Eva Narcissus Boyd (June 29, 1943 – April 10, 2003), known by the stage nam… Read Full Bio ↴Eva Narcissus Boyd (June 29, 1943 – April 10, 2003), known by the stage name of Little Eva, was an American pop singer.
Born in Belhaven, North Carolina, she moved to the Brighton Beach section of Brooklyn, New York, at a young age. Although some sources claim that her stage name was inspired by a character from the novel Uncle Tom's Cabin, she stated in an interview that she was named after her aunt, which prompted her family to call her "Little Eva." As a teenager, she worked as a maid and earned extra money as a babysitter for songwriters Carole King and Gerry Goffin. It is often claimed that Goffin and King were amused by Boyd's particular dancing style, so they wrote "The Loco-Motion" for her and had her record it as a demo (the record was intended for Dee Dee Sharp).
However, as King said in an interview with NPR and in her "One to One" concert video, they knew she could sing when they met her, and it would be just a matter of time before they would have her record songs they wrote, the most successful being "The Loco-Motion."
Music producer Don Kirshner of Dimension Records was impressed by the song and Boyd's voice and had it released. The song reached #1 in the United States in 1962. It sold over one million copies, and was awarded a gold disc. After the success of "The Loco-Motion," Boyd was stereotyped as a dance-craze singer and was given limited material.
The same year, Goffin and King wrote "He Hit Me (And It Felt Like A Kiss)" (performed by the Crystals) after discovering that Boyd was being regularly beaten by her boyfriend. When they inquired why she tolerated such treatment, Eva replied without batting an eyelid that her boyfriend's actions were motivated by his love for her.
Phil Spector's arrangement of the song was ominous and ambiguous.
It was a brutal song, as any attempt to justify such violence must be, and Spector's arrangement only amplified its savagery, framing Barbara Alston's lone vocal amid a sea of caustic strings and funereal drums, while the backing vocals almost trilled their own belief that the boy had done nothing wrong. In more ironic hands (and a more understanding age), 'He Hit Me' might have passed at least as satire. But Spector showed no sign of appreciating that, nor did he feel any need to. No less than the song's writers, he was not preaching, he was merely documenting.
Boyd's other single recordings were "Keep Your Hands Off My Baby," "Let's Turkey Trot," and a remake of the Bing Crosby standard "Swinging on a Star," recorded with Big Dee Irwin (though Boyd was not credited on the label). Boyd also recorded the song "Makin' With the Magilla" for an episode of the 1964 Hanna-Barbera cartoon series The Magilla Gorilla Show.
She continued to tour and record throughout the sixties, but her commercial potential plummeted after 1964. She retired from the music industry in 1971. She never owned the rights to her recordings. Although the prevailing rumor in the 1970s was that she had received only $50 for "The Loco-Motion," it seems $50 was actually her weekly salary at the time she made her records (an increase of $15 from what Goffin and King had been paying her as nanny). Penniless, she returned with her three young children to North Carolina, where they lived in obscurity.
Interviewed in 1988 after the success of the Kylie Minogue cover version of "The Loco-Motion", Boyd stated that she did not like the new version; however its then-current popularity allowed her to make a comeback in show business.
She returned to live performing with other artists of her era on the cabaret and oldies circuits. She also occasionally recorded new songs.
The only existing footage of Little Eva performing "Loco-Motion" is a small clip from the ABC sixties live show Shindig! where she sang a short version of the clip along with the famous dance steps. She also sang "Let's Turkey Trot" and the Exciters' song "I Want You to Be My Boy" in the same episode. This TV show was one of her final performances until 1988, when she began performing in concerts with Bobby Vee and other singers. In a 1991 Richard Nader concert, she performed "Loco-Motion" and "Keep Your Hands Off My Baby". The concert was partially documented on videotape, albeit of marginal quality.
She continued performing until she was diagnosed with cervical cancer in October 2001. She died on April 10, 2003 in Kinston, North Carolina, at the age of 59, and is buried in a small cemetery in Belhaven, North Carolina. Her gravesite was sparsely marked until July 2008, when a report by WRAL-TV of Raleigh, North Carolina highlighted deteriorating conditions at the cemetery and efforts by the city of Belhaven to have it restored. A simple white cross had marked the site until a new gravestone was unveiled in November of that year. Her new grey gravestone has the image of a steam locomotive prominently engraved on the front and the epitaph reads: "Singing with the Angels".
Born in Belhaven, North Carolina, she moved to the Brighton Beach section of Brooklyn, New York, at a young age. Although some sources claim that her stage name was inspired by a character from the novel Uncle Tom's Cabin, she stated in an interview that she was named after her aunt, which prompted her family to call her "Little Eva." As a teenager, she worked as a maid and earned extra money as a babysitter for songwriters Carole King and Gerry Goffin. It is often claimed that Goffin and King were amused by Boyd's particular dancing style, so they wrote "The Loco-Motion" for her and had her record it as a demo (the record was intended for Dee Dee Sharp).
However, as King said in an interview with NPR and in her "One to One" concert video, they knew she could sing when they met her, and it would be just a matter of time before they would have her record songs they wrote, the most successful being "The Loco-Motion."
Music producer Don Kirshner of Dimension Records was impressed by the song and Boyd's voice and had it released. The song reached #1 in the United States in 1962. It sold over one million copies, and was awarded a gold disc. After the success of "The Loco-Motion," Boyd was stereotyped as a dance-craze singer and was given limited material.
The same year, Goffin and King wrote "He Hit Me (And It Felt Like A Kiss)" (performed by the Crystals) after discovering that Boyd was being regularly beaten by her boyfriend. When they inquired why she tolerated such treatment, Eva replied without batting an eyelid that her boyfriend's actions were motivated by his love for her.
Phil Spector's arrangement of the song was ominous and ambiguous.
It was a brutal song, as any attempt to justify such violence must be, and Spector's arrangement only amplified its savagery, framing Barbara Alston's lone vocal amid a sea of caustic strings and funereal drums, while the backing vocals almost trilled their own belief that the boy had done nothing wrong. In more ironic hands (and a more understanding age), 'He Hit Me' might have passed at least as satire. But Spector showed no sign of appreciating that, nor did he feel any need to. No less than the song's writers, he was not preaching, he was merely documenting.
Boyd's other single recordings were "Keep Your Hands Off My Baby," "Let's Turkey Trot," and a remake of the Bing Crosby standard "Swinging on a Star," recorded with Big Dee Irwin (though Boyd was not credited on the label). Boyd also recorded the song "Makin' With the Magilla" for an episode of the 1964 Hanna-Barbera cartoon series The Magilla Gorilla Show.
She continued to tour and record throughout the sixties, but her commercial potential plummeted after 1964. She retired from the music industry in 1971. She never owned the rights to her recordings. Although the prevailing rumor in the 1970s was that she had received only $50 for "The Loco-Motion," it seems $50 was actually her weekly salary at the time she made her records (an increase of $15 from what Goffin and King had been paying her as nanny). Penniless, she returned with her three young children to North Carolina, where they lived in obscurity.
Interviewed in 1988 after the success of the Kylie Minogue cover version of "The Loco-Motion", Boyd stated that she did not like the new version; however its then-current popularity allowed her to make a comeback in show business.
She returned to live performing with other artists of her era on the cabaret and oldies circuits. She also occasionally recorded new songs.
The only existing footage of Little Eva performing "Loco-Motion" is a small clip from the ABC sixties live show Shindig! where she sang a short version of the clip along with the famous dance steps. She also sang "Let's Turkey Trot" and the Exciters' song "I Want You to Be My Boy" in the same episode. This TV show was one of her final performances until 1988, when she began performing in concerts with Bobby Vee and other singers. In a 1991 Richard Nader concert, she performed "Loco-Motion" and "Keep Your Hands Off My Baby". The concert was partially documented on videotape, albeit of marginal quality.
She continued performing until she was diagnosed with cervical cancer in October 2001. She died on April 10, 2003 in Kinston, North Carolina, at the age of 59, and is buried in a small cemetery in Belhaven, North Carolina. Her gravesite was sparsely marked until July 2008, when a report by WRAL-TV of Raleigh, North Carolina highlighted deteriorating conditions at the cemetery and efforts by the city of Belhaven to have it restored. A simple white cross had marked the site until a new gravestone was unveiled in November of that year. Her new grey gravestone has the image of a steam locomotive prominently engraved on the front and the epitaph reads: "Singing with the Angels".
Will You Still Love Me Tomorrow?
Little Eva Lyrics
Tonight you're mine, completely
You give your soul so sweetly
Tonight the light of love is in your eyes
But will you love me tomorrow
Is this a lasting treasure
Or just a moment's pleasure
Can I believe the magic in your sighs
And will you still love me tomorrow
Tonight with words unspoken
You say that I'm the only one
But will my heart be broken
When the night meets the morning sun
I'd like to know if your love
Is a love I can be sure of
So tell me now and I won't ask again
Will you still love me tomorrow
Will you still love me tomorrow
Will you still love me tomorrow
You give your soul so sweetly
Tonight the light of love is in your eyes
But will you love me tomorrow
Is this a lasting treasure
Or just a moment's pleasure
Can I believe the magic in your sighs
And will you still love me tomorrow
You say that I'm the only one
But will my heart be broken
When the night meets the morning sun
I'd like to know if your love
Is a love I can be sure of
So tell me now and I won't ask again
Will you still love me tomorrow
Will you still love me tomorrow
Will you still love me tomorrow
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Gerry Goffin, Carole King
Lyrics Licensed & Provided by LyricFind
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Davidbeautiful Perez
I love the way little sings this version,perfect for slow dancing.
flatop47
Thanks For Looking
David Walsh
A very gifted little lady.........A brilliant working of this classic track.
Skygazer
Little Eva had a great voice and should have had a successful career
elamite66
never heard this by Little Eva but I love it She's got a unique voice
flatop47
Thanks For Looking
elamite66
flatop47 I see you're from East Sussex I,m from NY and bought my first 45s in 1962 in the Bronx and I used to take the El and the subway to Manhattan and walked by the Brill Building just north of Times Square where most of these records were written and recorded and once I saw Little Eva leaving
flatop47
Yes East Sussex...A Place Called Peacehaven..Right By The Sea....I Would
Love To Have Walked Round Times Square
Backintheday....Cheers, Brian
elamite66
Times Square back then was kind of run down and it got worse with porno shops in the late 1960s although prostitutes had been there at night as long as I can remember It wasn;t until the last 20 years or more that it was really fixed up of course as a kid I was interested in everything
elamite66
flatop47 At one time Times Square had been the "crossroads of the world" Times Square back then 1962 was kind of run down it started in the 1950s and got a lot worse with all the porno being legal in the late 1960s although prostitutes had been there at night as long as I can remember It wasn't until the last 20 years or more that it has become what it is today