Lenny Bruce (October 13, 1925 – August 3, 1966), born Leonard Alfred Schnei… Read Full Bio ↴Lenny Bruce (October 13, 1925 – August 3, 1966), born Leonard Alfred Schneider in Mineola, New York, was an extremely influential and controversial American stand-up comedian, writer, social critic and satirist of the 1950s and 1960s, whose comedy revolved heavily around the social stigmas and taboos of the era in which he lived. His 1964 conviction in an obscenity trial was followed by a posthumous pardon, the first in New York state history.
Bruce's early comedy career included writing the screenplays for Dance Hall Racket in 1953, which featured himself, his wife, Honey Harlow, and mother, Sally Marr, in roles; Dream Follies in 1954, a low-budget burlesque romp; and a children's film, The Rocket Man, in 1954. He also released four albums of original material on Berkeley-based Fantasy Records, with rants, comic routines, and satirical interviews on the themes that made him famous: jazz, moral philosophy, politics, patriotism, religion, law, race, abortion, drugs, the Ku Klux Klan, and Jewishness. These albums were later compiled and re-released as The Lenny Bruce Originals Volume 1 and Volume 2 in 1991. Two later records were produced and sold by Bruce himself, including a 10-inch album, Live: San Francisco 1966, of the 1961 San Francisco performances that started his legal troubles. Starting in the late 1950s, other unissued Bruce material was released by Alan Douglas, Frank Zappa and Phil Spector, as well as Fantasy. Bruce developed the complexity and tone of his material in Enrico Banducci's North Beach nightclub, "The hungry i," where Mort Sahl had earlier made a name for himself.
His growing fame led to appearances on the nationally televised Steve Allen Show, where he made his debut with an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "will Elizabeth Taylor become bar mitzvahed?" He also began receiving mainstream press, both favorable and derogatory. Syndicated Broadway columnist Hy Gardner called Bruce a "fad" and "a one-time-around freak attraction," while Variety declared him "undisciplined and unfunny." Influential San Francisco columnist Herb Caen, however, was an early and enthusiastic supporter, writing in 1959:
They call Lenny Bruce a sick comic, and sick he is. Sick of all the pretentious phoniness of a generation that makes his vicious humor meaningful. He is a rebel, but not without a cause, for there are shirts that need un-stuffing, egos that need deflating. Sometimes you feel guilty laughing at some of Lenny's mordant jabs, but that disappears a second later when your inner voice tells you with pleased surprise, 'but that's true.'
On February 3, 1961, in the midst of a severe blizzard, he gave a famous performance at Carnegie Hall in New York. It was recorded and later released as a three-disc set, titled Carnegie Hall Concert. In the liner notes, critic Albert Goldman described it as follows:
This was the moment that an obscure yet rapidly rising young comedian named Lenny Bruce chose to give one of the greatest performances of his career. ... The performance contained in this album is that of a child of the jazz age. Lenny worshiped the gods of Spontaneity, Candor and Free Association. He fancied himself an oral jazzman. His ideal was to walk out there like Charlie Parker, take that mike in his hand like a horn and blow, blow, blow everything that came into his head just as it came into his head with nothing censored, nothing translated, nothing mediated, until he was pure mind, pure head sending out brainwaves like radio waves into the heads of every man and woman seated in that vast hall. Sending, sending, sending, he would finally reach a point of clairvoyance where he was no longer a performer but rather a medium transmitting messages that just came to him from out there — from recall, fantasy, prophecy. A point at which, like the practitioners of automatic writing, his tongue would outrun his mind and he would be saying things he didn't plan to say, things that surprised, delighted him, cracked him up — as if he were a spectator at his own performance!
On October 4, 1961, Bruce was arrested for obscenity at the Jazz Workshop in San Francisco; he had used the word "cocksucker" and riffed that "'to' is a preposition, 'come' is a verb", that the sexual context of "come" is so common that it bears no weight, and that if someone hearing it becomes upset, he "probably can't come." Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity. The increased scrutiny also led to an arrest in Philadelphia, for drug possession the same year, and again in Los Angeles, California, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who would later become County Sheriff.
In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. On both occasions, he was arrested after leaving the stage, the complaints again pertaining to his use of various obscenities.
A three-judge panel presided over his widely publicized six-month trial, with Bruce and club owner Howard Solomon both found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin – among other artists, writers and educators, and from Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced, on December 21, 1964, to four months in the workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon later saw his conviction overturned; Bruce, who died before the decision, never had his conviction stricken.
Despite his prominence as a comedian, Bruce appeared on network television only six times in his life. In his later club performances Bruce was known for relating the details of his encounters with the police directly in his comedy routine; his criticism encouraged the police to subject him to maximum scrutiny. These performances often included rants about his court battles over obscenity charges, tirades against fascism and complaints that he was being denied his right to freedom of speech.
He was banned outright from several U.S. cities, and in 1962 was banned from performing in Sydney, Australia. At his first show there Bruce took the stage, declared "What a fucking wonderful audience" and was promptly arrested.
Increasing drug use also affected his health. By 1966 he had been blacklisted by nearly every nightclub in the United States, as owners feared prosecution for obscenity. Bruce did have a famous performance at the Berkeley Community Theatre in December 1965. It was recorded and became his last (live) album, titled The Berkeley Concert; his performance here has been described as lucid, clear and calm, and one of his best. His last performance took place on June 25, 1966, at The Fillmore Auditorium in San Francisco, on a bill with Frank Zappa and The Mothers of Invention. The performance was not remembered fondly by Bill Graham, who described Bruce as "whacked out on amphetamines"; Graham thought that Bruce finished his set emotionally disturbed. Zappa asked Bruce to sign his draft card, but the suspicious Bruce refused.
At the request of Hugh Hefner and with the aid of Paul Krassner, Bruce wrote an autobiography. Serialized in Playboy in 1964 and 1965, this material was later published as the book How to Talk Dirty and Influence People. Hefner had long assisted Bruce's career, featuring him in the television debut of Playboy's Penthouse in October 1959.
On August 3, 1966, Bruce was found dead in the bathroom of his Hollywood Hills home at 8825 N. Hollywood Blvd. The official photo, taken at the scene, showed Bruce lying naked on the floor, a syringe and burned bottle cap nearby, along with various other narcotics paraphernalia. Record producer Phil Spector, a friend of Bruce's, bought the negatives to the photographs to keep them from the press. The official cause of death was "acute morphine poisoning caused by an accidental overdose."
He was interred in Eden Memorial Park Cemetery in Mission Hills, California, but an unconventional memorial on August 21 was controversial enough to keep his name in the spotlight. The service saw over 500 people pay their respects, led by Spector. Cemetery officials had tried to block the ceremony after advertisements for the event encouraged attendees to bring box lunches and noisemakers. Dick Schaap famously eulogized Bruce in Playboy, with the memorable last line: "One last four-letter word for Lenny: Dead. At forty. That's obscene."
At the time of his death his girlfriend was comedian Lotus Weinstock.
On December 23, 2003, 37 years after his death, Bruce was granted a posthumous pardon for his obscenity conviction by New York Governor George Pataki, following a petition filed by Ronald Collins and David Skover with Robert Corn-Revere as counsel, the petition having been signed by several stars such as Robin Williams. It was the first posthumous pardon in the state's history. Pataki said his act was "a declaration of New York's commitment to upholding the First Amendment."
Bruce's early comedy career included writing the screenplays for Dance Hall Racket in 1953, which featured himself, his wife, Honey Harlow, and mother, Sally Marr, in roles; Dream Follies in 1954, a low-budget burlesque romp; and a children's film, The Rocket Man, in 1954. He also released four albums of original material on Berkeley-based Fantasy Records, with rants, comic routines, and satirical interviews on the themes that made him famous: jazz, moral philosophy, politics, patriotism, religion, law, race, abortion, drugs, the Ku Klux Klan, and Jewishness. These albums were later compiled and re-released as The Lenny Bruce Originals Volume 1 and Volume 2 in 1991. Two later records were produced and sold by Bruce himself, including a 10-inch album, Live: San Francisco 1966, of the 1961 San Francisco performances that started his legal troubles. Starting in the late 1950s, other unissued Bruce material was released by Alan Douglas, Frank Zappa and Phil Spector, as well as Fantasy. Bruce developed the complexity and tone of his material in Enrico Banducci's North Beach nightclub, "The hungry i," where Mort Sahl had earlier made a name for himself.
His growing fame led to appearances on the nationally televised Steve Allen Show, where he made his debut with an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "will Elizabeth Taylor become bar mitzvahed?" He also began receiving mainstream press, both favorable and derogatory. Syndicated Broadway columnist Hy Gardner called Bruce a "fad" and "a one-time-around freak attraction," while Variety declared him "undisciplined and unfunny." Influential San Francisco columnist Herb Caen, however, was an early and enthusiastic supporter, writing in 1959:
They call Lenny Bruce a sick comic, and sick he is. Sick of all the pretentious phoniness of a generation that makes his vicious humor meaningful. He is a rebel, but not without a cause, for there are shirts that need un-stuffing, egos that need deflating. Sometimes you feel guilty laughing at some of Lenny's mordant jabs, but that disappears a second later when your inner voice tells you with pleased surprise, 'but that's true.'
On February 3, 1961, in the midst of a severe blizzard, he gave a famous performance at Carnegie Hall in New York. It was recorded and later released as a three-disc set, titled Carnegie Hall Concert. In the liner notes, critic Albert Goldman described it as follows:
This was the moment that an obscure yet rapidly rising young comedian named Lenny Bruce chose to give one of the greatest performances of his career. ... The performance contained in this album is that of a child of the jazz age. Lenny worshiped the gods of Spontaneity, Candor and Free Association. He fancied himself an oral jazzman. His ideal was to walk out there like Charlie Parker, take that mike in his hand like a horn and blow, blow, blow everything that came into his head just as it came into his head with nothing censored, nothing translated, nothing mediated, until he was pure mind, pure head sending out brainwaves like radio waves into the heads of every man and woman seated in that vast hall. Sending, sending, sending, he would finally reach a point of clairvoyance where he was no longer a performer but rather a medium transmitting messages that just came to him from out there — from recall, fantasy, prophecy. A point at which, like the practitioners of automatic writing, his tongue would outrun his mind and he would be saying things he didn't plan to say, things that surprised, delighted him, cracked him up — as if he were a spectator at his own performance!
On October 4, 1961, Bruce was arrested for obscenity at the Jazz Workshop in San Francisco; he had used the word "cocksucker" and riffed that "'to' is a preposition, 'come' is a verb", that the sexual context of "come" is so common that it bears no weight, and that if someone hearing it becomes upset, he "probably can't come." Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity. The increased scrutiny also led to an arrest in Philadelphia, for drug possession the same year, and again in Los Angeles, California, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who would later become County Sheriff.
In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. On both occasions, he was arrested after leaving the stage, the complaints again pertaining to his use of various obscenities.
A three-judge panel presided over his widely publicized six-month trial, with Bruce and club owner Howard Solomon both found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin – among other artists, writers and educators, and from Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced, on December 21, 1964, to four months in the workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon later saw his conviction overturned; Bruce, who died before the decision, never had his conviction stricken.
Despite his prominence as a comedian, Bruce appeared on network television only six times in his life. In his later club performances Bruce was known for relating the details of his encounters with the police directly in his comedy routine; his criticism encouraged the police to subject him to maximum scrutiny. These performances often included rants about his court battles over obscenity charges, tirades against fascism and complaints that he was being denied his right to freedom of speech.
He was banned outright from several U.S. cities, and in 1962 was banned from performing in Sydney, Australia. At his first show there Bruce took the stage, declared "What a fucking wonderful audience" and was promptly arrested.
Increasing drug use also affected his health. By 1966 he had been blacklisted by nearly every nightclub in the United States, as owners feared prosecution for obscenity. Bruce did have a famous performance at the Berkeley Community Theatre in December 1965. It was recorded and became his last (live) album, titled The Berkeley Concert; his performance here has been described as lucid, clear and calm, and one of his best. His last performance took place on June 25, 1966, at The Fillmore Auditorium in San Francisco, on a bill with Frank Zappa and The Mothers of Invention. The performance was not remembered fondly by Bill Graham, who described Bruce as "whacked out on amphetamines"; Graham thought that Bruce finished his set emotionally disturbed. Zappa asked Bruce to sign his draft card, but the suspicious Bruce refused.
At the request of Hugh Hefner and with the aid of Paul Krassner, Bruce wrote an autobiography. Serialized in Playboy in 1964 and 1965, this material was later published as the book How to Talk Dirty and Influence People. Hefner had long assisted Bruce's career, featuring him in the television debut of Playboy's Penthouse in October 1959.
On August 3, 1966, Bruce was found dead in the bathroom of his Hollywood Hills home at 8825 N. Hollywood Blvd. The official photo, taken at the scene, showed Bruce lying naked on the floor, a syringe and burned bottle cap nearby, along with various other narcotics paraphernalia. Record producer Phil Spector, a friend of Bruce's, bought the negatives to the photographs to keep them from the press. The official cause of death was "acute morphine poisoning caused by an accidental overdose."
He was interred in Eden Memorial Park Cemetery in Mission Hills, California, but an unconventional memorial on August 21 was controversial enough to keep his name in the spotlight. The service saw over 500 people pay their respects, led by Spector. Cemetery officials had tried to block the ceremony after advertisements for the event encouraged attendees to bring box lunches and noisemakers. Dick Schaap famously eulogized Bruce in Playboy, with the memorable last line: "One last four-letter word for Lenny: Dead. At forty. That's obscene."
At the time of his death his girlfriend was comedian Lotus Weinstock.
On December 23, 2003, 37 years after his death, Bruce was granted a posthumous pardon for his obscenity conviction by New York Governor George Pataki, following a petition filed by Ronald Collins and David Skover with Robert Corn-Revere as counsel, the petition having been signed by several stars such as Robin Williams. It was the first posthumous pardon in the state's history. Pataki said his act was "a declaration of New York's commitment to upholding the First Amendment."
The Steve Allen Show
Lenny Bruce Lyrics
We have lyrics for these tracks by Lenny Bruce:
Infidelity When a man just can't be trusted And again he's gone…
White Collar Drunks Bobo In White Wooden Houses Passing Stranger White Wooden Ho…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@r.j.w7924
I already knew Lenny Bruce was a legend but this made me appreciate just how good the actor playing him on Maisel really is!
@BugoHossBH
I checked him out because of Maisel. and I agree 👍
@geraldinesidoli1959
He really is impressive, it almost sounded like the man himself, he's got the mannerisms down pat
@vamigeorge1571
Luke Kirby steals the every single scene he appears in, what a testament to the good job the casting did, Lenny Bruce is king!
@maryallison0509
The actor they picked to play Lenny is spot on. They even look very similar. I love that show.
@deandavidson1375
I want to see that show
@randallreed9048
If you were my age (74), you would be in awe of this piece of history. I watched The Steve Allen Show every night on summer vacation. He was original and authentic. Lenny Bruce was a dangerous genius, feared by the Establishment, way ahead of his time. Wonderful!
@chrave1956
Today in America its North Korea .
@KillrMillr7
Yes he was, he knew to much. Lenny Bruce is not afraid….. REM knew
@taradavis3889
@@KillrMillr7all purposeful, pre designed