Hampton was born on 20th April 1908 in Louisville, Kentucky, but moved to Chicago as a child, where he began his career as a drummer. He relocated to Los Angeles to play drums in Les Hite's band. They soon became the house band for Frank Sebastian's New Cotton Club, a popular L.A. jazz club.
During a 1930 recording date in the NBC studios in L.A., Louis Armstrong discovered a vibraphone. He asked Hampton if he could play it. Hampton, who knew how to play the xylophone, tried it and they agreed to record a few records with Hamp on vibes. Hampton is credited with popularizing the vibraphone as a jazz instrument.
In the mid-1930s, the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. John Hammond brought Goodman to see Hampton play. Goodman asked Hampton to move to New York City and join Goodman, Teddy Wilson, and Gene Krupa who'd already formed a Benny Goodman Trio within the large band - to expand into the Benny Goodman Quartet. The Trio and Quartet were among the first racially integrated bands to record and play before wide audiences; they were just as well received at Goodman's famous 1938 Carnegie Hall concert as was the full Goodman band.
While Hampton worked for Goodman in New York, he recorded with several different small groups known as the Lionel Hampton Orchestra as well as assorted small groups within the Goodman band. In the early 40s he left the Goodman organization to form his own touring band.
Hampton's band fostered the talents of Illinois Jacquet, Dexter Gordon, Ernie Royal, Jack McVea, Charlie Mingus, Monk Montgomery, Wes Montgomery, Quincy Jones, Benny Golson, Fats Navarro, Kenny Dorham, Clifford Brown, Dinah Washington, Betty Carter, Joe Williams, Arnett Cobb, Earl Bostic, and John Colianni among many others.
Hampton's recording of "Flying Home" (1939) with the famous honking tenor sax solo by Jacquet, later refined and expanded by Cobb (1946), is considered by some to be the first rock and roll record. He was known for his tireless energy and his skill on the vibes, drums, and lightning speed two-fingered piano. The bars on the vibraphone are laid out like the piano; Hampton played both instruments the same way.
Beginning in the mid-1980s, Hampton and his band started playing at the University of Idaho's jazz concert, which in 1985 was renamed the Lionel Hampton Jazz Festival. In 1987 the University's music college was renamed the Lionel Hampton School of Music, the first and only university music college to be named after a jazz musician.
Lionel Hampton died of cardiac arrest at Mount Sinai Medical Center in New York on 31st August 2002. He was buried in the Woodlawn Cemetery, Bronx, New York.
But Beautiful
Lionel Hampton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Or it's quiet or it's mad;
It's a good thing or it's bad,
But beautiful!
Beautiful to take a chance
And if you fall, you fall,
And I'm thinking I wouldn't mind at all.
It's a problem or it's play,
It's a heartache either way,
But beautiful!
And I'm thinking if you were mine
I'd never let you go,
And that would be but beautiful I know.
In Lionel Hampton's song "But Beautiful," the lyrics explore the complexities of love and the many emotions that come with it. The first verse establishes that love can be funny, sad, quiet, or mad, and that it can be both good and bad. The second verse continues this theme, explaining that love can be tearful or gay, a problem or a play, and a heartache in either case. Despite the potential difficulties and complications of love, the chorus concludes that love is beautiful.
The lyrics express a unique perspective on love because they acknowledge its flaws and challenges without negating its beauty. Even though love can be painful, risky, and unpredictable, it is still seen as something worth pursuing and treasuring. The lyrics convey a sense of bravery and optimism in the face of love, expressing a willingness to take chances and accept the consequences, and a sense of determination to hold on to someone special.
Overall, Lionel Hampton's "But Beautiful" is a song that captures the many dimensions of love, portraying it as both wonderful and difficult, rewarding and challenging, and ultimately, beautiful.
Line by Line Meaning
Love is funny or it's sad,
Love can be strange or sorrowful
Or it's quiet or it's mad;
It can be calm or intense
It's a good thing or it's bad,
It can bring joy or pain
But beautiful!
Overall, it is still a beautiful thing
Beautiful to take a chance
It can be wonderful to risk it all for love
And if you fall, you fall,
Even if you fail, it's worth trying
And I'm thinking I wouldn't mind at all.
The singer is willing to take a chance on love
Love is tearful or it's gay.
Love can bring tears or happiness
It's a problem or it's play,
It can be complicated or simple
It's a heartache either way,
Love can bring pain no matter what
But beautiful!
Yet, it is still something worth experiencing
And I'm thinking if you were mine
The artist is imagining a romantic scenario
I'd never let you go,
They would never want to lose their lover
And that would be but beautiful I know.
This kind of love would be truly beautiful
Lyrics © Warner Chappell Music, Inc.
Written by: Jimmy Van Heusen, Johnny Burke
Lyrics Licensed & Provided by LyricFind