Donegan was born as Anthony James Donegan in Glasgow, Scotland, the son of a professional violinist. His ethnic mix was Scottish/Irish. He moved with his mother to London at an early age, after his parents divorced. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen.
The first band he ever played in was the trad jazz band led by Chris Barber, who approached him on a train asking him if he wanted to audition for his group. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. His stint in this group was interrupted, however, when he was called up for National Service in 1949. He also played in Ken Colyer's group
In 1952, he formed his first own group, the Tony Donegan Jazzband, which found some work around London. On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. Donegan was a big fan of Johnson, and took his first name as a tribute to him. The story goes that the host at the concert got the musicians' names confused, calling them "Tony Johnson" and "Lonnie Donegan", and Donegan was happy to keep the name.
With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. This proved so popular that in July 1954 he recorded a fast-tempoed version of Leadbelly's "Rock Island Line", featuring a washboard but not a tea-chest bass, with "John Henry" on the B-side. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. This led to the peculiar situation that any "cover" version of "Rock Island Line" which was released on record in Britain from 1956 showed the song composition credited to Lonnie Donegan.) It was the first debut record to go gold in the UK, and reached the Top Ten in the United States. His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954.[4] Decca dropped Donegan thereafter, but within a month he was at the Abbey Road Studios in London recording for EMI's Columbia label. He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. His next single "Lost John" reached #2 in the UK Singles Chart.
His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The LP was a hit, securing sales in the hundreds of thousands.[4] The popular skiffle style encouraged amateurs to get started, and one of the many skiffle groups that followed was The Quarrymen formed in March 1957 by John Lennon. Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney.
Donegan went on to make a series of popular records with successes including "Cumberland Gap" and, particularly "Does Your Chewing Gum Lose It's Flavour (On The Bedpost Over Night)", his only hit song in the U.S., released on Dot. He turned to a music hall style with "My Old Man's a Dustman" which was not well received by skiffle fans, or in an attempted but ultimately unsuccessful American release by Atlantic in 1960, but it reached number one in the UK Singles Chart. Donegan's group had a flexible line-up, but was generally formed by Denny Wright or Les Bennetts (of Les Hobeaux and Chas McDevitt's skiffle groups) playing lead guitar and singing harmony vocals, Micky Ashman or Pete Huggett - later Steve Jones - on upright bass, Nick Nichols - later Pete Appleby and Mark Goodwin - on drums or percussion and Donegan playing acoustic guitar or banjo and singing the lead.
He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music.
Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). This group recorded two excellent blues numbers with Lonnie Donegan as vocal called "In the evening when de sun go down" and "The Midnight Special" After a year, Ken colyer stormed out of the group and Chris Barber took over.
http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html (Memories of Lonnie Donegan by Paul Griggs)
Sal's Got a Sugar Lip
Lonnie Donegan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sal's got a sugar lip
Sal's got a sugar lip
Last in the cane and surf in the corn
Sugar in the corn and honey in the home
Apple in the tree and a peach in my hand
Come here Sally and sweeten me again
Sal's got a sugar lip
Take off the plate and pie in the pan
Come here Sally and sweeten your man
I love that purdy little gal
Nothing on earth's as sweet as my Sal
Honey on her lips and honey on her toes
Honey all over her pretty little nose
Sal's got a sugar lip
Sal's got a sugar lip
Take off the plate and pie in the pan
Come here Sally and sweeten your man
Bees a buzzin' around her door
I know what they're buzzin' for
She's as sweet as lasses cane
Man alive, that Sally Jane
Sal's got a sugar lip
Sal's got a sugar lip
Take off the plate and pie in the pan
Come here Sally and sweeten me again
Sal's got a sugar lip
Sal's got a sugar lip
Take off the plate and pie in the pan
Come here Sally and sweeten your man
The lyrics of Lonnie Donegan's "Sal's Got a Sugar Lip" are simple and straightforward; they speak of the singer's love and admiration for Sally, who is being portrayed as a sweet and charming woman. The imagery used in the song suggests a rural setting, with references to cane, corn, apples, and peaches, which are all traditional crops associated with the rural agriculture of the southern United States. The singer implores Sally to come to him and "sweeten" him and praises her sweetness and beauty.
The repeated refrain of "Sal's got a sugar lip" serves as a sort of chorus, emphasizing the main theme of the song. The chorus is accompanied by a catchy melody and rhythm which add to the song's upbeat and cheerful tone. The use of the word "lip" in the title and throughout the song has a double meaning; it refers both to Sally's sweetness and also to her physical features.
Overall, "Sal's Got a Sugar Lip" is a charming and lighthearted song that celebrates the joy and beauty of a simpler time and place. The song is filled with examples of traditional southern agriculture and rural life, and the lyrics speak of the love and admiration that the singer has for Sally.
Line by Line Meaning
Come here Sally and sweeten your man
Invitation to Sally to come closer and show some affection to her man.
Sal's got a sugar lip
Sally is incredibly sweet and pleasing to her man.
Last in the cane and surf in the corn
Reference to the end of sugarcane season and the start of corn harvest.
Sugar in the corn and honey in the home
Corn is sweet and valuable, while honey signifies love and family.
Apple in the tree and a peach in my hand
The man is content with what he has, but still desires sweet Sally's love.
Take off the plate and pie in the pan
The man is asking Sally to stop cooking and come give him attention.
I love that purdy little gal
The man is smitten with Sally and finds her incredibly attractive.
Nothing on earth's as sweet as my Sal
Sally's sweetness is unrivaled in the man's eyes.
Honey on her lips and honey on her toes
Sally is dripping with sweetness and love from head to toe.
Honey all over her pretty little nose
Sally's sweetness is so overwhelming that it even covers her nose.
Bees a buzzin' around her door
The man wants Sally so much that even the bees can sense it.
I know what they're buzzin' for
The man is fully aware that the bees are attracted to Sally's sweetness.
She's as sweet as lasses cane
Sally is just as sweet as the sugarcane grown in the area.
Man alive, that Sally Jane
The man is amazed and delighted by Sally's sweetness.
Contributed by Camden P. Suggest a correction in the comments below.
Mike Hannon
on Wabash Cannonball
If you want the donegan lyrics from the recording this link has provided instead of the johnny cash ones they are as fallows;
Wabash Cannonball
by Lonnie Donegan
She came down from Birmingham, one cold December day
As she rolled into the station, you could hear the people say
That train from Indiana, she's long and she's tall...
That’s a combination called the Wabash Cannonball
Listen to the jingle, the rumble and the roar
As she comes down the mountains through the hills and by the shore
Hear the mighty rush of the engine, hear the lonesome hobos call
He’s racing through the jungle on the Wabash Cannon Ball
From the great Atlantic Ocean to the wide Pacific shore
From the green and flowing mountains to the old mill by the moor
She's long and handsome, and quite well known by all...
That’s a combination called the Wabash Cannonball
Listen to the jingle, the rumble and the roar
As she comes down the mountains through the hills and by the shore
Hear the mighty rush of the engine, hear the lonesome hobos call
He’s racing through the jungle on the Wabash Cannon Ball
Well here's to that old engineer his name will ever stand
And always be remembered in the courts throughout the land
When his mighty race is over and the curtains 'round him fall...
It'll carry him back to dixie on the Wabash Cannon Ball
Listen to the jingle, the rumble and the roar
As she comes down the mountains through the hills and by the shore
Hear the mighty rush of the engine, hear the lonesome hobos call
Yeah he’s racing through the jungle on the Wabash Cannon Ball