Born in Detroit in the late 80’s, Lizzo spent much of her formative years in the church, where she was raised on the gospel sounds of The Winans, The Clark Sisters, and Fred Hammond, along with mainstay secular artists such as Stevie Wonder and Elton John. At the age of 10 her family moved to Houston, TX, and Lizzo was exposed to a wide array of emerging Southern musical styles, from the trademark chopped and screwed rap tracks of the underground, to the progressive and polished R&B sounds of groups like Destiny’s Child that were raising the city’s national profile to new heights. In fact, it was after she stumbled across a Destiny’s Child performance at Wal-Mart that Lizzo—then a 5th grader-- was inspired to start writing music on her own. Over the next decade that decision would take her through the trenches of some of the most varied musical genres: R&B girl groups (I.N.I.T.I.A.L.S., Cornrow Clique), progressive rock bands (Elypseas), solo rap ventures, and electro-pop duos (Lizzo & The Larva Ink).
In 2011 she made the move to Minneapolis with Larva Ink in order to be a part of that city’s blossoming and collaborative musical community. Lizzo & The Larva Ink was well received there, and the group earned a few encouraging nods from the press. Lizzo was soon introduced to Sophia Eris and Claire de Lune, with whom she would form The Chalice, the three-piece all-female rap/R&B group that would elevate Lizzo’s profile and reputation. In 2012 The Chalice released We Are The Chalice, an album that would gain them instant local success amongst fans and critics alike, garnering City Pages’ prestigious Best New Band and Picked To Click accolades in the same year.
The success brought setbacks, though, and a falling out soon led to the demise of Lizzo & The Larva Ink. Feeling discontent with the loss of one group and the hurried blur of success of another, Lizzo was creatively drained from writing We Are The Chalice in two short months. She found herself in the throes of her first full-blown case of writer’s block. Unable to create music for herself, she began listening to several different local albums in hopes of finding inspiration. It was LAVA BANGERS, a 20-track instrumental mixtape from Doomtree producer and Minneapolis music vet Lazerbeak, that ultimately caught her ear. Beaks’ beats proved the fix for Lizzo’s problem. “I sat at home and listened to LAVA BANGERS, and when “Lift Every Voice” came on, my writer’s block was cured,” says Lizzo. “I think it revived my gospel roots. I wrote pages and pages of songs, and finally reached out to Lazerbeak, not thinking anything would come of it.”
Her timing could not have been better. Beak, impressed with Lizzo’s output with The Chalice, as well as her guest appearances on several other local releases, was looking for a change of pace from his daily Doomtree production and business responsibilities. He immediately signed on to work on some demos. Beat tapes were exchanged, songs were written, and mutual friend and musical collaborator Ryan Olson (Totally Gross National Product founder, Gayngs/Marijuana Deathsquads mastermind) was brought on board to creatively oversee the project. Olson recorded and edited all 15 tracks in his bedroom studio, bringing in laid back hype-man Cliff Rhymes along the way to add even more layers to Lizzo’s dynamic vocals.
LIZZOBANGERS is the culmination of that four-way collaboration, an album that manages to capture all of the varied musical influences of Lizzo’s upbringing and combine them with the forward-thinking experimental production style of Beak and Olson. The end result is a brave new project that encapsulates the best parts of both the familiar and the future.
Everybody’s Gay
Lizzo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We on demon time until tomorrow mornin', ooh, wee
(Say less) Bitch, say less, express yourself
Bitch, get dressed, unstress yourself
It's cold outside, so what, let's take a walk
Tonight, I wanna be nobody else (nobody else)
This costume feels so real, almost scared myself
Dance the night away (keep it pussy poppin', pop those percolates)
Everybody's gay, yeah (it's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait (at 3 AM my freak come out the cage)
Mmm, yeah, there's a Mona Lisa moaning in the room, mmm
Tell the sexy nurse to meet me in loo, ooh, yeah
Sisters drinkin' bitches brew
The mister got a monster too (big dick)
It's gettin' freaky, do you wanna leave the bar? (Hell no)
Dance the night away (keep it pussy poppin', pop those percolates)
Everybody's gay, yeah (it's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait (at 3 AM my freak come out the cage)
Purr, bitch
Freaky nights
Crazy times
Let's play dress up, baby
(Play that shit, white boy)
Dance the night away (keep it pussy poppin', pop those percolates)
Everybody's gay, yeah (it's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait (at 3 AM my freak come out the cage)
(Woo, girl, you shoulda seen)
Purr, bitch
The lyrics to Lizzo's song "Everybody's Gay" explore themes of self-expression, celebration of individuality, and liberation from societal expectations. The lyrics suggest a desire to break free from societal norms and embrace one's true self, without fear or judgment. The line "Bitch, say less, express yourself" encourages honesty and authenticity, urging individuals to embrace their true identity and let go of any inhibitions. The song also emphasizes the idea of inclusivity and a safe space where everyone can be themselves, with the lyrics "it's a happy place in here, baby, you're safe" highlighting the importance of acceptance and celebration of diversity.
The chorus "Dance the night away... Everybody's gay" is a metaphorical invitation to let loose, have fun, and celebrate in a carefree and joyful manner. The song encourages breaking free from societal constraints and expectations, allowing oneself to fully express their true identity and embrace their sexuality, regardless of societal norms.
Overall, "Everybody's Gay" celebrates self-expression, individuality, and inclusivity, promoting acceptance and a safe space for everyone to be their authentic selves.
Line by Line Meaning
1 AM and the night just keeps on callin', ooh
The late hour of 1 AM signifies a time when inhibitions are lowered and desires are heightened.
We on demon time until tomorrow mornin', ooh, wee
Engaging in activities that are generally considered more risqué or taboo, embracing a sense of liberation and indulgence until the next day.
(Say less) Bitch, say less, express yourself
Encouraging others to speak up and freely express their true selves without holding back.
Bitch, get dressed, unstress yourself
Encouraging someone to dress up and let go of any worries or fears.
It's cold outside, so what, let's take a walk
Ignoring societal expectations or judgments, taking a bold step forward despite external conditions.
Tonight, I wanna be nobody else (nobody else)
Expressing a desire to break free from societal expectations and be true to oneself without pretending to be someone else.
This costume feels so real, almost scared myself
The act of embracing a new persona feels so authentic that it can momentarily cause surprise or fear due to its intensity.
Dance the night away (keep it pussy poppin', pop those percolates)
Letting loose and enjoying oneself through energetic dancing and sexual expression.
Everybody's gay, yeah (it's a happy place in here, baby, you're safe)
In this context, 'gay' doesn't refer to sexual orientation but rather to embracing joy, happiness, and a sense of acceptance within the environment.
We can take our mask off
Encouraging vulnerability and authenticity, removing any facade or pretense.
We can all ball and parlay
Enjoying life to the fullest, indulging in luxury and pleasure.
I can hardly wait (at 3 AM my freak come out the cage)
Anticipating a time when one's inner desires and uninhibited nature are unleashed during the late hours of the night.
Mmm, yeah, there's a Mona Lisa moaning in the room, mmm
Referring to the presence of seductive and alluring individuals who are fully embracing their desires.
Tell the sexy nurse to meet me in loo, ooh, yeah
Inviting an enticing character, symbolized by a sexy nurse, to rendezvous in a private location for intimate activities.
Sisters drinkin' bitches brew
Women empowering each other and celebrating their sexuality while enjoying a concoction that unleashes their inhibitions.
The mister got a monster too (big dick)
Acknowledging the presence of a well-endowed partner.
It's gettin' freaky, do you wanna leave the bar? (Hell no)
The atmosphere is becoming increasingly intense in terms of erotic activities and one is inviting others to join in the excitement.
Purr, bitch
An expression of confidence and sexuality, akin to the sound a cat makes.
Freaky nights
Engaging in unconventional and thrilling experiences during the nighttime.
Crazy times
Embracing wild and uninhibited moments.
Let's play dress up, baby
Engaging in imaginative role-playing and exploring different personas.
(Play that shit, white boy)
Encouraging someone, particularly a white individual, to join in and embrace the liberating and expressive atmosphere.
Purr, bitch
Reiterating the earlier expression of confidence and sexuality, emphasizing personal empowerment.
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Andrew Wansel, Ian Kirkpatrick, James Johnson, Melissa Viviane Jefferson, Ricky Reed, Theron Thomas
Lyrics Licensed & Provided by LyricFind
@mariocastro3957
✨ lyrics ✨
[Verse 1]
1 A.M. and the night just keeps on callin', ooh
We on demon time until tomorrow mornin', ooh-wee (Say less)
Bitch, say less, express yourself
Bitch, get dressed, un-stress yourself
It's cold outside, so what? Let's take a walk
[Pre-Chorus]
Tonight, I wanna be nobody else (Nobody else)
This costume feels so real, almost scared myself
[Chorus]
Dance the night away
(Keep it pussy poppin', pop those percolates)
Everybody's gay, yeah
(It's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait
(At 3 A.M., the frеak come out the cage)
[Verse 2]
Mm, yеah, there's a Mona Lisa moanin' in the room, mm
Tell a sexy nurse to meet me in the loo, ooh, yeah
Sisters drinkin' bitches brew
The mister got a monster too (Big dick)
It's gettin' freaky, do you wanna leave the ball? (Hell nah)
[Chorus]
Dance the night away
(Keep it pussy poppin', pop those percolates)
Everybody's gay, yeah
(It's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait
(At 3 A.M., the freak come out the cage)
[Bridge]
Pur, bitch
Freaky nights
Crazy times
Let's play dress up, baby
(Play that shit, my boy)
[Chorus]
Dance the night away
(Keep it pussy poppin', pop those percolates)
Everybody's gay, yeah
(It's a happy place in here, baby, you're safe)
We can take our mask off
We can all ball and parlay
I can hardly wait
(At 3 A.M., the freak come out the cage)
(Woo, okay, she can sing)
[Outro]
Pur, bitch
@pnelson1432
The line "sistas drinkin' bitches brew" = nice nod to that album by Miles Davis (plus the horns are a tribute to "Give It to Me" by Rick James). I recall on Lizzo's collab "Rumors" with Cardi B that Lizzo proclaimed that "Black people made rock and roll."...Lizzo brings it all to us: R&B, jazz, hip-hop, rock, funk, disco, ballads, and bringing her flute expertise in all those genres, plus classical. Lizzo...a true musician with so much love to share!
@pansexualdickhaver6878
That miles Davis catch is a nice one
@4321chanson
Oooh I was thinking Sistas drinkin bitches brew could be a Hocus Pocus reference, but the Miles Davis record is an excellent catch! Maybe it's a double ref?
@kazoo.of.destiny
this feels like she's reviving donna summer disco music and I'm so here for it
@ireallycantbeasked
Nice pfp :)
@Songbirdsupreme99
Uh no sweetie
@kazoo.of.destiny
@@ireallycantbeasked u too :)
@ireallycantbeasked
@@Songbirdsupreme99 lmao
@ireallycantbeasked
@@kazoo.of.destiny ty :)
@PossiblyProbably
I used to be a fan. Now I'm a gay fan.