favorite part out of all the things we get to do. There's a lot of elements, a lot of components about being in a band like Lamb of God. Performing and touring is one of them. Writing and recording is another one of them. The writing and recording part is far and away my favorite part of what we get to do. And so I have been doing some writing. I've been writing some stuff for Lamb of God, some stuff for other people, some stuff for my own solo project, so there's a lot of new music jumping out of me right now."
On February 4, 2021, the band released a song called "Ghost Shaped People" off the upcoming deluxe version of their 2020 self-titled album. The reissue of the album is set for release on March 26, 2021.
Blacken The Cursed Sun
Lamb of God Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Seize a darkened day,
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
The lyrics to Lamb of God's song "Blacken The Cursed Sun" are dark and introspective, delving into themes of inner turmoil, self-hatred, and the necessity of self-destruction in order to move on. The singer is grappling with his own personal demons, and is aware that his own choices have led him down a path of misery and pain. He notes that "there's only hell to pay" for his actions, and that "sweet apathy's my toll" - a reference to the fact that his emotional detachment from his problems has caused him to become numb to his own suffering. The singer also alludes to the fact that his pain is not unique, and that others have also "sunk so far and low" that there is no hope for them.
Despite this bleak outlook, the singer also recognizes that he has the power to change his own fate, and that he must "kill this part of myself that I hate and that I see in you". The notion of self-directed violence is a recurring theme throughout the song, with the singer referring to the need to "dig a deeper hole" and "blacken what's yet to be done". This is contrasted with the idea of redemption, which the singer questions in the lines "Is there still hope for us? Can we still be saved?"
Line by Line Meaning
Seize a darkened day,
Take advantage of a bad situation.
There's only hell to pay,
The consequences will be severe.
And no one left to see this prodigal return.
No one is around to witness the return of someone who has sinned or made mistakes.
Sweet apathy's my toll.
I am paying the price of indifference.
You'll mourn the traded soul.
You will regret losing your true self.
I'll dig a deeper hole.
I will make matters worse for myself.
Sanctity, a breath away.
The concept of purity or holiness is very close, almost within grasp.
Just a breath away.
It is very close, almost within grasp.
Blacken the cursed sun.
Destroy something that is considered good or pure.
You're not the only one,
There are others who have fallen just as low.
To have sunk so far and low.
To have reached such a low point in one's life.
There is no tomorrow.
There is no hope for the future.
A tragedy on display,
A terrible event is unfolding before our eyes.
A sickness for all to see.
Everyone can witness the negative effects of something.
I will kill this part of myself that I hate and that I see in you.
I will eliminate my flaws and negative traits which I also see in you.
It was always mine, anyway.
I always had control over it.
There's something you can't take away.
There is something that cannot be lost or destroyed.
I choose not to feel the pain.
I have decided to avoid emotional pain.
Away.
Far away and out of reach.
Blacken what's yet to be done.
Destroy everything that has yet to come.
Blacken, because now you know, there is no tomorrow.
Destroy because there is no hope for the future.
Is there still hope for us?
Is there a chance for us to be saved?
Can we still be saved?
Is there a way for us to be rescued?
Does your God hold a place for us?
Will we be accepted into the afterlife or forgiven for our sins?
Is there time to repent?
Can we change our ways in time?
Will we rise from the dead?
Will we be resurrected or will our souls live on?
Can these sins even be forgiven?
Is it possible to be absolved of our wrongdoing?
Were we ever even alive?
Did we truly exist or did we just go through the motions?
Is any of this even real?
Is any of this true or is it just an illusion?
Better to die quick fighting on your feet
It's better to die with dignity and pride than to live in servitude.
Then to live forever begging on your knees
Any existence of servitude for an extended period of time should be avoided.
Hell no!
Absolutely not.
Lyrics © Sony/ATV Music Publishing LLC
Written by: CHRIS ADLER, DAVID RANDALL BLYTHE, JOHN CAMPBELL, MARK MORTON, WILL ADLER
Lyrics Licensed & Provided by LyricFind
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@Novakiller
Seize a darkened day,
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
@TRAYANOVA
LYRICS:
Seize a darkened day,
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
@Another_World_Here
Seize a darkened day,
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
@RifatShaheb
Seize a darkened day,
There's only hell to pay,
And no one left to see this prodigal return.
Sweet apathy's my toll.
You'll mourn the traded soul.
I'll dig a deeper hole.
Sanctity, a breath away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
A tragedy on display,
A sickness for all to see.
I will kill this part of myself that I hate and that I see in you.
It was always mine, anyway.
There's something you can't take away.
I choose not to feel the pain
Sanctity, a breath away.
Just a breath away.
Away.
Just a breath away.
Blacken the cursed sun.
You're not the only one,
To have sunk so far and low.
There is no tomorrow.
Blacken the cursed sun.
Blacken what's yet to be done.
Blacken, because now you know, there is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
There is no tomorrow.
Is there still hope for us?
Can we still be saved?
Does your God hold a place for us?
Is there time to repent?
Will we rise from the dead?
Can these sins even be forgiven?
Is there still hope for us?
Were we ever even alive?
Is any of this even real?
You're just a breath away.
You're just a breath away.
Better to die quick fighting on your feet
Then to live forever begging on your knees
No.
Can we still be saved?
Hell no!
Does your God hold a place for us?
Hell no!
Is there time to repent?
Hell no!
Will we rise from the dead?
Hell no!
Can these sins even be forgiven?
Hell no!
Is there still hope for us?
Hell no!
Were we ever even alive?
Hell no!
Is any of this even real?
Hell no!
Hell no!
@bradgorski3763
Only metalheads know how this hits the heart.
@sethhoffman8213
On god
@joeychill4364
@Chip Chipperson does that make noise or sumthin???
@lambofgod2417
I know!! I feel!!!
@Davison-Cale
''It takes a joyful sound/ to make the world go 'round''
Thank you, gentlemen.
@christopherjuengling8989
Absolutely my friend. First time I heard this I was like, "But this is like... all my feelings about living... in a song"
@milkord
This is one of the top masterpieces of LOG
@biggripper9795
Fucking truth
@dewdrummer4384
Never gets old
@jays6575
this just hits the heart in a way i can't explain