Miller rose to popularity in the early 2010s with an experimental approach to Southern hip hop. His debut album Mista Thug Isolation gained him notoriety in the underground hip hop scene. Since then, he has experimented with a number of styles within and outside the hip hop genre, most recently releasing the indie rock album Volcanic Bird Enemy and the Voiced Concern. His other work spans genres including instrumental and abstract hip hop, black metal, free jazz and noise music.
Career
Miller began recording music in the 2000s under a number of aliases. Much of his early music cannot be found today on the internet, however some of it has been re-released, such as on his Register compilation album. Some of his early work included the black metal projects Vudmurk and Seidhr, the industrial and noise projects Across, Public Garden and Rats, and the underground hip hop group The Legacy, during which time he rapped under the name Young Gus.
Miller began releasing hip hop under the name Lil Ugly Mane on Bandcamp and producing beats for himself and other artists under the name Shawn Kemp in 2010, releasing his debut mixtape Playaz Circle in 2011. His early work under the Lil Ugly Mane name drew on various styles of underground Southern hip hop from the 1990s such as Memphis rap and chopped and screwed. His style was similar to that of the contemporaneous Raider Klan collective, with whom he collaborated. His 2012 debut album Mista Thug Isolation earned positive reviews from Mishka NYC, among others and support from members of the popular hip hop collective Odd Future. The album has since been hailed as a classic of the 2010s underground hip hop scene, earning later praise from Pitchfork and The Needle Drop. The album was followed by a number of smaller releases, including the Uneven Compromise EP, which is ranked in the top 10 greatest EPs of all time by user-generated music review site RateYourMusic, and the single "On Doing an Evil Deed Blues", in which he outlined his grievances with the music industry and his intention to retire the Lil Ugly Mane project.
Miller announced he would release one final album under the Lil Ugly Mane name, and began sporadically releasing compilations of beats and older material on Bandcamp, including the Three Sided Tape series, the final installment of which, Third Side of Tape, received positive coverage from Anthony Fantano of The Needle Drop among others. In 2015, Miller released what was intended to be the final Lil Ugly Mane album – Oblivion Access and the final Shawn Kemp project – Trick Dice, a collaboration with rapper Nickelus F. Oblivion Access saw Lil Ugly Mane taking a more experimental approach divorced from his earlier '90s Southern rap influences.
In 2017, Miller announced he would continue rapping under the name Bedwetter and released his debut project under the name – Vol. 1: Flick Your Tongue Against Your Teeth and Describe the Present. The album continued with the more introspective and experimental style of Oblivion Access. Around the same time however, Miller began rapping under the Lil Ugly Mane name again as part of the group Secret Circle with Antwon and Wiki. After releasing a few singles, the group disbanded and scrapped their debut album due to a personal falling out. Miller began working with the remaining members of GothBoiClique, however then appeared to go on hiatus, only releasing small collections of older material sporadically.
In 2021, Miller began releasing new music under the Lil Ugly Mane name. He released the single "Headboard", followed by "Porcelain Slightly" and then his third major release under the Lil Ugly Mane name – Volcanic Bird Enemy and the Voiced Concern, which was covered positively by Sputnik Music and Stereogum. Around the same time, Miller released a new black metal demo under the Vudmurk name.
Drain Counter
Lil Ugly Mane Lyrics
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What, they gonna throw me in the juvy for a month or two?
Try me, I still ain't doin' nothing that you want me to
Cuttin' and disrupting every classroom discussion
Cussin' out my mom, puffin' blunts, gettin' dusted
Overwhelmed with distrust in everything that I wasn't
Things I know now, I guess I felt 'em back then
Power and control reflect fear among men
So I never ever ever want to be amongst them
See a landscape littered with the blisters of potential
People letting ghosts govern most of they mental
The opposite adults your folks hope you'd resemble
Doomed from the get like a goat in the temple
Hard to not dwell among fear
Knowing that the court treat crime so severe
But I'm blowin' smoke out the window being so cavalier
Sh-shakin' up the bottle when I open the beer
Only obligation is to prosper in my operations
Money motivations stay gaudy ostentatious
Ain't even a challenge cuz the rap game basic
I ain't heard talent since-
Face it, it's fact not assumption
Rap sound like shit like "ship" with the fronts in
Hate getting lumped in, giant next to munchkins
Catch me on the other side wildin' in the dungeon
The lyrics of Lil Ugly Mane's song "Drain Counter" reflect on the artist's rebellious and troubled teenage years. At the age of 15, Ugly felt invincible and unconcerned about the consequences of his actions. He dismisses the idea of being sent to juvenile detention and defiantly refuses to conform to societal expectations. Ugly describes his disruptive behavior in school, disrespect towards his mother, and indulgence in drugs.
As the song progresses, Ugly acknowledges that he now understands the fears and insecurities that drive people's need for power and control. He realizes that the very things society condemns are often prevalent within society itself. Ugly expresses his desire to distance himself from such people and their toxic behaviors. He observes a world where untapped potential is wasted due to the influence of invisible forces, likening it to a landscape littered with missed opportunities.
Ugly reflects on the harsh treatment of the justice system, knowing that it heavily penalizes crime. Yet, he remains nonchalant, blowing smoke out of a window and being cavalier. He defies societal expectations and norms. Ugly's only obligation, in his eyes, is to thrive in his endeavors, driven by money and ostentation. He criticizes the rap game for lacking talent and sounding generic, emphasizing his own uniqueness and skill.
Overall, the lyrics of "Drain Counter" showcase Lil Ugly Mane's defiance, self-awareness, and rejection of societal norms, as well as his desire to distance himself from toxic individuals and thrive in his own endeavors.
Contributed by Kaitlyn G. Suggest a correction in the comments below.