Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
It's Got To Be Real
Lisa Stansfield Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
How I've tried to always find a love and understanding
To always see the light of day and to know that I am living
All my life I won't take if I'm not giving
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
[Chorus]
It's got to be real
Be the best nothing less than wonderful
It's got to be real this time
What's waiting there inside
It's got to be real
Knowing love know it can be powerful
It's got to be really love
So we can rise above
All my life I try to see the love inside myself
And I keep on trying in no uncertain terms
To let my light shine through
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
[Chorus]
To always see the light of day and to know that I am living
All my life I won't take if I'm not giving
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
[Chorus]
The lyrics of Lisa Stansfield's song "It's Got To Be Real" express the desire for a genuine and authentic love that is based on mutual respect and understanding. The singer has been searching for this kind of love all her life, trying to see the love inside herself and to always give as much as she takes. She wants to live fully and see the light of day, but understands that this requires finding the right kind of love that is powerful enough to help her rise above the challenges of life.
The metaphor of rain and lightning in the song suggests that sometimes it takes a storm or a crisis to find the answers we are looking for. Only when the rain comes down and the lightning strikes can the singer find the answer for herself. This may refer to the idea that sometimes we need to go through difficult times to gain insight and clarity about our own needs and desires. The chorus emphasizes the importance of finding a love that is real, wonderful, and powerful, and that can help us rise above the daily struggles and disappointments of life.
Line by Line Meaning
All my life I keep on searching for that special thing
Throughout my entire existence, I have been trying to find something unique and exceptional.
How I've tried to always find a love and understanding
I have made numerous efforts to discover affection and empathy.
To always see the light of day and to know that I am living
I strive to keep a positive outlook and be aware of my existence.
All my life I won't take if I'm not giving
I refuse to receive anything if I do not give equally in return.
Only when the rain comes down
I can only find what I am looking for during a difficult situation.
Only when the lightning strikes me
It takes a sudden event to make me realize what I need.
Will I find the answer for myself
I will only understand what I require by searching within.
It's got to be real
The thing I am looking for must be authentic and genuine.
Be the best nothing less than wonderful
The best outcome that can be achieved is nothing less than magnificent.
It's got to be real this time
I have been seeking something real, and this time I must find it.
What's waiting there inside
Something valuable and significant is waiting to be discovered within.
Knowing love know it can be powerful
Recognizing love can be influential and impactful.
It's got to be really love
It must be genuine affection that I am seeking, nothing less.
So we can rise above
If we possess real love, we can overcome any obstacle.
All my life I try to see the love inside myself
I consistently attempt to acknowledge the love within me.
And I keep on trying in no uncertain terms
I persistently keep attempting without any hesitations.
To let my light shine through
I aim to let my true self shine and be visible to others.
Lyrics ยฉ Universal Music Publishing Group
Written by: ANDY MORRIS, IAN OWEN DEVANEY, LISA JANE STANSFIELD
Lyrics Licensed & Provided by LyricFind
Donny Rachmat Shrswdytmj
All my life I keep on searching for that special thing
How I've tried to always find a love and understanding
To always see the light of day and to know that I am living
All my life I won't take if I'm not giving
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
It's got to be real
Be the best nothing less than wonderful
It's got to be real this time
What's waiting there inside
It's got to be real
Knowing love know it can be powerful
It's got to be really love
So we can rise above
All my life I try to see the love inside myself
And I keep on trying in no uncertain terms
To let my light shine through
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
It's got to be real
Be the best nothing less than wonderful
It's got to be real this time
What's waiting there inside
It's got to be real
Knowing love know it can be powerful
It's got to be really love
So we can rise above
To always see the light of day and to know that I am living
All my life I won't take if I'm not giving
Only when the rain comes down
Only when the lightning strikes me
Will I find the answer for myself
It's got to be real
Be the best nothing less than wonderful
It's got to be real this time
What's waiting there inside
It's got to be real
Knowing love know it can be powerful
It's got to be really love
So we can rise above
Source: LyricFind
Songwriters: Andy Morris / Ian Owen Devaney / Lisa Jane Stansfield
Itโs Got to Be Real lyrics ยฉ Universal Music Publishing Group
OldRockfunkinDiscoGrl
I've loved you Lisa for 30 years. You're the most underrated voice of our time. ๐
Robert Drake
This lady has an amazing SOULFUL voice. You can hear the old school Motown influence in her music, especially this groove! I think I have all of her cds!!
Scorpion Hot!!!
I wouldn't say that she sounds influenced by Detroit's Motown...
But more affiliated with the late Barry White's style.
Kevin Dobson
She has 9 albums
cristyn jenkins
I love this song & the rest of the album is awesome. Thank you Lisa Stansfield
mzone12
awesomely POWERFUL song!! this is truly a masterpiece!
MAB
Adorooooooo fabulosa, suingue incomparรกvel grande diva
j Jpr
Gives me goosebumps !!!! What a voice & song. !!!! This gal is so underrated .... so "breakout " feel. From Swingout sisters !!! Love it.
Maiara Soares
Amo todas as musicas!!
MaCa MT
Estupenda voz. Eres รบnica Lisa.