Roberto Carlos De Los Rios Reyes initiated his inclination to music at the … Read Full Bio ↴Roberto Carlos De Los Rios Reyes initiated his inclination to music at the age of 13 while studying at American Institute (Panama) in the year of 1988.
In 1993 he traveled to Guayaquil to continue his studies but ended working his musical ideas. There, he participated in two contests for rap amateurs, winning both and earning his recording participation in a first album (so far he just recorded for mix tapes).
In 1995 tunes as: “Tranquilo” and “Ella Se Arrebata", became big hits in Panama and Sony Music Central America sings him to release him at a regional level.
In 1997, already with Sony Music and his first album (Tranquilo) rated gold because of its sales, he toured around Central and South America, performing for massive crowds. More than 500,000 people in El Salvador, Nicaragua, Honduras, Guatemala, Costa Rica, Colombia, Ecuador, United States, Puerto Rico and Panama went to his shows.
As a producer he has developed projects to promote new artists related to his music like “La Union: Rap, Reggae & Flow (1997)”, a sample of the musical anxieties of Latin Fresh calling some of the most representative names of Spanish Rap and Reggae of Panama (La Union was his second CD with Sony Music) and El Waka Attack (2002) that is a improved version of La Union.
In 1999 he brought to us “El Panameño”. With this album he concludes his deal with Sony and stayed as a free agent.
In 2001, now with Fonovisa, he moved with “Los Dementes” to USA for “La Conquista".
In 2002, also in USA, he launched “Latin Fresh”, his third solo album. By that time, Latin increases his popularity in the Latino market very notably.
In 2004 with his forth album, La Cuarta Carta, recorded in Miami, Puerto Rico and Panama and with collaborations by El Roockie, Kafu Banton and Yaga & Mackie Ranks and the best producers of the genre, Latin Fresh became a true leader in Spanish reggae-rap movement.
Now (2006) as an artist of Machete Music, Latin Fresh and his latest album: “Plan Calle”, will be released in US for the first time in his career. As usual this CD overcomes the last one in quality, content and projection.
His music has been used as soundtrack in many documentaries and movies like One Dollar: The Cost of Live and The Live of Duran.
He has shared stage with artists of the size of Gilberto Santa Rosa, El Gran Combo, Elvis Crespo, Salserin, Beenie Man, Los Pericos, Tito Nieves, Ret Rat, Proyecto Uno, Oro Solido, Daddy Yankee, Fulanito and Cuentos De La Cripta among others.
In 1993 he traveled to Guayaquil to continue his studies but ended working his musical ideas. There, he participated in two contests for rap amateurs, winning both and earning his recording participation in a first album (so far he just recorded for mix tapes).
In 1995 tunes as: “Tranquilo” and “Ella Se Arrebata", became big hits in Panama and Sony Music Central America sings him to release him at a regional level.
In 1997, already with Sony Music and his first album (Tranquilo) rated gold because of its sales, he toured around Central and South America, performing for massive crowds. More than 500,000 people in El Salvador, Nicaragua, Honduras, Guatemala, Costa Rica, Colombia, Ecuador, United States, Puerto Rico and Panama went to his shows.
As a producer he has developed projects to promote new artists related to his music like “La Union: Rap, Reggae & Flow (1997)”, a sample of the musical anxieties of Latin Fresh calling some of the most representative names of Spanish Rap and Reggae of Panama (La Union was his second CD with Sony Music) and El Waka Attack (2002) that is a improved version of La Union.
In 1999 he brought to us “El Panameño”. With this album he concludes his deal with Sony and stayed as a free agent.
In 2001, now with Fonovisa, he moved with “Los Dementes” to USA for “La Conquista".
In 2002, also in USA, he launched “Latin Fresh”, his third solo album. By that time, Latin increases his popularity in the Latino market very notably.
In 2004 with his forth album, La Cuarta Carta, recorded in Miami, Puerto Rico and Panama and with collaborations by El Roockie, Kafu Banton and Yaga & Mackie Ranks and the best producers of the genre, Latin Fresh became a true leader in Spanish reggae-rap movement.
Now (2006) as an artist of Machete Music, Latin Fresh and his latest album: “Plan Calle”, will be released in US for the first time in his career. As usual this CD overcomes the last one in quality, content and projection.
His music has been used as soundtrack in many documentaries and movies like One Dollar: The Cost of Live and The Live of Duran.
He has shared stage with artists of the size of Gilberto Santa Rosa, El Gran Combo, Elvis Crespo, Salserin, Beenie Man, Los Pericos, Tito Nieves, Ret Rat, Proyecto Uno, Oro Solido, Daddy Yankee, Fulanito and Cuentos De La Cripta among others.
Bata Bata 2
Latin Fresh Lyrics
Instrumental
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LarryCuentaHistorias
Que tiempos tan hermosos con esta canción :,)
Micaela Kuzmin1
😉
Tesores
Eee buen
kevin meza
Si para mí era la mejor canción
Además me Lucia con lamusica
En mi casa jajja xd
Farik Matta
@Tesores amor a medio
Valerie Hermosa
@Farik Matta
Ñ
Que papá ah
d i c h a
Modo cuarentena:
Escuchando reggaeton antiguo que marco mi infancia :)
Silvia Nava
Esto es dancehall o reggae en español, reggaeton los de Puerto rico
Dunkenguer
@Silvia Nava equivocado, eso es reguetón tropical.
Silvia Nava
@Dunkenguer para hablar de un tema primero hay que saber de él, esta música empezó en Jamaica, Panamá la continuó en español naciendo así el reggae en español, los puerto riqueños se inventaron la palabra reggaeton y así renombraron a su versión del reggae en español hecho en Puerto Rico, seguro eres de los que piensan que el reggaeton nació en el 2004 con gasolina de yankee, los boricuas no inventaron nada esto ya estaba desde los 80's en Jamaica y Panamá, porque crees que reggaeton lleva la palabra REGGAE, solo piensa un poquito, y no hables tonterias inventandote un reggaeton tropical si eso ni existe Jajaja